***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***
***Author’s Note: If I display a variant cover, it’s because I purchased the issue in question with that cover.***
By Rob Siebert
I’ve always admired the firm grasp Geoff Johns has on the less renowned DC characters like Green Lantern, the Teen Titans, and now Shazam. He can do anything…except get these books to come out on time.
This issue misses Dale Eaglesham, whose pencils have provided the sense of fun, adventure, and fantasy elements that define this book’s identity. Still, Scott Kolins is more than serviceable, especially during the scenes in the undead “Darklands” realm. Michael Atiyeh makes them very interesting from a color contrast standpoint. It’s like this bright red superhero has stepped into an old Universal monster movie.
I mean, c’mon. The title alone makes this worth a look.
If you’re into the stuff Ed Brubaker and Sean Phillips do, you’ll like Killadelphia. Or at least this first issue. It’s got a great pulp-noir-meets-horror feel. A second generation cop investigates the most bizarre case his famous father ever worked. What he uncovers is, as the book itself puts it, “There are vampires in Philadelphia.”
Best page in the book? When our main character opens a door, sees a bunch of vampires hanging from the ceiling, and runs away in terror when they give chase…
TITLE: Mighty Morphin Power Rangers #45
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli & Igor Monti (Color Assistants), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: November 27, 2019
“Necessary Evil” progresses nicely with a great “heel turn” this month. Parrott and Di Nicuolo are usually my guys as far as PR comics go. But one particular moment felt wrong…
There’s a scene where Zordon, talking to the Red Omega Ranger (Does he know it’s Jason?), says that Lord Zedd is formidable, yet “an adversary I was confident that they could handle.” While I’m sure this isn’t how Parrott meant this, that makes it sound like Zordon considers Zedd more of a nuisance than a threat. Didn’t he originally describe Zedd’s arrival as “the thing I have feared most”?
On page one, panel one, we get a big dumb Batman robot suit. For me, that’s about the worst way to start an issue of anything.
This issue does a nice job forwarding the “Invisible Mafia” story as it crosses over with the “Year of the Villain” stuff. It looks like we’ve got a big Justice League vs. Legion of Doom fight coming at us next time.
Justice League hasn’t been on my pull list since “YOTV” started. *sigh* I suppose I should probably catch up if I’m going to fully grasp what’s happening with Lex and the gang.
TITLE: Detective Comics #1016
AUTHOR: Peter Tomasi
ARTISTS: Doug Mahnke, Tyler Kirkham (Co-Penciller and Co-Inker), Christian Alamy (Co-Inker), Keith Champagne (Co-Inker), Mark Irwin (Co-Inker), David Baron, (Colorist), Rob Leigh (Letterer)
RELEASED: November 27, 2019
Ugh. There’s another stupid modified Batsuit in this issue. What happened to the Hellbat armor Tomasi used in Batman & Robin and Superman? Wouldn’t a modified version have worked here?
Bad costume notwithstanding, I love the way this Victor/Nora story ends. “A vicious circle,” as Batman calls it. Tomasi also works in an amazing callback to a New 52 event. Continuity, ladies and gentlemen. Use it well, and it’ll do wonders for you.
This story leaves Mr. Freeze’s status quo dramatically altered. Now it’s just a question of how long DC keeps it that way.
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