The Rise of Skywalker Novelization Review – Leia Edition

***I just recently finished the Rise of Skywalker novelization. Naturally, as the “Expanded Edition,” it’s intended to supplement the events of the film and hopefully fill some of those gaping plotholes. Naturally as a Star Wars geek, I’ve got opinions. Too many to fit into a single review. Thus, welcome to the second of my multi-part Rise of Skywalker novelization review!***

By Rob Siebert
Would not be called “General Rob”

1. “General Leia”
When The Force Awakens came out, I understand why she was marketed as “General Leia.” The world had known her as Princess Leia for almost 40 years. Calling her General Organa, or even General Leia Organa, might be confusing for some. I don’t think the name Organa is said at any point in the original trilogy.

In the movies they did the right thing. She wasn’t General Leia. She was General Organa. Or just Leia. But in the Rise novelization she’s called “General Leia” a handful of times. It’s off-putting. Consider this: In Return of the Jedi we didn’t have General Han or General Lando. It was General Solo and General Calrissian.

So let’s get this down once and for all: In licensing meetings she can be General Leia. But in-story? She’s General Organa.

2. Luke Was Speaking to Leia From Beyond.
As the story begins, Leia knows she’s dying. Thanks in no small part to getting blown into space during The Last Jedi. She knew she had to maximize the time she had left. What’s more, she had a persistent voice telling her that her time to go was now.

Between helping Rey and bugging Leia, Luke was a busy Force Ghost.

Their first exchange in the book is simply…
“Leia. It’s time.”
“Not just yet.”

Brother later told sister, “There is only one thing left. Then you can rest.”

Finally, when Leia sacrificed herself reaching out to Ben and passes into the Force, she feels “a surge of welcome from Luke, who was not alone…”

I’d like to think he’s not talking about all the other Jedi we hear from later. Though that would mean she’d get to see her father, and even Obi-Wan Kenobi. To yours truly, the ideal vision is Anakin, Padme, Luke, Leia, and Han. The Skywalker family reunited in full. Sticklers will tell us that neither Padme nor Han could have preserved their consciousness in the Force.

But it’s intentionally left vague. I imagine there’s a reason for that.

3. Leia’s Jedi Training
With Luke gone, Leia was the only one left who could offer Rey anything remotely resembling Jedi training. She wasn’t a Jedi herself. But as we’d later learn, she was very much a qualified teacher.

The novel delightfully yet briefly touches on Luke’s training of Leia. Nothing too extensive. But we learn that her training, or at least much of it, took place on Ajan Kloss, the planet the Resistance is based on when the story begins. Luke would often compare Leia’s training to his with Yoda. Thus, he tended to refer to Ajan Kloss as “nice Dagobah.”

Certain things came naturally to Leia. Not long after the Battle of Endor, Luke tried to teach Leia a lesson in patience by having her stand on her head for a long period of time. Much like he did with Yoda. In response to taunts he threw her way, she used the Force floated up and on to her feet. “You’re going to make me a better teacher,” Luke said.

4. The Tantive IV
Remember the first ship we see in the original Star Wars? The blockade runner that gets captured by the Star Destroyer? Yeah, apparently that’s not only still functioning 34 years later, but it’s in this damn story. It’s even in the big space battle at the end. It goes down, though. Among the casualties aboard are Nien Nunb, Lando’s co-pilot from Return of the Jedi.

This movie and it’s original trilogy collectibles. Honestly.

5. “Leia Was Stronger Than All of Us”
Luke says that to Rey during their scene on Ach-To.

This book practically worships Leia. Which I’m actually okay with. Not because of Carrie Fisher’s death, though that does make it more poignant. It’s because in the end, Leia was the strongest person in the saga. There’s actually a line in the book

Rian Johnson touched on this in the commentary track for The Last Jedi. Over the course of her life, Leia…

– Was taken from her birth parents.
– Lost her adoptive parents when her world exploded, as she was forced to stand by and watch.
– Discovered her father was Darth Vader, who was the one to hold her in place and make her watch aforementioned explosion.
– Lost her son to the dark side, just as Vader had been lost to it.
– Lost her husband when he was murdered by aforementioned son.
– Lost her brother when he sacrificed himself to save the Resistance.
– Endured the death of so many friends. In the sequel trilogy she also lost Holdo, who’d been a childhood friend, and Admiral Ackbar, whom she’d known since the days of the Rebellion.

And yet, when the galaxy needed her to fight, she kept on fighting.

Turns out Leia, like Carrie Fisher, was as tough as they come.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: A Star Wars Trifecta, Bendis, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

We’re strictly looking at Marvel and DC this week, as that’s just how things shook out. Seems like a catch-up edition of “Weekly Comic 100s” is in order sooner than later…

Incidentally, Wolverine #1 was February’s top-selling comic. And no, I still won’t be reading or reviewing it.

TITLE: Star Wars: Bounty Hunters #1
AUTHOR:
Ethan Sacks
ARTISTS:
Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED:
March 11, 2020

Covers don’t usually play a big part in whether I’ll try a new series, or an issue I otherwise wouldn’t be inclined to pick up. But if ever one could, it’s this one. Epic work by Lee Bermejo.

I’d call this a strictly okay start. The success of this series is largely riding on how the Vance character comes off as these early issues are buoyed by classic characters like Boba Fett and Bossk. He’s got a kind of Terminator-like appearance, and a mysterious backstory that piques my curiosity.

Tell me more, comic. Tell me more…

TITLE: Star Wars: The Rise of Kylo Ren #4 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by E.M. Gist.
RELEASED: March 11, 2020

This mini ends exactly how you think it will. Some questions we now have answers to. Some we don’t. But we did get a really nice character moment that illustrates a really interesting, though in hindsight obvious parallel between Kylo Ren and Luke.

During a fight with one of Luke’s other Jedi pupils, Ben says that neither Luke and Snoke see him as a person. “I’m just a…legacy. Just a set of expectations.” From a certain point of view (wink wink), that’s exactly what Luke talks to Rey about in The Last Jedi. The burden of his bloodline.

