Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Future State: Dark Detective #4

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Future State: Dark Detective #4
AUTHOR: Mariko Tamaki, Joshua Williamson
ARTISTS: Dan Mora, Giannis Milonogiannis
COLORIST: Jordie Bellaire
LETTERERS:
Aditya Bidikar, Troy Peteri
RELEASED: February 23, 2021

This one felt like it still had a lot of gas left in the tank. It’s always a good thing to leave your audience wanting more. But here’s hoping we more of Dark Detective Bruce Wayne somewhere down the line.

Thankfully, we will indeed see a continuation of the Red Hood back-up, via a new ongoing series. Reportedly, it involves Jason Todd hunting down his former cohorts. Throw in the romance between Jason and the Ravager, and it’ll definitely be worth a look.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Future State: Dark Detective #2

By Rob Siebert
Fanboy Wonder

TITLE: Future State: Dark Detective #2
AUTHOR: Mariko Tamaki, Joshua Williamson
ARTISTS: Dan Mora, Giannis Milogiannis, Jordie Bellaire (Colorist)
LETTERERS:
Aditya Bidikar, Troy Peteri
RELEASED: January 27, 2021

In this issue, Tamaki gives Bruce Wayne a crappy old bunker to live in, along with a cooky old roommate. I don’t know if it’s intended to be funny. But it is.

The Red Hood back-up puts this issue over-the-top in terms of quality, as we see Jason Todd working with the authorities. That’s, of course, a complete reversal of his traditional M.O. Throw in some really cool “sketchy” art from Giannis Milogiannis, and a new partner in the Ravager, and you have one of the highlights of Future State thus far.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: TMNT: The Last Ronin, Three Jokers #3, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles: The Last Ronin #1
AUTHORS: Peter Laird (Story), Kevin Eastman & Tom Waltz (Story & Script)
ARTISTS: Eastman (Layouts), Esau & Isaac Escorza, Ben Bishop, Luis Delgado (Colorist), Samuel Plata (Color Assists), Shawn Lee (Letterer)
RELEASED: October 28, 2020

There’s a certain Batman Beyond vibe to the world of The Last Ronin. Some of The Dark Knight Returns too. And our villain almost a Kylo Ren rip-off. But none of this is necessarily bad. This book has a lot of intrigue going for it, and is off to an interesting start.

As this is supposedly based on an old story by Eastman and Laird, I came into it thinking it took place in the original TMNT comic canon. There’s a character on the last page who indicates that’s probably not the case.

TITLE: Batman: Three Jokers #3
AUTHOR:
Geoff Johns
ARTISTS:
Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
October 27, 2020

Another beautiful issue by Jason Fabok and Brad Anderson. Though not what I would call a satisfying ending to the whole Three Jokers premise.

The story had a lot of interesting ideas, particularly when it came to Jason Todd and Barbara Gordon. Even Joe Chill, the man who killed Thomas and Martha Wayne. There’s also a new, interesting twist on the events of The Killing Joke. But in the end, this should remain out of continuity. A well written, gorgeously drawn idea exhibition. Nothing more.

TITLE: The Department of Truth #2
AUTHOR: James Tynion IV
ARTISTS: Martin Simmonds, Aditya Bidikar (Letterer), Dylan Todd (Designer)
RELEASED: October 28, 2020

“Collective belief shapes the world, so everything is a little bit true, or has the potential to be true.”

That’s a quote from this issue which essentially sums up the premise of The Department of Truth. And every time I find myself getting into it, that premise pulls me right out of the story. Because even using comic book logic, I just can’t get behind it.

Plus, we see something in this issue that turns me off. Any kind of violence against children has been doing that since my daughter was born.

