Tag Archives: Kevin Eastman

Weekly Comic 100s: Marvels X, Batman #86, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Earth X was probably the one big Alex Ross project I knew the least about. So I got myself a nice little education heading into this week’s Marvels X. Low and behold it’s a trilogy. Now a tetralogy, with Marvels X.

Looks like I’ve got some catching up to do. But in the meantime…

TITLE: Marvels X #1
AUTHORS:
Alex Ross (Story), Jim Krueger (Story and Script)
ARTISTS:
Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED:
January 8, 2020

Having not read Earth X, and with this being intended as a prequel, I’m forced to judge this issue simply at face value. And at face value, it’s absolutely fine.

Our main character, a teenager named David, is the one person on in this dystopian future who does not have super powers. Orphaned and alone, he sets out for New York City to find his idols: Captain America, Iron Man, and Spider-Man.

Seeing an artist like Well-Bee tackle a Ross/Krueger concept like this feels different, but intriguing. For now, my interest is piqued.

TITLE: Batman #86
AUTHOR: James Tynion IV
ARTISTS: Tony Daniel, Danny Miki (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED: January 8, 2019

For my money, Tynion has a better handle on Batman and his world than Scott Snyder or Tom King. So I’m anxious to see what he turns in.

As Bruce continues to mourn for Alfred, various assassins gather in Gotham. Meanwhile, the issue presents us with an intriguing idea: Over the years, Bruce has randomly sketched, essentially doodled, bits of Gotham’s skyline and architecture as he would have them look. In the wake of “City of Bane,” he has a chance to make those visions a reality. Also, something’s up with the Joker…

So far, so good.

TITLE: The Clock #1
AUTHOR: Matt Hawkins
ARTISTS: Colleen Doran, Bryan Valenza (Colorist), Troy Peteri (Letterer)
RELEASED: January 8, 2020

This is not the most gracefully executed issue. Naturally, it needs to get a lot of exposition out of the way, and it falls into the clunky dialogue trap that comes with that. Also, early on some of the the speech balloons are hard to follow. They don’t contrast with the backgrounds (specifically the outdoor ones) enough, so you have a hard time following who is saying what.

But under all that, The Clock might just be a good story about a super cancer threatening to wipe our half the Earth’s population. But the jury’s still out.

TITLE: Star Wars: The Rise of Kylo Ren #2 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by Clayton Crain
RELEASED:
January 8, 2020

If you need to be sold on the idea of a book about Luke’s post-Return of the Jedi adventures, look no further than this issue. He faces the Knights of Ren, with both Lor San Tekka and a young Ben Solo at his side. Call it The Adventures of Luke Skywaker, as a take-off of one of Lucas’ early draft titles for Star Wars.

Ben’s interactions with Snoke have a slightly different flavor now that The Rise of Skywalker has come out. Snoke is also wearing his most flamboyant outfit yet. What’s up with the hat…?

TITLE: Teenage Mutant Ninja Turtles #101
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS:
Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED:
January 8, 2020

Basically, this book is doing what the 2007 TMNT movie did. Only, you know, better. The Turtles are split up and doing their own thing. And we’ve got kind of an Arkham City spin, as they’ve walled off a portion of New York to throw all the mutants in.

I like this. It’s a big status quo shake-up the series has probably needed for awhile now. Encouragingly, the character that shines the most in this issue is Jennika, our new female Ninja Turtle. Lots of fresh intrigue as this series moves forward.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #2 (of 5)
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Walter Baiamonte (Colorist), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: January 8, 2020

In this issue we find out why Tommy has joined the Foot Clan. He’s apparently trying to save another clan member we don’t know. This new person’s identity, and how he connects to Tommy, is now far more interesting than the interactions the Turtles are having with the other Rangers.

They pull a stunt with Shredder at the end that I can take or leave. Seeing him meet Rita is pretty cool, though.

God damn, these Dan Mora covers are amazing.