TITLE: Darth Vader #2
AUTHOR: Greg Pak
ARTISTS:
Raffaele Ienco, Neeraj Menon, Joe Caramagna. Cover by Inhyuk Lee.
RELEASED:
March 11, 2020

In this issue, we supposedly meet a surviving Padme. Funny thing is, the character looks older in the interior art than Natalie Portman does in real life.

Later on, Vader tells someone that if she’d lived, Padme would have joined the Empire. I wonder if he means the Empire that would have existed had he overthrown Palpatine, or the Empire that actually came to pass. I can’t bring myself to believe that he believes the latter. Unless he’s deluded himself that much over the course of two decades.

TITLE: Superman #21
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Joe Prado and Oscar Albert (Inkers), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Variant cover by Bryan Hitch and Sinclair.
RELEASED: March 11, 2020

More Superman vs. Mongul here. Bendis turns the story horizontal and we get a series of slimmer top-to-bottom panels depicting various locations. It’s a nice little trick.

What I’m really liking about this “Truth” story is it illuminates the larger scope of what it means to be Superman. He’s not just some guy flying around in a cape punching things. The United Planets plotline emphasizes something that certain people never seem to understand. Superman is an idealist. Peace. Justice. Unity. Teamwork. Courage. These are the things he really stands for, and I love that Bendis gets that.

TITLE: Young Justice #14
AUTHORS: Brian Michael Bendis, David Walker
ARTISTS:
John Timms, Michael Avon Oeming, Gabe Eltaeb (Inker), Wes Abbott (Letterer).
RELEASED:
March 11, 2020

I’m wondering what the deal is with all these alleged new members. Are we doing a Justice League Unlimited type thing, where characters rotate in and out depending on the mission? Either way, it’s great to see Jackson Hyde back.

Bendis’ old Powers colleague Michael Avon Oeming handles some of the art here. The work he does here is fine. But if he’s going to be on the book, I’d prefer he be the sole artist.

TITLE: Cable #1
AUTHOR: Gerry Duggan
ARTISTS:
Phil Noto, Joe Sabino (Letterer)
RELEASED:
March 11, 2020

Well hey there, Phil Noto. Always good to see you.

Here we have the X-Men once again shamelessly tampering with the space time continuum as a younger Nathan Summers lives with present-day mutants on Krakoa.

Outside of a sparring session with Wolverine during the opening pages, and Noto’s art in general this issue didn’t do much for me. There’s something of a novelty in seeing this character in a jungle atmosphere he’s not normally associated with. But in the end, not much to write home about. Not yet at least.

TITLE: Shazam #11
AUTHOR:
Geoff Johns
ARTISTS:
Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Cover by Dale Eaglesham and Atiyeh.
RELEASED:
February 26, 2020

Alright, let’s talk about it: Superboy-Prime is back. His next target? Shazam.

If it were somebody other than Geoff Johns writing this book, I’d be a little apprehensive. But because it’s him, I’m actually looking forward to their big showdown.

Superboy-Prime is pretty much the anti-Shazam. Billy Batson is a young man given great power who ultimately uses it for good. This version of Superboy? A young man whose power made him spoiled, bitter, and angry. These two have more in common than they’d ever admit.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Kylo Ren, Gwen Stacy, Superman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Star Wars: The Rise of Kylo Ren #3 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by Clayton Crain.
RELEASED:
February 12, 2020

Once again, the most interesting part of this Kylo Ren origin story proves not to be Ben Solo’s fall to the dark side. Rather, it’s Luke attempt to revive the Jedi Order.

What we see doesn’t even have that much meat to it. It’s just Luke working with his students as children, and then a bunch of short scenes to give us a glimpse of what their lives were like as they grew up. But as we’ve been waiting to see this part of the story for so long, any morsel of information feels mountainous.

TITLE: Gwen Stacy #1 (of 5)
AUTHOR: Christos Gage
ARTISTS: Todd Nauck, Rachelle Rosenberg (Colorist), Joe Caramagna (Letterer). Cover by Adam Hughes.
RELEASED: February 12, 2020

The part of “spunky teen girl detective” will now be played by Gwen Stacy.

In a post-script message to fans, editor Nick Lowe tells readers the idea for this mini-series is to add to some of the classic Spidey stories with Gwen, and fill in some details along the way. But it works quite nicely on its own merits. Todd Nauck’s art has a modern feel, but with a retro twinge. It feels like a natural successor to those Spider-Man stories from the ’60s and ’70s.

Though frankly, that Adam Hughes cover alone is worth the price.

TITLE: Superman: Heroes #1
AUTHORS: Brian Michael Bendis, Matt Fraction, Greg Rucka
ARTISTS: Kevin Maguire, Mike Perkins, Steve Lieber, Mike Norton, Scott Godlewski. Cover by Bryan Hitch.
COLORISTS:
Paul Mounts, Gabe Eltaeb, Andy Troy, Nathan Fairbairn. Alex Sinclair (Cover).
LETTERERS:
Troy Peteri, Clayton Cowles, Simon Bowland
RELEASED:
February 12, 2020

This issue is supposed to be about all the superheroes and supporting characters reacting to the big Superman/Clark Kent revelation. But there’s an absolutely beautiful scene between Superman and someone we’ve never seen before: Clark Kent’s high school chemistry teacher.

Clark thanks him for helping to show him the value of hard work, and assures him that despite his powers, he never cheated. Despite being tempted to, of course. It casts this strict, Mr. Feeny type character as a hero in his own right. That’s exactly how (most) teachers should be seen.

TITLE: Superman #20
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Joe Prado, Oclair Albert, Alex Sinclair (Colorist), Jeremiah Skipper (Colorist), Dave Sharpe (Letterer)
RELEASED: February 12, 2020

I think I’ve made it pretty clear by now that my favorite thing about Bendis’ influence on the Superman books has been the emphasis on journalism. In this issue we spend a good amount of time in the newsroom of The Daily Star (The Daily Planet‘s competitor) as they process the whole Superman/Clark Kent reveal. We happen to get a very intriguing return as well.

