Posted in Comic Books/Graphic Novels, Deep Dive Reviews

Primary Ignition‘s TMNT Deep-Dive Archive

The following represents our full archive of Teenage Mutant Ninja Turtles Deep-Dive Reviews…

Teenage Mutant Ninja Turtles
Issues #1-12
Issues #13-20
Issues #21-28
Issues #2937
Turtles in Time
Issues #38-44 (Coming Soon)
TMNT/Ghostbusters (Coming Soon)

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Deep Dive Reviews

A TMNT #2937 Deep-Dive – Cutesy Turtles

***This year marks the 10-year anniversary of IDW Publishing’s Teenage Mutant Ninja Turtles series. In celebration, we here at Primary Ignition will be looking back at the book as a whole. For some, this has emerged as the definitive version of the TMNT. Here is why…***

TITLE: Teenage Mutant Ninja Turtles #29-37
AUTHORS: Tom Waltz, Kevin Eastman, Bobby Curnow
ARTISTS: Sophie Campbell, Mateus Santolouco, Cory Smith
GUEST ARTIST: Mark Torres
COLORIST: Ronda Pattison
LETTERER: Shawn Lee
PUBLISHER: IDW Publishing
COLLECTED IN: TMNT: The IDW Collection, Vol. 4 (shown right)
RELEASED: December 2013 – August 2014

By Rob Siebert
Fanboy Wonder

I don’t usually go for what I call, “Cutesy Turtles,” i.e. the boys in green drawn in a cute and cuddly style. That’s not to say the Turtles shouldn’t have softer, gentler moments. But remember, the Turtles are martial artists. They’re ninja. They’re warriors. They should look ready and able to fight at any given time

Sophie Campbell provides a unique and rare exception to that rule. I’d classify her take on the Turtles as cute. But there’s also a sensitive quality to her take that made it perfect for the four-issue “Northampton” story arc in IDW’s TMNT series.

The whole “retreat to a farm” plot point dates back to the original Kevin Eastman and Peter Laird comic book and has been adapted into various TMNT media over the years. It always involves the Turtles recovering after getting beaten down by the Foot, and eventually making a triumphant return to the city. The IDW series presented it with a new twist: Leonardo recovering after being brainwashed by the Foot. It wasn’t just a matter of recovering from a beat down. It was about coming together and healing as a family.

I think one would be hard-pressed to debate that Campbell’s art in these issues has a cute quality to it. But there’s more to it than that. This is as emotionally transparent and as vulnerable as the Turtles have ever looked. Part of that is because of the “softer” look Campbell gives them. Another part involves her decision to draw them with eyeballs, as opposed to the white slits many artists use, eyes being a “window to the soul” and what not. The general autumn aesthetic of “Northamption” plays a role too. Campbell and colorist Ronda Pattison’s greater emphasis on fall colors is a subtle message that we’ve got a front row seat to a time of change and transformation in these characters’ lives.

From a writing perspective, it’s interesting to pay attention to each individual Turtle during these issues. TMNT #30 in particular. Each brother deals with the blows they’ve been dealt in his own way. Michelangelo narrates the issue via a letter to Woody. Thus, he reaches out to others while expressing himself creatively. Leonardo desperately seeks guidance from a mentor, in this case his mother (more on her in a moment). Raphael, perhaps predictably, seeks out confrontation with Alopex, who is on her own journey of self discovery. Understated but no less important is Donatello’s emergence as a healer. We see him tend to Splinter’s wounded leg and act as a friendly ear for Leo. This emphasizes that his contributions to the Turtle clan go far beyond that of a simple Mr. Fix-It.

On the subject of healing, not to be lost in the shuffle is April O’Neil, and her role in the saga of the Turtles. We learn in “Northampton” that her father, now disabled after suffering a stroke, was once a scientist who had a hand in testing and developing the mutagen that transformed the Turtles and Splinter into their present state. The O’Neil family will later learn that the “ooze” in question has miraculous healing properties. That’s a new spin on the green goo that’s become synonymous with the TMNT over nearly three decades. More than anything else, it opens up some interesting storytelling doors…

The Turtles have always had a father figure in Master Splinter. But rarely if ever had there been a maternal figure in the story. Historically, the closest thing to one came in the form of Tang Shen, who we’d see via flashbacks as a love interest for the future Splinter, Hamato Yoshi. She would always meet a bloody end thanks to the Shredder.

In the IDWverse, Shen is cast not only as Yoshi’s beloved wife in feudal Japan, but the mother of their four sons. Centuries later, Yoshi is reincarnated as Splinter, and his sons return as four turtles. Shen, on the other hand, becomes a spectral presence, and for the first time has a role in the ongoing story of the TMNT. We saw her briefly during “City Fall,” and we see her once again during “Northampton.” Campbell and Pattison’s presentation becomes downright tender, and also brighter during Shen scenes (shown left). Fittingly, it also has a bit more of an Asian influence. It’s a unique visual, seeing this woman behave in a motherly way with these anthropomorphic animals. And needless to say, her relationship to the Turtles and Splinter is unlike any we’ve seen in the series.

