Tag Archives: Jorge Corona

A Mighty Morphin Power Rangers Annual #1 Review – One Generation’s Garbage…

Mighty Mophin Power Rangers #1 2016TITLE: Mighty Morphin Power Rangers Annual #1
AUTHORS: Kyle Higgins, Ross Thibodeaux, Marguerite Bennett, Trey Moore, James Kochalka, Jorge Corona
PENCILLERS: Rod Reis, Rob Guillory, Moore, Kochalka, Corona. Cover by Goni Montes.
PUBLISHER: BOOM! Studios
PRICE: $7.99
RELEASED: August 24, 2016

***Click here for our review of the most recent issue of Mighty Morphin Power Rangers.***

By Rob Siebert
Editor, Fanboy Wonder

It’s funny what time reveals. Yesterday, August 28, marked the 23rd anniversary of the premiere of Mighty Morphin Power Rangers. I remember being a kid in the early ‘90s and watching an episode of 20/20. They happened to be covering the Mighty Morphin Power Rangers phenomenon. The only con crete detail I recall about the report is that the news personality referred to it as “garbage.”

And yet, we’re still talking about it all these years later. One generation’s garbage is another’s inspiration, as illustrated by the collection of writers and artists brought together for Mighty Morphin Power Rangers Annual #1. This issue gives us six short stories featuring the characters that first graced the small screen more than 20 years ago.

Mighty Morphin Power Rangers Annual #1, 2016, Goni Montes coverFirst up is series writer Kyle Higgins and artist Rod Reis with “A Week in the Life of…” spotlighting Jason, the Red Ranger. Per the title, we get some snapshots of Jason’s day-to-day life over the course of a week. The balance between the life of a teenager and the life of a hero is what I often find most interesting about these kinds of books. Higgins and Reis put Jason over like a million bucks, showing us just how dedicated he is. Reis nails it from the very first page (shown right) with a shot of the Red Ranger slicing through putties amidst a storm of some kind. Interspersed are inset panels of him at home, at school, and teaching karate class. The next few pages follow suit, and we end on a nice profile shot of Jason. The colors pop, each setting feels distinct, and Reis even gets Austin St. John’s likeness down pretty well. The issue almost peaks early with this one.

Riss Thibodeaux and Rob Guillory then give us a cartoony tale about Bulk & Skull becoming Rangers. In reading the Bulk & Skull portions of this series, I’ve found myself slightly annoyed wishing we could get back to the Rangers. Fittingly enough, that’s how I felt watching the show as a child. In a way that’s a great compliment to what Higgins and the creative team have done with this book. Still, no harm done here. It’s well done for what it is.

DC Bombshells scribe Margeurite Bennett tags in for a story about Trini facing a monster that tries to defend animals from humans. I was consistently impressed by how well some of these writers knew and respected the characters from this low budget kids show. A perfectly in-character Trini makes peace with the monster, convincing it they’re on the same side. Huang Danlan brings a nice Asian influence to things, and colors the story with mostly gentle yellows, pinks, greens, and blues.

Mighty Morphin Power Rangers Annual #1, 2016, its putty timeTrey Moore of Rachel Rising fame just barely wins the issue, pulling double duty for a take on Goldar’s origin story. His dialogue leaves something to be desired, and he gives Goldar’s brother the rather bland name of Silverback (though in all fairness, the show might have given him a similar name). But the ambition of Moore’s story is so great it almost doesn’t matter, even tying in story elements and characters from Power Rangers Zeo and Power Rangers in Space. We can’t deny Moore knows his Power Rangers.

Conceptually, this origin makes perfect sense for Goldar. We learn he comes from a pack of creatures that value power and strength above all, and he idolizes his older brother Silverback. In the end, Lord Zedd tests his loyalty by pitting his power and strength upbringing against his love for his brother. The end result is what you might expect, and it answers some questions as to how Goldar became so loyal to Zedd, but ended up in Rita’s service. It’s not perfect, but it’s a story to remember.

Next, we go to James Kochalka pulling double duty on a story about a putty patroller  falling in love with Kimberly (first page shown above). Again, not really the type of thing I look for in my superhero books. But there’s something to be said for diversity in a collection like this. It’s utterly skippable compared to its peers. But sure, why not?