TITLE: Young Justice #12
AUTHOR: Brian Michael Bendis
ARTISTS: John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: January 8, 2020

At what point do we just make this the new Teen Titans ongoing? Young Justice feels the way that book should feel. At least that’s how I…feel?

This is a pretty dense issue with a lot of standing around and talking. But Superboy does punches a T-Rex. That always counts for something.

We now appear to be headed toward a big Wonder Comics team-up, i.e. Young Justice along with the Wonder Twins and the kids from Dial H For Hero. Thankfully, it looks like it’s all staying within Young Justice, as opposed to a crossover.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: TMNT #100, Dark Knight ReturnsSuperman

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Word recently broke about Kevin Eastman and Peter Laird working together again after all these years for a Ninja Turtles story called “The Last Ronin.” How fitting then, that not only does IDW’s Teenage Mutant Ninja Turtles #100 comes out this week, but we’ve also got a new Frank Miller book. It’s no secret that Eastman and Laird drew inspiration from Miller’s work in the early to mid ’80s.

Imagine what would have happened if it had the modern Frank Miller back then. Back then you had his work on characters like Daredevil and Wolverine. Now? We’ve got the Dark Knight sequels and Holy Terror. *shudders*

TITLE: Teenage Mutant Ninja Turtles #100
AUTHORS: Kevin Eastman, Bobby Curnow, Tom Waltz (Script)
ARTISTS: Dave Watcher, Michael Dialynas. Variant cover by Eastman.
SUPPLEMENTAL ARTISTS: Mateus Santolouco, Adam Gorham, Dan Duncan, Cory Smith
COLORISTS: Ronda Pattison, Bill Crabtree
LETTERER: Shawn Lee
RELEASED: December 11, 2019

TMNT #100 is more or less exactly what you want it to be. All recent plot threads converge, and as expected, we see the return of a major villain. Can’t say I expected that death, though. And make sure you don’t miss that epilogue…

The only real complaint I have is that I felt half a step behind because I couldn’t keep up on the Shredder in Hell mini. I suppose that’s the problem when you’ve created a world so rich and dense. You can’t always pack everything into one series. But that’s not necessarily a terrible problem to have.

TITLE: Dark Knight Returns: The Golden Child
AUTHOR: Frank Miller
ARTIST: Rafael Grampa. Cover by Grampa and Pedro Cobiaco.
COLORIST: Jordie Bellaire
LETTERERS: John Workman, Deron Bennett
RELEASED: December 11, 2019

My impression when I closed this book was that Miller must either have a ghostwriter working with him, or the editors are heavily involved here. Because this is a surprisingly competent issue to have his name on it in 2019. But if it was mostly Miller? Good on him.

No Bruce Wayne here. Which is kind of odd, but fine with me. Carrie Kelley, Lara, and this Dark Knight universe Jon Kent are more interesting anyway. They’re taking on Darkseid here, and Raphael Grampa’s art looks amazing.

A really good start. But keep your expectations tempered.

TITLE: Superman #18
AUTHOR: Brian Michael Bendis
ARTIST:
Ivan Reis
INKER:
Joe Prado
COLORIST:
Alex Sinclair
LETTERER:
Dave Sharpe
RELEASED:
December 11, 2019

Ugh. Why?

Yes, it’s exactly what it looks like. The same thing they did in 2015, in a storyline that, fittingly, was also called Truth.

It’s not that I don’t think Bendis and this team can do a good job with it. But we were just here. And inevitably, when you do this kind of thing you have to come up with some convoluted way to get the genie back in the bottle. So why even bother?

I will say, though, there’s a single silent page depicting the big moment between Clark Kent and Perry White that’s absolutely beautiful.

TITLE: Something is Killing the Children #4
AUTHOR: James Tynion IV
ARTIST: Werther Dell-Edera
COLORIST: Miquel Muerto
LETTERED BY: Andworld Design
RELEASED: December 11, 2019

In this issue, we get a major revelation about the nature of the monsters devouring children in Archer’s Peak. Tynion takes what I’ll refer to as the “Do you believe in magic?” approach. It’s an interesting twist that I didn’t see coming, and for my money, helps separate this book from the pack. Hopefully he’s given the time to expand on it.

