By Rob Siebert
For my money, on Monday the Undertaker cut one of his best promos in years. If you haven’t seen it, you should see it.
So watch it.
In recent years a lot of fans have been clamoring for him to return to his American Bad Ass/Big Evil persona. That’s the closest we’ve gotten to it in a long time. In the right context, this Undertaker is every bit as menacing and intimidating as the Dead Man persona.
Like fine wine, the Undertaker improved with age. Critics, podcasters and “pundits” have talked about his matches with Kurt Angle, Batista, Edge, Shawn Michaels, Triple H, CM Punk, among others. Mind you, the first of those matches took place in February 2006. The real-life Mark Calaway had been wrestling for almost 20 years, and played the Undertaker for about 16 of them.
But what about the Undertaker’s mic work? His “character work,” so to speak. At the start of his run he was given a mouthpiece: Paul Bearer. The formula for an Undertaker/Paul Bearer promo was pretty simple. Paul would do most of the talking in that unsettling high pitched voice, and ‘Taker would chime in with something spooky at the end. But at that point he was playing the character like a zombie, or Frankenstein’s monster.
Below is a perfect example, and actually one of my favorite times we heard the Dead Man speak…
But after years at Paul Bearer’s side, and six years of growing and evolving the character, he clearly became more comfortable on the mic and began to take a more commanding presence in his promos. At times it was almost to the point where Bearer would simply speak to compliment what Undertaker would say.
Case in point, this little gem where he talks about a match on Valentine’s Day…
In 1996, the Undertaker/Paul Bearer tandem was split up. The Dead Man was left to fend for himself on the mic. Some nights were better than others. But on certain shows, he could make absolute magic. Especially when he had the production team behind him. These promos for the Buried Alive pay per view that fall are the stuff of legend.
The changes continued into 1997 and 1998. The introduction of the Kane character, and the revelation of the Undertaker’s storyline family history would humanize the Dead Man in ways we’d never seen. In rare occasions he’d be in street clothes, albeit still black. As they built to an Undertaker/Kane match at Wrestlemania XIV, he would have to talk about his parents, his childhood, etc. The emotional needs of the story required a kind of acting that would prove challenging for anyone not trained traditional theater.
In the scene below, we see him talking to his deceased parents at their grave site. Y’know, that standard wrestling promo you’ve seen a thousand times…
But pre-produced Undertaker was not the same as arena Undertaker. That’s not to say he was bad. But a spooky, undead character obviously lends itself to more quiet settings. When you’re among screaming fans, it’s obviously very different.
Here we have a fairly famous “worked shoot” promo from 1998. He’s dressed in plain clothes, but allegedly that’s because his gear was lost in transit. It’s not the most polished mic work you’ll ever see. But the substance of it is great. I love the “slayer of dragons” line.
I’m not in love with this next one. But certain elements of it are very strong. Most notably Undertaker not looking into the camera as he’s threatening Vince McMahon. Mind you this is 1999. Years before WWE wrestlers were told not to look into the camera. This was done for effect. Then you’ve got the music, the lighting, the hood. It’s just a great looking piece of television.
Then came the American Bad Ass. In 2000, all the talk about taking souls and eternal damnation was over. After 10 years, the Undertaker was simply a tough-as-nails biker, looking like he might kill somebody at a moment’s notice. We’d seen a humanized Undertaker before. But I’d argue this was the first time we heard the Undertaker talk like Mark Calaway.
Even the Rock wasn’t safe.
The American Bad Ass would morph into Big Evil. The difference? As Bruce Prichard once said, “Semantics.” Although I suppose you could argue the American Bad Ass was a babyface, and Big Evil a heel.
By the time Wrestlemania XIX rolled around, ‘Taker wanted a match with Ric Flair. And he was going to get it. By any means necessary…
In hindsight, the really bone-chilling thing about this segment is that he references not only the future Charlotte Flair, but the late Reid Fliehr.
This next one from April of 2002 was special. Not just because of its delivery, but because they put the Undertaker with the recently-returned Hulk Hogan, and they let him talk about the elephant in the room. They let him talk about his first WWF Championship win in 1991 and say, “I beat you.” For so long, it had been taboo to reference Hogan unless it was some kind of joke or parody. But now he was back. And as you’ll see, he was fair game.
Big Evil was around until the end of 2003. By Wrestlemania the following year, the Dead Man was back. And yes, he would wear gold again. Specifically, the World Heavyweight Championship, a.k.a. the “Big Gold Belt.” He wore it three times between 2007 and 2009.
Here he is on Smackdown in 2009 after taking it CM Punk in a Hell in a Cell Match the previous Sunday. My favorite part of this promo is that he puts the belt over, and explains why he wanted it so badly. He even calls it “the Holy Grail of everyone who steps foot in this ring.”
At this point, what we were getting was a Dead Man/Big Evil hybrid. Lots of talk about souls, graves, etc. But at times, we’d see flashes of Big Evil.
Earlier that year, Wrestlemania XXV had taken place. The Undertaker and Shawn Michaels had that classic match, and started what would ultimately be a four-year saga that in time would include Triple H.
Once Triple H got involved in 2011, we started to see in-ring segments between all three. What resulted were some of the best, if not the best back-and-forth promos of all their iconic careers. There’s a tension in the air that you can’t script. It has to come from the performers and their chemistry.
I present to you, Exhibit A.
A year later, Triple H and the Undertaker would face off again. This time inside Hell in a Cell, with HBK as the guest referee. But initially, Hunter refused to face the Dead Man again.
What’s interesting about this segment is that it’s one of the rare times we see Undertaker come from a place of vulnerability. He’s been waiting a year for this opportunity, and he needs Triple H to say yes.
You wanna talk tension? That line about Shawn being better isn’t remotely as effective out of context. But with these characters and this dynamic, it’s huge.
Fast-forward to 2015, and we’ve got the Undertaker coming for Brock Lesnar after the Streak was broken at Wrestlemania XXX. I was so dissatisfied with that initial promo ‘Taker cut on Brock. It made him look like a sore loser. If they’d simply done something like the promo below, and included something about revenge and ‘Taker having nothing left to lose, it would have been perfect.
This next segment contains, in my opinion, the Undertaker’s last really good promo. Until last Monday, of course.
There’s not much to it, really. It’s ‘Taker declaring himself for the Royal Rumble Match. But it’s always stood out to me for two reasons. First, I love the “29 holes for 29 souls” line. Secondly, and more importantly, look at how he acts toward Stephanie McMahon. At this point (and perhaps to this day), nobody stood up to Stephanie like that.
But what could she do? He’s the Undertaker.
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