This United Planets story is finally starting to get interesting. As a representative of Earth, Superman is about to take on something of a political role. Things are about to get complicated. Very complicated…

TITLE: Alienated #1 (of 6)
AUTHOR: Simon Spurrier
ARTISTS: Chris Wildgoose, Andre May (Colorist), Jim Campbell (Letterer). Variant cover by Bengal.
RELEASED: February 12, 2020

Slow. Down.

I like this idea a lot. Three outcast high schoolers whose minds become telepathically connected by an alien thing in the woods. Great! Lot of fun to be had there.

But Alienated #1 is so fast-paced that it’s hard to really sink your teeth into anything. I get the sense these characters have been developed and thought out. But perhaps Spurrier figured he only had six issues to work with, and wanted to cram a lot of stuff in early. Why else would he come out of the gate so fast?

TITLE: Marvels X #1
AUTHORS: Alex Ross, Jim Krueger
ARTISTS:
Well-Bee. Cory Petit (Letterer). Cover by Ross.
RELEASED:
February 12, 2020

I think David, our young protagonist, is the only character I’ve ever seen pray to a superhero. Outside of Homer Simpson, that is. (“Please save me, Superman!”) But that was obviously for comedic effect. David seems serious as a heart attack as he prays to Captain America in this issue. Weird, huh?

This series takes place in an interesting time frame. As David makes his way through New York City, it’s clear the age of heroes is over. But we obviously haven’t made it to the dystopian future of Earth X yet. We’re in that in-between period. That’s…intriguing.

TITLE: Batman: Pennyworth R.I.P.
AUTHORS: James Tynion IV, Peter Tomasi
ARTISTS: Eddy Barrows, Eber Ferreira, Chris Burnham, Marco Takara, Diogenes Neves, David Lafuente, Sumit Kumar. Cover by Lee Weeks.
COLORISTS: Adriano Lucas, Rex Lokus, Nathan Fairbairn
LETTERERS:
Travis Lanham, Tom Napolitano
RELEASED: February 12, 2020

Not much to see here. Yes, it’s cool to see the whole Batman “family” come together out of costume. But by and large, this one’s pretty missable. Unless you want to see Barbara Gordon act like a complete asshole. Then you’ll love it.

The issue even contorts the timeline in a weird way. At one point it’s said that the tenth anniversary of the Wayne murders came not long after Damian died in the pages of Batman Incorporated. Wait…what? Yes, I know Damian was created using comic book science. But that timeline still doesn’t add up.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Marvels X, Batman #86, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Earth X was probably the one big Alex Ross project I knew the least about. So I got myself a nice little education heading into this week’s Marvels X. Low and behold it’s a trilogy. Now a tetralogy, with Marvels X.

Looks like I’ve got some catching up to do. But in the meantime…

TITLE: Marvels X #1
AUTHORS:
Alex Ross (Story), Jim Krueger (Story and Script)
ARTISTS:
Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED:
January 8, 2020

Having not read Earth X, and with this being intended as a prequel, I’m forced to judge this issue simply at face value. And at face value, it’s absolutely fine.

Our main character, a teenager named David, is the one person on in this dystopian future who does not have super powers. Orphaned and alone, he sets out for New York City to find his idols: Captain America, Iron Man, and Spider-Man.

Seeing an artist like Well-Bee tackle a Ross/Krueger concept like this feels different, but intriguing. For now, my interest is piqued.

TITLE: Batman #86
AUTHOR: James Tynion IV
ARTISTS: Tony Daniel, Danny Miki (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED: January 8, 2019

For my money, Tynion has a better handle on Batman and his world than Scott Snyder or Tom King. So I’m anxious to see what he turns in.

As Bruce continues to mourn for Alfred, various assassins gather in Gotham. Meanwhile, the issue presents us with an intriguing idea: Over the years, Bruce has randomly sketched, essentially doodled, bits of Gotham’s skyline and architecture as he would have them look. In the wake of “City of Bane,” he has a chance to make those visions a reality. Also, something’s up with the Joker…

So far, so good.

TITLE: The Clock #1
AUTHOR: Matt Hawkins
ARTISTS: Colleen Doran, Bryan Valenza (Colorist), Troy Peteri (Letterer)
RELEASED: January 8, 2020

This is not the most gracefully executed issue. Naturally, it needs to get a lot of exposition out of the way, and it falls into the clunky dialogue trap that comes with that. Also, early on some of the the speech balloons are hard to follow. They don’t contrast with the backgrounds (specifically the outdoor ones) enough, so you have a hard time following who is saying what.

But under all that, The Clock might just be a good story about a super cancer threatening to wipe our half the Earth’s population. But the jury’s still out.

TITLE: Star Wars: The Rise of Kylo Ren #2 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by Clayton Crain
RELEASED:
January 8, 2020

If you need to be sold on the idea of a book about Luke’s post-Return of the Jedi adventures, look no further than this issue. He faces the Knights of Ren, with both Lor San Tekka and a young Ben Solo at his side. Call it The Adventures of Luke Skywaker, as a take-off of one of Lucas’ early draft titles for Star Wars.

Ben’s interactions with Snoke have a slightly different flavor now that The Rise of Skywalker has come out. Snoke is also wearing his most flamboyant outfit yet. What’s up with the hat…?

TITLE: Teenage Mutant Ninja Turtles #101
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS:
Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED:
January 8, 2020

Basically, this book is doing what the 2007 TMNT movie did. Only, you know, better. The Turtles are split up and doing their own thing. And we’ve got kind of an Arkham City spin, as they’ve walled off a portion of New York to throw all the mutants in.

I like this. It’s a big status quo shake-up the series has probably needed for awhile now. Encouragingly, the character that shines the most in this issue is Jennika, our new female Ninja Turtle. Lots of fresh intrigue as this series moves forward.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #2 (of 5)
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Walter Baiamonte (Colorist), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: January 8, 2020

In this issue we find out why Tommy has joined the Foot Clan. He’s apparently trying to save another clan member we don’t know. This new person’s identity, and how he connects to Tommy, is now far more interesting than the interactions the Turtles are having with the other Rangers.

