Weekly Comic 100s: Black Widow, Batman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Black Widow #1
AUTHOR: Kelly Thompson
ARTISTS: Elena Casagrande, Jordie Bellaire (Colorist), Cory Petit (Letterer). Cover by Adam Hughes
RELEASED: September 2, 2020

This one’s fairly low on action considering it’s the debut of a Black Widow series. The issue tries to make up for it with intrigue, but there isn’t quite enough to wet my appetite for more.

This, despite some awesome art from Elena Casagrande and Jordie Bellaire. I found it had a slightly similar vibe to the Matt Fraction/David Aja Hawkeye stuff. And of course, yet another breathtaking Adam Hughes cover.

TITLE: Batman #98
AUTHOR: James Tynion IV
ARTISTS: Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by David Finch.
RELEASED: September 1, 2020

As the cover suggests, there’s a big fight between Harley Quinn and Punchline in this issue. As obvious as her inclusion is given the nature of the story, “Joker War” has been a little too Harley-heavy for my taste. It feels like yet another case of DC shoehorning her into a story that’s not necessarily about her.

On the plus side, Jimenez and Morey are on their game here. So is Tynion, as as get a pretty powerful exchange between Batman and…Alfred’s memory? It’s not Alfred’s ghost, I know that for sure.

TITLE: We Only Find Them When They’re Dead #1
AUTHOR:
Al Ewing
ARTISTS:
Simone Di Meo, Mariasara Miotti (Color Assistant), Andworld Design (Letterer)
RELEASED:
 September 2, 2020

Spaceships that carve up space gods to mine humanity’s new resources? Alright book, you’ve got my attention…

This first issue is a little hard to follow, as we’re getting adjusted to how the book works and what’s going on. But by the end we get a decent hook to bring us back for next issue. Take into account how gorgeous this issue is, particularly from a coloring standpoint, and they’ve got me signed up for next time.

TITLE: Shazam #14
AUTHOR: Geoff Johns
ARTISTS: Dale Eaglesham, Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Dale Keown.
RELEASED: September 1, 2020

Ugh. What an awful final issue. It feels like they tried to cram in about two years worth of content. The resolution of the plot threads with Mr. Mind, Billy’s dad, and Black Adam. A pathetically condensed fight with Superboy-Prime. Then of course, they have to end the series on a happy note, though it’s hard to imagine this issue making anyone happy.

It’s not the creators’ fault, mind you. The book got cancelled. But still, the characters, the creators, and the series itself deserved better.

TITLE: Lonely Receiver #1
AUTHOR: Zac Thompson
ARTISTS: Jen Hickman, Simon Bowland (Letterer)
RELEASED: September 2, 2020

I’m not sure what I expected from Lonely Receiver, but it wasn’t what I got. And that’s not necessarily a bad thing.

This strikes me as a story with a lot of layers to it. It’s a story about a woman falling in love with a robot designed specifically to be her partner. But we’ve got undertones dealing with our needs as human beings that are really interesting. Thus far, this books is a little like I, Robot meets an old fashioned romance comic, with some more, shall we say, mature elements mixed in.

TITLE: Star Trek: Hell’s Mirror
AUTHOR: J.M. DeMatteis
ARTISTS: Matthew Dow Smith, Candice Han (Colorist), Neil Uyetake (Letterer)
RELEASED: September 2, 2020

What we have here is a look at the Khan Noonien Singh of the Mirror Universe. And with that in mind, the story and the characters are about what you’d think they’d be. In that sense, this one-shot almost writes itself.

The solicitation heralded the return of J.M. DeMatteis to Star Trek after almost 40 years. For what it’s worth, I can see why. This issue feels just like an episode of the original series. Definitely worth a look for fans.

TITLE: Young Justice #18
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Scott Godlewski, Michael Avon Oeming, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by John Timms & Eltaeb.
RELEASED: September 1, 2020

Had a nice Powers flashback looking at Michael Avon Oeming’s work. Seeing him work on the Spoiler is a little surreal.

