Weekly Comic 100s: Kylo Ren, Gwen Stacy, Superman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Star Wars: The Rise of Kylo Ren #3 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by Clayton Crain.
RELEASED:
February 12, 2020

Once again, the most interesting part of this Kylo Ren origin story proves not to be Ben Solo’s fall to the dark side. Rather, it’s Luke attempt to revive the Jedi Order.

What we see doesn’t even have that much meat to it. It’s just Luke working with his students as children, and then a bunch of short scenes to give us a glimpse of what their lives were like as they grew up. But as we’ve been waiting to see this part of the story for so long, any morsel of information feels mountainous.

TITLE: Gwen Stacy #1 (of 5)
AUTHOR: Christos Gage
ARTISTS: Todd Nauck, Rachelle Rosenberg (Colorist), Joe Caramagna (Letterer). Cover by Adam Hughes.
RELEASED: February 12, 2020

The part of “spunky teen girl detective” will now be played by Gwen Stacy.

In a post-script message to fans, editor Nick Lowe tells readers the idea for this mini-series is to add to some of the classic Spidey stories with Gwen, and fill in some details along the way. But it works quite nicely on its own merits. Todd Nauck’s art has a modern feel, but with a retro twinge. It feels like a natural successor to those Spider-Man stories from the ’60s and ’70s.

Though frankly, that Adam Hughes cover alone is worth the price.

TITLE: Superman: Heroes #1
AUTHORS: Brian Michael Bendis, Matt Fraction, Greg Rucka
ARTISTS: Kevin Maguire, Mike Perkins, Steve Lieber, Mike Norton, Scott Godlewski. Cover by Bryan Hitch.
COLORISTS:
Paul Mounts, Gabe Eltaeb, Andy Troy, Nathan Fairbairn. Alex Sinclair (Cover).
LETTERERS:
Troy Peteri, Clayton Cowles, Simon Bowland
RELEASED:
February 12, 2020

This issue is supposed to be about all the superheroes and supporting characters reacting to the big Superman/Clark Kent revelation. But there’s an absolutely beautiful scene between Superman and someone we’ve never seen before: Clark Kent’s high school chemistry teacher.

Clark thanks him for helping to show him the value of hard work, and assures him that despite his powers, he never cheated. Despite being tempted to, of course. It casts this strict, Mr. Feeny type character as a hero in his own right. That’s exactly how (most) teachers should be seen.

TITLE: Superman #20
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Joe Prado, Oclair Albert, Alex Sinclair (Colorist), Jeremiah Skipper (Colorist), Dave Sharpe (Letterer)
RELEASED: February 12, 2020

I think I’ve made it pretty clear by now that my favorite thing about Bendis’ influence on the Superman books has been the emphasis on journalism. In this issue we spend a good amount of time in the newsroom of The Daily Star (The Daily Planet‘s competitor) as they process the whole Superman/Clark Kent reveal. We happen to get a very intriguing return as well.

This United Planets story is finally starting to get interesting. As a representative of Earth, Superman is about to take on something of a political role. Things are about to get complicated. Very complicated…

TITLE: Alienated #1 (of 6)
AUTHOR: Simon Spurrier
ARTISTS: Chris Wildgoose, Andre May (Colorist), Jim Campbell (Letterer). Variant cover by Bengal.
RELEASED: February 12, 2020

Slow. Down.

I like this idea a lot. Three outcast high schoolers whose minds become telepathically connected by an alien thing in the woods. Great! Lot of fun to be had there.

But Alienated #1 is so fast-paced that it’s hard to really sink your teeth into anything. I get the sense these characters have been developed and thought out. But perhaps Spurrier figured he only had six issues to work with, and wanted to cram a lot of stuff in early. Why else would he come out of the gate so fast?

TITLE: Marvels X #1
AUTHORS: Alex Ross, Jim Krueger
ARTISTS:
Well-Bee. Cory Petit (Letterer). Cover by Ross.
RELEASED:
February 12, 2020

I think David, our young protagonist, is the only character I’ve ever seen pray to a superhero. Outside of Homer Simpson, that is. (“Please save me, Superman!”) But that was obviously for comedic effect. David seems serious as a heart attack as he prays to Captain America in this issue. Weird, huh?