They pull a stunt with Shredder at the end that I can take or leave. Seeing him meet Rita is pretty cool, though.

God damn, these Dan Mora covers are amazing.

TITLE: Young Justice #12
AUTHOR: Brian Michael Bendis
ARTISTS: John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: January 8, 2020

At what point do we just make this the new Teen Titans ongoing? Young Justice feels the way that book should feel. At least that’s how I…feel?

This is a pretty dense issue with a lot of standing around and talking. But Superboy does punches a T-Rex. That always counts for something.

We now appear to be headed toward a big Wonder Comics team-up, i.e. Young Justice along with the Wonder Twins and the kids from Dial H For Hero. Thankfully, it looks like it’s all staying within Young Justice, as opposed to a crossover.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Star Wars: The Rise of Skywalker: 10 Lingering Questions

By Rob Siebert
Fanboy Wonder

I might have been the last die-hard Star Wars geek to see The Rise of Skywalker. Such things are the case when you’ve got a six-month-old. You can’t very well bring an infant with you to a movie with this many pew-pews and explosions. Although you just know that somebody, somewhere, totally did.

At this juncture, a traditional review is essentially pointless. So I thought I’d try something a little different, and just ask some questions. Some you’ve probably heard by now. But certain others, perhaps not…

In case it needs to be said at this point, ***SPOILERS AHEAD!!!!!***

1. Why so much?
The most common complaint I’ve heard about The Rise of Skywalker is how overstuffed it is. It seemed like J.J. Abrams and his co-writer Chris Terrio were trying to make up for lost time, i.e. The Last Jedi. They had to straighten everything out with Palpatine, Snoke, Kylo Ren, the Sith, etc. We had to send our heroes on a bunch of different quests, then deal with Rey’s parentage, have Leia die, and then have the biggest space battle ever you guyz.

As such, the pacing is way too fast. We barely have time to digest anything. You can call that a non-stop, rip roarin’ action adventure if you like. But those quieter character moments are every bit as important, if not more. Rey and Kylo had their share. C-3PO did too. But we didn’t have time for anyone else.

My question is, why overstuff it so much? For instance, going to the planets Kijmi and Pasana. For me, the most interesting planet in this movie was Kijmi, where we met Kerri Russell’s character. Why not just have Rey and the others take the Falcon straight there, find out where the Sith McGuffin thing is, and skip Pasana all together? Did we really need yet another desert planet in the Star Wars universe? They could have found Lando, done the TIE Fighter stunt, and faked Chewie’s death just as easily on Kijmi, and it would have saved us some time.

2. Has Disney learned its lesson about planning this stuff out in advance?
It’s amazing to me that the Marvel Cinematic Universe, with its dozens of movies featuring different characters and settings, exists under the same umbrella as this new Star Wars trilogy, which couldn’t stay consistent through three consecutive films.

We learned from The Last Jedi writer/director Rian Johnson that by the time he signed on, the Disney/Lucasfilm brain trust hadn’t figured anything out beyond The Force Awakens. To this day, that’s staggering to me. They had access to Lawrence Kasdan, who co-wrote The Empire Strikes Back and Return of the Jedi. Not to mention George Lucas himself. And yet they couldn’t be bothered to at least come up with some basic bullet points? If you need to change course at some point, then do so. But at least draw a friggin’ map before you start the trip…

3. Was Chewie really that upset over the whole medal thing? Both The Last Jedi and The Rise of Skywalker go out of their way to “fix” something with Chewbacca.

In The Force Awakens, fans called foul when, upon their return from Starkiller Base, Rey got a hug from Leia, while Chewie seemingly walked by unnoticed. Remember, Han Solo, Leia’s former husband and Chewie’s BFF, had just been killed. By his own son no less. So in The Last Jedi, Rian Johnson had Leia exclaim, “Chewie!” and then give him a big hug. A cute little wink. Harmless.

Since the original film, it’s been a running joke that while Luke and Han got medals for destroying the Death Star, Chewie was left empty-handed. Kind of funny, but again, harmless.

And yet in this movie, after the battle is won, Maz Kanata gives our fuzzy friend one of those Death Star medals. (Presumably Han’s?) I get the gesture. But in a movie that’s already so long…why? After more than three decades, was Chewie still sore that he didn’t get a trinket? It’s not like they made him sit in the audience. He was standing up there with them! He ain’t easy to miss, either.

Also, where does Maz Kanata get her original trilogy collectibles? We never did find out how she got her hands on Luke’s lightsaber…

4. Is there a “cutesy character quota” in every Star Wars project now?
Everybody seemed to like Babu Frik, the little puppet who worked on C-3PO. With a fanbase as divisive as this one can be, something universally praised is a pretty big deal.

Between Babu Frik and Baby Yoda in The Mandalorian, I’m starting to wonder if there’s going to be a “cutesy character quota” every Star Wars project has to meet from here on out.

“Well Mr. Feige, I like what you’ve turned in here. But let me ask you this: How would you feel about adding a baby Ewok?”

5. What’s the deal with Palpatine’s body?
I don’t have an issue with them bringing Palpatine back. They shouldn’t have needed to, but that’s another story. If the Jedi can come back as “Force Ghosts,” then there’s no reason Palpatine couldn’t have used some kind of Sith alchemy to preserve himself after death. It fits with all that talk about cheating death in Revenge of the Sith.

And yes, there is a comic book that uses a similar concept with Palpatine transferring his consciousness into different bodies. Dark Empire, circa 1992. There’s even a similar line that we hear in The Rise of Skywalker about how, “It was not the first time I died…Nor will it be the last.” (Shown above.)

However, the movie doesn’t get into specifics about what exactly is going on with Palpatine. Is it a cloning thing? Is that somehow his original body? I’m hoping the novelization clears up the specifics of what exactly it is.