This wasn’t quite the “Tim and Stephanie go on a date” issue that I was hoping for. That makes this one a disappointment for yours truly.

By the end of this issue Drake is back to being Robin. But is he actually Robin, or is he Red Robin? Just when we thought Tim had his identity crisis solved…

TITLE: Justice League #52
AUTHOR: Jeff Loveness
ARTISTS: Robson Rocha, Daniel Henriques (Inker), Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Cully Hamner.
RELEASED: September 1, 2020

Way too much Batman to cap off a two-part filler story before the book starts to tie in with…*sigh*…Dark Nights: Death Metal.

We’ve seen all kinds of stories that dive into the psyches of various League members. It always seems like five or six issues is too long. But I’d have been happy to see “The Garden of Mercy” go another issue or two. What Loveness, Rocha, and Henriques turn in here is perfectly fine.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Drakkon New Dawn, Star Wars, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Power Rangers: Drakkon New Dawn
AUTHOR:
Anthony Burch
ARTISTS:
Simone Ragazzoni, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Jung-Geun Yoon.
RELEASED:
August 19, 2020

I’m starting to get a little weary of all this Drakkon-verse stuff. It works as part of a story where the Power Rangers go to a dark alternate universe. But as an island unto itself? Meh. As time progresses, it feels like all we’re doing is answering where this person or that person are in the Drakkon-verse. That’s not enough to justify a miniseries like this, in my view.

Then again, it must be selling. So what do I know?

TITLE: Batman #97
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Guillem March & Morey.
RELEASED:
August 18, 2020

The central story of “Joker War” has lots of intrigue. But there are little things that throw if off-balance. For instance, there’s a really cool moment where Batman has to fight a bunch of “Joker zombies” blind-folded. I love that. It’s a wonderful use of all Bruce’s training. But much like Joker’s facial expression at the end of last issue, a small detail taints it…

Batman says, “A good bat knows how to fight blind.”

Ugh. Why? Whatever happened to Batman being the strong silent type?

Also, why does Joker have abs?

TITLE: Justice League #51
AUTHOR: Jeff Loveness
ARTISTS: Robson Rocha, Daniel Henriques (Inker), Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Philip Tan, Jay David Ramos, & Nick Derington.
RELEASED: August 18, 2020

Robson Rocha really gets to flex here with an beautiful two-page montage of some of the League’s most iconic moments. Beautiful work.

The narration in this issue is a little confusing. It takes some time to catch on to not necessarily who it is, but who they’re talking to. Still, you should catch on by the end. I love me a good Black Mercy story. So it’ll be interesting to see what they turn in here.

TITLE: Dead Day #2
AUTHOR: Ryan Parrott
ARTISTS: Evgeniy Bornyakov, Juancho! (Colorist), Charles Pritchett (Letterer). Cover by Andy Clarke & Jose Villarrubia.
RELEASED: August 19, 2020

“Nice to see you two lovebirds back together, though. I’m sure rigor mortis has it’s advantages.”

Ew.

These fashionable guys on the cover are “Lifers,” a group of religious extremists somewhat ironically opposed to the whole resurrection thing. They make for a nice bit of world-building. I like ’em.

TITLE: Star Wars: Bounty Hunters #4
AUTHOR: Ethan Sacks
ARTISTS: Paolo Villanneli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED: August 19, 2020

Story-wise, this isn’t the most engaging book you’ll find. I’ve almost completely lost the plot. But Paolo Villanneli and Arif Prianto are killing it on the art. The opening page is beautiful. It’s got a gritty texture, yet is still as colorful as you want Star Wars to be. And of course, Lee Bermejo’s covers are awesome.

TITLE: Darth Vader #4
AUTHOR:
Greg Pak
ARTISTS:
Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by InHyuk Lee.
RELEASED:
August 12, 2020

Vader basically gets swallowed by a whale in this issue. I mean, c’mon. You’ve gotta love that. A friggin’ whale!

In contrast, this story is trying to get a lot of mileage out of trotting out characters from prequels. As if we care that much what happened to Ric Olie. Don’t know who Ric Olie is? You’re not alone. There was a way to do this without scraping the bottom of the barrel. It might have only been a one or two-issue story where Vader simply visits Padme’s tomb. But sometimes, less is more.