As cool as Erica Slaughter is, part of me actually wants to see her killed off so James can take her place and learn about all this monster stuff. Probably won’t happen. But could be cool.

TITLE: Detective Comics #1017
AUTHOR: Tom Taylor
ARTIST: Fernando Blanco. Cover by Tony Daniel.
COLORIST: John Kalisz
LETTERER: Travis Lanham
RELEASED: December 11, 2019

A nice little one-and-done. I like when they do these. In the context of Detective Comics, it reminds me of Paul Dini’s run all those years ago.

Our story deals with missing children at the Martha Wayne Orphanage in Gotham. Taylor shows us a more sensitive and empathetic side of Batman and Robin. Also, the art in this issue really stands out, as Kalisz uses a more saturated color palette, while our inks are darker. He even gives us a sort of saturated sepia tone for the opening flashback that sets the scene really well.

TITLE: Go Go Power Rangers #26
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino
COLORIST: Raul Angulo
LETTERER: Ed Dukeshire
RELEASED: December 11, 2019

One of the big selling points of this book early on was it was set in the pre-Green Ranger days. Tommy, one way or another, inevitably pulls focus from the other characters. It’s a little sad that the emphasis has shifted that way.

But Parrott is still the best PR writer we’ve seen from this BOOM! Studios run with the license. Oddly enough, what I enjoyed most about this issue was a flashback to Tommy eating a meal with Rita at the palace. As a kid, I always wanted to see him in there interacting with the other villains.

TITLE: Dying is Easy #1 (of 5)
AUTHOR: Joe Hill
ARTIST: Martin Simmonds. Cover by J. Lou.
COLOR ASSISTANT: Dee Cunniffe
LETTERER: Shawn Lee
RELEASED: December 11, 2019

Cop turned stand-up comic. Now there’s something you don’t see every day.

If grim-and-gritty is your thing, this book is right up your alley. If there’s a seedy underbelly to the world of stand-up, this book is smack in the middle of it. Simmonds and Cunniffe do a tremendous job using the colors to create an ominous, foreboding vibe. Ultimately, that pays off on the last page…

Fittingly, the book also manages to be funny in a black comedy sort of way. I’m not totally sold yet, but I may indeed be back for more.

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Weekly Comic 100s: TMNT, Star Wars, Batman Annual

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles #99
AUTHORS:
Kevin Eastman, Bobby Curnow, Tom Waltz
ARTISTS:
Dave Wachter, Ronda Pattison (Colorist),
RELEASED:
 October 30, 2019

This damn thing cost $7.99. I’ve been following this main TMNT series since the beginning. But damn. That hurts.

But devil’s advocate: They jam a lot in here. Dozens of heroes and villains battle, with the fate of New York City at stake. Not to mention the lives of various mutants, and even children.

It all culminates in…well, I can’t say I knew for sure they were going in this direction. But after issue #50, I had a pretty good feeling a certain character would be on his way back by now.

TITLE: Star Wars: Allegiance #4
AUTHOR: Ethan Sacks
ARTISTS: Luke Ross, Lee Loughrige (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto.
RELEASED: October 30, 2019

Again, no Kylo Ren in this issue. Not even a closing shot of him in the last few pages. Lame. Sauce.

On the way to The Rise of Skywalker, Allegiance basically tells us two things: What the Resistance has been doing since the Battle of Crait, and how they obtained some of the resources they’ll undoubtedly have in the movie. It’s not the most fun Star Wars book you’ll ever read, and I doubt it’ll hold up to repeat readings. But as a little appetizer for the release of Episode IX, it works fine.

TITLE: Batman Annual #4
AUTHOR: Tom King
ARTISTS: Jorge Fornes, Mike Norton, Dave Stewart (Colorist), Clayton Cowles (Letterer)
RELEASED: October 30, 2019

This issue quick-fires a bunch of mini-stories at us, narrated via Alfred’s journal. “Everyday” moves day by day from April 7 to April 24.