This series takes place in an interesting time frame. As David makes his way through New York City, it’s clear the age of heroes is over. But we obviously haven’t made it to the dystopian future of Earth X yet. We’re in that in-between period. That’s…intriguing.

TITLE: Batman: Pennyworth R.I.P.
AUTHORS: James Tynion IV, Peter Tomasi
ARTISTS: Eddy Barrows, Eber Ferreira, Chris Burnham, Marco Takara, Diogenes Neves, David Lafuente, Sumit Kumar. Cover by Lee Weeks.
COLORISTS: Adriano Lucas, Rex Lokus, Nathan Fairbairn
LETTERERS:
Travis Lanham, Tom Napolitano
RELEASED: February 12, 2020

Not much to see here. Yes, it’s cool to see the whole Batman “family” come together out of costume. But by and large, this one’s pretty missable. Unless you want to see Barbara Gordon act like a complete asshole. Then you’ll love it.

The issue even contorts the timeline in a weird way. At one point it’s said that the tenth anniversary of the Wayne murders came not long after Damian died in the pages of Batman Incorporated. Wait…what? Yes, I know Damian was created using comic book science. But that timeline still doesn’t add up.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Wonder Woman #750, Guardians of the Galaxy #1, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

With the release of Wonder Woman #750, our resident Amazon Princess had a pretty big week. It was a 96-page issue consisting of multiple short stories, filled with A-list talent. Something like that doesn’t exactly lend itself to a 100-word format. So, as we lead off with it here, I’m going to focus on the story that I liked the best, and will hopefully have a sizeable impact on the DCU going forward. It’s titled “A Brave New World.”

TITLE: Wonder Woman #750
AUTHOR (For Our Purposes): Scott Snyder
ARTISTS (For Our Purposes):
Bryan Hitch, Mike Spicer (Colorist), Tom Napolitano (Letterer). Cover by Joelle Jones.
RELEASED:
January 22, 2020

It’s always surreal to see a real-life US President in a superhero comic book. Having FDR in this book was no exception. What’s more it worked, setting the period well, and helping create the monumental moment they wanted.

This story establishes Diana as the world’s first superhero, an an inspiration for generations. I’m all for establishing more of a firm timeline for the DCU. With the New 52, everything was so vague and uncertain. This is a step up, and gives Wondie a nice notch on her belt. What’s more, it opens up plenty of new story opportunities…

TITLE: Guardians of the Galaxy #1
AUTHOR: Al Ewing
ARTISTS:
Juann Cabal, Federico Blee (Colorist) Cory Petit (Letterer)
RELEASED:
January 22, 2020

For someone diving into a Guardians book for the first time in awhile, this was a challenge to follow. Lots of talk about the “Kree Civil War,” the “Cancerverse,” etc.

Still, the familial bond between the Guardians, Quill and Rocket specifically, is enough to get you through. Rocket’s more fashionable look is actually pretty cool. He’s almost got a secret agent vibe to him.

Question: What’s up with Gamora’s eyes? Is that just how they’re coloring her now?

TITLE: Batman #87
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: January 22, 2020

I’ll be honest: I’m not a Guillem March fan. I soured on him when he did the New 52 Catwoman series. So his art took me out of the issue. His Penguin is a little too monsterish for me, and his Riddler was a little too…veiny?

Still, I’m digging this story with all the assassins in Gotham. There’s a definite aura of danger in the air. Cheshire was put over nicely in this issue, despite how things end up for her.

The Bat-books as a whole are also doing a nice job emphasizing Alfred’s absence.

TITLE: American Jesus #2 (of 3)
AUTHOR: Mark Millar
ARTISTS:
Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by Jodie Muir and Matteo Scalera.
RELEASED:
January 22, 2020

Ugh. I’ve got to start paying better attention to issue numbering. Three issues? That’s all we’re getting? That sucks. It really sucks. There’s potential for a whole series here. But we’re only going to scratch the surface.

I’ve you’ve seen The Path on Hulu, this issue reminded of that. We get a time jump, and our teenaged would-be Messiah is at the center of a cult housed in a secure compound. But of course, she’s a teenager. So she can’t just stay in the compound.