TITLE: Something is Killing the Children #9
AUTHOR:
James Tynion IV
ARTISTS:
Werter Dell-Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED:
August 12, 2020

There’s a fantastic image in here that takes us into our first ever flashback scene with Erica Slaughter. She’s curled up in a cupboard, and one eye is staring straight out at the reader. That and all the deep blacks make it a really spooky shot.

Should this book count as a guilty pleasure? Because of all the…y’know…child death? Either way, I’m enjoying the hell out of it. It’s one of the best indie comics on the market right now.

TITLE: Wonder Woman #760
AUTHOR: Mariko Tamaki
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Pat Brosseau (Letterer). Cover by David Marquez.
RELEASED: August 18, 2020

I find it so amusing that Maxwell Lord, the character created for Justice League International, has evolved into such a formidable villain for Wonder Woman. And low and behold, he’s once again  casting her in an unfavorable public light.

Last issue, we were introduced to Diana’s new neighbor Emma, who I get the sense will be a civilian-level friend for her. Almost a Jimmy Olsen equivalent. I’m very curious to see how that evolves, as it’s not often we get to see Wondie have that kind of relationship.

 

Weekly Comic 100s: Ranger Slayer, Joker War, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

DC’s decision to get in bed with Lunar Distribution is starting to feel like a mistake. Because out in my neck of the woods (the mid-west), it seems like Lunar is crapping said bed.

My local comic shop just went three weeks without receiving any product from DC. (Any DC books you’ve seen here in the last few weeks have been purchased digitally.) I’ve been going to comic shops for almost 20 years now and I’ve never see that happen. Not only is it unacceptable from a simple customer service perspective, but it couldn’t have happened at a worse time. Retailers are already being hit by the fallout from COVID-19. The least publishers can do is put the damn books in the stores…

Bad form, folks. Bad form.

TITLE: Power Rangers: Ranger Slayer
AUTHOR:
Ryan Parrott
ARTISTS:
Dan Mora, Raul Angulo (Colorist), Ed Dukeshire (Letterer)
RELEASED:
July  22, 2020

Not really my cup of tea. But if you were into Lord Drakkon’s dark alternate universe, or the “Coinless” Universe as it’s now called, you’ll be into this.

I was hoping for something more tightly focused on this alternate version of Kimberly. But the scope of this story is more about the Coinless Universe at large. Fair enough. I just wish they’d called this issue something different.

This issue gives us something I never thought we’d see, though in hindsight seems obvious for a universe like this: Ghost/Zombie Power Rangers. It was inevitable, I tell you!

TITLE: X-Men/Fantastic Four #4
AUTHOR:
Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ranson Getty (Inkers), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED:
July 22, 2020

This one ends on something of a whimper, rather than a bang. Which is to say it more or less ends the way you think it will, with Franklin ending up where you think he will.

Still, the appeal of a mini like this is to see characters from different books rub against each other. X-Men/Fantastic Four does that.

There’s also a curious little scene at the end with Reed Richards that I’m curious to see if they follow up on.

TITLE: Batman #95
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
July 21, 2020

We kick off with kind of a dumb “retroactive foreshadowing” scene with Batman and Alfred. “Good thing Alfred will always be here,” and all that. Lame.

It occurred to me during this issue that “Joker War” is just a sophisticated version of that New Batman Adventures episode, “Joker’s Millions. That’s not a knock. I’m just sayin’.

Now that Joker knows Batman’s secret, it’s extremely foreboding to see him messing around with movie theaters. Especially the one Thomas and Martha Wayne went to with Bruce before their murder…

TITLE: Shazam! #13
AUTHOR:
Geoff Johns
ARTISTS:
Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Julian Totino Tedesco.
RELEASED:
July 21, 2020

Well damn. If this book is ending in September, we’re not going to get a pay-off for this Superboy Prime stuff are we?

