Weekly Comic 100s: “Joker War,” Billionaire Island, Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Red Hood: Outlaw #48
AUTHOR: Scott Lobdell
ARTISTS: Brett Booth, Danny Miki (Inker), Arif Prianto (Colorist), Troy Peteri (Letterer). Cover by Dan Mora & Tamra Bonvillain.
RELEASED: August 25, 2020

These “Joker War” tie-ins are giving me New 52 flashbacks. When “A Death in the Family” was running in Batman, it seemed like they couldn’t crank out enough tie-in issues.

But as far as Joker-themed tie-in issues go, this is a pretty decent one. It’s suitably focused on Jason, pits another Bat-family character against him, and incorporates a location that’s been a mainstay in the book.

On the downside, they kill off a character for no good reason. One that I thought had a decent fan following too…?

TITLE: Detective Comics #1026
AUTHOR: Peter Tomasi
ARTISTS: Kenneth Rocafort, Daniel Brown (Colorist), Rob Leigh (Letterer)
RELEASED: August 25, 2020

There’s a panel on the opening page of this issue that’s markedly similar to an Alex Ross painting of Batman standing between stone gargoyles. Anyone else notice that? Or am I just an Alex Ross buff?

Actual exclamation in this issue: “Murderize him!”

I’m not the biggest Kenneth Rocafort fan. But in this atmosphere, Batman vs. Killer Croc in the Gotham sewers, he’s at home. His work here is enjoyable.

Tomasi, who has run hot and cold on Detective, is on his game too. This is the best issue this series has seen in many weeks.

TITLE: Batgirl #48
AUTHOR: Cecil Castellucci
ARTISTS: Robbi Rodriguez, Jordie Bellaire (Colorist), Andworld Design (Letters). Cover by Giuseppe Camuncoli.
RELEASED: August 25, 2020

I’ve been away for awhile (mostly because I don’t like Batgirl’s current costume)…since when does Commissioner Gordon call his daughter “Babs?” That feels weird to me.

After reading this issue, I feel bad sleeping on Cecil Castellucci. She writes a damn good Barbara Gordon. Robbi Rodriguez and Jordie Bellaire are a great team too. There’s a really nice fluidity to the work here. And as this issue happens to be the first of a new story, I just might stick around.

For all the good it’ll do. This series ends with issue #50.

TITLE: Billionaire Island #5
AUTHOR: Mark Russel
ARTISTS: Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED: August 26, 2020

The art by Steve Pugh and Chris Chuckry has highlighted Billionaire Island for me. Almost every expression is exaggerated to the point of caricature. But in a dark comedy you can do that.

I’m not sure who that’s supposed to be on the cover. I mean, it’s the President of the United States, obviously. But I thought Billionaire Island had cast a Kid Rock stand-in as POTUS. This guy looks more like Carrot Top with blond locks. *shudders*

I wouldn’t say this book has maintained the same level of interest from me, but it’s still worth a look.

TITLE: Fantastic Four: Antithesis #1
AUTHOR: Mark Waid
ARTISTS: Neal Adams, Mark Farmer (Inker), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: August 26, 2020

This book gave me not-so-nice flashbacks to Adams’ recent Batman work. That’s a shame, as Adams is legitimately an innovator who’s earned his place in American comic book history. His art looks great here (though Thing’s face looks a little awkward), and Laura Martin’s colors pop beautifully. I just wouldn’t hire Adams as a writer.

Thankfully, you won’t find many writers (if any) better than Mark Waid. So Adams is in good hands for what is apparently his first-ever full-length FF story.

TITLE: Suicide Squad #8
AUTHOR: Tom Taylor
ARTISTS: Daniel Sampere, Adriano Lucas (Colorist), Wes Abbott (Letterer)
RELEASED: August 25, 2020

Deadshot has a puppy named Dogshot? That is absolute perfection, and needs to be in both the new video game and the new movie.

Given both the announcements we just got at DC Fandome, it’s surprising this book is on the recent list of casualties over at DC. It’s a shame for so many reasons, not the least of which is the effort the creative team have put into the creation of new characters. Case in point, this issue, in which we dive into some backstories. Hopefully we can bring them back at some point.

TITLE: Teenage Mutant Ninja Turtles #108
AUTHORS: Sophie Campbell (Story), Ronda Pattison (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer)
RELEASED: August 26, 2020

This issue brings up something I never, ever thought we’d have in a TMNT story. With Mutant Town now existing essentially it’s own city within a city, our heroes are now pondering if they should form their own government and police force. Are the Turtles getting into politics? By God, some things are too evil for even the boys in green to take on…

For whatever reason, since issue #101 the Turtles have been wearing clothes more. I’m not sure I’ll ever get used to that.

TITLE: Wonder Woman #761
AUTHOR: Mariko Tamaki
ARTISTS: Carlo Barberi, Matt Santorelli (Inker), Alejandro Sanchez (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Sanchez.
RELEASED: August 25, 2020

Barberi does a fine job on this issue. To the point that I wouldn’t mind him being the regular artist. But because he drew the last two issues, I quickly found myself missing Mikel Janin.

As for Tamaki, she gives Maxwell Lord a great “history is controlled by the victors” speech. Diana refers to him as the villain, and she talks about the Justice League controlling “the flow of justice in this world.” In the context of the story it’s very convincing, and a great character moment for Max.

Then I got to the last page, and my heart broke.

