A Justice Society of America #2 Micro-Review – Scatterbrained

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Justice Society of America 2, cover, January 2023, Mikel JaninTITLE: Justice Society of America #2
AUTHOR: Geoff Johns
ARTISTS:
Mikel Janin, Jerry Ordway, Scott Kolins, Jordie Bellaire (Colorist), John Kalisz (Colorist), Rob Leigh (Letterer)
RELEASED: 
January 24, 2023

By Rob Siebert
Fanboy Wonder

This book still feels a little bit unfocused to me. We’re bouncing around the timestream a lot, which doesn’t necessarily allow us to invest in what we’re seeing. I’m still not ready to poo-poo the book just yet. But thus far it feels scatterbrained.

On the upside, Justice Society has been artistically beautiful. Mikel Janin gets to draw the classic JSA in this issue, which is cool to see.

Those classic JSA members are the ones we primarily bought this book to see, yes? It feels odd that Johns would withhold them from us as much as he has.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Justice Society of America #1 Micro-Review – The Long Game

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Justice Society of America 1, cover, November 2022, Mikel JaninTITLE: Justice Society of America #1
AUTHOR: Geoff Johns
ARTISTS:
Various. Cover by Mikel Janin.

RELEASED: November 29, 2022

By Rob Siebert
Fanboy Wonder

Geoff Johns appears to be playing the long game out of the gate with this new Justice Society of America series. We’re not jumping right in with series staples like Green Lantern Alan Scott, The Flash (Jay Garrick), and Wildcat. Instead, we’ve got a time-travel story about Batman’s daughter Helena Wayne, a.k.a. Huntress. It’s not what I expected at all, but I’m not ready to poo-poo the book yet. Let’s see where things go…

At least with Mikel Janin and Jordie Bellaire handling the art, things look pretty.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Epic Covers: Justice Society of America #1 by Dan Hipp

By Rob Siebert
Fanboy Wonder

The New Golden Age #1 had its ups and downs, which isn’t necessarily what you want to say about the lead-in to your new Justice Society of America series, which begins this week.

But nevertheless, the issue had a strong cover game, as evidenced by this really fun variant from Dan Hipp. Though I must confess, I’m a little confused as to what they’re supposed to be doing. It seems like it’s morning coffee/tea, as evidenced by the cups some of them are holding. Not to mention what appears to be the glow of a sunrise. But then you’ve got Hawkgirl who’s…eating oatmeal? If this cover had a title, it might be “Breakfast with the Justice Society.”

Justice Society of America, Dan Hipp

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The New Golden Age #1 Micro-Review – Fun Ideas, No Coherence

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

TITLE: The New Golden Age #1
AUTHOR: Geoff Johns
ARTISTS:
Various. Cover by Mikel Janin.

RELEASED: November 8, 2022

Coming in, I was under the impression The New Golden Age was going to be a look at the World War II era DC Universe, what the Justice Society of America was up to during that time, perhaps a little time travel to boot, etc. That’s not exactly what we got

There are a good amount of interesting and fun ideas in here. The trouble is that there’s a lack of coherence between them. For instance, does this take place in the main timeline? Or is it on an alternate Earth? Earth-2, perhaps? Is it a multiverse type thing?

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Flash #786 Micro-Review – Flash Family Fun

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

The Flash 786, cover, 2022, Taurin ClarkeTITLE: The Flash #786
AUTHOR: Jeremy Adams
ARTISTS:
Amancay Nahuelpan, Jeromy Cox & Peter Pantazis (Colorists), Justin Birch (Letterer). Cover by Taurin Clarke.

RELEASED: September 20, 2022

By Rob Siebert
Fanboy Wonder

What Jeremy Adams has managed to do, at least with these last several issues I’ve read, is turn The Flash into a fun book about a family of heroes. This, as opposed to a book that’s simply about Barry Allen or Wally West. These Dark Crisis tie-ins in particular have been a nice supplement to the main miniseries.

Wally, Linda and the kids mingle with some heroes from the larger DC Universe in this issue. Robin has a couple of cute interactions with Irey. Amancay Nahuelpan and our colorists also give us a hell of a Justice Society.