As the book really cranks up the father/son drama with Billy and his dad, I’m struck by just how great Dale Eaglesham has been on this title. It’s clean. It’s expressive. It’s versatile. He fits Shazam like a glove, to the point that this series has become one of my favorite takes on the character. Frankly, his work with Michael Atiyeh is worth the cover price on its own.

TITLE: Shazam!: Lightning Strikes #1
AUTHOR:
Dan Jurgens
ARTISTS:
Travis Moore, Nick Filardi, Marshall Dillon. Cover by Evan “Doc” Shaner.
RELEASED:
July  17, 2020

Now that the Shazam! book is ending, I’m particularly grateful to see the Big Red Cheese join DC’s line of digital-firsts.

What we get here is nice and kid-friendly. One of Billy Batson’s classmates is bragging about knowing Shazam. So Billy shows him up precisely the way you think he will. From there we segue into a fight with a villain.

Travis Moore’s Shazam looks a lot like Zachary Levi in the movie. I wonder if that’s intentional, or just how the character came out…

TITLE: Wynd #2
AUTHOR:
James Tynion IV
ARTISTS:
Michael Dialynas, Aditya Bidikar (Letterer)
RELEASED:
July 22, 2020

So far, this book feels a little bit like Saga for young people. It’s got whimsy and wit, but a lot less sex stuff.

After reinforcing some of the world-building they did last time, this issue cranks up the emotion with the prospect of separating Wynd from his adopted family. It’s very well done, and has me invested in not only Wynd, but his sister Oakley.

We also meet a character called “the Bandaged Man.” I really dig how he’s designed, though that may just be my love for Batman: Hush sneaking through.

TITLE: Action Comics #1023
AUTHOR:
Brian Michael Bendis
ARTISTS:
John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Variant cover by Lucio Parillo.
RELEASED:
July 21, 2020

This is typically the part of “Weekly Comic 100s” where I complain about John Romita Jr. So here you go: I don’t like JRJR’s art here.

I just wonder if this book is getting over-crowded with Super-people. Remember, that’s part of what prompted the original Crisis on Infinite Earths. Superman didn’t feel as special because he had too many sidekicks, cousins, stringers, etc.

At the end of this issue Jimmy Olsen says, “Guess we’re not putting out a paper today.” That line should have had a lot more weight to it. If you’re a newsman, that’s blasphemy.

TITLE: Detective Comics #1023
AUTHORS:
Peter Tomasi
ARTISTS:
Brad Walker, Andrew Hennessy & Norm Rapmund (Inkers), Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
July 21, 2020

A team-up between the Joker and the Court of Owls? Now that’s the stuff of nightmares.

Detective Comics hasn’t felt like a Tomasi book in awhile. There’s a certain refinement that’s missing. In particular, Batman is a little too talky for my taste.

In this issue, Batman performs brain surgery on Two-Face out in the streets of Gotham (Because why not?). The comic book science regarding how Harvey’s brain is being messed with is a little confusing. Not that I’d put too much stock in it. At the end of the day, he’s still Two-Face.

TITLE: Billionaire Island #1
AUTHOR:
Mark Russell
ARTISTS:
Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
March 4, 2020

A brutally honest, unfiltered look at where our society may be going sooner rather than later. And in all honesty, a clever premise for a book. I was expecting things to get Survivor-esque right off the bat. But they’re taking the time to build to that.

The most unsettling part of this issue? Our lead villain puts his opposition (journalists, etc) into a giant hamster cage. Complete with an oversized water dispenser. The sad thing? That doesn’t even seem that far-fetched anymore.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Power Rangers Double Feature, Spider-Woman #1, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

No comic shop for me this week. These were strictly digital purchases. Thank God for Comixology.The irony in all of this is that it feels like the prologue for a story you’d read in a comic book…

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #4 (of 5)
AUTHOR:
Ryan Parrott
ARTISTS:
Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED:
March 18, 2020

You knew it was inevitable. You can’t have this story without somehow getting the Turtles into Ranger costumes. That being said those outfits are pretty goofy. Granted, the premise itself is goofy. And they look about as good as they were ever going to. But even by Power Ranger/Ninja Turtle standards…goofy as hell.