TITLE: Mighty Morphin Power Rangers #53
AUTHOR: Ryan Parrott
ARTISTS: Moises Hidalgo, Walter Baiamonte & Katia Ranalli (Colorists), Ed Dukeshire (Letterer). Cover by Jamal Campbell
RELEASED: August 26, 2020

I’m diggin’ the designs of these new Dark Ranger suits. Their identities seem like a missed opportunity to introduce new characters. But then again, this series is ending soon. That seems to be a theme this week…

This is the first issue where Moises Hidalgo impressed me. He gets a nice, long battle sequence between our good and evil Ranger teams. So he’s able to really spread his wings, and it shows.

Grace (Remember her?) makes a truly stupid suggestion in this issue. So stupid, in fact, that I’m sure it’ll come to pass.

TITLE: Action Comics #1024
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED: August 25, 2020

There are a lot of Super-people in this book. We’re up to five. If the “Superman family” gets too big, it pretty much makes the Justice League obsolete, doesn’t it? Plus, they spend part of the issue flying over Metropolis, scanning it with X-Ray vision. Creepy much? We’ve also got all the usual problems with John Romita Jr’s sloppy art.

Why am I still buying this book?

TITLE: Batman/Superman #11
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer). Cover by David Marquez.
RELEASED: August 25, 2020

This story about the Ultra-Humanite and Atomic Skull is essentially three issues of filler. But it’s good filler, I’ll give it that. Clayton Henry and Alejandro Sanchez turn in work that crackles with that great comic book superhero energy.

There’s a subplot in here about Superman not asking for Batman’s advice before he revealed his true identity to the world. It’s a little too far in the background for my taste, though. I’d have liked to see them explore that with some of the page space they used for textbook hero/villain dialogue with the Ultra-Humanite.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: TMNT Double-Feature, Wonder Woman #759, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles #107
AUTHOR: Sophie Campbell (Story), Ronda Pattison (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer). Variant cover by Eastman.
RELEASED:
July 29, 2020

The Turtles have an “old days” moment here where they head down to the sewers and fight a bunch of Mousers. It’s just a couple of cutesy lines. But it does serve as a reminder of just how different this series is from the standard TMNT status quo. Instead of four Turtles striking from the shadows, we’ve got five Turtles living openly in a town full of mutants.

As they roam the sewers, the Turtles mix it up with what basically amounts to an undersea monster. It’s played like a horror movie. Kinda fun.

TITLE: TMNT Annual 2020
AUTHOR: Tom Waltz
ARTISTS: Adam Gorham, John Rauch & Michael Garland (Colorists), Shawn Lee (Letterer). Variant cover by Kevin Eastman and Fahriza Kamputra (Colorist).
RELEASED:
July 29, 2020

This annual mainly serves as a check-in with our villains. Most notably Shredder, who we haven’t heard much from since issue #100. They color his costume purple and silver, like the old cartoon. I won’t complain about that…

As the cover indicates, they’re doing a symbiosis story with Krang and Leatherhead. Yet another example of how this series continues to bring these characters into uncharted waters. Given how much has been done with the Ninja Turtles universe, it’s pretty amazing to see how much hasn’t been done.

TITLE: Wonder Woman #759
AUTHOR: Mariko Tamaki
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Pat Brosseau (Letterer). Cover by David Marquez.
RELEASED:
July 28, 2020

So we’ve got Mariko Tamaki, who wrote Supergirl: Being Super, and Mikel Janin, one of the stars of Tom King’s Batman run. On paper, this new team should be great.

Their first issue is pretty ground level. Lots of flowery narration about what a hero is, what heroes do, etc. My only big problem is that Tamaki gives in to the temptation of putting Wondie in an everyday situation, shopping for furniture, and making it seem foreign to her. She’s been in “man’s world” for so long, yet she has no idea how to shop for furniture? Yeah, right.

TITLE: Darth Vader #3
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by Inhyuk Lee.
RELEASED:
July 29, 2020

How many times have we seen Darth Vader cross paths with characters from the prequels and then get all feelingsy? Enough that I rolled my eyes when Captain Typho showed up in this issue.

However, as someone who read Queen’s Shadow by E.K. Johnston, I appreciated the inclusion of Sabe and another character from that book. It’s a nice little tie-in that doesn’t take anything away from the story being told here.

TITLE: Batman: The Adventures Continue #9
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Paolo Rivera & Joe Rivera.
RELEASED:
July 30, 2020

In this issue we finally get into Jason Todd’s origin story, his connection to Batman, etc. It’s not drastically altered from the comics. But it’s altered just enough to distinguish it. I liked what I saw.

Frankly, I hope they portray Jason Todd as having been with Batman for only a short time. In the DCAU I’d like to see him portrayed more as a tragically failed experiment than a lost son. Again, it would be different. But not so much that it’s unrecognizable. That’s the formula that seems to work best.

TITLE: Mighty Morphin Power Rangers #52
AUTHOR: Ryan Parrot
ARTISTS: Moises Hidalgo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
July 29, 2020

We’re still following Jason, Zack, and Trini, despite the events of this issue occurring after “The Power Transfer.” Not a bad thing, but not what I expected either. Especially since they’re getting their own book in a few months.

I’m not sure how I feel about the way Jamal Campbell posed Aisha on the cover. It’s like she’s showing off her butt or something…

We introduce a civilian character in this issue who worries about the holding the Rangers accountable for their actions. Sort of a “don’t trust the Power Rangers” mindset. Very curious to see where that goes.

