Tag Archives: Kara Zor El

Panels of Awesomeness: Supergirl: Being Super

By Rob Siebert
Fanboy Wonder

THE ISSUE: Supergirl: Being Super #1

CREATORS: Mariko Tamaki (Author), Joelle Jones (Pencils), Sandu Floreau (Inks), Kelly Fitzpatrick (Colors) Saida Temofonte (Letters)

RELEASED: December 28, 2016

THE SCENE: In the opening pages of this out-of-continuity take on Supergirl, we meet Kara Danvers and her friends.

WHY THEY’RE AWESOME: I’m a sucker for body language and certain subtle visual cues. Comic books are, after all, a visual medium. I wasn’t even two pages into Supergirl: Being Super when I found one I absolutely love.

The book reestablishes the character as a modern American teenager. One of the book’s best attributes is establishes strong connections early on between Kara and her supporting cast, specifically her friends. One of those friends is Dolly Granger. 

What I absolutely adore here is how perfectly the art and the caption boxes are intertwined. The one on the left is our set-up, as we get this information about Dolly’s parents. Then we have the reveal of her hair, which beautifully points to her non-conformist streak without saying a single word. We probably don’t even need the caption on the right. But it’s a nice bit of garnish. Incidentally, it’s probably not an accident that the background is rainbow colored.

One of the book’s best attributes is how real and genuine Kara’s friendships feel. They work wonders in making this otherwise goddess-like character feel very down-to-Earth. Often it can be cumbersome to get those supporting characters established while still doing the business of the plot. But Dolly’s introduction is quick, seamless, and masterful.

For more Joelle Jones, check out Panels of Awesomeness: Catwoman #1.

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A Supergirl, S1E2 Review – Fighting Like A Girl

Supergirl, Melissa Benoist, Episode 2By Rob Siebert
Editor, Fanboy Wonder

Supergirl kept most of its momentum going this week, and we even got a surprising confrontation that could very well have been saved for the season finale. All in all, a fairly strong episode.

There are still some bothersome ticks hanging on from last week’s pilot episode. For instance, Melissa Benoist still needs to work on conveying exertion when she’s lifting something heavy. Right now it just sounds like an empty scream.

On the flip side, I like that they have Melissa bending her knees before she takes off. It makes the whole flying thing see a little more believable. Of all things, it’s actually reminiscent of the old Max Fleischer cartoons.

But all in all, we upped the intrigue in this episode, and that’s exactly what they needed to do here.

Calista Flockhart, Supergirl, Season 2, episode 2Cat Grant wants a one-on-one interview with Supergirl. I expected this. The Superman/Lois Lane interview is something a lot of people remember from Superman: The Movie. So it makes sense to do it here.

It’s irritating that they keep softening the focus when they do a close-up on Calista. That’s a trick sometimes done in TV to hide the wrinkles on an actor’s face. I really wish they wouldn’t do that, especially on a show that’s deemed as feminist as Supergirl. I don’t think Calista’s age is a secret. So what’s the big deal?

James Olsen advises Kara about doing an interview with Cat Grant, talks about the glasses disguise. The lack of practicality in the glasses disguise is something that plagues the Superman mythos to this day, and it’s going to plague Supergirl. The line about Cat “not really looking” at Kara is BS. At least people are used to suspending their disbelief about it.

So, are we moving toward a romance between Jimmy (He’s not James. He’s Jimmy.) and Kara? I’m not sure how I feel about that. But the exchanges they had in this episode were good. The line about Jimmy moving to National City (*gag*) to become his own man was endearing, as was Kara’s response about it being an honor to be part of a team.

Alex, Supergirl, Season 1, Episode 2At the urging of Hank Henshaw, Alex exposes Kara’s weakness at fighting. I like when they do stuff like this with the Superman characters. It makes sense, and it made for some nice scenes between Kara and Alex. Granted, it also made for some hokey dialogue (What was that about hiding from the popcorn popper?). But it got us a little more invested in Alex, which is obviously important.