As I’ve said previously, pretty paint-by-numbers team-up stuff here. The TMNT characters do Power Rangers stuff, and vice versa. Shredder and Rita are still the best part. I’m guessing they’re already planning on a sequel, as we get a pretty obvious hint.

TITLE: Go Go Power Rangers #30
AUTHOR:
Ryan Parrott, Sina Grace
ARTISTS:
Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED:
March 11, 2020

A solid issue. But why is Finster creating monsters for Zedd? On the show he was pretty much on the shelf until Rita came back. Why isn’t Zedd just doing it himself?

I’m liking these Goldar, Squatt, and Baboo scenes we’ve been getting in both the main book and in Go Go. It brings back fond memories from season one.

As we move closer to the end (*sniff*), I can only assume Rocky, Adam, and Aisha will pop up soon. If for nothing else than a cameo in the final issue.

TITLE: Spider-Woman #1
AUTHOR:
Karla Pacheco
ARTISTS:
Pere Perez, Paulo Siqueira, Oren Junior (Inker), Frank D’Armata (Colorist), Travis Lanham (Letterer). Cover by Junggeun Yoon.
RELEASED:
March 18, 2020

I’ve never read Karla Pacheco before. But in this book I’m getting a Bendis type vibe from her. That’s not a bad thing. As I recall, Bendis did alright in the Spider-Verse…

Our main story is about Jessica fighting a mysterious illness as she’s trying to protect a rich socialite from being kidnapped. It’s a lot of fun, though I’m partial to the back-up, which goes into how she got the job, and why she’s wearing a different costume for it. Why? Because she goes to a store called “Big Ronnie’s Custom Battle Spandex.”

That. Is. Brilliant.

TITLE: BANG! #2
AUTHOR:
Matt Kindt
ARTISTS:
Wilfredo Torres, Nayoung Kim (Colorist), Nate Piekos (Letterer)
RELEASED: March 18, 2020

BANG! was definitely the most fun book in my stack this week. What we have here is a series that isn’t afraid to revel in action movie tropes and cliches. But beneath the surface there’s something more serious with a lot of intrigue. I’ve officially got high hopes.

This month we meet a new hero, John Shaw, who’s looks like he’s based off John McClane. He gets in the middle of a massacre on a speeding train masterminded by a would-be Bond villain with a disfigured face and a speech impediment shamelessly played for laughs. Yup. I’m all in.

TITLE: Batman #91
AUTHOR:
James Tynion IV
ARTISTS:
Rafael Albuquerque, Jorge Jimenez, Carlo Pagulayan, Danny Miki, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
March 18, 2020

Amidst all the chaos in this issue, the most interesting exchange is between Batman and Deathstroke. Our hero talks about the stakes in his war on crime constantly being raised. He’s almost pleading with Slade, saying that “you people,” i.e. supervillains, need to step aside so he can save Gotham.

Deathstroke gives the correct response, which is ,”You escalated first.”

This is an interesting scene to juxtapose with everything happening with the Designer, the Joker, Catwoman, etc.

We’re six issues into Tynion’s run, and Batman is still firing on all cylinders. Lord knows, I’m still along for the ride…

TITLE: Something is Killing the Children #6
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED:
March 18, 2020

As we close this issue we get another glimpse of “the Order,” a bunch of folks in suits who all wear bandanas like Erica. I nice, cryptic little scene with a little glimpse into Erica’s past.

They did a nice job of spreading the layouts over two pages this month. The panels go left to right, then down, then left and right, almost like words in a paragraph. It’s not necessarily a rare thing. But I really dug the execution here.

TITLE: Marvels X #3
AUTHORS: Alex Ross, Jim Krueger
ARTISTS: Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED: March 18, 2020

There’s a line in here about Reed Richards being blamed for a global pandemic. That one hits home right about now…

They apparently felt the need to re-emphasize David’s importance. They hammer the whole “He could save us all!” thing home so much in this issue it becomes grating. I would also argue David’s plucky fanboy shtick is getting old.