TITLE: Batman/Superman #9
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED:
July 28, 2020

In almost 20 years, I can count the number of Ultra-Humanite stories I’ve read on one hand. So this story is cool for me in that sense.

This issue, and this team, have a really nice energy. Joshua Williamson is often hit-or-miss. But he, Clayton Henry, and Alejandro Sanchez make for a winning combination with these characters. Not a perfect combination per se, but a winning one.

TITLE: Suicide Squad #7
AUTHOR: Tom Taylor
ARTISTS: Daniel Sampere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Jeremy Roberts.
RELEASED:
July 28, 2020

Our Tom Taylor original characters get a new team name in this issue: The Revolutionaries. Not bad. I don’t know how much of a life they’ll have out from under the Suicide Squad name. But still, not bad.

For at least one issue, Taylor brings Floyd Lawton’s young daughter into the sandbox and gives her a a bow and arrow and a hero name: Liveshot. She almost reminds me of a kid version of the Kate Bishop Hawkeye. Interesting…

TITLE: Billionaire Island #2
AUTHOR: Mark Russell
ARTISTS: Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
July 2, 2020

It seems that in addition to the absurdly rich, Billionaire Island is home certain rich, famous, and disgraced. We get an actual Kevin Spacey cameo in this issue. Yes, I wretched. But it’s also a funny little moment.

We haven’t gotten into the bloodshed yet. But the book does crank up the action a little bit with this issue. Something tells me it’s going to be worth the wait.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman, Superman, and Shazam Return! Plus, Superhero of the Year?

By Rob Siebert
Fanboy Wonder

Ahhhh yes. Action and Detective are back. Now it really does feel like comics have returned.

I find it funny that on this week’s Action Comics cover (shown below) and several recent Superman covers, they’ve felt the need to tell us about Entertainment Weekly naming Superman the “Superhero of the Year.”

In case you’ve been trapped in a Fortress of Solitude since birth, Superman was the original comic book superhero and is an American icon whose legend has inspired millions. How many more issues could “Superhero of the Year” possibly be selling?

I love DC, and I love these characters. But it reeks of desperation. “Look at us! Entertainment Weekly knows who we are!”

TITLE: Batman: The Adventures Continue #5
AUTHOR:
Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Joe Quinones.
RELEASED:
June 4, 2020

There’s a 9/11 reference in this issue. That’s really surreal considering The New Batman Adventures was on the air in the late ’90s.

We get something here that ties back to the first issue, which is kinda cool.

Is Deathstroke British in the DCAU? Some of his lines in this book sound like they should be coming from Alfred. Or perhaps a friend/relative of Alfred’s.

The last panel leaves some doubt as to whose side Jason Todd will be on when the chips are down. That’s definitely a tweak to what they did in Under the Hood.

TITLE: Action Comics #1022
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Danny Miki (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Cover inks by Klaus Janson.
RELEASED: June 2, 2020

This is the best issue of Action Comics in awhile, and not just because it’s the first one in awhile. We’re finally diving into who Conner Kent is and how he returned, so there’s a lot of intrigue here.

When it comes to how he’s drawn the past several issues, I’ve been pretty hard on John Romita Jr. Specifically, his figure rendering is positively jarring at times. But he’s on his best behavior here. I’m not sure if that has to do with all the additional lead-in time involved with the pandemic. But I ain’t complainin’.

TITLE: Batman/Superman #9
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer).
RELEASED: June 2, 2020

Good issue. Very accessible. We reference a lot of recent event comics, but with editor’s notes so readers can follow along. Williamson also provides some good exposition for Atomic Skull, who obviously meets a tragic end. Our villain doesn’t get the same treatment, but hopefully that comes next issue.

Clayton Henry’s art is clean, but avoids that over-the-top spotless look you sometimes see for artists going for that look. My only critique would be, oddly enough, the shape of Superman’s head on the cover. Something looks off…

TITLE: Shazam #12
AUTHOR: Jeff Loveness
ARTISTS: Brandon Peterson Mike Atiyeh (Colorist), Rob Leigh (Letterer)
RELEASED:
June 2, 2020

I wouldn’t call Shazam! #12 a page-turner. But it is a fun team-up issue. Jeff Loveness, who’s worked on Rick and Morty, Jimmy Kimmel Live!, and has also worked on Spider-Man and Groot over at Marvel, injects a lot of charm into the Big Red Cheese. Especially when it’s time for Billy Batson’s scenes with Freddy Freeman.

To the best of my recollection, this is my first exposure to Brandon Peterson. It’s a very solid outing for him. His work is nice and clean. Of course, Michael Atiyeh helps him out a lot with great coloring.

TITLE: Detective Comics #1022
AUTHOR: Peter Tomasi
ARTISTS: Brad Walker, Andrew Hennessy (Inker), Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
June 2, 2020

The early part of this issue is structured quite like the second part of a Batman ’66 story. You know, where they escape whatever death trap they were put in last time, and then sometimes fight off a bunch of henchmen? In this case, they’re literally named Vice and Versa.

We also build for Joker War in this book, and if I’m reading this right, it’s suggested that the events of that story were actually the second part of Joker’s plan from Death of the Family. Tomasi was also involves in that story via the Batman & Robin ongoing. Interesting…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: TMNT, Batman, Superman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

We’re finally caught up on the March 25 releases. But, a special thanks to Jay’s Comics for mailing my books to me as all this Coronavirus madness unfolds.