TITLE: Batgirl #50
AUTHOR: Cecil Castellucci
ARTISTS: Emanuela Lupacchino, Marguerite Sauvage, Aneke, Wade Von Grawbadger (Inker), Mick Gray (Inker), Scott Hanna (Inker), Jordie Bellaire (Colorist), Trish Mulvihill (Colorist), Becca Carey (Letterer). Cover by Joshua Middleton.
RELEASED: October 27, 2020

What’s interesting about this book’s take on Batgirl is that she’s integrated into her community in a way Batman has never been. She’s helping an old lady with her groceries, she’s teaching self defense classes, etc. That’s not necessarily a bad thing, but it’s yet another example of why the Batgirl costume in this series doesn’t work. Barbara Gordon is part of the community too. So, as she’s only wearing a domino mask as Batgirl, it would be that much easier for people to recognize her. 

Now that this series is over, hopefully she gets a new outfit. And soon.

TITLE: Power Rangers: Drakkon New Dawn #3
AUTHOR: Anthony Burch
ARTISTS: Simone Ragazzoni, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Jung-Geun Yoon.
RELEASED: October 28, 2020

This mini started to get interesting at the end of issue #2, when it looked like the Mighty Morphin Power Rangers as we knew them were about to return to the “Drakkonverse.” But this issue doesn’t follow through on that, which pretty much killed it for me.

But apparently Lord Drakkon sells comics. So I’d be surprised if we don’t get some kind of follow-up to this story. As one might expect, they leave the door wide open for it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Rorschach #1, Commanders in Crisis, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Rorschach #1
AUTHOR: Tom King
ARTISTS: Jorge Fornes, Dave Stewart (Colorist), Clayton Cowles (Letterer)
RELEASED: October 13, 2020

This is one of those first issues that doesn’t really try to hook you until the last page. As such, we spend most of Rorschach #1 setting up our characters and their world. Which, considering this book takes place 35 years after Watchmen, is hardly the worst idea in the world.

Thus far, Rorschach is every bit the noir exhibition we expected it to be, with Jorge Fornes turning in some excellent pencil work. I’m just hoping when it’s all said and done we get Vision Tom King on this book, and not “City of Bane” Tom King.

TITLE: Commanders in Crisis #1
AUTHOR: Steve Orlando
ARTISTS: Davide Tinto, Francesca Carotenuto (Colorist), Fabio Amelia (Letterer)
RELEASED: October 14, 2020

This book was obviously written with a Crisis on Infinite Earths type event comic in mind. As if we didn’t get the hint, Dan friggin’ Didio writes an introduction to Commanders in Crisis.

I’m still a little bit confused about how the CiC universe works from a comic book science perspective. But hopefully it’ll be easier to grasp on to as the story, about a bunch of multiverse survivors trying to save the last surviving Earth, continues to expand.

I’m on the fence on Commanders in Crisis, but there’s enough potential to bring me back for issue #2.

TITLE: Batman: The Adventures Continue #14
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Kubina (Colorist), Josh Reed (Letterer). Cover by Justin Erickson.
RELEASED: October 15, 2020

This issue, which wraps up the “Red Son Rising” arc, is much like this Batman: The Adventures Continue series at large. Which is to say, it doesn’t blow you away. But it’s still pretty much what you want it to be. We get our climactic sequence with Batman, Jason Todd, the Joker, and Robin. And as one might expect, it leaves the door open for more of Jason in the future.

I’m always happy to see a new B:TAC issue pop up. I’m hoping our adventures continue for at least the foreseeable future.

TITLE: Superman #26
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Danny Miki (Inker), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Cover by Reis, Joe Prado, & Sinclair.
RELEASED: October 13, 2020

Reis, Miki, and Sinclair really nail a couple of iconic Superman shots here. Though I confess, I’m a sucker for that kinda stuff.

What I’m not necessarily a sucker for is a Superman vs. Alien of the Week story. That feels like what we’ve gotten these last two issues. As far as Bendis’ Superman run is concerned, we’re about to wrap up. If we end like this, it’ll be a disappointing end to an otherwise positive stretch of time with the character.

Still, Bendis’ handling of Clark Kent and his supporting cast is strong as always.