Finally, Jorge Corona gives us a story about what the six heroes under the helmets have in common. The story has a nice heart, and Corona gives us some nice art here. At some points, however, his Rangers come out a bit…squiggly. Particularly in a group shot just after the halfway point. On the plus side, he draws a great Megaword.

Rob Guillory, MMPR Annual #1, Bulk & SkullOn cover duty is Goni Montes, whose work on MMPR has been positively iconic. This issue is no different. As far as I’m concerned, the more we see of him, the better.

At $7.99, this issue is a little steep from a price standpoint. But if you’re a Power Rangers geek, it’s worth it. Rarely have the Rangers been treated with such respect and admiration. By no means is it flawless. But its pros far outweigh its cons.

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A We Are Robin #7 Review – Middle Child Syndrome

We Are Robin #7 coverTITLE: We Are Robin #7
AUTHOR: Lee Bermejo
PENCILLER: Carmine Di Giandomencio. Cover by Jorge Corona.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: December 16, 2015

By Rob Siebert
Editor, Fanboy Wonder

I really wish they’d stop lumping Jason Todd and Tim Drake together. It’s happening in Batman & Robin Eternal, and now it’s happening in Robin War.

I think I get the how and the why of it. Dick Grayson is the original Robin, and Damian Wayne is the current Robin. So Jason and Tim are left in an awkward “middle child” position. There’s not necessarily enough time to focus on them individually while still keeping the plot going, so writers put them together. To an extent that makes sense. They have such conflicting personalities that they work as a bickering duo. But they both have such rich histories that it’s a shame to see them lumped together merely by default. Hell, in this issue they’re lumped together to try and kill each other!

Yes, in part four of Robin War, Red Hood and Red Robin are pitted against each other by the Court of Owls in a fight to the death, in an attempt to decide who the new “Gray Son” is. But Jason and Tim have a few tricks up their sleeves. Meanwhile, Dick Grayson and Batman (Jim Gordon) search for the truth about Councilwoman Noctua, creator of the “Robin Laws.”

We Are Robin #7, Red Robin, Red HoodThe fight between Tim and Jason isn’t anything special, and it more or less goes the way you think it will. You’d think the Court would have had the foresight that two young, athletic guys who aren’t restrained in any way would end up doing what they did. Also, Carmine Di Giandomencio does what I talked about in the Grayson #15 review, and puts facial features on Red Hood’s helmet. That never ceases to be obnoxious.

Sadly, while some of Di Giandomencio’s layouts are interesting, his art doesn’t do it for me here. It’s not that he’s bad at what he does. It’ s more that what he does looks awkward compared to the art we’ve seen in previous installments, particularly Mikel Janin’s work in Grayson. Characters’ faces look awkward at times, as does their body language. This is particularly true when we get to the scene in the prison. There are a few panels where Damian looks more twisted and insane than observant and determined.

The scene with Grayson and Gordon is okay. But there were a couple of things that struck me. On page 3, there are a pair of panels that show Gordon catching a dangling Grayson after he slips climbing up a building. Firstly, I find it odd that Dick would make such a rookie mistake. Secondly, is Gordon strong enough to hold Dick’s entire body weight? My guess would be no.

We Are Robin #7, Dick Grayson, Jim GordonOddly enough, the idea of Gordon, and the entire world knowing Dick Grayson was Robin/Nightwing is taking some getting used to. Until recently, Dick was pretty isolated in the pages of Grayson. But now that he’s moving beyond Spyral, we’re starting to see more ramifications from what happened in Forever Evil. I still don’t quite understand how the world knowing about Dick’s superheroing doesn’t lead back to Bruce Wayne being Batman. If you remember Batman #1, there’s a big portrait of Bruce, Dick, Tim, Damian, and Alfred in Wayne Manor. If you see that painting knowing Dick’s identity, it’s not that hard to put the pieces together, isn’t it? Especially when the general public knows that Bruce has funded Batman’s activities.

In any event, this issue gives us a brief conversation between Dick and Jim about the ethical nature of letting a youngster work with Batman, and how Gordon justified letting it happen. He even has a couple of lines about child soldiers overseas, and boys organizing to fight the Nazis in Poland. My guess is Lee Bermejo put this stuff in to suggest a kind of real-life basis for the Robin concept. It’s an interesting idea, but it doesn’t cast either Dick or Gordon in a different light, or offer any sort of insight. It’s just sort of there in the middle of the issue.