So yeah, this could be the last “Weekly Comic 100s” for awhile. It will most certainly return once new issues start shipping again. But until then, perhaps you’ll see more deep-dive reviews in its place. Perhaps I’ll simply select some random indie comics to review.

But for now…

TITLE: Teenage Mutant Ninja Turtles: Jennika #2 (of 3)
AUTHORS: Braham Revel, Ronda Pattison
ARTISTS:
Revel, Megan Huang, Pattison (Colorist), Shawn Lee (Letterer).
RELEASED:
March 25, 2020

Poor Jennika gets friend-zoned in this issue. I was shocked. I didn’t know guys could do that. I thought it was just a thing for women…

Are we sure we only want this to be three issues? It seems like between Jennika’s past, and the promise of a mutagen “cure” they could easily stretch this to four or even five issues. But we’ve only got one left. C’mon! This is a new Ninja Turtle we’re talkin’ about! Let’s give this thing some room to breathe!

TITLE: Teenage Mutant Ninja Turtles #104
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS: Campbell, Ronda Pattison (Colors), Shawn Lee (Letterer).
RELEASED: March 25, 2020

When this series started in 2011, they did something really interesting. They made Raphael the long lost brother of the other three Turtles. It opened up a lot of doors for great storytelling. It was over in four issues.

After issue #100 the Turtles were split up again. Not just physically, but very much emotionally. Once again, some great story opportunities. Once again, it’s over in four issues.

What the hell, guys? Yes, we’re shaking up the status quo as it is. But why do that to the Turtles if you’re just going to undo it so quickly?

TITLE: Batman/Superman #8
AUTHOR: Joshua Williamson
ARTISTS: Nick Derington, Dave McCaig (Colorist), John J. Hill (Letterer). Variant cover by Andy Kubert and Brad Anderson.
RELEASED: March 25, 2020

Wait…that’s it? This whole General Zod/Ra’s al Ghul thing is just a two-issue story? Ugh. I need to do a better job reading the solicitations…

I enjoyed last issue’s cliffhanger, with all the miniaturized Kryptonians essentially becoming superpowered killer insects. But the way the whole Bottle City of Kandor thing wrapped up felt rushed and contrived. Even by superhero comic standards. Hopefully this is something they revisit in the future.

Still, if nothing else these issues were worth it for Nick Derington’s art.

TITLE: Mighty Morphin Power Rangers #49
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
March 25, 2020

There’s a two page spread in this issue where all nine of our Rangers morph. Epic. Absolutely epic.

Also, it turns out the Tigerzord is capable of space travel. Reminds me of when the original Megazord had to go underwater…

In this issue we get a fight where Jason and the others pit their Omega Zords against the Blue Omega Zord, piloted by Garrison Vox. I suspect it’s because I’m not as familiar with the Omega Zords, but the whole thing came off like a big colorful blur. And I say that as a huge Daniele Di Nicuolo fan.

TITLE: Detective Comics #1021
AUTHOR: Peter Tomasi
ARTISTS:
Brad Walker, Andrew Hennessy (Inker), Brad Anderson (Colorist), Rob Leigh (Letterer). Variant cover by Lee Bermejo.
RELEASED:
March 25, 2020

This whole “Two-Face starts a cult/religion” story makes a lot of sense to me. The world is complex, screwed up place. A simple flip-of-the-coin simplifies everything. At least in theory.

Okay…this is something I’ve been struggling to wrap my head around even though it’s been the case for a few years now: Harvey Dent knows Bruce’s secret. But Two-Face doesn’t. I like that idea, and it looks like we’ll be playing with it here.

Still liking this Walker/Hennessy/Anderson team. Looking forward to more.

TITLE: Action Comics #1021
AUTHOR: Brian Michael Bendis
ARTISTS:
John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Variant cover by Lucio Parillo.
RELEASED: March 25, 2020

*Checks the solicitations for the next two issues*

Nope. Romita ain’t goin’ away any time soon.

The creative missteps in this book lately aren’t his alone, though. It ties into both Year of the Villain and Event Leviathan. Not to mention Young Justice. So if you don’t come into this story with at least a passing familiarity with those books, you’re pretty much screwed.

Still, I like what they did with the Red Cloud. She may or may not be riding the line between hero and villain as we move forward…

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Dr. Strange, Spider-Ham, Shazam!

By Rob Siebert
Fanboy Wonder

As promised, this week I’ve padded the rather slim pickings from December 26 with some leftovers from December 19.

By the way, folks, I tried to read Incoming!, the big issue that’s supposed to lead us into what Marvel’s doing in 2020. But I couldn’t get through it. It’s all supposed to link back to a mysterious murder, which was intriguing enough. But the massive scope of the story, with all the different plot threads and characters, was just too much to follow.

Thankfully, Marvel is pretty well represented this week…

TITLE: Dr. Strange #1
AUTHOR: Mark Waid
ARTISTS: Kev Walker, Java Tartaglia (Colorist), Cory Petit (Letterer). Cover by Phil Noto.
RELEASED: December 26, 2019

The twist here is that Stephen Strange now has use of his hands again. Now he can resume his work as a surgeon, while continuing on as a master of the mystic arts.

I’m not much of a Doctor Strange fan. But I can’t find much to fault this issue for. The opening page is its best. It’s got a Twilight Zone feel to it, while also reminding me of one of the opening splash pages for an issue of Saga.

I don’t feel a huge pull to come back next issue. But what the hell? I won’t rule it out.