Still, a fairly enjoyable outing. Well-Bee draws a hell of a Spider-Man. I also noticed the touch of gray he added to Peter Parker’s hair. Ironically, it makes him look like Reed Richards.

TITLE: Hotell #1 (of 4)
AUTHOR:
John Lees
ARTISTS:
Dalibor Talajic, Lee Loughridge (Colorist), Sal Cipriano (Letterer). Cover by Kaare Andrews
RELEASED:
March 18, 2020

Hotell feels like a horror book with self-contained stories, a la Tales From the Crypt or The Twilight Zone. I’m not quite sure if that’s what it’ll end up being, especially with only four issues. But that’s what it feels like.

While it tends to suffer from the kind of awkward dialogue you often get in newer indie comics, Hotell surprised me with its ability to create a genuine sense of fear and dread that few comics do. If this is your cup of tea, I highly recommend it.

But be warned. It earns its Mature rating in spades.

TITLE: Star Wars #4
AUTHOR:
Charles Soule
ARTISTS:
Jesus Saiz, Arif Prianto & Rachelle Rosenburg (Colorists), Clayton Cowles (Letterer). Cover by R.B. Silva and Guru-eFX.
RELEASED:
March 18, 2020

In regard to Luke, Leia, and Lando returning to Bespin, the solicitation for this issue tells us, “Things did not go well for the trio the last time they visited this place.”

You mean a few days ago? Hell, Luke is basically wearing the same clothes. Because for some reason the heroes in this book are complete idiots.

Luke digs through mountains of garbage to find his lightsaber. Leia has gotten herself frozen. But don’t worry! If you’ve only been frozen for a little while, you can be thawed out and be completely alert with no side effects!

Friggin’ stupid.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Batman #90, Marvel #1, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

A few leftovers from last week mixed in here. That’s what happens when you get struck by the flu. Not the Corona virus, I assure you. Just the flu…

TITLE: Batman #90
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
March 4, 2020

This issue has stirred up a decent amount of buzz because of a plot point involving the Joker. While I’m very much into what Tynion is doing, Batman #90 has been drastically over-hyped.

Via a flashback from Catwoman, we’re led to believe that the Designer, a mysterious villain we’ve just now learned about, inspired the Joker to evolve from clown-themed criminal to murdering psychopath. There’s nothing wrong with that. But it’s too early to herald it as this amazing development in the Batman mythos. Ask me after a few more issues have come out. Then we’ll talk.

TITLE: Marvel #1 (of 6)
AUTHORS: Alex Ross, Steve Darnall, Frank Espinosa, Sajan Saini, Kurt Busiek, 
ARTISTS:
Ross, Josh Johnson (Letterer), Espinosa, Clayton Cowles (Letterer), Steve Rude, Steven Legge (Colorist)
RELEASED:
March 4, 2020

Here we have the first installment in what was Alex Ross’ original vision for Marvels: An anthology of stories done by creators picked by Ross. Many of whom are working in the Marvel Universe for the first time.

Frank Espinosa turns in a lovely Spider-Man story. Given his style, he’s perfect for a project like this. But I was partial to Marvels author Kurt Busiek’s old school Avengers tale, drawn by the one and only Steve Rude. “Hulk-vengers.” Is that only now a thing? Either way, I love it.

TITLE: King of Nowhere #1 (of 5)
AUTHOR: W. Maxwell Prince
ARTISTS: Tyler Jenkins, Hilary Jenkins (Colorist), Andworld Design (Letters)
RELEASED: March 4, 2020

Every once in awhile, you find yourself holding what’s essentially a giant smorgasbord of bizarre, freakish, and random. Have I seen freakier than this? Yes. But not lately…

Our main character Denis wakes up near the small town of Nowhere, essentially a living acid trip filled with the creatures you see on the cover. Adventures ensue, and then we get a little hook at the end to bring us back. It’s not a particularly strong hook. But frankly, she simple question of “What the actual #$%Q is going on?” might just be the only hook King of Nowhere needs.