Family continues to be one of the central themes for the book heading out of “Northampton,” into issue #33. The relationship, or lack thereof, between Casey Jones and his father, now the massive brute called Hun, takes centerstage. Present since the very first issue, this plotline is one of the more prevalent byproducts of presenting a younger Casey Jones. In other media, the character has almost always been a grown adult. Making him college-aged allows us to see not only a young man whose identity is still forming, but a character that’s often much more vulnerable than our traditional hockey-mask wearing ass kicker. And thus, more interesting. The downside? A jacked up dude in a hockey mask is a lot more intimidating and formidable than some teenager walking around with golf clubs and a hockey stick.

The truly tragic element of the Jones family story is that by this point in the series, Hun does actually want to help Casey. He wants to do what, in his mind, is best for his son by giving him a bunch of cash and sending him off to start a new life for himself. All the while, Hun would be staying in New York working for Shredder, the man who stabbed Casey and put him in the hospital. Hun may want what’s best for his son, but it’s clear where his loyalties are. And when Casey refuses his offer, we get an all too grim look at just who Arnold Jones has become.

Issue #33 also sees Mateus Santolouco return on pencils and inks. My complaints from last time about Santolouco’s Turtles looking too inflatable and puffy still stand. But oddly enough, his renderings of Slash, another mutant turtle, are perfectly fine. Granted, Slash is a different species of turtle, and is larger than our four boys in green. He also has an entirely different texture to his skin, which Santolouco draws beautifully. All Santolouco’s mutant characters (the four Turtles notwithstanding) are very charismatic and expressive. Not just Slash, but Old Hob, Pidgeon Pete, the Rat King, among many others. So it becomes that much easier to get invested in these characters and their world.

And yes, I did say the Rat King (shown below). Another TMNT “legacy” character that’s appeared in various media over the years, his trademark is his ability to control rats. Naturally, that becomes a problem for Splinter. The Rat King of the IDWverse has a more supernatural, and frankly demonic quality to him. As one might expect, he’s hardly a one-off baddie, and has his place in the larger tapestry of this series. But for now, he simply puts Splinter and Leo through the ringer, content to play again another day…

This portion of the book also lays a good amount of foundation for things to come. We spend more time with tech genius Harold Lilja, who we met in Donatello’s Micro-Series issue. There’s also Nobody, a vigilante/superhero who’s loosely the TMNT equivalent to Iron Man. She emerges when Angel, a friend of Casey’s and member of the Purple Dragons, dons a tech suit created by Harold.

Harold’s latest creation is Metalhead, a turtle-shaped cyborg and TMNT legacy character who’ll serve a purpose the likes of which readers will never see coming. I was impressed with what the IDW team did with Metalhead, specifically his “four-legged” battle mode.

Issue #37 and a portion of #36 see Cory Smith take a turn on artistic duties. Smith’s style is somewhat akin to what Ben Bates turned in during his time on the series, with a touch of Dan Duncan thrown in as well. It feels very familiar. As always, Pattison’s work brings a wonderful consistency to it all.

Smith gets the tall task of drawing the series’ first meeting between Shredder and Krang. Or at least the first meeting we’ve seen, as it turns out they’ve met before. I don’t love that approach, as I think it would have been much more interesting to see these two would-be dictators and forces for evil meet for the first time and size each other up. But what we get nonetheless has intrigue to it. They meet for what’s almost a business negotiation. As one might expect, things break down.

The four “Northampton” issues are the real selling point for this cluster of IDW’s Teenage Mutant Ninja Turtles. It puts our characters in a new environment and studies them during a period of vulnerability. It’s not a matter of the book dipping in quality. Rather, it’s about setting the table for things to come. And rest assured, big things are coming…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Video Games

TMNT: Shredder’s Revenge Trailer Drops

By Rob Siebert
Fanboy Wonder

A brief trailer for Teenage Mutant Ninja Turtles: Shredder’s Revenge, an arcade game style thowback. While this trailer itself is about a minute and a half, there’s only about 20 seconds worth of gameplay footage in it. Thus, we have more flash than substance.

Still, what we do see doesn’t exactly lack promise…

Shredder’s Revenge will be a four-player, side-scrolling beat-em-up game in the style of classic ’80s and ’90s TMNT games. It will take us to classic TMNT locales such as the New York City sewers and the Technodrome.

This should be fun. Teenage Mutant Ninja Turtles: The Arcade Game and Turtles in Time are two beloved pieces of ’90s nostalgia, and probably still the best overall TMNT games ever made. If Shredder’s Revenge is half as good, it’ll be well worthwhile.