We Are Robin #7, image 3Also, late in the book somebody in the Robin street crew calls Red Robin “the one with the goofy wings.” It’s always cool when the characters say what you’re thinking as a reader. For that matter, something you’ve been thinking since the damn New 52 started…

Sadly, We Are Robin #7 is largely a step down from its predecessors. The various Robins escaping from their cages felt somewhat anticlimactic, though the cliffhanger does succeed in wetting your appetite for the next installment. I can’t say I’ve been overly thrilled with the body of Robin War thus far. There’s been too much emphasis on this “Gray Son” stuff, which I’ve always felt was rather stupid. Gazing at the solicitations for upcoming issues, my hopes aren’t that high. I’m trying to be optimistic that something cool will happen near the finale, as Tom King is writing Robin War #2, and he’s a pretty damn good writer.

Image 1 from gamespot.com. Images 2 and 3 from adventuresinpoortaste.com.

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A Robin War #1 Review – Teenage Wasteland

Robin War #1TITLE: Robin War #1
AUTHORS: Tom King (story), Khary Randolph, Alain Mauricet, Jorge Corona, Andres Guinaldo, Walden Wong.
PENCILLERS: Emilio Lopez, Chris Sotomayor, Gabe Elitaeb, Sandra Molina. Cover by Mikel Janin.
PUBLISHER: DC Comics
PRICE: $4.99
RELEASED: November 2, 2015

By Rob Siebert
Editor, Fanboy Wonder

Robin War is a crossover that kicks off with a teenager, a cop, and a couple of guns.

*tugs at collar* G’aahhhh….

Per the 75th anniversary of the Robin character, we have Robin War, a crossover event that pits the various characters that have worn the mantle of Robin against The Court of Owls. After a showdown between one of the many youngsters acting under the banner of Robin (See We Are Robin) accidentally kills a policeman, Gotham City strikes back at the movement. Anyone even wearing Robin-like attire is subject to arrest, via the “Robin Laws” enacted by a city councilwoman with ties to the Court of Owls. The ensuing conflict will draw the attention of not only Batman (Jim Gordon), but the four young men who worked aside the original Batman as Robin. Dick Grayson, Jason Todd, Tim Drake, and the current Robin Damian Wayne are headed back to Gotham.

Robin War #1, title pageConceptually, in terms of celebrating the anniversary of Robin, I appreciate this crossover more than Batman & Robin Eternal. Though I’m not sure what it’s long term effects may be, the event itself is concise. It also touches books like Robin: Son of Batman, Teen Titans, Red Hood & Arsenal, and even Gotham Academy. It’s a nice illustration of how widespread Robin’s influence on the DC Universe has been. It also keeps the event contained within the span of about a month, which is nice.

Police brutality and the ethics of law enforcement are topical right now, for obvious reasons. It’s tough to read this book and not think of kids like Trayvon Martin. Especially when we get to the scene where Duke Thomas is arrested for simply wearing red shoes. I doubt they’re going for political commentary with this issue, but they’re certainly playing off that controversy here. Whether that’s tacky or not is subjective, I suppose. Either way, it gives Robin War an impactful opening.

Robin War #1, RobinsFor obvious reasons, Dick Grayson will play a big role here. The cliffhanger implies teases pretty interesting about his future. When we first see him here, he’s wearing a black and white suit that’s so James Bond it’s almost funny. At one point, the Court refers to him as the “Gray Son of Gotham,” so I guess we’re going back to that crap again. There’s also a splash page in which Dick, after getting a summon from his Gotham comrades, jumps out a window. Between the splash and the previous page, his full line is: “At the end of the day, from the beginning of the day…first and always foremost…I am Robin!”

I don’t like this bit. Firstly, the line is terribly redundant. They could have cut a lot of fat there and just had him say, “First and foremost, I am Robin!” Secondly, I’m not sure I appreciate that sentiment. Yes, Dick Grayson was Robin before he was anything else. But he’s been a lot of other things too. What so many modern writers seem to be forgetting about is the independence Dick gained when he broke away from Batman to become Nightwing. He’s loyal to his Gotham family, but he’s also his own man. I get what they’re going for with this line, but it turned me off.