All I can say is they’d better really stick the landing on this one.

TITLE: Mighty Morphin Power Rangers #47
AUTHOR:
Ryan Parrott
ARTISTS:
Daniele Di Nicuolo, Walter Baiamonte (Colorist), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
January 22, 2020

Awesome cover, with our nine Rangers together. Now that the big secret is out, there’s potential for some really cool moments between the current team and the Omega Rangers. Case in point, we get a pretty cool interaction between Trini and Aisha in this issue.

I’ve become a huge fan of Daniele Di Nicuolo. But in this issue we get the first panel from him that I don’t like. It’s a shot of Tommy sneering at Jason. It’s both ill-executed and I’ll conceived. Tommy doesn’t really sneer, does he? He’s more of a glare guy.

TITLE: Superman #18
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Joe Prado (Co-Inker), Danny Miki (Co-Inker), Julio Ferriera (Co-Inker), Oclair Albert (Co-Inker), Alex Sinclair (Colorist), Andworld Design (Letterer)
RELEASED:
January 22, 2020

This issue is essentially split in half. The first is dedicated to Superman revealing his identity to the world last issue. The second involves his role in the United Planets. The latter features a pretty awesome fight with Mongul.

I might have to call BS on the public’s reaction to Superman’s “unmasking.” In part, at least. Maybe Bendis simply hasn’t gotten to this point in the story yet, but it feels like there should be more hysteria. Clark’s family and friends being harassed for information, etc. People aren’t so calm about secrets like this. Trust me. I’ve met a few.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: TMNT #100, Dark Knight ReturnsSuperman

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Word recently broke about Kevin Eastman and Peter Laird working together again after all these years for a Ninja Turtles story called “The Last Ronin.” How fitting then, that not only does IDW’s Teenage Mutant Ninja Turtles #100 comes out this week, but we’ve also got a new Frank Miller book. It’s no secret that Eastman and Laird drew inspiration from Miller’s work in the early to mid ’80s.

Imagine what would have happened if it had the modern Frank Miller back then. Back then you had his work on characters like Daredevil and Wolverine. Now? We’ve got the Dark Knight sequels and Holy Terror. *shudders*

TITLE: Teenage Mutant Ninja Turtles #100
AUTHORS: Kevin Eastman, Bobby Curnow, Tom Waltz (Script)
ARTISTS: Dave Watcher, Michael Dialynas. Variant cover by Eastman.
SUPPLEMENTAL ARTISTS: Mateus Santolouco, Adam Gorham, Dan Duncan, Cory Smith
COLORISTS: Ronda Pattison, Bill Crabtree
LETTERER: Shawn Lee
RELEASED: December 11, 2019

TMNT #100 is more or less exactly what you want it to be. All recent plot threads converge, and as expected, we see the return of a major villain. Can’t say I expected that death, though. And make sure you don’t miss that epilogue…

The only real complaint I have is that I felt half a step behind because I couldn’t keep up on the Shredder in Hell mini. I suppose that’s the problem when you’ve created a world so rich and dense. You can’t always pack everything into one series. But that’s not necessarily a terrible problem to have.

TITLE: Dark Knight Returns: The Golden Child
AUTHOR: Frank Miller
ARTIST: Rafael Grampa. Cover by Grampa and Pedro Cobiaco.
COLORIST: Jordie Bellaire
LETTERERS: John Workman, Deron Bennett
RELEASED: December 11, 2019

My impression when I closed this book was that Miller must either have a ghostwriter working with him, or the editors are heavily involved here. Because this is a surprisingly competent issue to have his name on it in 2019. But if it was mostly Miller? Good on him.

No Bruce Wayne here. Which is kind of odd, but fine with me. Carrie Kelley, Lara, and this Dark Knight universe Jon Kent are more interesting anyway. They’re taking on Darkseid here, and Raphael Grampa’s art looks amazing.

A really good start. But keep your expectations tempered.

TITLE: Superman #18
AUTHOR: Brian Michael Bendis
ARTIST:
Ivan Reis
INKER:
Joe Prado
COLORIST:
Alex Sinclair
LETTERER:
Dave Sharpe
RELEASED:
December 11, 2019

Ugh. Why?

