Tag Archives: Jesus Saiz

Weekly Comic 100s: Star Wars #1, I Can Sell You A Body #1

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

You know what sucks? When your favorite comic shop closes down.

Here’s to Rockhead’s Comics and Games in Kenosha, WI, for feeding my weekly comic fix for the last two years or so. You guys were awesome. I’m truly sad to see you go…

TITLE: Star Wars #1
AUTHOR: Charles Soule
ARTISTS: Jesus Saiz, Arif Prianto (Co-Colorist), Clayton Cowles (Letterer). Cover by R.B. Silva and GURU-eFX.
RELEASED:
January 1, 2020

This debut of Marvel’s post-Empire Strikes Back title is pretty much what you’d expect, with the characters reeling from what happened on Bespin.

But interestingly, this issue actually takes places during the events of Empire. A certain amount of time passes between the Star Destroyer escape and the closing scene. But how much time? When we open this book the Rebels don’t trust Lando, and Luke isn’t even sure he wants to be a Jedi any longer.

I’m hoping Luke doesn’t get a lightsaber in this series. The green one doesn’t come along until the next film, after all.

TITLE: I Can Sell You A Body #1 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS: George Kambadais, Ferrier (Letterer)
RELEASED: January 1, 2020

What we have here is a mini about “reverse exorcisms,” i.e. spirits of the dead being found new bodies by our main character, Denny Little.  But things go awry when he gets mixed up with the mob. Y’know, the way you always do when you gain the power to communicate with the dead…

Ferrier and Kambadais don’t waste an inch of space here, putting out a really dense issue. But the story has promise, and the art has a nice charm to it. I can see myself following Denny for four issues.

TITLE: Action Comics #1018
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED: January 1, 2020

I was actually dreading this issue. Simply because of John Romita Jr’s art.

Romita can be hit-or-miss as it is. But Action Comics #1018 has a rushed quality, as if the deadline was breathing down his neck. As such, the end product often looks awkward. Or worse, bush league.

Case in point, the way Superman is posed on the cover. What is that stance, exactly?

As this issue is partially about the Justice League fighting the Legion of Doom in the middle of Metropolis, this was a particularly bad time for a performance like this. Bad form, JRJR.

TITLE: Detective Comics #1018
AUTHOR: Peter Tomasi
ARTISTS: Scott Godlewski, David Baron (Colorist), Rob Leigh (Letterer). Cover by Rafael Sandoval, Jordi Tarragona, and John Kalisz.
RELEASED: January 1, 2020

This dialogue in this issue is really awkward at times, which is not a problem Tomasi usually (if ever) has. For some reason, Batman is uncharacteristically chatty.

Case in point, he leaves a crime scene and says to the cops, “Got what I needed. Scene is immaculate. Left behind only my boot prints. Merry Christmas.”

Um…thanks?

On the plus side, Tomasi tugs at our heartstrings in his own special way by showing us Bruce spending his first holiday season without Alfred. Very reminiscent of the stuff he did on Batman and Robin all those years ago.

TITLE: Lois Lane #7 (of 12)
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: January 1, 2019

While I continue to love simply having that Greg Rucka, street-level aesthetic back at DC, I’m losing interest in the mystery of who’s trying to kill Lois Lane and why. Frankly, the subplot about the public believing she’s having an affair with Superman is far more interesting. I’m curious to see how Clark revealing his identity to the world will effect this story, if in fact they cross over.

The back and forth between Lois and Renee Montoya is fun. It’s obvious Rucka is happy to be working on his version of the Question once again.

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A Captain America: Steve Rogers #2 Review – What Do You Mean, Hail Hydra???

Captain America: Steve Rogers #2, 2016TITLE: Captain America: Steve Rogers #2
AUTHOR: Nick Spencer
PENCILLER: Jesus Saiz
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: June 29, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

See? It’s not so bad. Bet the folks who threatened Nick Spencer’s life over last issue feel pretty silly right about now.

In issue #1, Steve Rogers did the unthinkable. He uttered the words: “Hail Hydra,” seemingly pledging his allegiance to the terrorist organization. But what’s really going on? Has Captain America truly turned to the dark side?

Nope. Not really.

Cap’s sudden change in allegiance can be attributed to Kobik, the sentient embodiment of cosmic cube fragments that has taken the form of a little girl. Just as a cosmic cube can alter reality itself, Kobik has altered Steve Rogers’ memories. In restoring him to his younger self during the Pleasant Hill storyline, Kobik also shifted Steve’s loyalties. And the person guiding Kobe’s actions? Red Skull himself.

Captain America #2, Red SkullSo basically, they went the mind control route. And that’s fine. There’s been some speculation that this issue was somehow changed following the backlash issue #1 got. That’s laughable. This is the story that Spencer wanted to tell, and it’s a story he stands by. As he should. Had he made the Hydra stuff part of Cap’s backstory, as opposed to a lie created by a cosmic cube, he’d have made it work. Was it controversial? Absolutely. Did it strike a nerve with readers? Of course it did. This character stands for something, and means a lot to people. But sometimes stunning revelations like this lead to great stories.

As Spencer himself wrote on his Twitter account: “[The] idea that we should treat a character with kid gloves due to symbolic value is a great way to lose symbolic value.”