TITLE: Spider-Ham #1 (of 5)
AUTHOR:
Zeb Wells
ARTISTS:
Will Robson, Erick Arciniega (Colorist), Joe Caramagna (Letterer). Cover by Wendell Dalit.
RELEASED: December 26, 2019

For yours truly, the biggest surprise coming out of Spider-Ham #1 was that our titular character is on a team with other anthropomorphic animal heroes. Iron Mouse, Squawkeye, Quacksilver, etc. Basically the same Looney Tunes concept, but with the Avengers.

If you like this sort of thing, or enjoyed the character in Into the Spider-Verse, then this Spider-Ham miniseries should be right up your alley. Me? While the issue was fine, I’ll take a pass on this one.

TITLE: Shazam #9
AUTHOR:
Geoff Johns
ARTISTS: Marco Santucci, Scot Kolins, Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Kaare Andrews.
RELEASED: December 18, 2019

Most of this book takes place in the “Wozenderlands,” an amalgamation of the worlds of The Wizard of Oz and Alice in Wonderland. We’re told there was a “crisis,” and the worlds had to be merged. So essentially, it was Crisis on Infinite Earths, but with these fairy tale settings and characters.

That is so friggin’ random, that I absolutely love it. Who in the hell could have called this? All the while, we continue to advance the story of Billy Batson and his family. Truly, Shazam! has become one of the best books DC has right now.

TITLE: Batman/Superman #5
AUTHOR: Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: December 18, 2019

This whole “Secret Six” thing ended up not being the mystery I wanted it to be. And at times Williamson’s dialogue is a little awkward. But at the end of the day, this first story arc was fine. I did love the nice little “trust moment” he gave our titular characters in this issue.

I also feel like I haven’t heaped enough praise on David Marquez and Alejandro Sanchez. They’ve put together an absolutely beautiful book. Marquez can make virtually anything look good. Whether he’s working in the DC, Marvel, any other universe.

TITLE: Star Wars: Empire Ascendant
AUTHORS: Charles Soule, Greg Pak, Ethan Sacks, Simon Spurrier
ARTISTS: Luke Ross, Roland Boschi, Paolo Villanelli, Caspar Wijngaard. Cover by Ricardo Federici.
COLORISTS: Guru-eFX, Rachelle Rosenberg, Arif Prianto, Lee Loughridge
LETTERERS: Clayton Cowles, Travis Lanham
RELEASED: December 18, 2019

Empire Ascendant serves as a bridge into the four new Star Wars books Marvel’s releasing in the near future. Apparently they all take place after The Empire Strikes Back, as opposed to the previous ones, which were set beforehand.

We get four short stories set just before Empire. Not a lot from the main characters, Luke, Leia, etc. But if you give it a chance, this stuff actually has some meat to it. My personal favorite is the set-up for the Bounty Hunters series. I think The Mandalorian has wet the fandom’s collective appetite for more stuff like that.

TITLE: Family Tree #2
AUTHOR: Jeff Lemire
ARTISTS: Phil Hester, Eric Gapstur (Inker), Ryan Cody (Colorist), Steve Wands (Letterer)
RELEASED: December 18, 2019

Family Tree needs to be careful it doesn’t accidentally become a comedy.

It’s meant to be a horror/adventure comic about people being forcibly changed into trees. But there’s a flashback in this issue where Judd, the book’s resident grizzled old man character, is caring for a fully transformed…uh…tree person? When the tree tries to talk back to Judd, I couldn’t help it. My funny bone was tickled a bit. I still buy Family Tree as the horror story it’s trying to be. But sometimes there’s a thin like between horror and hilarity.

TITLE: The Low, Low Woods #1
AUTHOR: Carmen Maria Machado
ARTISTS:
Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by J.A.W. Cooper.
RELEASED:
December 18, 2019

This feels like a Stephen King story. (Heh…)

The Low, Low Woods takes place in 1997, which hits a nostalgic soft spot for me. There’s a lot of exposition in this issue. We learn about a small town forever changed by a raging fire, and two teenage girls who discover some gory surprises.

If you like this sort of thing, I’d definitely recommend it. For me personally, this issue is a little low on intrigue. But the characters and the setting are interesting enough to at least get me to consider coming back for issue #2.

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Weekly Comic 100s: Star Wars Finale, Batman/Superman, The Question

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Star Wars #75
AUTHOR:Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: November 20, 2019

A fine way to end the series. Great pacing, mixed with good character work and some nice action scenes. Once again, Greg Pak and Phil Noto shine a glowing spotlight on Chewbacca and C-3PO. What’s more, they find a way to subtly weave the tragedy of Darth Vader into everything. (See the closing page.)

In particular, I’m sad to see Pak go. He’s proven here that he knows how to tell a good Star Wars story. And as we’ve learned through a couple of the recent movies, that’s not something everyone can do.

TITLE: Batman/Superman #4
AUTHOR: Joshua Williamson
PENCILLER:
David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED:
November 20, 2019

In this issue we learn the identities of the six “Jokerized” heroes, a.k.a. the “Secret Six.” They didn’t play it up as a mystery the way I hoped they would. It was essentially reveal after reveal after reveal. A disappointing execution for what is still a compelling story concept.

Can we come up with a nickname for the Batman Who Laughs? Saying the whole thing every time makes for awkward dialogue. (“Don’t listen to the Batman Who Laughs, Donna!”) If this guy’s sticking around for the long haul, that’s something that needs to be fixed.