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A Batman/The Flash: “The Button” Deep-Dive Review – Take the Good with the Bad

TITLE: “The Button”
AUTHORS: Joshua Williamson, Tom King
PENCILLERS: Jason Fabok, Howard Porter
COLLECTS: Batman #2122The Flash #2122
PUBLISHER: DC Comics
TENTATIVE COLLECTION PRICE: $19.99
COLLECTION RELEASE: October 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

I want to like what I’m seeing here. And I guess I do, for the most part. I just have to turn a certain part of my brain off. Namely, the part that registers guilt about a company cashing in on imagery and characters from a landmark story without their creator’s blessing.

After months without any leads relating to the mysterious button Batman discovered during the events of DC Universe: Rebirth #1, the Dark Knight gets a surprise visitor: The Reverse-Flash. But what’s his connection to the Button? Where does it come from? How does it connect to the apparent changes made to the timeline? And how does all of this somehow involve the world of Flashpoint?

“The Button” doesn’t give us any answers. But it does wet your appetite for the just-announced Doomsday Clock event in November. It also manages to tug at your heartstrings with some pre-New 52 imagery and characters. So it does what it’s supposed to do. We even catch a little glimpse of Dr. Manhattan at the end…sort of (shown below).

While we’ve known about the DC Universe/Watchmen stuff for about a year now, I still feel dirty when I see the Watchmen imagery. It doesn’t do much good to complain about it, as what’s done is done. But considering what an achievement Watchmen was, and how revered it is to this day, without Alan Moore’s blessing there’s a certain lack of purity here.

Our inciting incident occurs when the button comes into contact with the Psycho-Pirate’s mask, causing the Reverse-Flash to materialize in the Batcave. After a fight, Batman and the Flash attempt to trace the button’s unique radiation to locate it’s source using Flash’s Cosmic Treadmill (Yup, that’s a thing.) After the Crisis on Infinite Earths reboot came and went in the mid-’80s, the Psycho-Pirate was the one character who retained his pre-Crisis memories. I assume Reverse-Flash’s reemergence has something to do with that memory retention. There’s no other explanation…is there?

“The Button” definitely gives us the vibe that this New 52 continuity we’ve been in for the past several years is an injustice perpetrated by Dr. Manhattan. Several years have been from the timeline, forcefully robbing our characters of their memories and in some cases their very existence. We check back in with Johnny Thunder, who at one point cries, “We lost the Justice Society! It’s all my fault!” We also see Saturn Girl of the Legion of Superheroes, who’s screaming about a future only she knows about. As Batman and Flash make their way through the timestream, we see glimpses of events from Crisis on Infinite Earths, Identity Crisis, and other stories that have seemingly been out of bounds for the New 52.

Then there’s the big surprise in the final issue: Jay Garrick’s brief return. Jay comes back much the way Wally West did in Rebirth, but is unable to find a tether to reality the way he did. He’s seemingly jerked back into non-existence via some familiar blue energy.

There’s a surreal and almost meta element to seeing characters like Jay and Wally pine to come back. Jay has a line, “They took everything from me, Barry. I don’t know how. I don’t know why.” Odd as it may sound, it feels like he’s talking about DC itself, doesn’t it? I’ve enjoyed the DC Rebirth initiative as much as anybody. But it does entail the company eating some crow. Yes, we’re happy to see so many familiar elements back in our books. But who took them away to begin with? Would they have gone through with the reboot if they knew they’d be backtracking it just four years later?

Oddly enough, the emotional meat of the story isn’t so much the return of Jay, or the drama of what’s been lost. It comes in when our heroes accidentally find themselves in the Flashpoint universe, and they come across that reality’s Batman, Thomas Wayne. Thus, we get a reunion of sorts between father and son, each Batman in their own world.

We’ve seen stories where Bruce somehow gets to talk to his parents again. Whether they’re ghosts, visions, or what not. But Batman #22 gives us two unique moments that manage to really hit home. The first is when Bruce tells Thomas, “You’re a grandfather. I have a son.” For older fans, that’s a really strong, relatable moment. The second comes as the Flashpoint sequence is ending. In their final moments together, Thomas asks Bruce not to be Batman anymore, and to instead find happiness. That’s a really compelling use of the Flashpoint Batman. I wasn’t expecting it here, but it creates a hell of a potential conflict for down the road. Can Bruce continue his crusade now?

Jason Fabok handles the Batman side of things, and handles them quite well. You can’t deny quality when you see it. His work has a definite epic quality to it, and is very much worthy of what we see here. The Flash issues are pencilled by Howard Porter, who I have a lot of respect for. That being said, his style has never really been my cup of tea. As cool as the time stream sequence in The Flash #21 is, Porter’s work gives it a certain awkwardness. For instance, there’s a panel where we can almost see up Batman’s nose. Not necessarily what we’re supposed to be looking at, is it?