TITLE: Darth Vader #6
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by InHyuk Lee.
RELEASED: October 15, 2020

New story. Same trick. We’re once again using a location from the prequels. Though at least this time we’ve got an interesting story to tell. The Empreror tests Vader by breaking him and seemingly leaving him to die on Mustafar. Now Vader must crawl back from the abyss without the use of the Force…

Alright. I’m interested.

Like the main Star Wars title, Darth Vader started off with something of an eye-rolling tale. But now both books seem to be upping the intrigue. Here’s hoping they both find success in that regard.

TITLE: Wonder Woman #764
AUTHOR: Mariko Tamaki
ARTISTS: Steve Pugh, Romulo Fajardo Jr. (Colorist), Pat Brosseau (Letterer). Variant cover by Joshua Middleton.
RELEASED: October 13, 2020

Tamaki makes Wondie and Maxwell Lord into a bantering good cop/bad cop duo here. I’m not sure how I feel about that, as Max is supposed to be one of her worst enemies…

And yet, I can appreciate what they bring to the table as a duo. The Wonder Woman character doesn’t necessarily lend itself to partnerships like this. So even with an unlikely partner, there’s an intrigue to it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Batman #100, Champions, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Batman #100
AUTHOR: James Tynion IV
ARTISTS: Jorge Jimenez, Carlo Pagulayan, Danny Miki (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer). Variant cover by Francesco Mattina.
RELEASED: October 6, 2020

In the end, “Joker War” was pretty unremarkable. Though at least not flat-out offensive the way “City of Bane” was. It wound up being, in my opinion, as much about Harley Quinn as it was about Batman. That’s exactly what I was afraid it would be.

To his credit, though, Tynion gives Barbara Gordon a pretty awesome moment in this issue.

And hey, we got a “Jokerized” Batsuit out of the deal that’s just dying to be made into an action figure or a Funko Pop. So there’s that I guess.

TITLE: Champions #1
AUTHOR: Al Ewing
ARTISTS: Simone Di Meo, Federico Blee, Clayton Cowles. Cover by Toni Ifante.
RELEASED: October 7, 2020

I like this angle on the Champions. Superheroes under 21 are outlawed, which gives them something to rebel against. Teenage defiance and all that. This series isn’t starting off with the same sort of real-world intrigue the 2016 Mark Waid book did. But it’s making up for it with superhero drama.

So wait, Kamala Khan is the face of the law banning teen heroes, but Ms. Marvel is the leader of the Champions? How does that work? Superhero logic, I guess…

TITLE: Star Wars #7
AUTHOR: Charles Soule
ARTISTS: Ramon Rosanas, Rachelle Rosenberg (Colorist), Clayton Cowles (Letterer). Cover by Carlo Pagulayan.
RELEASED: October 7, 2020

Charles Soule starts to get this book on track here, as we get a pretty darn good origin story for our new villain, Commander Zahra. The Zahra character was mentored by Grand Moff Tarkin, who Soule has historically been very strong with.

This is our second time seeing Carlo Pagulayan this week. He impressed me with this cover. It reminded me quite a bit of Olivier Coipel’s work. For my money, that’s a compliment.

Ramon Rosanas turns in a strong performance as well. A suitable replacement for Jesus Saiz on this series.

TITLE: We Only Find Them When They’re Dead #2
AUTHOR: Al Ewing
ARTISTS: Simone Di Meo, Mariasara Miotti (Color Assistant), Andworld Design (Letters)
RELEASED: October 7, 2020

We Only Find Them When We’re Dead is a gorgeous blaze of vibrant colors. Truly wondrous from an artistic standpoint.

The trouble is, and perhaps this is just my ADD talking, I’ve been having some trouble following along. We’re learning about some intriguing characters. But there’s a lot of spaceship tech jargon in here, much of which feels like fat to be trimmed. My hope is the book starts to take off (pun intended) as we get into the real meat of the story.