TITLE: Ghostbusters: Year One #2
AUTHOR: Erik Burnham
ARTISTS: Dan Schoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: March 4, 2020

This issue sees the Ghostbusters follow up on their very first spectral encounter: Eleanor Twitty, the librarian ghost. Thus, I’m forced to ask the heart-wrenching question of whether Ghostbusters: The Video Game is still canon in the IDWverse.

We also get a cute, and surprisingly heartwarming college flashback where Venkman introduces Ray and Egon. And of course, Schoening draws Egon with the late ’70s/early ’80s Harold Ramis afro. Because how could you not?

TITLE: Batman/Superman #7
AUTHOR:
Joshua Williamson
ARTISTS:
Nick Derington, Dave McCaig (Colorist), John J. Hill (Letterer)
RELEASED:
February 26, 2020

“The Bottled City of the Dead.” That’s fun. I like it. Even if the cliffhanger we get does border on unintentionally funny.

Nick Dergington’s art is the star here, supported wonderfully by Dave McCaig’s colors. To call it “simplistic” looking sounds like a dig. It isn’t. It’s easily digestible. And again, it’s fun.

Williamson’s writing of the rapport between our titular characters is the strongest its been yet in this issue. I’ll admit it’s a bit awkward, though appropriate, that they call each other by their hero names. It feels like they should call each other by their first names. But of course, they’re in the field…

TITLE: TMNT: Jennika #1
AUTHORS: Braham Revel, Ronda Pattison
ARTISTS:
Revel, Jodi Nishijima, Pattison (Colorist), Shawn Lee (Letterer).
RELEASED: February 26, 2020

I like how Revel draws Jennika with a slimmer, dare I say more feminine figure. In theory it sets her apart from the other Turtles that much more. Revel’s style is also mildly reminiscent of the 2012 animated series. It makes for an interesting style shift from the main series.

There’s a decent amount of meat to this story. The best of which involves the awkward romantic tension between Jennika and Casey Jones. It’s an impossible conflict that I’m dying to see how they resolve. Or at least if they can resolve it without making Casey look like a heel.

TITLE: Suicide Squad #3
AUTHOR:
Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer)
RELEASED:
February 26, 2020

What has surprised me more than anything about Tom Taylor’s Suicide Squad run thus far is how much he’s actually delivered on the whole suicide mission premise. By only having two heavy hitters (Deadshot and Harley), and having the cast consist mostly of original characters, he can raise the stakes seamlessly by making the missions more costly.

As far as those new characters are concerned, I remain partial to Fin. Especially after seeing him exact some deliciously gruesome revenge this issue.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Superman, Vol. 1: Son of Superman Review – A Family Affair

TITLE: Superman, Vol. 1: Son of Superman
AUTHORS: Peter Tomasi, Patrick Gleason
PENCILLERS: Gleason, Jorge Jimenez, Doug Mahnke
COLLECTS: Superman: Rebirth #1, Superman #16
FORMAT: Softcover
PUBLISHER: DC Comics
PRICE: $16.99
RELEASED: January 4, 2017

By Rob Siebert
Editor, Fanboy Wonder

This is the first ongoing Superman book in a long time that actually feels happy to be a Superman book.

This topic has been beaten to death, but let’s touch on it quickly: It’s time to stop trying to modernize, freshen up, or worst of all, “darken” Superman. It’s been done time and time again, and it never clicks. They’ve changed his costume. They’ve made him moody and broody. One time they even de-powered him and put him on a damn motorcycle. No more. It’s time to stop being ashamed of Superman. Let the character be who and what he’s always been at his core: A champion of values. Truth, justice, hope. and yes, the American way. Let the guy smile. Embrace the character’s legacy instead of hiding from it. Let him be the hero we need in these trying times.

Son of Superman does all of that, while still carving out a new direction for the Man of Steel. Simply put, it’s the best Superman book in years. Almost a decade, perhaps.