Yes, it’s exactly what it looks like. The same thing they did in 2015, in a storyline that, fittingly, was also called Truth.

It’s not that I don’t think Bendis and this team can do a good job with it. But we were just here. And inevitably, when you do this kind of thing you have to come up with some convoluted way to get the genie back in the bottle. So why even bother?

I will say, though, there’s a single silent page depicting the big moment between Clark Kent and Perry White that’s absolutely beautiful.

TITLE: Something is Killing the Children #4
AUTHOR: James Tynion IV
ARTIST: Werther Dell-Edera
COLORIST: Miquel Muerto
LETTERED BY: Andworld Design
RELEASED: December 11, 2019

In this issue, we get a major revelation about the nature of the monsters devouring children in Archer’s Peak. Tynion takes what I’ll refer to as the “Do you believe in magic?” approach. It’s an interesting twist that I didn’t see coming, and for my money, helps separate this book from the pack. Hopefully he’s given the time to expand on it.

As cool as Erica Slaughter is, part of me actually wants to see her killed off so James can take her place and learn about all this monster stuff. Probably won’t happen. But could be cool.

TITLE: Detective Comics #1017
AUTHOR: Tom Taylor
ARTIST: Fernando Blanco. Cover by Tony Daniel.
COLORIST: John Kalisz
LETTERER: Travis Lanham
RELEASED: December 11, 2019

A nice little one-and-done. I like when they do these. In the context of Detective Comics, it reminds me of Paul Dini’s run all those years ago.

Our story deals with missing children at the Martha Wayne Orphanage in Gotham. Taylor shows us a more sensitive and empathetic side of Batman and Robin. Also, the art in this issue really stands out, as Kalisz uses a more saturated color palette, while our inks are darker. He even gives us a sort of saturated sepia tone for the opening flashback that sets the scene really well.

TITLE: Go Go Power Rangers #26
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino
COLORIST: Raul Angulo
LETTERER: Ed Dukeshire
RELEASED: December 11, 2019

One of the big selling points of this book early on was it was set in the pre-Green Ranger days. Tommy, one way or another, inevitably pulls focus from the other characters. It’s a little sad that the emphasis has shifted that way.

But Parrott is still the best PR writer we’ve seen from this BOOM! Studios run with the license. Oddly enough, what I enjoyed most about this issue was a flashback to Tommy eating a meal with Rita at the palace. As a kid, I always wanted to see him in there interacting with the other villains.

TITLE: Dying is Easy #1 (of 5)
AUTHOR: Joe Hill
ARTIST: Martin Simmonds. Cover by J. Lou.
COLOR ASSISTANT: Dee Cunniffe
LETTERER: Shawn Lee
RELEASED: December 11, 2019

Cop turned stand-up comic. Now there’s something you don’t see every day.

If grim-and-gritty is your thing, this book is right up your alley. If there’s a seedy underbelly to the world of stand-up, this book is smack in the middle of it. Simmonds and Cunniffe do a tremendous job using the colors to create an ominous, foreboding vibe. Ultimately, that pays off on the last page…

Fittingly, the book also manages to be funny in a black comedy sort of way. I’m not totally sold yet, but I may indeed be back for more.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Event Leviathan, Family Tree, Power Rangers

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Event Leviathan #6
AUTHOR: Brian Michael Bendis
ARTISTS: Alex Maleev, Josh Reed (Letterer)
RELEASED: November 13, 2019

So Leviathan turns out to be [name redacted for spoilers’ sake]…

Who the @#$% is that?

I’m always annoyed when big mystery comics do this. They build the bad guy’s identity up for weeks and weeks and weeks…and then it’s somebody we have to go to Wikipedia to learn about. *head on table*

Event Leviathan was a fun, suspenseful read, with some fun ideas. All the secret organizations (A.R.G.U.S., Task Force X, etc) being shut down, detectives from across the DC Universe coming together. But they really needed to stick the landing here. They didn’t.