TITLE: Batman: The Adventures Continue #13
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Kubina (Colorist), Josh Reed (Letterer). Cover by Becky Cloonan.
RELEASED: October 1, 2020

One of the things Batman: The Adventures Continue does is answer certain questions left unanswered from the show. Including one I didn’t think to ask: Why isn’t Leslie Thompkins in The New Batman Adventures? Hint: It involves Jason Todd.

Oddly enough, in this issue Red Hood throws a grenade that’s read and has white “eyes” like his helmet. It looks like he’s throwing a Spider-Man grenade.

That’s right, folk. A Spider-Man grenade. That’s the kind of keen insight you’ll find here at PrimaryIgnition.com.

TITLE: The Department of Truth #1
AUTHOR: James Tynion IV
ARTISTS: Martin Simmonds, Aditya Bidikar (Letterer)
RELEASED: September 30, 2020

This first issue is packed with intrigue and possibility. Not to mention a sense of dread. As if we’re about to learn some horrible secret about how the world works. And we do…kinda…

Simply put, I don’t buy the big twist in The Department of Truth #1. The book is written and drawn like a government espionage type drama. But the revelation is a piece of comic book science so far-fetched that even I don’t buy it. Such a shame, as I’d been looking forward to this for months.

TITLE: Batman/Superman Annual #1
AUTHOR: Joshua Williamson
ARTISTS: Gleb Melnikov, Dale Eaglesham, Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer). Cover by Gabriel Rodriguez & Sanchez.
RELEASED: September 29, 2020

Wanna have some fun? Read Mr. Mxyzptlk’s dialogue in Gilbert Gottfried’s voice, and Bat-Mite’s in Paul Reubens’ voice. Just like on those old cartoons.

This annual is about our two fifth-dimensional imps arguing about whether Batman or Superman would win in a fight. It’s played for laughs, and it’s a lot of fun. But most important of all? The story has the right ending.

Remember, kids: Superman and Batman are both heroes. They shouldn’t be fighting. They’d find another way to work things out.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels

The Joker’s Animated History by Noah Sterling

By Rob Siebert
Fanboy Wonder

Our friend Noah Sterling is at it yet again! Having previously given his animated take on Green Lantern, Robin, and numerous other comic book icons, the Joker is the latest to get the Sterling treatment!

One thing’s for sure, there’s no shortage of ground to cover…

For more, check out Noah Sterling’s official site or his YouTube page.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Deep Dive Reviews

Who is Nightwing? – The End of an Artistic Era

***As Nightwing’s public profile grows higher via the Titans TV series and the upcoming Gotham Knights game, “Who is Nightwing?” looks at Dick Grayson’s early solo adventures after stepping out of Batman’s shadow.***

TITLES: Nightwing #3040, Nightwing: Secret Files & Origins #1
AUTHOR: Chuck Dixon
ARTISTS: Scott McDaniel, Karl Story (Inker), Roberta Tewes (Colorist), John Costanza (Letterer)
PUBLISHER:
DC Comics
ORIGINALLY RELEASED:
1999-2000
CURRENTLY COLLECTED IN:
Nightwing Vol. 4, Nightwing Vol. 5

By Rob Siebert
Fanboy Wonder

These issues represents the finale of a 40-issue consecutive run for penciller Scott McDaniel, inker Karl Story, and colorist Roberta Tewes on Nightwing. McDaniel will be back later in the series. But collectively, this team that ultimately set the standard for Nightwing as a series is playing its last inning here.

Fittingly, author Chuck Dixon gives them compelling and exciting stories to tell, starting with a visit from none other than Superman.

Issue #30 is one of my favorites in the entire series, as Superman pays a quick visit to Bludhaven. Admittedly, it probably does more for Superman than Nightwing. But that’s because Dixon is one of the few writers out there that really gets the Man of Steel. As such, it’s that much more interesting to see him in Bludhaven, which is so different from Metropolis.

Furthermore, the dynamic between Superman and Dick Grayson has always been interesting to me. Remember, Superman knew Dick when he was a child, or at least younger, as Robin. So they’re both old friends and respected colleagues in that sense. That mutual respect is very much evident here. To that end, we get a nice flashback sequence later on where we spotlight Superman’s role in the formation of the Nightwing identity.