“The Button” is a fine bridge between DC Universe Rebirth #1 and Doomsday Clock. For some of us, there’s going to be a lot of Watchmen-related discomfort on the horizon. But it looks like we’ll be getting our share of feel-good moments too. Take the good with the bad, I guess…

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A DC Universe: Rebirth #1 Review – “How Could I Ever Forget You?”

DC Universe: Rebirth #1TITLE: DC Universe: Rebirth #1
AUTHOR: Geoff Johns
PENCILLERS: Ethan Van Sciver, Gary Frank, Ivan Reis, Phil Jimenez
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: May 25, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Part of the idea behind the 2011 “New 52” reboot at DC Comics was to modernize and simplify the characters and continuity for new readers. They largely succeeded. A lot of great comics were sold, and new readers were given a fresh jumping-on point for the DC Universe.

But lets be honest. If you were a longtime DC Comics fan, you lost a lot more than you gained. The timeline of the DCU was condensed down to five or six years. As such, the characters lost a lot of their depth. Certain characters, relationships, marriages and families were altered, if not erased altogether. As such, this new DC Universe suffered from a lack of heart and emotional connection.

DC Universe: Rebirth #1 is DC’s attempt to remedy this problem by restoring some of these lost characters, and injecting some much needed love into the proceedings.

A LOT of big things happen in this issue. So lets touch on most of them individually…

DC Universe: Rebirth #1, 2016, Wally West, Barry Allen hugWally West returns, reunites with Barry Allen, warns of a new enemy. Most of us can relate to being forgotten about on some level. It’s heartbreaking. That’s the feeling Geoff Johns taps into when he shows us the plight of Wally West. Lost to time, left as mere kinetic energy in the Speed Force, he’s so desperate to be remembered. Even his former wife replies to his presence with a heart-wrenching: “I don’t know you.” So it’s a genuine tear-jerker when Barry suddenly does remember him, then wraps him in a hug and says: “How could I ever forget you?” After almost five years without Wally, this was every bit the epic reunion it was designed to be.

The explanation we get for the other Wally West, who’s set to become Kid Flash in upcoming issues, is a little corny. Something about them being cousins and both named after their great-grandfather. I’ll grant them that there was no easy way to get out of that scenario. There was bound to be confusion. At least Johns connected them. Hopefully that’ll be a unique meeting eventually.

I’m not clear on what Barry and Wally remember at this point. In this issue, Wally remembers his wife Linda Park, the events of Crisis on Infinite Earths, his time with the Teen Titans, and other odds and ends. At least some of that seems to have been transferred to Barry. But Wally also says it’s becoming harder to remember his old life. I imagine more will be revealed in the new Titans series.

Per events in Justice League, also written by Johns, we learn there have apparently been three Jokers. I balked when I first saw this. Having three Jokers seemingly takes away the character’s unique evolution and versatility. Now, instead of one multidimensional Joker, we’ll have three one-dimensional Jokers. That, at least, is my takeaway from the revelation.

DC Universe: Rebirth #1, Jokers, Ethan Van SciverI am happy, however, that they didn’t give us any names. We didn’t find out The Joker’s real name is Jack Napier or anything like that. My love for The Killing Joke notwithstanding, I like my Joker somewhat de-humanized, conveying the idea that absolutely anyone could be behind that twisted grin. “One bad day” and what not. They may still do that, but hopefully they don’t.

It’s easy to make snap judgments about dramatic reveals like this. (Captain America, anyone?) But ultimately, it’s all about the story they’re telling. The true merit of this twist lies with what they do with it.

Wally reaches out to an elderly Johnny Thunder, who has been searching for the Justice Society. Justice Society got a little out of hand before the reboot. The team was split between two titles. If they’re bringing back the JSA, my hope is the team will be smaller. My question is, if the Society comes back does that mean the timeline gets adjusted so Jay Garrick, Alan Scott, and all those characters were indeed active during World War II?

Ted Kord, DC Universe Rebirth #1Partnerships are established between Ted Kord & Jaime Reyes and Ray Palmer & Ryan Choi. Dr. Fate reveals that Jamie’s Scarab is actually magic. I hadn’t realized how much I missed Ted until this issue. Gary Frank perfectly captures that boyish enthusiasm, which is part of what’s so great about Ted. This new partnership with Jaime should make for good comics.