6. Really? Palpatine’s entire throne room survived the second Death Star explosion?
Because this movie, like the prequels, relies way too heavily on original trilogy nostalgia, Rey and Kylo Ren wind up fighting inside the remains of the second Death Star, which crashed on Endor. Including the Emperor’s throne room.

Point blank: This was stupid. Not just that we had to go back to Endor, but that so much of the second Death Star survived at all, much less the Emperor’s damn chair. We were going to see Palpatine later on anyway. There was no reason to have it in there other than a lazy play at nostalgia. Ditto for when Wicket made that cameo for no real reason.

To quote Luke, “That was a cheap move.”

7. Couldn’t R2-D2 have gotten in on the fun? Artoo has never been a main character. But he always had a prominent supporting role in both the original and prequel trilogies. George Lucas had a soft spot for him. He could be an unlikely hero, while also providing some comic relief.

But in this sequel trilogy, Artoo really only serves one purpose: Plot convenience. In The Force Awakens, he completes the map to Luke. In The Last Jedi, he convinces Luke to talk to Rey about the Jedi. In The Rise of Skywalker, he’s there to restore Threepio’s memories. Yes, he flies in Poe’s X-Wing during the end battle. But that’s supposed to be BB-8’s job, isn’t it? What’s more, it really should have been Artoo at the Lars Homestead with Rey. Assuming she’s setting up her own little Jedi Academy there, he’d be a great source of information, having spent all those years with Anakin and Luke. Instead, she brings BB-8.

It is indeed BB-8 we have to thank for Artoo sitting on the sidelines like this. I like the little guy and all, but he essentially took Artoo’s job as the resident hero droid. With BB-8 around, Artoo had nothing to do. That’s a damn shame. As one of the more iconic Star Wars characters, he deserved better.

8. What was with all the dead Jedi voices Rey heard?
Yes, the prequels turned out pretty rough. Even so, hearing the voices of Liam Neeson (Qui-Gon Jinn), Samuel L. Jackson (Mace Windu), and yes, even Hayden Christensen (Anakin Skywalker) during Rey’s big crowning moment was awesome. Like much of the film, it was hard to digest it all. But apparently, in addition to Luke, Obi-Wan Kenobi and Yoda, we also heard TV characters like Ahsoka Tano and Kanan Jarrus.

But while I loved it, I have to ask…how?

In the prequels, the first one to learn how to retain your consciousness in the Force, i.e. become a Force Ghost, was Qui-Gon. In the years between Revenge of the Sith and A New Hope, a spectral Qui-Gon taught both Yoda and Obi-Wan how to do it. I think it’s fair to assume Luke learned how to do it at some point after the fall of the Empire. But what’s the story with everybody else? Presumably, none of those other characters had the chance to learn that ability.

And as long as we’re on the subject, how did Anakin appear as a Force Ghost in Return of the Jedi? It was less than a day after he died!

The only explanation I can come up with is that Qui-Gon, Obi-Wan, and the others are somehow able to reach out to whatever spectral trace remains of their fallen comrades, and allow them to briefly speak. Or in certain special cases, even grant them the ability in the moments after their death, i.e. Anakin in Jedi. Given this is the Star Wars Universe we’re talking about, it’s about as plausible as anything else…

Would this whole trilogy have been better if Poe had died in the The Force Awakens?
According to a documentary among the special features on The Force Awakens Blu-ray, the Poe Dameron character was originally supposed to be killed off. I can only assume it would have been in the TIE Fighter crash on Jakku. But Oscar Isaac had been killed off early in some other movies, and didn’t want to do that again. The filmmakers obliged.

So, if I’m understanding this correctly, the only reason Poe made it through the movie is because Oscar Isaac would have declined the role otherwise? Um…what? He’s a great actor, but did Star Wars really need Oscar Issac that badly? If he wasn’t up for the role, I’ve got a hunch there might have been other actors willing to step in. I mean, y’know, maybe a few?

It makes you wonder, doesn’t it? What could The Last Jedi and The Rise of Skywalker have been like if they hadn’t had to balance Poe’s plotlines along with everyone else’s? Imagine how much more time they could have devoted to Finn’s development. We could have skipped all that Canto Bight stuff, and maybe had Finn be the one in conflict with Holdo. They might not have felt the need to cram so much stuff in. We could have gotten a little more breathing room…

10. What happens now?
The interesting thing about The Rise of Skywalker compared to both Return of the Jedi and Revenge of the Sith, is that despite being the final chapter of the trilogy, there’s so much more meat on the bone from a storytelling perspective.

Just off the top of my head…

– Rey attempting to succeed where Luke failed, starting her own low key Jedi Academy based out of the Lars Homestead on Tatooine. She’s now in a position to redefine what it means to be a Jedi. There’s probably two or three movies worth of content there alone. Especially if Finn is Force sensitive, as the film seemed to suggest. Maybe weave in a potential romance between the two? That obviously contrasts with the old Jedi ways.

– Assuming the 82-year-old Billy Dee Williams is willing and able to do it, a follow-up on the question of Jannah’s lineage, and whether Lando is her father. Bring Threepio and Artoo along. Why the hell not?

– What happens with the government now? Is the New Republic gone? Do they have to start from scratch? If so, how? Almost everybody died when Starkiller Base blew up the Hosnian system. Maybe look at it from Poe’s perspective? As one of the de-facto leaders of the Resistance, he’d undoubtedly get looped into things. Finn too.

– After Order 66, Darth Vader, the Inquisitors, and the Empire at large hunted and killed the surviving Jedi. The Resistance can do the same thing here with surviving Palpatine loyalists and First Order figureheads. Is the First Order even completely gone?

Granted, much of this depends on whether they can get the actors back. Neither Daisy Ridley or John Boyega seem anxious to come back. I can’t imagine Oscar Isaac is, either.

In the end, I think the reason there’s so much uncharted territory here is because, sadly, there’ve been so many missed storytelling opportunities with these new movies. I didn’t necessarily dislike The Rise of Skywalker. I didn’t totally hate The Last Jedi either.