TITLE: Superman #17
AUTHOR: Brian Michael Bendis
ARTISTS: Kevin Maguire, Paul Mounts (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis, Joe Prado, and Alex Sinclair.
RELEASED: November 13, 2019

I’m always happy to find a Kevin Maguire book in my weekly stack. Though some of the sillier expressions we get here don’t necessarily mesh with the foreboding tone the issue seems to be going for.

The issue is titled “The Truth: Prologue.” They never specifically learn what said truth is. But I’m hoping it’s not what it looks like. If it is, we may be headed toward a rehash of the New Krypton storyline they did about a decade ago. If that’s the case, then I’m leaving Superman on the stands for awhile.

TITLE: Family Tree #1
AUTHOR:
Jeff Lemire
ARTISTS: Phil Hester, Eric Gapstur (Inker), Ryan Cody (Colorist)
RELEASED: November 13, 2019

I imagine the pitch for this must have been simply, “Girl becomes tree.” In the end, that’s all you need, isn’t it? Like “Weekly Comic 100s,” it’s straight and to the point.

But to their credit, Jeff Lemire, Phil Hester, and the Family Tree team got me to care about these characters. I consider that a pretty big achievement, as this premise could have come off comical. I’m not sure if it was enough to hook me for issue #2. But I’m definitely curious…

TITLE: Go Go Power Rangers #25
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by J Lou.
RELEASED: November 13, 2019

This “Necessary Evil” storyline between Go Go and the main MMPR book is essentially the BOOM! crew’s take on why Jason, Zack, and Trini really left during season two, and what they were doing. It’s obviously a better story than the show could tell us at that time.

I love the respect this book shows for the show. It takes place during the events of “White Light, Part I.” At one point, it briefly depicts a scene from that episode, and makes a point of using the actual dialogue that’s in the show. Those little details mean so much sometimes…

TITLE: Detective Comics #1015
AUTHOR: Peter Tomasi
ARTISTS: Doug Mahnke, Jose Luis, Christian Alamy (Co-Inker), Keith Champagne (Co-Inker), Mark Irwin (Co-Inker), Matt Santorelli (Co-Inker), David Baron (Colorist), Rob Leigh (Letterer). Cover by Paul Pantalena and Arif Prianto
RELEASED: November 13, 2019

I’m a huge Peter Tomasi fan. But he and Doug Mahnke have had far better outings.

This “Nora Fries becomes evil” story has been done before. All in all, this may be a better story when it comes to the Mr. Freeze/Nora dynamic. But Batman spends most of this issue in the cave with Alfred and Lucius Fox standing in front of computers talking comic book science. Not exactly thrilling reading.

Later, we get a Batman trope that I absolutely loathe: The Dark Knight in some kind of armored/robot suit. Better luck next time, gentlemen.

TITLE: Star Wars #74
AUTHOR:
Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: November 13, 2019

This issue has Stormtroopers riding dinosaurs. That alone might be worth the cover price.

You’d think a Vader vs. Chewbacca fight wouldn’t actually last that long. (Remember the first level in The Force Unleashed?) But this issue actually does a great job selling it. It’s only two pages, mind you. But the right guy wins, and it’s a great character moment for Chewie.

Someone else who gets a character moment? C-3PO. And you can argue his is actually the better of the two. No joke.

TITLE: Collapser #5
AUTHORS:
Mikey Way, Shaun Simon
ARTIST
S: Ilias Kyriazis, Cris Peter (Colorist), Simon Bowland (Letterer)
RELEASED:
November 13, 2019

Firstly, love the hat-tip to Superman #1.

I was contemplating dropping Collapser, as it seemed to be getting away from the main character’s ongoing struggle with anxiety. But in this issue, it re-asserts itself in a big way. So once again, Collapser has my full attention.

One element that’s been consistent, however, is Ilias Kyriazis’ art. This stuff is gloriously trippy and bizarre. I’m always anxious to see what he’s going to pull out of the hat next.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Justice League of America: Rebirth #1 Review – What’s Our Motivation?