Kara faces off against her aunt, Alura’s twin sister Astra. This was a surprise. The reveal and the subsequent fight could have been the midseason finale, or even the season finale. Obviously they’ll fight again, though. When they do, they need to work on not making it look like the girls are on wires. I’m sure that’s not easy. But something like that can take you right out of the show.

Peter Facinelli makes his first appearance as Maxwell Lord. In the DCU, Maxwell Lord has been both a heartless villain and a ruthless businessman of sorts. I’m definitely interested to see what kind of Max we get here.

Kara is reunited with her mother Alura via interactive hologram. I believe this practice is what they call “Brando-ing.”

Images from CBS.com.

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A Supergirl S1E1 Review – Keep It Simple, Supergirl

Supergirl, CBS, posterBy Rob Siebert
Editor, Fanboy Wonder

***WARNING: Spoilers lay ahead for the pilot episode of Supergirl.***

People are understandably excited about Supergirl. In essence, the character is getting the same treatment Green Arrow and The Flash are getting on The CW. This isn’t a prequel like Smallville or Gotham (Blech). This is Supergirl, flights and tights, in all her glory. On a major network, no less.

The pilot episode of Supergirl is charming in its simplicity. It lays everything out with fairly broad strokes, which is fine for now. We have our hero, her supporting cast, a place for villains to come from, and our big bad for the season. There’s a lot of ground to explore, and they’ve got a whole season to do it.

So let’s do what we love to do around here: Pick stuff apart…

Melissa Benoist plays Kara Zor El, a.k.a. Supergirl. This was great casting. Benoist has fantastic girl next-door appeal, and seems like she was somehow custom-built to be a TV star. It seemed like she was set for stardom on Glee before that show took an even bigger nosedive in quality. Either way, she makes a fantastic Supergirl. She’ll obviously need some time to break into the role and truly make it her own, as most actors do. But give her enough time, and she’ll pull it off.

Supergirl, pilot, Melissa BenoistSupergirl is widely being heralded as a feminist TV show, and a celebration of girl power. As a male fan, I’m not threatened or dissuaded by that at all. Despite all the superhero movies that have come out in the last two decades, we have yet to see one dedicated to Wonder Woman, Black Widow, or any other female hero. If Supergirl is successful, it could open some doors in that respect, and bring in new fans.

Calista Flockhart plays Cat Grant, head of CatCo Worldwide. Cat Grant was almost one-dimensional in how she was written here. Granted, this is only the pilot. At certain points in the comic books, the character had some nice depth that I’d love to see explored here. But that doesn’t mean we can’t make her a villain. Several years ago during Sterling Gates’ run on Supergirl, Cat was essentially made the J. Jonah Jameson to Kara’s Spider-Man. Using The Daily Planet as an outlet, Cat was able to turn much of Metropolis against the Girl of Steel. It wouldn’t be far-fetched to imagine that happening on this show.

Incidentally, I loved her little rant about the word “girl.” That was really well written.

Supergirl, Hank HenshawKara becomes aligned with her sister Alex, Hank Henshaw, and the Department of Extranormal Operations to face fugitives from a Kryptonian prison. This seems like a cue from Arrow and The Flash. On those shows, both heroes have a team around them that helps them with logistics and what not. It makes sense, at least as far as the first season is concerned. The Fort Rozz angle is also very similar to what we’ve seen on The Flash. On that show, the same freak accident that gave Barry Allen his speed also created various metahumans. On Supergirl, the arrival of Kara’s shuttle accidentally released various prisoners from the Phantom Zone. This begs the question of why those prisoners are only surfacing now. But again, it’s only the pilot.

Also, in the DC Comics Universe, Hank Henshaw is the evil Cyborg Superman. Just throwing that out there.

Kara works alongside Winn Schott, who she later reveals her secret to. On the subject of supervillains, in the DCU, Winslow Schott is one of the incarnations of the villainous Toyman. Perhaps unrequited love drives Schott to madness?