But by the Force, imagine what those movies could have been…

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Kylo Ren, Doomsday Clock, Batman Finale

By Rob Siebert
Fanboy Wonder

Yeesh. Talk about a loaded week. Big finales, big debuts, and some Star Wars backstory we’ve been waiting years for. And of course, with big issues, come big upticks in pricing. Mostly at DC. They actually had the gall to charge $4.99 for the Tom King Batman finale. Oye.

But next week is largely a throwaway week. (Unless you’re Marvel. Kudos to them.) So I’ll be able to play a little catch up. So next week’s batch will include Family Tree #2, Shazam #9, Star Wars: Empire Ascendant, Batman/Superman #5.

But for now, we’ve got a lot to get to…

TITLE: Star Wars: The Rise of Kylo Ren #1 (of 4)
AUTHOR:
Charles Soule
ARTISTS: Will Sliney. GuruFX (Colors). Travis Lanham (Letterer). Cover by Clayton Crain.
RELEASED:
December 18, 2019

I was ready to be mad at this issue for giving us stuff we should have gotten in one of the movies. As it turns out, this was benign.

In The Last Jedi, Luke says that after burning down the temple, Ben Solo left with some of his other students. Here, we learn that doesn’t quite mean what it sounds like. We also learn who the Knights of Ren are, which is welcome information.

Not the strongest first issue I’ve ever seen. But the intrigue around what happened to Ben Solo is enough to bring us back for more.

TITLE: Doomsday Clock #12
AUTHOR: Geoff Johns
ARTIST: Gary Frank, Brad Anderson (Colorist), Rob Leigh (Letterer).
RELEASED: December 18, 2019

From the beginning, we’ve known this book has been building toward Superman vs. Doctor Manhattan. A symbol of hope against a symbol of cynicism. The implication being that Superman would ultimately get through to Doc, and bring about a change of heart.

We do get a scene like that in this issue. But it’s so brief, and frankly a little contrived, that it was hardly worth the two years of build-up.

That’s right, folks. Doomsday Clock #1 came out in November 2017. It’s taken us more than two years to get here. Really takes the edge off, doesn’t it?

TITLE: Batman #85
AUTHOR: Tom King
ARTISTS: Mikel Janin, Hugo Petrus, Jordie Bellaire (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: December 19, 2019

Here we have yet another big finale that ends not with a bang, but with a whimper.

Tom King is a good writer. I believe that. But for whatever reason, this “City of Bane” story went on way too long, and he ended up overstaying his welcome on Batman. The truly sad part? There’s a good story in here if you rifle through it, and maybe rearrange some pieces.

On the upside? Mikel Janin’s work on Batman has been consistently great. As far as I’m concerned, he’s welcome back in Gotham any time.

TITLE: American Jesus #1
AUTHOR: Mark Millar
ARTISTS: Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by McGee and Frank Quitely.
RELEASED:
December 18, 2019

A 14-year-old Hispanic girl becomes the modern-day Virgin Mary in a story written by the guy who did books like Kick-Ass and Nemesis? Sure. Sounds harmless enough…

Maybe it’s me, but the art in this book seems a little weird. Like the proportions are just a touch off. It’s minor, just just prominent enough to be noticeable.

There’s a lot of intrigue here, given the sensitive topic and Millar’s penchant for the outlandish. While there’s nothing blasphemous in this issue (at least as far as I can see), I figure it’s just a matter of time.

TITLE: Spider-Man #3 (of 5)
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: December 18, 2019

Tony Stark pops up in this book, and now our story has an Avengers angle to it. That’s disappointing. This is a story about the legacy of Spider-Man, and the strained relationship between a father and son. So why not keep the lens focused on Spidey’s world, and not open things up to the larger Marvel Universe until later? We need to be focusing on Ben right now. Not some wacky take on Tony Stark as an old man.

On the upside, we get further into who Cadaverous is. Good stuff, with Pichelli’s art on point.

TITLE: Suicide Squad #1
AUTHOR: Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Ivan Reis.
RELEASED:
December 18, 2019

While it lacks the impact and sizzle of a Jim-Lee-drawn debut, this issue has some intrigue to it. We’ve got three mainstays in Deadshot, Harley, and King Shark. But we’ve also got a big group of new characters. They kind of look like what Marv Wolfman and George Perez would produce if asked to produce a modern team of superheroes.

Mind you, some of them are dead when we close the issue. But if even one of them sticks for a decent amount of time, that’s an accomplishment.

TITLE: Mighty Morphin Power Rangers #46
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: December 18, 2019

A few little things I noticed that aren’t out of character per se, but perhaps show how these characters are different in this time period…

– Tommy’s more relaxed demeanor now that they’re seemingly no longer Earth’s last line of defense.

– Kimberly stepping up into more of a leadership role with the three new Rangers.

– Trini’s more sarcastic personality. It’s not how I would write the character, as she’s normally more reserved. But we can chalk it up to her gaining confidence through her experiences as a Power Ranger.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

“The Skywalker Saga”: Can We Please Shut Up About It?

By Rob Siebert
Fanboy Wonder

I was one of the millions that saw the trailer for Ghostbusters: Afterlife yesterday. For the uninitiated, this one is different from the 2016 film, in that it’s actually a sequel to the first two movies. The ones with Bill Murray, Sigourney Weaver, etc. The trailer hits you right in the feels. Especially you’ve got a special place in your heart for this story and these characters.

Another story with a special place in my heart? Star Wars. I’m doing my best to go into The Rise of Skywalker with my expectations tempered. But it’s tough, as they’re trying to pull you into the theater by your heartstrings. The footage of Carrie Fisher. Mark Hamill’s voiceover. Rey and Kylo Ren facing off one last time. C-3PO taking “one last look at my friends.” And the proclamation that, once and for all, “The saga will end”…

Pffft. Yeah, okay.