Ray Palmer has a line about Jean Loring in his scene with Ryan Choi, which seems to indicate that Identity Crisis is out of continuity. I’m a big Brad Meltzer fan (mostly). But if we have to abandon Identity Crisis in favor of a more hopeful DC Comics, with some of our favorites back in the picture, I’m okay with that.

Aquaman proposes to Mera. Jackson Hyde returns to the DCU.  Well heavens to Betsy. Marriage is okay again! With the reboot, Superman, The Flash (both of them), and Aquaman all had their marriages retconned. Batwoman was also not allowed to marry her love interest. Arthur at least got to keep his relationship with Mera. This seems to be a very positive step away from the “heroes can’t be happy” approach DC seemingly had in place a few years ago.

Why Jackson Hyde wasn’t a part of the New 52 reboot is a mystery to me. They had spent all that time building him up in Brightest Day, and then he was just gone. Hopefully they can now capitalize on what for years has been a wasted opportunity.

And now, for the biggest reveal of them all…

Batman, WatchmenWatchmen characters are incorporated into the DCU. Dr. Manhattan implicated as the mysterious force manipulating time. Ah, here’s the kicker. I mean, c’mon. We couldn’t have a villain manipulating the time stream somehow. We had to drudge up Watchmen again, as the book and the characters continue to be profitable 30 years after its original publication.

I won’t lie, there’s a certain excitement at the prospect of a post-Watchmen Dr. Manhattan interacting with the DC Universe. Seeing Batman find the iconic Comedian button with the bloodstain, hidden in the Batcave, of all places, was a legit shocker. Even watching Pandora perish the way Rorschach did was kinda cool.

But here’s my big question: Will it be worth it in the end?

The last time DC pulled this crew out of retirement was for Before Watchmen, a line of prequel miniseries’ featuring all the classic characters. It gave us some good stuff, particularly Darwyn Cooke’s Before Watchmen: Minutemen story. But even with all the A-list talent involved, when you look at Before Watchmen cumulatively, you aren’t left with a feeling of justification. The sense that this was worth doing without Alan Moore and arguably taking some of the luster off Watchmen.

I’m really hoping they thought about that before making this move. Is this going to be worth bringing Watchmen out of retirement Especially when we presumably won’t be seeing Dr. Manhattan, and whoever else pops up, in the context of their own world.

DC Universe Rebirth #1, montage, Gary FrankThis oversized issue is divided into four chapters, plus an epilogue. For these various sections, Geoff Johns is working with three of his longtime collaborators. The MVP by far is Gary Frank, who draws chapter 2, and also assists with chapters 1 and 3. His art drips with pure humanity. When Wally bursts in on Johnny Thunder, we can feel the old man’s desperation, heartbreak, and fear. In the scene with Ted and Jaime, Ted’s enthusiasm is contagious. On the other hand, Jaime’s apprehension is palpable, and comes off very natural. Frank also draws the big reveal with Batman and the pin (shown above), and even drew the cover. What an amazing issue for him.

It’s very fitting to have Ethan Van Sciver on the pencil for chapter 1. As the artist on Green Lantern: Rebirth and The Flash: Rebirth, it creates a nice consistency. What’s more, having worked on those books, and contributed to projects like The Sinestro Corps War and Blackest Night, his work inevitably conveys a sense of importance. He very much lives up to that, as its Van Sciver that gives us our first look at the returning Wally West.

In chapter 3, Ivan Reis gives us a gorgeous scene with Aquaman and Mera. But the scene with Wally and Linda, where he’s so sure she’ll remember him and he gets rejected…it’s amazing. Their faces, their body language, it’s just perfect. You can make an argument that this is the most important scene in the issue. The impact of Wally’s failure with Linda makes the scene where Barry saves him that much more impactful.

There’s a certain artistic symmetry to Phil Jimenez drawing the reunion between Barry and Wally. In Infinite Crisis, Jimenez drew Wally and his family disappearing into the Speed Force, as well as Barry briefly emerging from it. Now, he gives us an emotional sequence where Barry pulls Wally from the Speed Force. He was the perfect choice for this moment.

Aquaman and Mera proposalFinally, let’s talk about Geoff Johns for a moment. The guy gets his share of flack these days. He’s got a reputation as Mr. Retcon. And I’ll admit those early Justice League issues where pretty flawed. But by and large, he tells gripping and often emotional stories. In the case of DC Universe Rebirth #1, he and the team give us a much-needed break from the grim and largely joyless DC Comics we’ve come to know since The New 52 began. There’s a place for hope, love, and wonder in this universe. Most readers always knew that. Let’s hope DC never forgets again…

Image 1 from newsarama.com. Image Image 3 from pastemagazine.com. Image 3 from observer.com. Image 4 and 6 from observer.com. Image 5 from terrazero.com. 