I’d like to think these are a bunch of cooky ideas Tom King had while brainstorming for his Batman run, but couldn’t squeeze in. Based on what we’ve seen, some of these ideas really feel like his. Batman fights a dragon, takes on an MMA fighter for charity, solves a whodunnit, etc.

Mike Norton tags in for Jorge Fornes for several pages. So we got from a David Mazzuchelli, Year One-ish look to something more akin to Michael Lark.

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Epic Covers: TMNT #83 by Dave Watcher

By Rob Siebert
Fanboy Wonder

ARTIST: Dave Watcher

THE ISSUE: In their quest to defeat the Rat King, the Turtles find themselves in Siberia. Once there, they face his brother, the gigantic Manmoth.

WHY IT’S EPIC: Dave Watcher has had the cover duties on Teenage Mutant Ninja Turtles for the last few months, and he’s been absolutely killing it. His depictions of the TMNT-style human/animal hybrid characters are striking. The texture that Watcher gives to these creatures makes them feel very familiar, despite their otherworldly nature. For another such instance, check out the cover to TMNT #82, where he gets to draw the Toad Baron.

But TMNT #83 is definitely a highlight of Watcher’s work on the series. What’s interesting about this one is that despite Manmoth leering over our heroes, much of his body is still shrouded in shadow. He’s not in the shadows, per se. We can clearly see the snow on top of him. But the lighting has that effect because he’s almost in a hunched position. I also love that you have to look closely at the cover to see those menacing eyes. The Turtles look great too, of course.

On my first read-through, Manmoth felt very familiar. Not in that I’d seen him before, but because a mutant mammoth seemed like such an obvious course for the TMNT universe, I was convinced Kevin Eastman and Peter Laird had created him at some point.

As it turned out, the character originated over at Archie Comics. First in 1991’s TMNT Meet Archie #1, and later in the pages of TMNT Adventures. To their credit, the crew at IDW really is drawing inspiration from all corners of TMNT history. They made a silly one-off character from the ’90s into something pretty damn cool.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

A Teenage Mutant Ninja Turtles #64 Review -Toothpaste and Orange Juice

Teenage Mutant Ninja Turtles #64, 2016, Kevin Eastman variantTITLE: Teenage Mutant Ninja Turtles #64
AUTHOR: Kevin Eastman, Tom Waltz
PENCILLER: Dave Watcher
PUBLISHER: IDW Publishing
PRICE: $3.99
RELEASED: November 23, 2016

***WARNING: Spoilers lay ahead, and they’re coming up quickly!***

By Rob Siebert
Editor, Fanboy Wonder

This one was a head-scratcher, and not the first one TMNT has turned in since this whole “Splinter leads the Foot Clan” thing started. What we have is an issue that starts out very strong, builds to fitting climax, and then veers off in an unexpected direction. It’s not necessarily a good direction, either. It’s almost like taking a swig of orange juice after brushing your teeth.

In Teenage Mutant Ninja Turtles #64, our heroes storm the base of Darius Dun and the Street Phantoms, hoping to rescue their ally Harold. But in the process, things go south. Allegiances change, and more importantly, families are split apart.

Let’s jump right into spoiler territory, as that’s where my main point of contention with this issue is. During the climax, Splinter has Darius Dun killed. This leads Don, Raph, and Mike to immediately leave the Foot. Splinter tells Leo that the Turtles aren’t safe by his side now that he leads the Foot Clan, and he’s been resorting to drastic measures to break their loyalty and push them away. As you see below, the exchange ends with Leo saying he understands, and walking away.

Teenage Mutant Ninja Turtles #64, 2016, Dave Watcher, Splinter explanationI’m glad he understands, because I’m not sure I do.

