***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***
By Rob Siebert
TITLE: Red Hood: Outlaw #48
AUTHOR: Scott Lobdell
ARTISTS: Brett Booth, Danny Miki (Inker), Arif Prianto (Colorist), Troy Peteri (Letterer). Cover by Dan Mora & Tamra Bonvillain.
RELEASED: August 25, 2020
These “Joker War” tie-ins are giving me New 52 flashbacks. When “A Death in the Family” was running in Batman, it seemed like they couldn’t crank out enough tie-in issues.
But as far as Joker-themed tie-in issues go, this is a pretty decent one. It’s suitably focused on Jason, pits another Bat-family character against him, and incorporates a location that’s been a mainstay in the book.
On the downside, they kill off a character for no good reason. One that I thought had a decent fan following too…?
There’s a panel on the opening page of this issue that’s markedly similar to an Alex Ross painting of Batman standing between stone gargoyles. Anyone else notice that? Or am I just an Alex Ross buff?
Actual exclamation in this issue: “Murderize him!”
I’m not the biggest Kenneth Rocafort fan. But in this atmosphere, Batman vs. Killer Croc in the Gotham sewers, he’s at home. His work here is enjoyable.
Tomasi, who has run hot and cold on Detective, is on his game too. This is the best issue this series has seen in many weeks.
I’ve been away for awhile (mostly because I don’t like Batgirl’s current costume)…since when does Commissioner Gordon call his daughter “Babs?” That feels weird to me.
After reading this issue, I feel bad sleeping on Cecil Castellucci. She writes a damn good Barbara Gordon. Robbi Rodriguez and Jordie Bellaire are a great team too. There’s a really nice fluidity to the work here. And as this issue happens to be the first of a new story, I just might stick around.
For all the good it’ll do. This series ends with issue #50.
The art by Steve Pugh and Chris Chuckry has highlighted Billionaire Island for me. Almost every expression is exaggerated to the point of caricature. But in a dark comedy you can do that.
I’m not sure who that’s supposed to be on the cover. I mean, it’s the President of the United States, obviously. But I thought Billionaire Island had cast a Kid Rock stand-in as POTUS. This guy looks more like Carrot Top with blond locks. *shudders*
I wouldn’t say this book has maintained the same level of interest from me, but it’s still worth a look.
This book gave me not-so-nice flashbacks to Adams’ recent Batman work. That’s a shame, as Adams is legitimately an innovator who’s earned his place in American comic book history. His art looks great here (though Thing’s face looks a little awkward), and Laura Martin’s colors pop beautifully. I just wouldn’t hire Adams as a writer.
Thankfully, you won’t find many writers (if any) better than Mark Waid. So Adams is in good hands for what is apparently his first-ever full-length FF story.
Deadshot has a puppy named Dogshot? That is absolute perfection, and needs to be in both the new video game and the new movie.
Given both the announcements we just got at DC Fandome, it’s surprising this book is on the recent list of casualties over at DC. It’s a shame for so many reasons, not the least of which is the effort the creative team have put into the creation of new characters. Case in point, this issue, in which we dive into some backstories. Hopefully we can bring them back at some point.
TITLE: Teenage Mutant Ninja Turtles #108
AUTHORS: Sophie Campbell (Story), Ronda Pattison (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer)
RELEASED: August 26, 2020
This issue brings up something I never, ever thought we’d have in a TMNT story. With Mutant Town now existing essentially it’s own city within a city, our heroes are now pondering if they should form their own government and police force. Are the Turtles getting into politics? By God, some things are too evil for even the boys in green to take on…
For whatever reason, since issue #101 the Turtles have been wearing clothes more. I’m not sure I’ll ever get used to that.
TITLE: Wonder Woman #761
AUTHOR: Mariko Tamaki
ARTISTS: Carlo Barberi, Matt Santorelli (Inker), Alejandro Sanchez (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Sanchez.
RELEASED: August 25, 2020
Barberi does a fine job on this issue. To the point that I wouldn’t mind him being the regular artist. But because he drew the last two issues, I quickly found myself missing Mikel Janin.
As for Tamaki, she gives Maxwell Lord a great “history is controlled by the victors” speech. Diana refers to him as the villain, and she talks about the Justice League controlling “the flow of justice in this world.” In the context of the story it’s very convincing, and a great character moment for Max.
Then I got to the last page, and my heart broke.
TITLE: Mighty Morphin Power Rangers #53
AUTHOR: Ryan Parrott
ARTISTS: Moises Hidalgo, Walter Baiamonte & Katia Ranalli (Colorists), Ed Dukeshire (Letterer). Cover by Jamal Campbell
RELEASED: August 26, 2020
I’m diggin’ the designs of these new Dark Ranger suits. Their identities seem like a missed opportunity to introduce new characters. But then again, this series is ending soon. That seems to be a theme this week…
This is the first issue where Moises Hidalgo impressed me. He gets a nice, long battle sequence between our good and evil Ranger teams. So he’s able to really spread his wings, and it shows.
Grace (Remember her?) makes a truly stupid suggestion in this issue. So stupid, in fact, that I’m sure it’ll come to pass.
There are a lot of Super-people in this book. We’re up to five. If the “Superman family” gets too big, it pretty much makes the Justice League obsolete, doesn’t it? Plus, they spend part of the issue flying over Metropolis, scanning it with X-Ray vision. Creepy much? We’ve also got all the usual problems with John Romita Jr’s sloppy art.
Why am I still buying this book?
This story about the Ultra-Humanite and Atomic Skull is essentially three issues of filler. But it’s good filler, I’ll give it that. Clayton Henry and Alejandro Sanchez turn in work that crackles with that great comic book superhero energy.
There’s a subplot in here about Superman not asking for Batman’s advice before he revealed his true identity to the world. It’s a little too far in the background for my taste, though. I’d have liked to see them explore that with some of the page space they used for textbook hero/villain dialogue with the Ultra-Humanite.
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