TITLE: Batman #83
AUTHOR: Tom King
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Clayton Cowles (Letterer)
RELEASED: November 20, 2019

This is the issue where Bruce finally discovers what’s happened to Alfred. Keep in mind it happened back in August. That tells you all you need to know about whether they’re padding this thing out…

As a framing device, the issue uses a recording of Alfred. I always like when writers use Alfred’s journal like that, so King’s twist on it was cool. Janin has the unenviable, yet in the end quite successful task of showing us Batman grieving for several pages.

I’ve been ready for this climactic battle for awhile now. So let’s get on with it, shall we?

TITLE: Something is Killing the Children #3
AUTHOR: James Tynion IV
ARTISTS: Werther Dell-edera, Miquel Muerto (Colorist), Andworld Design (Lettering)
RELEASED: November 20, 2019

After a very strong opening page, and our longest scene yet with one of the monsters, we spend the bulk of the issue with our heroine, the bad-ass Erica Slaughter. There’s an eight-page sequence with her in a police station that’s a lot of fun.

We still don’t know much about…anything. What these monsters are, who Erica is, who she’s working for, etc. Sometimes that sort of mystery works, sometimes it doesn’t. It works here. The nervous dynamic James has with Erica doesn’t hurt in that regard. It’s not romantic. But it’s cute in its own way.

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Weekly Comic 100s: Star Wars Stuff, Batman/Superman,

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Tacked an extra one down on the end here. The most recent issue of Superman. But of course, in the spirit of the Rise of Skywalker hype, we begin with Allegiance

TITLE: Star Wars: Allegiance #3
AUTHOR: Ethan Sacks
ARTISTS:
Luke Ross, Lee Loughridge (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto.
RELEASED:
October 23, 2019

Leia, Rey, and some of the Resistance are still on Mon Cala in this issue. Because it’s largely an underwater planet, Leia has to wear the equivalent of a scuba suit. Imagining an older Carrie Fisher in an outfit like that is…weird.

The “B story” in Allegiance has been about Finn, Poe, and BB-8 stealing weapons for the Resistance. Sacks writes their chemistry very well. Well enough, in fact, that I felt a pang of sadness that they didn’t end up being romantically involved. Yeah, I was on that team.

No Kylo Ren in this issue. Bummer.

TITLE: Star Wars #73
AUTHOR: Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: October 16, 2019

This volume of Star Wars is going out strong as we head toward its issue #75 finale. Greg Pak knows how to weave the multi-strand rip-roaring adventure, as all of our main heroes fight for their lives.

But for yours truly, the star of this “Rebels and Rogues” storyline has been Phil Noto. He’s been one of my favorite Star Wars artists dating back to the build-up to The Force Awakens. His “sketchy” style is a lot of fun, and he nails all the likenesses. As far as I’m concerned, he’s welcome in this galaxy any time.

TITLE: Batman/Superman #3
AUTHOR: Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: October 23, 2019

Unlike many, I’m not really into the Batman Who Laughs, or much of the Metal stuff. But the premise of that character “infecting” six characters across the DCU, and our two heroes having to solve the mystery of who they are was enough to draw me in.

But the way Williamson has executed it thus far, it’s not so much a mystery as it is them happening upon each victim. It’s still a cool idea. I just wish they’d dig a little deeper into it. On the upside, it’s great to see Marquez drawing the World’s Finest.

TITLE: Action Comics #1016
AUTHOR: Brian Michael Bendis
ARTISTS: Szymon Kudranski, Brad Anderson (Colorist), Dave Sharpe (Letterer). Cover by Jamal Campbell.
RELEASED: October 23, 2019

I absolutely adore the framing device for this issue. A Daily Planet reporter does man-on-the-street interviews to recap a fight between Superman and the Red Cloud. Bendis is as good as almost anyone at playing up the journalism element in Superman’s world.

A Szymon Kudranski comic that’s this colorful takes some getting used to. There’s nothing wrong with it. But his M.O. is typically on the dark and gritty side. Type his name into Google Images. You’ll see what I mean.

TITLE: Superman #16
AUTHOR: Brian Michael Bendis
ARTISTS:
David LaFuente, Paul Mounts (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis.
RELEASED:
October 9, 2019

I’m not sure I’ve ever seen Superman look quite so…blocky. I know LaFuente’s style is more on the cartoonish side, and generally I like what he turns in. But the Superman we see here looks more like a Superman action figure than the Man of Steel himself.

This issue gives us the inevitable reunion between Superboy and Robin after Jon Kent’s trip into space, which aged him a few years older than Damian. Bendis gives us what you’d hope to see here. The initial awkwardness, some hijinks and a feel-good exit. A strong issue, blockiness notwithstanding.

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Panels of Awesomeness: Justice League: No Justice #1

By Rob Siebert
Fanboy Wonder

CREATORS: Scott Snyder (Author), Joshua Williamson (Author), James Tynion IV (Author), Francis Manapil (Artist), Hi-Fi (Colors)

THE SCENE: In a battle between Brainiac and the Justice League, Superman lands a high-impact blow. But Brainiac’s motivations aren’t what the Man of Steel thinks they are.

WHY THEY’RE AWESOME: One thing I’ve always remembered about Superman Returns is the critique about its action sequences. Specifically, the notion that we needed to see Superman punch somebody. I don’t necessarily agree with that. However,  it is always satisfying when Big Blue hits a big blow on a big bad. Case in point, this moment with Brainiac.

