***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***
By Rob Siebert
TITLE: Batman #100
AUTHOR: James Tynion IV
ARTISTS: Jorge Jimenez, Carlo Pagulayan, Danny Miki (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer). Variant cover by Francesco Mattina.
RELEASED: October 6, 2020
In the end, “Joker War” was pretty unremarkable. Though at least not flat-out offensive the way “City of Bane” was. It wound up being, in my opinion, as much about Harley Quinn as it was about Batman. That’s exactly what I was afraid it would be.
To his credit, though, Tynion gives Barbara Gordon a pretty awesome moment in this issue.
And hey, we got a “Jokerized” Batsuit out of the deal that’s just dying to be made into an action figure or a Funko Pop. So there’s that I guess.
I like this angle on the Champions. Superheroes under 21 are outlawed, which gives them something to rebel against. Teenage defiance and all that. This series isn’t starting off with the same sort of real-world intrigue the 2016 Mark Waid book did. But it’s making up for it with superhero drama.
So wait, Kamala Khan is the face of the law banning teen heroes, but Ms. Marvel is the leader of the Champions? How does that work? Superhero logic, I guess…
Charles Soule starts to get this book on track here, as we get a pretty darn good origin story for our new villain, Commander Zahra. The Zahra character was mentored by Grand Moff Tarkin, who Soule has historically been very strong with.
This is our second time seeing Carlo Pagulayan this week. He impressed me with this cover. It reminded me quite a bit of Olivier Coipel’s work. For my money, that’s a compliment.
Ramon Rosanas turns in a strong performance as well. A suitable replacement for Jesus Saiz on this series.
We Only Find Them When We’re Dead is a gorgeous blaze of vibrant colors. Truly wondrous from an artistic standpoint.
The trouble is, and perhaps this is just my ADD talking, I’ve been having some trouble following along. We’re learning about some intriguing characters. But there’s a lot of spaceship tech jargon in here, much of which feels like fat to be trimmed. My hope is the book starts to take off (pun intended) as we get into the real meat of the story.
One of the things Batman: The Adventures Continue does is answer certain questions left unanswered from the show. Including one I didn’t think to ask: Why isn’t Leslie Thompkins in The New Batman Adventures? Hint: It involves Jason Todd.
Oddly enough, in this issue Red Hood throws a grenade that’s read and has white “eyes” like his helmet. It looks like he’s throwing a Spider-Man grenade.
That’s right, folk. A Spider-Man grenade. That’s the kind of keen insight you’ll find here at PrimaryIgnition.com.
This first issue is packed with intrigue and possibility. Not to mention a sense of dread. As if we’re about to learn some horrible secret about how the world works. And we do…kinda…
Simply put, I don’t buy the big twist in The Department of Truth #1. The book is written and drawn like a government espionage type drama. But the revelation is a piece of comic book science so far-fetched that even I don’t buy it. Such a shame, as I’d been looking forward to this for months.
TITLE: Batman/Superman Annual #1
AUTHOR: Joshua Williamson
ARTISTS: Gleb Melnikov, Dale Eaglesham, Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer). Cover by Gabriel Rodriguez & Sanchez.
RELEASED: September 29, 2020
Wanna have some fun? Read Mr. Mxyzptlk’s dialogue in Gilbert Gottfried’s voice, and Bat-Mite’s in Paul Reubens’ voice. Just like on those old cartoons.
This annual is about our two fifth-dimensional imps arguing about whether Batman or Superman would win in a fight. It’s played for laughs, and it’s a lot of fun. But most important of all? The story has the right ending.
Remember, kids: Superman and Batman are both heroes. They shouldn’t be fighting. They’d find another way to work things out.
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