Scott McDaniel is as good at drawing Superman as he is Nightwing or Batman. One thing that jumped out at me in this collection is what a sense of motion this art has. Though the lighter colors of Superman’s costume do bring to light the hyper-musculature of his heroes, for better or worse. Occasionally, McDaniel will also draw Nightwing in awkward positions while he’s airborne. Case in point, the page at right. That’s a trap many an artist has fallen into with Dick. I suspect it has something to do with his gymnast background, and attempting to make him look flexible.

This Nightwing series sees Dick take on a few different day jobs. But issue #31 starts him on the path to my personal favorite: Police officer. It doesn’t really bear any fruit this time around, as he’s just in the academy for a few issues. But I’ve always loved the idea of one of the Bat-family members being a cop by day, given Batman’s often hot-and-cold relationship with the criminal justice system. Dixon has to put an abrupt halt to it in issue #35 due to a tie-in with the No Man’s Land crossover. But thankfully he gets to come back to it down the line.

The crossover in question sees Batman send Nightwing to Blackgate prison, which has been ravaged along with all of Gotham by the events of No Man’s Land, to wrest it from the incarceration-obsessed supervillain Lock-Up. Sadly, Dixon only has a few issues to tell the portion of the story that takes place in Blackgate. Thus, it doesn’t even remotely live up to its potential as a tale of Nightwing infiltrating Lock-Up’s prison system and taking it down from the inside. It actually winds up becoming more of a head-on attack. But thanks to the events of No Man’s Land, Dixon and McDaniel get to play with some Arkham regulars. Most notably Scarecrow, the Ventriloquist, and Firefly. Nightwing also dukes it out with KGBeast, roughly two decades before the character gives Dick amnesia via a bullet in the head (long story).

Published alongside the main series during this time was Nightwing: Secret Files & Origins #1, which features a sort of interlude to the Blackgate story. As Dick is unconscious and hallucinating, the then-deceased Jason Todd becomes a Dickens-esque guide through his life as hero. We breeze through Dick’s time as Robin, his time with the Teen Titans, the formation of the Nightwing identity, and his arrival in Bludhaven. It’s not at all necessary from a narrative standpoint. But it’s a cool little sub-story. Note that this is how Jason’s death was framed for the 15+ years between the character’s death and resurrection. As the ultimate cautionary tale for Batman and his surrogate family, his memory and all associated flashbacks and supposedly spectral appearances were there to be provoke lamentation.

Dick’s Will They?/Won’t They? romance with Barbara Gordon finally comes to a head in issue #38, as Nightwing retreats to Oracle’s clock tower home base after the events at Blackgate. In nursing Dick back to health, the two finally start speaking plainly and at length about their feelings for one another. But of course, it can’t be simple. Huntress, alongside a faction of No Man’s Land era Gotham cops with (to say the least) questionable motives, storm the clock tower in an attempt to capture Barbara.

Issues #38 and #39 finally bear the fruit of seeds planted near the beginning of the series. They talk openly about their feelings, and Barbara comes out and explains the role her paralysis played in why their relationship never fully blossomed. Having Dick’s old flame Huntress in the picture obviously makes for an awkward triangle at certain points. But it doesn’t spoil anything between Dick and Barbara. These issues are pivotal in the saga of their romance, as it begins to transcend flirtation. These two are serious about each other. Or at least they could be…

It’s also worth noting that McDaniel sufficiently carries his load during those quiet, romantic scenes. Which, as I’ve said before, aren’t necessarily his strong suit.

Issue #40 sees team up with a World War II era superhero to take on a Nazi. Sort of. The issue involves a bit character Dixon introduced earlier in the series. An elderly novelist. Draw your own conclusions there.

Portions of the issue are supplemented with prose paragraphs. Some readers don’t like that sort of thing. Personally, I’m fine with it as long as it’s written and formatted well. What happens here is harmless.