Let’s unpack this: So Splinter’s end game, at least recently, has been to keep the Turtles safe. So why make this move now? Why not back when you were going against the Foot Clan? Why not when Donnie had his brush with death? Why not after they were reunited with Raph way back in issue #4? This entire ninja crusade was Splinter’s idea to begin with. But now that he’s in a position to control the enemy forces from within, he’s suddenly got cold feet about the whole thing? So much so that he’s willing to alienate himself from his sons? It all feels very forced. I can only assume there’s something else going on that we don’t know about. Otherwise, you’d think Splinter would know what the readers already know: This will only lead to the Turtles coming back to try and save Splinter from himself.

As it’s still so fresh, I’m hesitant to judge this development too harshly. But this feels like a case where an extra line or two would have done wonders. We can’t tell just how much Splinter is second-guessing himself at this point. But something like “I’ve gone too far” seems appropriate.

Adding to the awkward nature of this scene is the build-up to it, which is really actually really good. In the opening scene, Casey Jones explains Splinter’s plan to make him the leader of the Purple Dragons, “to help you guys run the city after we trash the phantoms.” The letterer emphasizes that word run, and for good reason. It’s rare that a single word literally makes a scene. But there you have it.

TMNT #64, 2016, HaroldWe also have some nice stuff between Harold and his estranged ex-wife Libby. Harold’s been around for awhile, and has been a nice supporting techie character. But I never expected they’d give him this sort of depth. It all comes about quite organically. It’s a pleasant surprise.

While I’m still picking on him over the whole bandana/beak thing, Dave Watcher has become one of my favorite TMNT pencillers in recent memory. His stuff has a sketchy quality to it, which for me evokes memories of the original Kevin Eastman/Peter Laird stuff. His renderings of Harold and Libby make the scene very accessible. He’s also very good at drawing TMNT tech. Look at what Libby’s wearing in the above panel. It somehow looks believable, doesn’t it?

I’m not much of a variant cover guy. But I almost always make an exception for the ones Kevin Eastman does for this book, such as the one shown above. I love the concept, and I love how shadowy and moody it is. The one thing I don’t love? Splinter’s tail. It’s curvature is too sharp, and it pulls you right out of the scene.

After all this time, I still maintain that this TMNT crew missed a huge opportunity by not taking advantage of what they established early on with Raph. Unfortunately, what we’re presented with in this issue could be just as big a misstep. We need more information on why Splinter is doing what he’s doing, or this story might lose a lot of punch. But I’ll give them this much: They’ve got me coming back for next issue.

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A TMNT Universe #1 Review – “Your First Step into a Larger World.”

TMNT Universe #1, Freddie E. Williams II, coverTITLE: Teenage Mutant Ninja Turtles Universe #1
AUTHORS: Paul Allor, Kevin Eastman, Bobby Curnow, Tom Waltz
PENCILLERS: Damian Couceiro, Bill Sienkiewicz, Eastman. Cover by Freddie E. Williams II.
PUBLISHER: IDW Publishing
PRICE: $4.99
RELEASED: August 31, 2016

By Rob Siebert
Editor, Fanboy Wonder

Bobby Curnow, Tom Waltz, and the crew at IDW have been creating good to great TMNT comics for several years now. This new Teenage Mutant Ninja Turtles Universe series opens the door for even more. If this freshman issue is an indicator of things to come, we’ve got mostly good things ahead of us.

The Turtles and April O’Neil are hoping they can make an ally of Baxter Stockman. But Agent Bishop and the Earth Protection Force are in hot pursuit of the boys in green. Our heroes will soon find themselves in a fight to survive. Then in our back-up story, Leo faces off against the Foot Clan by himself. Despite his skills, he may be hopelessly outnumbered.

Paul Allor is no stranger to the Turtles, having written a number of their adventures for IDW. His experience is evident here, as he writes a damn good opening page. We get a glimpse into Bishop’s psyche, and why he opposes mutants the way he does. It’s a misguided, though relatable sentiment.

TMNT Universe #1, sonic weaponAllor uses this first issue to remind us that the Turtles, and mutants in general, are isolated and at times hated. Though Bishop’s motivation, while villainous, is relatable in its own way. As one might expect, the most emotional reaction we get comes from Raphael, and it’s used effectively to close the issue.