What makes these two pages truly awesome the layout. Francis Manapul makes the punch as giant and epic as it deserves to be, complete with a heroic one-liner and Superman’s fist coming straight up at us. But then you’ve got the figures overlapping just a bit with the panels on the opposite page. More often than not, that trick makes for a really fun visual.

I also really like the sequential storytelling here. On the previous page we see Brainiac on top of his ship, with the rest of the League wrapped up in those tentacles. Then we get the punch, and in the next two panels we follow them off the ship and through that building. And based on how that lower middle panel is framed, we can see what kind of distance they’ve covered in relation to the ship.

Finally, that lower right panel gives us a really nice pull into the next page. Not only do you have that defiant line from Brainiac, but he’s blocking another punch. Thus indicating the momentum is about to shift.

Justice League: No Justice wraps up today with issue #4. As I’ve said previously, this is the first Justice League story I’ve picked up in a couple of years. Very curious to see where this goes.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

A Batman/The Flash: “The Button” Review – Take the Good with the Bad

TITLE: “The Button”
AUTHORS: Joshua Williamson, Tom King
PENCILLERS: Jason Fabok, Howard Porter
COLLECTS: Batman #2122The Flash #2122
PUBLISHER: DC Comics
TENTATIVE COLLECTION PRICE: $19.99
COLLECTION RELEASE: October 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

I want to like what I’m seeing here. And I guess I do, for the most part. I just have to turn a certain part of my brain off. Namely, the part that registers guilt about a company cashing in on imagery and characters from a landmark story without their creator’s blessing.

After months without any leads relating to the mysterious button Batman discovered during the events of DC Universe: Rebirth #1, the Dark Knight gets a surprise visitor: The Reverse-Flash. But what’s his connection to the Button? Where does it come from? How does it connect to the apparent changes made to the timeline? And how does all of this somehow involve the world of Flashpoint?

“The Button” doesn’t give us any answers. But it does wet your appetite for the just-announced Doomsday Clock event in November. It also manages to tug at your heartstrings with some pre-New 52 imagery and characters. So it does what it’s supposed to do. We even catch a little glimpse of Dr. Manhattan at the end…sort of (shown below).

While we’ve known about the DC Universe/Watchmen stuff for about a year now, I still feel dirty when I see the Watchmen imagery. It doesn’t do much good to complain about it, as what’s done is done. But considering what an achievement Watchmen was, and how revered it is to this day, without Alan Moore’s blessing there’s a certain lack of purity here.

Our inciting incident occurs when the button comes into contact with the Psycho-Pirate’s mask, causing the Reverse-Flash to materialize in the Batcave. After a fight, Batman and the Flash attempt to trace the button’s unique radiation to locate it’s source using Flash’s Cosmic Treadmill (Yup, that’s a thing.) After the Crisis on Infinite Earths reboot came and went in the mid-’80s, the Psycho-Pirate was the one character who retained his pre-Crisis memories. I assume Reverse-Flash’s reemergence has something to do with that memory retention. There’s no other explanation…is there?

“The Button” definitely gives us the vibe that this New 52 continuity we’ve been in for the past several years is an injustice perpetrated by Dr. Manhattan. Several years have been from the timeline, forcefully robbing our characters of their memories and in some cases their very existence. We check back in with Johnny Thunder, who at one point cries, “We lost the Justice Society! It’s all my fault!” We also see Saturn Girl of the Legion of Superheroes, who’s screaming about a future only she knows about. As Batman and Flash make their way through the timestream, we see glimpses of events from Crisis on Infinite Earths, Identity Crisis, and other stories that have seemingly been out of bounds for the New 52.

Then there’s the big surprise in the final issue: Jay Garrick’s brief return. Jay comes back much the way Wally West did in Rebirth, but is unable to find a tether to reality the way he did. He’s seemingly jerked back into non-existence via some familiar blue energy.

There’s a surreal and almost meta element to seeing characters like Jay and Wally pine to come back. Jay has a line, “They took everything from me, Barry. I don’t know how. I don’t know why.” Odd as it may sound, it feels like he’s talking about DC itself, doesn’t it? I’ve enjoyed the DC Rebirth initiative as much as anybody. But it does entail the company eating some crow. Yes, we’re happy to see so many familiar elements back in our books. But who took them away to begin with? Would they have gone through with the reboot if they knew they’d be backtracking it just four years later?

Oddly enough, the emotional meat of the story isn’t so much the return of Jay, or the drama of what’s been lost. It comes in when our heroes accidentally find themselves in the Flashpoint universe, and they come across that reality’s Batman, Thomas Wayne. Thus, we get a reunion of sorts between father and son, each Batman in their own world.

We’ve seen stories where Bruce somehow gets to talk to his parents again. Whether they’re ghosts, visions, or what not. But Batman #22 gives us two unique moments that manage to really hit home. The first is when Bruce tells Thomas, “You’re a grandfather. I have a son.” For older fans, that’s a really strong, relatable moment. The second comes as the Flashpoint sequence is ending. In their final moments together, Thomas asks Bruce not to be Batman anymore, and to instead find happiness. That’s a really compelling use of the Flashpoint Batman. I wasn’t expecting it here, but it creates a hell of a potential conflict for down the road. Can Bruce continue his crusade now?