Teenage Mutant Ninja Turtles: Shredder’s Revenge will be available for both PC and consoles. For more, check out IGN’s coverage here.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: TMNT Double-Feature, Wonder Woman #759, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles #107
AUTHOR: Sophie Campbell (Story), Ronda Pattison (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer). Variant cover by Eastman.
RELEASED:
July 29, 2020

The Turtles have an “old days” moment here where they head down to the sewers and fight a bunch of Mousers. It’s just a couple of cutesy lines. But it does serve as a reminder of just how different this series is from the standard TMNT status quo. Instead of four Turtles striking from the shadows, we’ve got five Turtles living openly in a town full of mutants.

As they roam the sewers, the Turtles mix it up with what basically amounts to an undersea monster. It’s played like a horror movie. Kinda fun.

TITLE: TMNT Annual 2020
AUTHOR: Tom Waltz
ARTISTS: Adam Gorham, John Rauch & Michael Garland (Colorists), Shawn Lee (Letterer). Variant cover by Kevin Eastman and Fahriza Kamputra (Colorist).
RELEASED:
July 29, 2020

This annual mainly serves as a check-in with our villains. Most notably Shredder, who we haven’t heard much from since issue #100. They color his costume purple and silver, like the old cartoon. I won’t complain about that…

As the cover indicates, they’re doing a symbiosis story with Krang and Leatherhead. Yet another example of how this series continues to bring these characters into uncharted waters. Given how much has been done with the Ninja Turtles universe, it’s pretty amazing to see how much hasn’t been done.

TITLE: Wonder Woman #759
AUTHOR: Mariko Tamaki
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Pat Brosseau (Letterer). Cover by David Marquez.
RELEASED:
July 28, 2020

So we’ve got Mariko Tamaki, who wrote Supergirl: Being Super, and Mikel Janin, one of the stars of Tom King’s Batman run. On paper, this new team should be great.

Their first issue is pretty ground level. Lots of flowery narration about what a hero is, what heroes do, etc. My only big problem is that Tamaki gives in to the temptation of putting Wondie in an everyday situation, shopping for furniture, and making it seem foreign to her. She’s been in “man’s world” for so long, yet she has no idea how to shop for furniture? Yeah, right.

TITLE: Darth Vader #3
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by Inhyuk Lee.
RELEASED:
July 29, 2020

How many times have we seen Darth Vader cross paths with characters from the prequels and then get all feelingsy? Enough that I rolled my eyes when Captain Typho showed up in this issue.

However, as someone who read Queen’s Shadow by E.K. Johnston, I appreciated the inclusion of Sabe and another character from that book. It’s a nice little tie-in that doesn’t take anything away from the story being told here.

TITLE: Batman: The Adventures Continue #9
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Paolo Rivera & Joe Rivera.
RELEASED:
July 30, 2020

In this issue we finally get into Jason Todd’s origin story, his connection to Batman, etc. It’s not drastically altered from the comics. But it’s altered just enough to distinguish it. I liked what I saw.

Frankly, I hope they portray Jason Todd as having been with Batman for only a short time. In the DCAU I’d like to see him portrayed more as a tragically failed experiment than a lost son. Again, it would be different. But not so much that it’s unrecognizable. That’s the formula that seems to work best.

TITLE: Mighty Morphin Power Rangers #52
AUTHOR: Ryan Parrot
ARTISTS: Moises Hidalgo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
July 29, 2020

We’re still following Jason, Zack, and Trini, despite the events of this issue occurring after “The Power Transfer.” Not a bad thing, but not what I expected either. Especially since they’re getting their own book in a few months.

I’m not sure how I feel about the way Jamal Campbell posed Aisha on the cover. It’s like she’s showing off her butt or something…

We introduce a civilian character in this issue who worries about the holding the Rangers accountable for their actions. Sort of a “don’t trust the Power Rangers” mindset. Very curious to see where that goes.

TITLE: Batman/Superman #9
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED:
July 28, 2020

In almost 20 years, I can count the number of Ultra-Humanite stories I’ve read on one hand. So this story is cool for me in that sense.

This issue, and this team, have a really nice energy. Joshua Williamson is often hit-or-miss. But he, Clayton Henry, and Alejandro Sanchez make for a winning combination with these characters. Not a perfect combination per se, but a winning one.

TITLE: Suicide Squad #7
AUTHOR: Tom Taylor
ARTISTS: Daniel Sampere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Jeremy Roberts.
RELEASED:
July 28, 2020

Our Tom Taylor original characters get a new team name in this issue: The Revolutionaries. Not bad. I don’t know how much of a life they’ll have out from under the Suicide Squad name. But still, not bad.