The movie itself actually looks pretty good. Given J.J. Abrams’ involvement, I think we all have reason to be hopeful. But all this “end of the Skywalker Saga” stuff grates on me.

They don’t mean the end of Star Wars, of course. They mean the end of this nine-part story that’s mainly about the Skywalker family. The tragedy of Darth Vader. Luke and Leia’s rebellion against the Empire. And finally, Leia and Han’s son Ben, and his role in the rise of the First Order. Supposedly, we’ve got other Star Wars movies coming down the pipeline. What they’re about is anybody’s guess.

But let me tell you a little something about this “Skywalker Saga,” a term they’ve only just started using in the promotion of this film.

It’s only the end until the next beginning.

See, the Skywalker Saga has actually already ended. Twice. The first time was way back in 1983, in a little movie called Return of the Jedi. Anakin Skywalker was redeemed by his son Luke, and ultimately died in the process. Also, the Rebel Alliance blew up yet another Death Star, leading to the fall of the Empire. Sure feels like an ending to me. Pretty cut and dry.

Only then, they decided to make the prequels. And in 2005, Revenge of the Sith closed the loop between Episode I and Episode XI. We now had six movies chronicling the rise and fall of Darth Vader. Honest to God, if I had a nickel for every ad I saw that said, “The circle is now complete.” But in any event, George Lucas’ magnum opus in space was finally finished!

Until he sold it to Disney in 2012, and they said, “But wait! There’s more!” Three movies later, and we’re at another ending.

Look, I love Star Wars, warts and all. So I’ve got no issue calling this “Skywalker Saga” out for what it is: A sleazy marketing gimmick.

Some die-hards will tell you about George Lucas giving Time a quote about there being plans for nine Star Wars movies. Three trilogies, Luke and the gang coming back in the third one, etc. He said that in 1978, two decades before he decided Star Wars was a six-film saga, and the prequels would be the last Star Wars movies. In a 2005 interview with 60 minutes, he said point blank, “There is no Episode VII.”

Until there was. As the story goes, Lucas was working on another three Star Wars movies before he opted to sell to Disney.

Don’t get me wrong. I’m happy the sequel trilogy was made, and I’m grateful Star Wars can continue on in the hands of other filmmakers. (Specifically ones that can write actual human dialogue.) But let’s not kid ourselves, folks. Call him brilliant, call him a visionary, call him a genius, call him whatever you want. But George Lucas was making it up as he went along. Just like Disney is making it up as they go along. That’s not even a bad thing, per se. I believe George had vague ideas about what might happen in a sequel trilogy. But there was no grand plan. No nine-film blueprint.

Which means, if these “non-Skywalker” films don’t work out, Disney can once again say, “But wait! There’s more!” Kylo Ren banged some chick on a Star Destroyer, and has a kid he never knew about! Ladies and gentlemen, I give you…Damian Skywalker! (Or would it be Damian Solo?) Learn all about him in Episodes X, XI, and XII!

Hey Disney? We love ya. But most of us have been through this before. We understand Star Wars movies come three to a pack. You don’t have to beat us over the head with this Skywalker Saga stuff. You’re being pretty presumptuous about the whole thing. Star Wars doesn’t need to be chained to this one messed up family that chops each other’s limbs off. But if somebody has a good idea for a next-gen “Skywalker” story down the line, why not go for it? Why write yourself into a corner?

Back on the subject of magazine interviews, Esquire recently asked Billy Dee Williams about the possibility of playing Lando Calrissian again someday. Williams replied…

[The Rise of Skywalker] is a conclusion —certainly it depends on how much money is generated. That’s when they determine where’s the conclusion. … The one thing about show business, you can resurrect anything.”

You can resurrect anything. Even a war against a space dictatorship that spans entire galaxies, and has a bunch of people in robes hitting each other with laser swords.

Smart man, that Billy Dee.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: TMNT, Star Wars, Batman Annual

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles #99
AUTHORS:
Kevin Eastman, Bobby Curnow, Tom Waltz
ARTISTS:
Dave Wachter, Ronda Pattison (Colorist),
RELEASED:
 October 30, 2019

This damn thing cost $7.99. I’ve been following this main TMNT series since the beginning. But damn. That hurts.

But devil’s advocate: They jam a lot in here. Dozens of heroes and villains battle, with the fate of New York City at stake. Not to mention the lives of various mutants, and even children.

It all culminates in…well, I can’t say I knew for sure they were going in this direction. But after issue #50, I had a pretty good feeling a certain character would be on his way back by now.

TITLE: Star Wars: Allegiance #4
AUTHOR: Ethan Sacks
ARTISTS: Luke Ross, Lee Loughrige (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto.
RELEASED: October 30, 2019

Again, no Kylo Ren in this issue. Not even a closing shot of him in the last few pages. Lame. Sauce.

On the way to The Rise of Skywalker, Allegiance basically tells us two things: What the Resistance has been doing since the Battle of Crait, and how they obtained some of the resources they’ll undoubtedly have in the movie. It’s not the most fun Star Wars book you’ll ever read, and I doubt it’ll hold up to repeat readings. But as a little appetizer for the release of Episode IX, it works fine.

TITLE: Batman Annual #4
AUTHOR: Tom King
ARTISTS: Jorge Fornes, Mike Norton, Dave Stewart (Colorist), Clayton Cowles (Letterer)
RELEASED: October 30, 2019

This issue quick-fires a bunch of mini-stories at us, narrated via Alfred’s journal. “Everyday” moves day by day from April 7 to April 24.

I’d like to think these are a bunch of cooky ideas Tom King had while brainstorming for his Batman run, but couldn’t squeeze in. Based on what we’ve seen, some of these ideas really feel like his. Batman fights a dragon, takes on an MMA fighter for charity, solves a whodunnit, etc.

Mike Norton tags in for Jorge Fornes for several pages. So we got from a David Mazzuchelli, Year One-ish look to something more akin to Michael Lark.