Kara Zor El, Jimmy Olsen, Supergirl, CBSWhile Superman’s presence is felt, he is never fully seen on camera. I was excited when I heard how Superman would be dealt with on this show. Essentially, it’s the same way Veep deals with the President of the United States. The character’s influence is felt on the show, but we never see him. I’m pleased they didn’t do anything stupid to Superman, like kill him or banish him to the Phantom Zone. But this episode leaves me wondering why Kara doesn’t have more of a direct relationship with her cousin. You’d think he’s be the one person she’d want to talk to about superheroics and what not.

From a creative standpoint, the reason for keeping Superman out of the show is obvious: He draws attention away from Supergirl. But I’d like to see some reason given as to why she can apparently only communicate with him through other people.

Image 2 from youtube.com. Image 3 from moviepilot.com. Image 4 from cinemablend.com.

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A Supergirl: Death and the Family Review – I Was A Teenage Supergirl

Supergirl: Death and the FamilyTITLE: Supergirl: Death and the Family
AUTHORS: Sterling Gates, Jake Black, Helen Slater
PENCILLERS:
Fernando Dagnino, Jamal Igle, Cliff Chiang. Cover by Renato Guedes.
COLLECTS:
Supergirl #48-50, Supergirl Annual #1
FORMAT:
Softcover
PUBLISHER:
DC Comics
PRICE:
$17.99
RELEASE DATE:
September 15, 2010

By Rob Siebert
Editor, Fanboy Wonder

The most notable thing about Supergirl: Death and the Family, is that it has Helen Slater’s name on it. Slater played the Girl of Steel in the 1984 Supergirl film. But don’t get too excited, folks. Her contribution here isn’t that notable.

The book is a little scattered in terms of it’s story. The Supergirl Annual portion kicks off with Kara trying to save two wayward Kryptonians who are stranded in a bank by the Science Police (who have been ordered to capture all Kryptonians in the wake of Codename Patriot). Kara has good intentions, but ultimately ends up making what seems to be a mistake. Then, we see the secret origin of the evil Superwoman, and her connection to Lois Lane.

Supergirl #48, Lana Lang, sicknessThe main plot thread revolves around Lana Lang’s mysteriously unidentifiable sickness, which Supergirl discovered in Friends and Fugitives. After a surprisingly well done story involving Silver Banshee and Inspector Henderson (Supergirl’s answer to Commissioner Gordon), we find out what is actually ailing our old friend Lana. And it’s…not what you’d expect. All I’m going to say is it involves insects.

Finally, we get a six-page story by Jake Black and Helen Slater, which focuses on the public’s perception of Supergirl. It features a talk show host chatting with Cat Grant, an “arts and entertainment” writer whose public distaste for Supergirl has been well documented. No offense to Slater, but my guess is Jake Black handled most of the actual writing. Black has worked on Smallville, and has a number of books for younger readers to his credit. Considering it’s only six pages long, it’s got a hefty message regarding the character. But it’s nothing overly memorable.

Supergirl #50, Helen SlaterThough Slater’s name may prompt fans to pick up the book, Sterling Gates is its real star. One thing he’s always done very well is definitively making Supergirl a teenager. Some writers tend to overlook that incredibly important element when they’re writing young hero characters (pick up any issue of Teen Titans from the past year or so and you’ll see what I mean). Kara is emotional and vulnerable, despite being able to bend steel with her bare hands. This comes off especially well in the Annual bank story. You may as well call Gates “Mr. Supergirl.”

As for the art, it’s consistently done well, but I feel prompted to praise Fernando Dagnino in particular, perhaps because he did the art on the bank story. But I can’t say anything bad about Jamal Igle or Cliff Chiang either.

In the end, though it lacks a distinct beginning-to-end plot, and the story with the most riding on it is actually kind of silly, in terms of characterization, I consider this to be good Supergirl material. In a sense, this book is like Helen Slater in Supergirl. Not incredibly memorable, and not going to win any awards. But it’s fun to look at.

No offense, Helen.

RATING: 6/10

Images 1 and 2 from comicboxcommentary.com.

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