Justice League of America: Rebirth #1, 2017, Ivan ReisTITLE: Justice League of America #1
AUTHOR: Steve Orlando
PENCILLER: Ivan Reis
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: February 8, 2016

By Rob Siebert
Editor, Fanboy Wonder

This book is a little confusing. Historically, when DC has put out an alternate Justice League title, the group typically has a distinct mission or commonality that separates it from the traditional League. For instance, Justice League Dark had an obvious paranormal theme. The 2012 Justice League of America book was about the team serving America’s interests.

This new Justice League of America title is either about giving people “mortal” heroes they can relate to, or giving its team members a chance at a fresh start. Maybe both. The problem is neither of those concepts are sufficiently fleshed out to the point that they make sense. So there’s not enough there to get us invested in our heroes and make us care.

After the events of Justice League vs. Suicide Squad, Batman has recruited former Squad members Killer Frost and Lobo to be part of a new incarnation of the Justice League. He also recruits Black Canary, Vixen, the Ray, and Ryan Choi (protege of the Atom, Ray Palmer). He sets the team up at the Justice League’s original base at Happy Harbor. That’s about it in terms of what this issue gives us. Granted, that’s assuming you haven’t read any of the character one-shots that have come out. But there’s no looming threat, villain, or indicator of what the plot might be going forward. We get a Geoff Johns style page at the end that previews stories to come, but it’s nothing specific. That’s not to say the first issue of every team book needs such things. But without them, this one feels flat.

Justice League of America: Rebirth #1, Killer Frost, Batman, Ivan ReisThere are a few lines in this book about the new JLA not being “gods,” which presumably means they’re not as ultra-powerful as Superman, Wonder Woman, or the Flash. I like that idea. The problem is, this team doesn’t really fit with that M.O. In Justice League vs. Suicide Squad, Batman literally blew Lobo’s head off. He proceeded to grow it back. We also saw Killer Frost use her powers to incapacitate the League’s most powerful members. I’m not very familiar with this version of the Ray, but in the past he’s been virtually invincible. As for Vixen, we’ve seen her fly like a bird, harness the speed of a cheetah, and do any number of things that humans aren’t meant to do. So if the goal is to show people heroes that are “like them,” Batman and Ryan Choi are the only ones on this team who really belong. You can add Canary to the list if you’re a little more liberal about it. But most of these characters would be more than capable of holding their own against a Superman or Wonder Woman.

Then there’s the whole second-chance/rebuild-yourself idea. I understand that approach with Lobo and Killer Frost. He’s a killer and she’s a villain. But Vixen wants more of an image rebranding than anything else.Black Canary is seemingly there just to help supervise. And why exactly do the Ray and Ryan Choi need a fresh start, anyway?

In a first issue like this, there’s nothing wrong with strictly doing team-member introductions like this. But there’s a lack of consistency here that’s frustrating. These characters are all so different, which is a good thing. But when that’s the case, you usually need a strong commonality to justify putting them together. Justice League of America: Rebirth #1 doesn’t give us that. And without an intriguing enemy or opposing force, the premise of the series falls apart before it really begins.

justice-league-of-america_-rebirth #1, group shot, Ivan ReisOn the plus side, the use of the Secret Sanctuary, i.e. the “original” Justice League base in Happy Harbor is a great use of classic DC continuity. We get a nice full-page shot of the inside, showing us it hasn’t been used in some time. Batman calls it “a remnant of a bygone era.” I find that a little funny, considering when the New 52 started, superheroes had only been around for about five or six years. With this “Rebirth” initiative, the timeline is even more vague. So exactly how long ago was this bygone era?

Ivan Reis is no stranger to the Justice League, and he’s always going to turn in quality work. He’s complimented wonderfully here by inkers Joe Prado and Oclair Albert, and colorist Marcelo Maolo. What I found particularly striking here was Reis’ rendering of Vixen. She’s very much the stunning supermodel the story calls for. But Reis also gives her a nice edge. She’s gorgeous, but also hardened. In certain panels you can see that wild, animalistic side lingering behind her eyes. Simply put, it’s one of the best takes on her I’ve ever seen.

It’s just a shame it had to be in this book. Justice League of America: Rebirth #1 needed to hook us. It didn’t. We could have a great series coming our way. But JLA now has to work that much harder to win me back. Because as of now, I have no clue why I should be shelling out money to read it.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.