Jason Fabok handles the Batman side of things, and handles them quite well. You can’t deny quality when you see it. His work has a definite epic quality to it, and is very much worthy of what we see here. The Flash issues are pencilled by Howard Porter, who I have a lot of respect for. That being said, his style has never really been my cup of tea. As cool as the time stream sequence in The Flash #21 is, Porter’s work gives it a certain awkwardness. For instance, there’s a panel where we can almost see up Batman’s nose. Not necessarily what we’re supposed to be looking at, is it?

“The Button” is a fine bridge between DC Universe Rebirth #1 and Doomsday Clock. For some of us, there’s going to be a lot of Watchmen-related discomfort on the horizon. But it looks like we’ll be getting our share of feel-good moments too. Take the good with the bad, I guess…

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A Review of The Flash: Lightning Strikes Twice – Teacher and Student(s)

The Flash: Lightning Strikes TwiceTITLE: The Flash, Vol. 1: Lightning Strikes Twice
AUTHOR: Joshua Williamson
PENCILLERS: Carmine Di Giandomenico, Neil Googe, Felipe Watanabe. Cover by Karl Kerschl.
COLLECTS: The Flash #1-8
FORMAT: Softcover
PUBLISHER: DC Comics
PRICE: $17.99
RELEASED: January 18, 2017

By Rob Siebert
Editor, Fanboy Wonder

Barry Allen got his powers from a bolt of lightning, and the Speed Force has always been somewhat electric in nature. So it’s natural that at certain points the Flash crackles with energy. But that doesn’t mean he should constantly look like a lightning rod in a storm. But that’s how our main artist draws him in this first volume of The Flash under the DC Rebirth banner. At certain points it’s cool, but it eventually becomes a distraction that drags the entire book down. Which is a shame. From a story standpoint, Lightning Strikes Twice is pretty good.

We open the book with the events of DC Universe: Rebirth #1, this time seen from Barry’s point of view. A short time later, numerous citizens of Central City are struck by lightning bolts just like Barry was, and are imbued with the power of the Speed Force. Now our hero must not only mentor those who would use their powers for good, but corral those who abuse them. All the while, a mysterious killer calling himself Godspeed is killing off these new speedsters. Thankfully he’ll have help from not only Iris West, but a young man who’ll soon call himself the new Kid Flash.

The Flash: Rebirth #1, Carmine Di GiandomenicoThat classic Carmine Infantino Flash costume is so sleek and cool. Many consider it the best costume redesign in history. It’s one of those things I wish they wouldn’t tinker with. Granted, artistic tweaks are always gong to be part of he industry. But drawing lightning all over the Flash in every panel is overindulgent, not to mention redundant and annoying. We go over Barry’s origin at the beginning of the book, and the whole story is about people getting hit by Speed Force lightning. We get it. He’s electric. (Boogie woogie, woogie.)

I like the idea of Barry being a teacher or a mentor. It’s almost part and parcel to the superhero concept. Sidekicks, inspiring people to do good, etc. First he finds a new partner in fellow scientist August Heart. Then the Speed Force lightning storm gives him several new trainees. Of course, it all culminates in Wally West becoming the new Kid Flash. (That’s the New 52 Wally West, not the pre-Crisis one that just came back. Thank God that’s not confusing.) It all ties nicely together with the original Wally West’s return, and it’s cool to see the gratification Barry gets from it.

the-flash-8-dc-comics-rebirth-spoilers-new-kid-flash-5I can appreciate that when he got his powers, young Wally wasn’t immediately thrust into the Kid Flash role. We all knew that’s where he’d end up anyway. But Williamson does a fine job taking him from a kid who’s content to sit on the sidelines and help out occasionally, to a hero who realizes he can’t be on the sidelines. It gives him that much more depth.

As for the other Wally, the first issue in this collection, The Flash: Rebirth #1, gives us a little bit of follow up on the events of DC Universe: Rebirth #1. The reunion continues, as Wally tells Barry about Linda Park, and we see how they part ways. We also get a very brief corroboration between the Flash and Batman. But that plot thread is mostly dropped for the remainder of the book. It’s obviously a larger story for down the road. We do, however, get a very interesting reference to what happened to Barry in Crisis on Infinite Earths. That’s obviously out-of-sync with what they set up in the New 52. It’s a little reminder that they haven’t dropped that story. It’s just a slow build.

On paper, the identity of Godspeed shouldn’t be hard to figure out. But I’ll admit: They got me. The character’s motivations are believable, and they spend a good amount of time building them up. Godspeed represents Flash’s darker impulses. The ones he doesn’t allow himself to follow. The character asks some classic questions about why those impulses shouldn’t be followed. It more or less boils down to “Why doesn’t Batman just kill the Joker?” Or in this case, why doesn’t Barry just kill Zoom? They leave the door open for him to come back, and there’s potential for some more interesting stuff with him.

the-flash-6-carmine di diandomenicoI’ve avoided picking up The Flash on a monthly basis, largely because of Di Giandomenico. The whole lightning thing aside, he knows how to convey the speed and energy of a character like the Flash. The characters hit most of the right emotional notes, and I’m into the story. But the line work is so dark and heavy that it ends up weighing down the impact of the art. It’s almost like you have to look through all the senewy lines to register what’s going on. When Neil Googe tags in for issue #4, and Felipe Watanabe for issue #5, it’s a welcome break.

With the CW TV series still going strong, Wally West’s return, and Barry being linked to what’s sure to be DC’s next big event comic, It’s a pretty good time to be a Flash fan. If we could find an artist that fit the book a little better, it’d be downright amazing. But for now, we’ll have to settle for pretty good.

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