For at least one issue, Taylor brings Floyd Lawton’s young daughter into the sandbox and gives her a a bow and arrow and a hero name: Liveshot. She almost reminds me of a kid version of the Kate Bishop Hawkeye. Interesting…

TITLE: Billionaire Island #2
AUTHOR: Mark Russell
ARTISTS: Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
July 2, 2020

It seems that in addition to the absurdly rich, Billionaire Island is home certain rich, famous, and disgraced. We get an actual Kevin Spacey cameo in this issue. Yes, I wretched. But it’s also a funny little moment.

We haven’t gotten into the bloodshed yet. But the book does crank up the action a little bit with this issue. Something tells me it’s going to be worth the wait.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels

A Ninja Turtles, Vol. 5: Krang War Review – The Battle For Dimension X

Teenage Mutant Ninja Turtles, Vol. 5: Krang WarTITLE: Teenage Mutant Ninja Turtles, Vol. 5: Krang War

AUTHORS: Kevin Eastman, Tom Waltz

PENCILLER: Ben Bates
COLLECTS: Teenage Mutant Ninja Turtles #17-20
FORMAT: Softcover
PUBLISHER: IDW Publishing
PRICE: $17.99
RELEASE DATE: May 8, 2013

By Rob Siebert

Editor, Fanboy Wonder

The Ninja Turtles have always had their share of cosmic adventures, dating back to the original books Kevin Eastman and Peter Laird did. It’s as much a part of their mythology as anything else. That being said, I’ve always preferred my TMNT stories to be more on the Frank Miller side of things. I like my Turtles to be stealthy, rooftop hopping shadow dwellers, as opposed to laser dodging, spaceship flying, alien-fighting adventurers. But even if you come in with that mind set, Krang War is a pretty good Ninja Turtles story.

When the Turtles, April O’Neil and Casey Jones decide to investigate Stockgen further, they shockingly discover that April’s former co-worker Chet is actually the Fugitoid, a robot from Dimension X. Fugitoid contains the consciousness of Honeycutt, a scientist who once warned the high council of the planet Utrominon of their world’s imminent destruction due to their overuse of one of it’s natural resources. But the council refused to heed his warning, and the planet was doomed. Thus, the Utrom warlord Krang is determined to manipulate Earth’s atmosphere to make it a new Utrominon. In the meantime, Krang’s forces have invaded the planet Neutrino. When forces from Neutrino come to Earth and retrieve Chet/Fugitoid/Honeycutt to help them build a weapon, the Turtles are drawn into their war. But how does all this, and the ensuing battle, involve the Shredder’s daughter Karai?

Neutrinos-TMNTI have very little complaining to do about how well Waltz and his various collaborators have brought elements from the original cartoon show into the modern era for this series. Krang War is no exception. Children of the ’80s will recognize the Neutrinos, Kala, Zak and Dask. King Zenter and Queen Gizzla are also there, though in name only. Eastman, Waltz and Bates do a fine job of re-interpreting them for a universe that’s a bit more mature (though not too mature of course). The high-registered, lingo spewing teenagers driving souped up flying cars, replaced with battle-hardened soldiers with familiar hairdos. Krang’s rock soldiers from Dimension X look good too.

Ben Bates’ art is a definite improvement over Andy Kuhn’s in the last volume. Kuhn’s art is fine in it’s own right, but Bates is a much better fit for the Ninja Turtles. He does a great job giving us the cartoony expressions and humor, in addition to the more serious drama and action. In a way it’s a meld of a lot of the great TMNT incarnations through the years. I can see Eastman and Laird, the 4Kids animated series, as well as traces of the current animated series. He brings the pencilling back up to the level it was when Dan Duncan was on the book. Sadly, this book contains his entire four-issue run.

Ben Bates, Ninja Turtles #18I liked the way Karai was worked into this story. Although, there was a weird scene between she and the Shredder in issue #19 where they’re sitting at a table eating while they’re in full combat gear. But on the whole, her presence in the story was a nice way to keep the Foot Clan involved in the proceedings without actually making the story about them. By the time we close the book, we also have something that could finally prompt a meeting between Shredder and Krang. I don’t necessarily see that happening until autumn at the soonest. But I’m guessing it’s in the near future.

IDW’s Ninja Turtles series has had a fairly hit-or-miss existence. They didn’t pay off Raphael’s early separation from his brothers in the first book, and things took a tumble in the third book with the team’s first confrontation with the Shredder. But things have gradually been on the uprise since then. In truth, this is the best the series has been so far. Perhaps it’s a matter of Eastman, Waltz and the creative team finally getting comfortable in their skin as far as this new continuity is concerned. Either way, my hopes aren’t high that things will stay this good. But after 20 issues, at least our creators have a little more experience on their side.

RATING: 7.5/10

Image 1 from teenagemutantninjaturtles.com. Image 2 from 4thletter.net.

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