Allor also isn’t bad with the repartee between the Turtles. Panels like the one above aren’t exactly dripping with wit. But they’ve got a nice charm to them that we don’t always have time for in the main TMNT series.

Couceiro, who’s on both the pen and inks for this issue, is a solid fit for the Turtles. He’s got a really nice command of light and shadow, which obviously bodes well for our shadow-bound heroes. He also doesn’t draw their bandanas too large, which I tend to chide Mateus Santolouco, and more recently Dave Watcher for. I do, however, have one thing to nitpick: His Turtles are very toothy. He draws toothy Turtles. Panels like the ones below actually take me out of the story, as I can’t help but stare at their teeth. On the plus side, they’re very white. Splinter must have gotten the boys good dental insurance.

TMNT Universe #1, back-up, LeonardoOur back-up story is about Leo trailing a Foot ninja, who as it turns out, has some friends. A lot of friends. When I initially read this story, I thought it was scripted by Kevin Eastman. Leo’s inner monologue reads like one of the original Mirage books. He seems more like an easy going teenager, and less like the disciplined leader we usually see. But the issue credits Tom Waltz for the script. I’m not sure why Leo is so casual here. It almost strikes me as out of character.

This is also a premise that’s been done to perfection in both the original Eastman and Laird series, and the IDW series. It’s Leo against a bunch of foot ninjas. This story is set to continue next issue, so hopefully they do something with this concept we haven’t seen before. Eastman handles the page layouts, slowing the pace a bit to take us into the action. Bill Sienkiewicz and colorist Tomi Varga are a good fit for the Turtles, providing the gritty, street-level feel the story needs.

Like many things in life, this issue reminds me of a line from Star Wars. In the original 1977 film, Obi-Wan says to Luke: “You’ve taken your first step into a larger world.” In a sense, that’s what Teenage Mutant Ninja Turtles Universe #1 is. Chances are good that this series will really enrich what IDW has created for the Turtles. Dare I say, cowabunga?

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A Ninja Turtles: City Fall – Part 2 Review – The Brainwashed Brother

Ninja Turtles, Vol 7: City Fall Part 2TITLE: Teenage Mutant Ninja Turtles, Vol. 7: City Fall – Part 2
AUTHORS: Kevin Eastman, Tom Waltz
PENCILLERS: Mateus Santolouco, Charles Paul Wilson III
COLLECTS: Teenage Mutant Ninja Turtles #25-28
FORMAT: Softcover
PUBLISHER: IDW Publishing
PRICE: $17.99
RELEASE DATE: February 12, 2014

By Rob Siebert
Editor, Fanboy Wonder

As a life long Ninja Turtles fan, I can’t even tell you how cool it was to see that last page in issue #27, where Bebop and Rocksteady finally make their IDW debut (a portion of which is shown below). Not only that, but they look bad ass. They’ve busted through a wall, and instead of holding ray guns like they did on the old cartoon show, Bebop is holding a friggin’ chainsaw, and Rocksteady’s got a sledgehammer. They look every bit like the sawed off (yet dimwitted) monsters you’d hope they’d be. Granted, it doesn’t really make sense for Rocksteady to have a sledgehammer, given that his fists are twice as big as it’s head. So he should really have the chainsaw. But you know what? Who the hell cares! It’s Bebop and Rocksteady, and they look bad ass!

And hell, that’s just one page of Teenage Mutant Ninja Turtles, Vol. 7: City Fall – Part 2.

As The Shredder tightens his grip on the organized crime factions in New York City, he has a new second-in-command at his side: Leonardo. Having been brainwashed by the witch Kitsune, Leo now believes his brothers to be dead, and Splinter to be a twisted manipulator. Now the Turtles must fight to bring their brother home, and once again face the Foot Clan head on. But in doing so, they’ll have to form an uneasy alliance with Old Hob and Slash. Meanwhile, Casey Jones sees a side of his estranged father he never knew existed. Sadly, father and soon seem destined to be on opposing sides.