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Weekly Comic 100s: Star Wars Stuff, Batman/Superman,

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Tacked an extra one down on the end here. The most recent issue of Superman. But of course, in the spirit of the Rise of Skywalker hype, we begin with Allegiance

TITLE: Star Wars: Allegiance #3
AUTHOR: Ethan Sacks
ARTISTS:
Luke Ross, Lee Loughridge (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto.
RELEASED:
October 23, 2019

Leia, Rey, and some of the Resistance are still on Mon Cala in this issue. Because it’s largely an underwater planet, Leia has to wear the equivalent of a scuba suit. Imagining an older Carrie Fisher in an outfit like that is…weird.

The “B story” in Allegiance has been about Finn, Poe, and BB-8 stealing weapons for the Resistance. Sacks writes their chemistry very well. Well enough, in fact, that I felt a pang of sadness that they didn’t end up being romantically involved. Yeah, I was on that team.

No Kylo Ren in this issue. Bummer.

TITLE: Star Wars #73
AUTHOR: Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: October 16, 2019

This volume of Star Wars is going out strong as we head toward its issue #75 finale. Greg Pak knows how to weave the multi-strand rip-roaring adventure, as all of our main heroes fight for their lives.

But for yours truly, the star of this “Rebels and Rogues” storyline has been Phil Noto. He’s been one of my favorite Star Wars artists dating back to the build-up to The Force Awakens. His “sketchy” style is a lot of fun, and he nails all the likenesses. As far as I’m concerned, he’s welcome in this galaxy any time.

TITLE: Batman/Superman #3
AUTHOR: Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: October 23, 2019

Unlike many, I’m not really into the Batman Who Laughs, or much of the Metal stuff. But the premise of that character “infecting” six characters across the DCU, and our two heroes having to solve the mystery of who they are was enough to draw me in.

But the way Williamson has executed it thus far, it’s not so much a mystery as it is them happening upon each victim. It’s still a cool idea. I just wish they’d dig a little deeper into it. On the upside, it’s great to see Marquez drawing the World’s Finest.

TITLE: Action Comics #1016
AUTHOR: Brian Michael Bendis
ARTISTS: Szymon Kudranski, Brad Anderson (Colorist), Dave Sharpe (Letterer). Cover by Jamal Campbell.
RELEASED: October 23, 2019

I absolutely adore the framing device for this issue. A Daily Planet reporter does man-on-the-street interviews to recap a fight between Superman and the Red Cloud. Bendis is as good as almost anyone at playing up the journalism element in Superman’s world.

A Szymon Kudranski comic that’s this colorful takes some getting used to. There’s nothing wrong with it. But his M.O. is typically on the dark and gritty side. Type his name into Google Images. You’ll see what I mean.

TITLE: Superman #16
AUTHOR: Brian Michael Bendis
ARTISTS:
David LaFuente, Paul Mounts (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis.
RELEASED:
October 9, 2019

I’m not sure I’ve ever seen Superman look quite so…blocky. I know LaFuente’s style is more on the cartoonish side, and generally I like what he turns in. But the Superman we see here looks more like a Superman action figure than the Man of Steel himself.

This issue gives us the inevitable reunion between Superboy and Robin after Jon Kent’s trip into space, which aged him a few years older than Damian. Bendis gives us what you’d hope to see here. The initial awkwardness, some hijinks and a feel-good exit. A strong issue, blockiness notwithstanding.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Spider-Man #2, Batman #81

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Spider-Man #2
AUTHORS:
J.J. Abrams, Henry Abrams
ARTISTS:
Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel and Dave Stewart. 
RELEASED:
October 16, 2019

Whether you like this J.J. Abrams stuff or not, I can say his name value got me to buy a Spider-Man comic again.

Ben Parker got into this dad’s old costume pretty quickly. But I buy his motivation: He does it to impress a girl. I mean, c’mon! He’s a ninth grade boy. That’s usually about as complex as their motivations get.

Sara Pichelli continues to turn in not just awesome art, but art that’s distinctly different from her work on Miles Morales. Needless to say, she’s become one of the definitive Spider-Man artists of this era.

TITLE: Batman #81
AUTHOR:
Tom King
ARTISTS:
John Romita Jr (Penciller), Klaus Janson (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer) Mitch Gerads (Co-Penciller, Co-Inker, Co-Colorist)
RELEASED:
October 16, 2019

I’m not the world’s biggest Tony Daniel fan. But the switch from his art to John Romita Jr’s has been jarring.  The look and texture of the story has changed halfway through. That’s rarely a good thing.

When Tom King tries to pull the “Batman had a plan all along” card, my initial was, “I don’t buy it.” Also, King makes the Flashpoint Batman’s fighting prowess so exceptional it almost becomes cartoonish. Especially with how it’s executed.  Maybe these opinions will change once the story ends, or I have more time to absorb it. But for now, they’re losin’ me…

TITLE: Star Wars: Allegiance #2
AUTHOR: Ethan Sacks
ARTISTS: Luke Ross, Lee Loughridge (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto
RELEASED: October 16, 2019

I’m finding myself wanting more Kylo Ren in this book. Especially after reading that Snoke one-shot they put out a few weeks ago, where the two characters go to Dagobah. Still, I understand why they might not be able to do that, as we’re obviously building to the movie. We do, however, get to spend some quality time with Rey, which is nice.

We learn in this issue that Admiral Ackbar has a son, but only met him once because “his focus was elsewhere.” Apparently the only good dad in the galaxy was Bail Organa…

TITLE: Something is Killing the Children #2
AUTHOR: James Tynion IV
ARTISTS: Werther Dell-Edera, Miquel Muerto (Colorist), Andworld Design (Inks)
RELEASED: October 16, 2019

I’m digging this book so far. Attention-grabbing title aside, Tynion, Dell-Edera, and the rest of this team have started a great horror-mystery. It’s got kind of a Stephen King/YA novel/Twilight Zone feel to it.

As the mystery of this supernatural child-devouring menace unfolds, the book manages to entice the hell out of you with how gorgeously grotesque some of these things are. The intrigue there, along with our likable female anti-hero, makes it easy to come back for more.

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