The DC Rebirth incarnation of Superman puts the post-Crisis on Infinite Earths version of the character back in the cape and boots. He’d been brought back for Convergence, and eventually became an ongoing character again in the pages of a new book, Lois and Clark. With him was his timeline’s incarnation of Lois Lane, and their young son Jonathan. As Clark Kent finds a balance between protecting the Earth and raising his son, Jonathan must learn to manage his emerging superpowers. With those powers come responsibility, risk, and a legacy…

Instead of focusing on Superman facing a threat, we spend most of this book learning about Jonathan. We see his response to living with a secret identity, how he reacts to challenges, and how Clark and Lois are raising him. They’ve accepted that he’ll one day inherit the Superman legacy, and are gently preparing him for the role. In theory, Superman works on two levels. Youngsters can identify with Jonathan, while older parent-aged readers connect with Clark and Lois. It’s by no means a sexy approach. But artistically, it’s true to the soul of the Superman character. His adopted parents instilled him with a set of principles. Now he has to pass those principles on to his son. But the dynamic is tweaked, because he’s able to relate to what Jonathan is going through. It’s a premise that lends itself to heart-felt storytelling, not unlike what we saw from Peter Tomasi and Patrick Gleason’s work in Batman & Robin.

We kick things off with Superman: Rebirth #1, which establishes our “new” hero, with some nice fan service thrown in. The New 52 Superman was killed off, and as the post-Crisis Superman is the one who famously died and returned, he sets about bringing his counterpart back in a similar fashion. Te issue is highlighted by artists Doug Mahnke, Jaime Mendoza, and Will Quintana giving us their take on the iconic Superman/Doomsday battle. It was out of continuity for so long, and it’s brought back in what I’ll call a “wide screen” sequence that plays out over about seven pages. Mendoza’s inks compliment Mahnke’s richly detailed pencils, and Quintana’s color make it every bit the glorious and epic scene it needs to be. The same applies to when they return for issue #5. We’ve got Superman talking to ghosts, we’ve got the Eradicator trying to eradicate things, we’ve got a big Batman robot straight out of a Snyder/Capullo comic…

Actually, I don’t mind the “Hellbat” returning from the Tomasi/Gleason Batman & Robin book. Maybe it’s because Lois Lane is the one using it, as opposed to Batman. It makes for a fun holdover.

But artistically, this book belongs to Patrick Gleason, inker Mick Gray, and colorist John Kalisz. Obviously, as a co-writer Gleason has the advantage of molding the story to fit his strengths. But just from a basic figure rendering perspective, it’s so amazing to see Superman look like Superman again. Even the classic spit curl, which I’ve never been a huge fan of, is a breath of fresh air. These pages are bright, flamboyant, and unabashedly sentimental. Gleason’s slightly exaggerated, animated style is a perfect fit for a story about a pre-teen learning to be a superhero. There’s a lot of fun on these pages.

Gleason also has an amazing knack for classic Superman iconography. The page at left comes to mind, with our hero in the classic pose as an American flag waves in the background. For obvious reasons, he lays it on a little stronger in issue #1. We’ve got a two-page spread that simply shows him opening his shirt to reveal the “S” insignia. That’s followed up immediately with another two-page spread giving us snapshots from Superman’s history. This is who Superman is, and who he’s always been. To see it all reemphasized is borderline beautiful.

The biggest obstacle this book faces is establishing that this is a “new” Superman from another timeline. They obviously devote a good amount of time to it. But it’s still a lot to wrap your head around, and has the potential to be really confusing for someone jumping on. This book is about a family trying to figure out how they fit into a new world. But that runs counterintuitive to how the average reader sees Superman, as he’s so ingrained in the fabric of the DC Universe. By the time we close the book, most of that awkwardness has subsided. But to say the least, this hasn’t been the smoothest Superman relaunch we’ve ever seen.

But it’s worth it in about every possible way. It’s been far too long since a Superman book has been this good. While this is obviously a new direction for the Man of Steel, in many ways it feels like he’s finally gotten back to his roots. That’s the Superman we need right now. That’s the Superman we’ve always needed.

Welcome back, Big Blue. We’ve missed you.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

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