Getting more into the issue itself, I love that this has all been Red Skull’s doing. He can’t compromise Cap’s values or integrity by himself, so he literally has to alter reality to do it. It’s perfectly twisted, insidious, and in character. Jesus Saiz also draws a hell of a Red Skull, particularly on the splash page shown above. From an art standpoint, he’s the highlight of the issue. Saiz makes him more expressive than many other artists do.

The events of the Pleasant Hill storyline factor heavily into what we see here. Bluntly, none of the Pleasant Hill stuff caught my interest, so I’m seeing a lot of this information for the first time. Spencer, Saiz, and the team walk you through everything. There’s still a frustrating, perhaps inevitable, disconnect for new readers. But the look back at Red Skull’s deliberate and drawn out plan is satisfying, and a lot of fun.

Red Skull, Captain America Steve Rogers#1,2016, Jesus Saiz

While we now know the truth behind Cap’s sudden allegiance to Hydra, from an in-story perspective, nothing has changed. For all intents and purposes, Captain America has now become an agent of evil. But what happens when his true allies learn what he’s done? What happens when Steve Rogers becomes an enemy of liberty, instead of its champion? We’ve already seen so much controversy. But this is only the beginning.

Images from author’s collection. 

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A Captain America: Steve Rogers #1 Review – Hail Hydra?!?

Captain America #1, 2016TITLE: Captain America #1
AUTHOR: Nick Spencer
PENCILLER: Jesus Saiz
PUBLISHER: Marvel
PRICE: $4.99
RELEASED: May 25, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

This is the one everybody’s talking about. The one where Cap says “Hail Hydra.” You already know about it. Every fan with internet access knows about it. So why dance around it?

Steve Rogers has had his youth restored and is Captain America once again. He and Sam Wilson now share the title, with Rogers getting a new suit and shield. He’s also got new partners. In addition to Sharon Carter and the crew at S.H.I.E.L.D., Rick Flag and Free Spirit are back in the picture, with Rick Jones backing them up from home base. Our team faces off with a new incarnation of Hydra, and them comes face-to-face with Baron Zemo.

This issue establishes our cast, shows us who the bad guys are, and gets the plot moving. All in all, it’s a pretty standard issue. Until it isn’t.

Steve Rogers- Captain America #1, Hail HydraThe story ends with a serve turn, as Cap shoves Rick Flag out of a plane during their rescue mission against Zemo. It closes with a splash page of Rogers next to the victim saying two words many believe Captain America should never say: “Hail Hydra.”

At face value, this is truly a shock. The incorruptible Captain America is a Hydra agent! Somebody get Jim Ross on the phone. He needs to call this one. “My God, I don’t believe this! Steve Rogers has sold his soul to Satan himself! Someone tell me why!!!”

That’s a sentiment shared by many a reader. Nick Spencer apparently received death threats last week. Apparently some fans are burning copies of the issue.

Alright, let’s all settle down here…

Firstly, remember what we’re reading. It’s a mainstream superhero comic book. Owned by Disney, no less. This Hydra thing is a stunt. In a year or two at most, this all will have blown over. Anybody freaking out THAT much about a comic book, or any seriously needs to find other things to do with their time.

What’s more, things may not be what they seem. The issue shows us that in 1926, Steve’s mother was befriended by a Hydra agent. At the time he’s a little boy. The implication is that Hydra got to him before he was old enough to know what was happening. It’s not as if he willingly turned his back on his country.

Steve Rogers Captain America #1, 2016, Hydra recruitmentWhat’s more, this is only the first chapter. For all we know, Steve knew Flag would be saved somehow, and the Hydra line was part of a ruse of sorts.

But of course, the only way to find out is to come back for issue #2. There’s your real motive right there.

Spencer’s take on Hydra is very compelling. They’re bad guys, obviously. But via a flashback scene with Red Skull, Spencer makes it very plausible that someone from a certain background or facing economic hardships could fall in with this crew. Rarely has Hydra been so…relatable.

Jesus Saiz handles the pencils, inks, and colors all himself here. His best work in the issue are the flashback scenes with Steve, his mother, and the mysterious but kind stranger who invites her into Hydra. Her facial expressions are done particularly well during the first half of the issue, and her 1920s flapper style makes her stand out. The cool blues and deep reds add a nice dramatic flair to things.

I have a question: How old is Sharon Carter supposed to be? I get what they’re going for, with Steve being young again while Sharon continues to age. But Saiz’s depiction of an older Sharon looks, shall we say, unnatural. He seems to be going for someone akin to Michelle Pfieffer or Sharon Stone. But he’s trying too hard, and winds up landing closer to Willem Dafoe. That’s particularly uncomfortable mid-issue when Sharon kisses Steve.

Jesus Saiz, Steve Rogers, Sharon CarterNick Spencer finds himself in a unique position here. We’ve got two Captain America books on the stands right now, each starring a different hero, and he’s writing both of them. So in approaching Steve Rogers, he obviously needed to find a way to clearly differentiate it from the Sam Wilson book. Whether you like the Hydra route or you hate it, you’ve got to admit he succeeded in that sense. He also got people talking about Captain America, and thinking about what the character really stands for. While this issue may be pretty standard up until the big reveal, it still does what very few issues have done over the course of Cap’s run. That makes it a winner, like it or not.

Images from author’s collection.

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