Bebo & Rocksteady, TMNT: City Fall, Part 2The City Fall story feels like something the entire series has been building up to. Kevin Eastman, Tom Waltz and the artists have had time to establish this version of the TMNT universe, who everyone is, etc. Thus, a story like this, which alters and shifts a lot of those relationships, is much more meaningful. Our climactic battle between the Turtles and the Foot successfully capitalizes on those high stakes, and is much better than the disappointing first encounter in Shadows of the Past.

The Turtles come into this fight shortly after losing two major battles to the Foot in the previous book, so we’ve got a good sense of just how merciless and powerful our bad guys are, and that it’s entirely possible for our heroes to lose again. Then, we crank up the intensity with the introduction of Bebop and Rocksteady, two enemies who are bigger and stronger than the Turtles, with Shredder, Karai, and a brainwashed Leo waiting in the wings. And all the while, we’ve got an entirely different battle happening elsewhere between Casey and his father, who has become the massive behemoth Hun. It’s a much better constructed, and because of the higher stakes, much more suspenseful than what we saw in Shadows of the Past.

The vision sequences between Leo and his mother Tang Shen are fairly strong, particularly the one at the beginning of issue #26. For one thing, the simple image of an anthropomorphic turtle walking beside a human woman, and looking up at her with such reverence, makes for a compelling visual. But in previous incarnations, we haven’t heard much about the Turtles having a mother. The reincarnation angle used in the IDW series opens up a new creative door in that respect. It might be compelling to see Eastman and Waltz play with this a bit more as the series progresses.

Leonardo, mother, Ninja Turtles, IDWThe biggest drawback in City Fall – Part 2 is that there are technically two fairly significant holes in the story. One involves Alopex, and the reasoning behind a major decision she makes during the book’s climax. The second involves Casey’s father, and how he makes the transformation into Hun. Both these things were addressed in issues of Teenage Mutant Ninja Turtles Microseries: Villains, which runs alongside the regular series. Neither of those issues are collected here. It doesn’t necessarily ruin anything, and for Hun, an annotation is made referencing his particular issue. But it’s frustrating that we don’t get to see how and why these two rather pivotal events take place. It’s one thing for the microseries issues to supplement what’s happening in the main book. It’s another thing entirely to stick major events in there that readers should know about. Ideally, we should be able to get all of our pertinent plot points from the main series. That didn’t happen with City Fall – Part 2.

What I said about Mateus Santolouco’s art in the last volume still stands here. The way he draws their faces, with the beaks that are subtly framed like human noses, and the larger bandanas, they almost have a cutesy quality to them. Cute is definitely not what we’re aiming for here. Still, he does a fantastic job of injecting so many different emotions into not only our resident mutant turtles, but a mutant cat, a mutant snow fox, a mutant rat, etc. However, the best panels in the book are drawn by Charles Paul Wilson III, who handled the first exchange between Leo and his mother (a portion of which is shown above). The brief change in texture and color scheme lent a lot to the notion of it being a vision or a dream sequence.

Ninja Turtles #27, IDWWithout giving too much away, the last page of this story is encouraging. It seems to indicate that Eastman, Waltz, and Ross Campbell (the next artist in the rotation) are going to spend some time examining the consequences of Leo being brainwashed. City Fall tore this family apart, and it looks like the next chapter of this series will be about putting the family back together. Considering we didn’t get that kind of story when Raphael re-joined the team after Change is Constant, that’s good to see. It also looks like the events of this series will, to an extent, be mirroring certain events from Eastman and Peter Laird’s original series for the next several issues.

In the end, City Fall – Part 2 is the best we’ve yet seen from IDW’s Teenage Mutant Ninja Turtles series. By and large, it’s an emotional story about families being torn apart, and the lengths some will go to in order to bring them back together.

RATING: 8.5/10

Images from tmntentity.blogspot.com. 

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