On the flip side, I like how Damian is played up in this issue. He is Robin, after all. He also has some really good reactions to both the Robin movement with Duke Thomas and Jim Gordon acting as Batman. Solicitations indicate he’s staying in Gotham after Robin War, which is a good thing from where I sit.

Robin War #1, Robin introWe have a revolving door of artists on this thing, which is always frustrating. There’s an especially awkward transition when we go from Damian’s confrontation with Bat Cop, to Red Hood and Red Robin appearing on the scene. The styles and the colors just clash. It’s not necessarily the artists’ fault. It’s just a bad transition.

Robin War #1 has its flaws. In my experience, things tend to get a little messy when you have so many people collaborating on a single issue. But generally, I’m interested to see where it’s going. Batman’s apprentices against The Court of Owls doesn’t sound like the worst thing in the world.

Image 1 from io9.com. Remaining images from author’s collection.

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A We Are Robin #1 Review – Remember When He Dropped His Fish?

We Are Robin #1 coverTITLE: We Are Robin #1
AUTHOR: Lee Bermejo
PENCILLER: Jorge Corona. Cover by Bermejo.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: June 24, 2015

By Rob Siebert
Editor, Fanboy Wonder

I must be getting slower in my old age. It took me a little extra time to realize that Duke Thomas was the kid Batman said “You dropped your fish” to in Zero Year. (As I recall, he may have done a little more than that.) But the fact that we’ve now followed this kid from that story, through Endgame, and now to We Are Robin, is pretty cool.

That being said, the debut of We Are Robin would have been great with or without an established main character. It’s the kind of street-level Gotham City book that should always have a place on the stands. I found myself having happy flashbacks to Gotham Central while reading this issue. While the two books are different in almost every way, We Are Robin strikes me as the kind of story that will, like Gotham Central, help us get better acquainted with the city and those who live there. It’s tough to argue appeal that has.

We Are Robin #1, opening pageWe Are Robin stars Duke Thomas, an inner city kid whose parents were infected by the Joker virus released during Endgame. Subsequently, they’ve disappeared, and Duke has become obsessed with finding them. As we see early in the issue, his quest has a penchant for getting him into trouble. Luckily, he’s about to get some help. It’s unexpected, and most certainly unconventional. But through these new allies, Duke may become part of something bigger than he ever thought possible.

I’m always partial to books with a good lead, or opening line. We Are Robin #1 has one of the best leads I’ve read in awhile…

“Someone told me that the problem with youth is the inability to accept your own mortality. I wouldn’t consider this one of my problems.”

I feel like this should have been the opener for a teenage superhero book a long time ago. We’ve certainly had no shortage of dead kids in our escapist picture books over the years. And of course, it’s a great introduction to the Duke Thomas character, who comes off pretty likeable here. He’s intelligent, witty, virtuous, and isn’t short on moves. It’s just a shame his history is tied up in something as…irritating, as Zero Year.

We Are Robin #1, Leslie Thompkins, Duke ThomasThe appearance of Leslie Thompkins in a counselor role for Duke is encouraging as far as future issues are concerned. Leslie has largely fallen by the wayside in recent years, especially since the New 52 started. A street-level book like this is tailor-made for her, and will hopefully flesh out her role a bit more.

The issue has a more cartoony, animated feel than you might expect from a book like this, especially given the Bermejo cover. But given what I can only assume will be the youthfully exuberant tone of this book, I expect it’s a justified approach. Obviously we’ll know more once issue #2 hits the stands. My only real complaint regarding the art here is a panel we see early on, where Duke is throwing a kick with a leg that looks a little too stretchy. Maybe he’s been drinking Gingold? (Look it up, noobs.)

We Are Robin #1 is encouraging. From a marketing standpoint, it’s got a lot of what DC is looking for right now. A youth focus, much like the revamped Batgirl, as well as Gotham Academy. We’ve also got a non-white lead to help fill the diversity quota. But more importantly, this book feels compelling and fun. For so long, DC seemed to forget that comics are, ideally, supposed to be fun. Thankfully, that little factoid seems to be a priority for them again.

Image 1 from washingtonpost.com. Image 2 from comicvine.com.

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