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A Nightwing & Flamebird, Vol. 2 Review – Rao Lives Again!

Nightwing & Flamebird, Vol. 2TITLE: Superman: Nightwing & Flamebird, Vol. 2
AUTHORS: James Robinson, Greg Rucka, Eric Trautmann.
PENCILLERS: Pere Perez, Bernard Chang, Pier Gallo. Cover by Alex Garner.
COLLECTS: Action Comics #883-889, Superman #696, Adventure Comics #8-10
FORMAT: Softcover
PUBLISHER: DC Comics
PRICE: $24.99
RELEASE DATE: October 6, 2010

By Rob Siebert
Editor, Fanboy Wonder

Of all places to wage war against a Kryptonian god, Iran is probably in my bottom five. I imagine that’s how Nightwing & Flamebird feel in this book.

In the second of two volumes collecting their adventures, the duo of Nightwing (Chris Kent, Clark Kent and Lois Lane’s adopted son, and General Zod’s biological son) & Flamebird (Kryptonian Thara Ak Var) are still fugitives. They must quietly consult with Dr. Light and S.T.A.R. Labs when Nightwing suddenly begins to age rapidly. They meet a renowned geneticist, who turns out to be Jax-Ur, a Kryptonian sleeper General Zod has planted on Earth. Jax Ur creates a bastardized version of Rao, the Kryptonian god, and unleashes it in Iran. Nightwing & Flamebird are forced into the center of a battle that also attracts Wonder Woman, and members of the Justice Society. All the while, Lois Lane covers the fight and reports the truth, much to the chagrin of her own government.

Adventure Comics #9, Pier GalloAfter that story, we switch gears completely. In a short story, we meet Car-Vex, another Kryptonian sleeper tasked by General Zod with penetrating General Lane’s organization. We feel her inner turmoil as she’s forced to betray members of her own species in attempt to win a larger battle. Written by Eric Trautmann and drawn by Pier Gallo, it’s actually the strongest material in the book.

The Nightwing & Flamebird section of DC’s New Krypton storyline may have been the weakest one. Thara Ak Var fell a little flat with me as Flamebird. That’s not entirely Greg Rucka’s fault. We knew who Chris Kent was from the Geoff Johns/Richard Donner run on Action Comics. We were already invested in him because of his relationship to Superman, Lois Lane, and General Zod. Thara didn’t have that advantage. She had some great moments with Supergirl, but I still don’t feel like I know her as a character. We know she’s a passionate person, who loves Chris and believes the spirit of the Flamebird is with her. With all that was happening in the single issues, as well as the over-arcing New Krypton storyline, Rucka didn’t necessarily have time to distinguish her from DC’s other young female heroes. The stories still work, but I wasn’t as invested in them as I was in say, Mon El’s in Superman.

Action Comics #887, RaoMidway through the story, Rucka has to get a lot of exposition out, in the form of the Nightwing & Flamebird myth from Kryptonian mythology. He devotes about half an issue to it. It’s not thrilling reading. But it’s not terrible either, and it’s necessary to set up the fight against Jax-Ur and Rao. Unfortunately, the finale felt stale to me. It’s essentially a bunch of heroes against a hundred-foot-tall invincible giant. It’s not that exciting. Plus, the end comes as a result of something established in the exposition, and not necessarily a result of Chris and Thara’s efforts. It’s a logical ending, and it fits. But in terms of storytelling, it’s strictly okay.

Also, a hundred-foot god showing up in the middle of Iran certainly warrants the presence of multiple heroes. But I can’t help but feel Wonder Woman and the JSA were thrown in strictly to add star power to a stale story.

There’s a bit of foreshadowing for Superman: Last Stand of New Krypton in this book, but it’s not  integral to the overall story. Like James Robinson in Mon El, Vol. 2: Man of Valor, it seems like Rucka had to fit a story very large in scope into a limited number of issues. While necessary, it’s ultimately a little sad. We’ve all seen Rucka do better than this, and I wish he could’ve gotten that chance.

RATING: 5.5/10

Image 1 from comicboxcommentary.blogspot.com. Image 2 from babblingaboutdccomics3.wordpress.com.

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