Nightwing #40 is a bit of a strange issue for our artistic team to go out on. But it nonetheless marks the end of an era for the Dick Grayson. One that continues to impact the character to this very day.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Three Jokers, Marvels X, Spider-Man, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Three Jokers #2
AUTHOR: Geoff Johns
ARTISTS: Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED: September 29, 2020

Three Jokers is much more about Jason Todd than I imagined it would be. That’s not a bad thing.

This issue contains a romantic moment between Jason and Barbara Gordon. That is a bad thing.

Johns tries to tie the events of this story back to the murder of Thomas and Martha Wayne, which I find forced. I’d much rather spend those pages exploring the fact that there are, y’know, three Jokers!

Still, Jason Fabok and Brad Anderson present us with one of the most beautiful Batman books we’ve seen in a long time.

TITLE: Marvels X #5
AUTHOR: Alex Ross (Story), Jim Krueger (Script)
ARTISTS: Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED: September 30, 2020

There’s a page in here that’s particularly poignant, given the times we’re living in today. Our main character is talking to the Falcon about Captain America.

Falcon says it’s hard to be Cap’s friend at the moment, given all the anger in the country. As a hero, he has to worry about controlling his fellow citizens, as opposed to protecting them.

“It’s not a democracy anymore. It’s not about different voices. It’s about one voice. An angry, frightened one.”

Powerful stuff.

TITLE: Wonder Woman #763
AUTHOR: Mariko Tamaki
ARTISTS: Carlo Barberi, Matt Santorelli (Inker), Alejandro Sanchez (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Sanchez.
RELEASED: September 29, 2020

First and foremost, Liar Liar is a really stupid name for a villain. Better that she just go by Emma Lord.

Indeed, we found out last issue that Maxwell Lord has a daughter. I can’t say I saw that coming.

Carlo Barberi’s art is growing on me. He turns in some really dynamic and attractive work here. But I still can’t help but miss Mikel Janin, who’s not an easy act to follow for anybody.

This Diana partnership is growing on me too. Enough to get me to start picking up Wonder Woman again.

TITLE: Spider-Man #4
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: September 23, 2020

On the whole, I’m liking this book. Especially the “sketchy” looking art, which is different than a lot of what Sara Pichelli has put out over the years. I really only have one major issue: Tony Stark.

Iron Man pulls focus. It’s a rule that’s osmosed into the comics from the movies. Thus, Tony’s presence in this story, even as a supporting character, takes some much-needed emphasis off this new Ben Parker character. We’ve only got one issue left in this mini. All the more reason to keep this a Spider-Man story.

TITLE: Suicide Squad #9
AUTHOR: Tom Taylor
ARTISTS: Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Travis Moore & Alejandro Sanchez.
RELEASED: September 22, 2020

We get a guest appearance from Superman in this issue, and I’ve gotta say, Redondo draws a hell of a Man of Steel.

The decision to make Ted Kord a villain in this series is an interesting one. He’s not a character that long-time readers would be inclined to hate, or even dislike.

It feels like Taylor wanted to do more in this series with Deadshot and his daughter. Here’s hoping he gets another chance somewhere down the line

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels, Weekly Comic 100s

Weekly Comic 100s: Superman, TMNT, Something is Killing the Children, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Superman #25
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Julio Ferriera & Danny Miki (Inkers), Alex Sinclair (Colorist), Dave Sharpe (Letterer)
RELEASED: September 8, 2020

Apparently in the post-New 52 continuity, or whatever continuity we’re in right now, Clark Kent and Lana Lang haven’t been in touch for awhile. Though apparently she was still Superwoman at one point…

For a couple pages here, Ivan Reis gets to take on Clark’s Smallville days. That’s pretty cool. Less cool? He also draws the New 52 Superman costume. Though thankfully it looks less like armor.

I’ll be sad to see Bendis’ run on the Superman books end in December. He did right by the Man of Steel.

TITLE: Teenage Mutant Ninja Turtles #109
AUTHOR: Sophie Campbell, Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Jodi Nishijima, Ronda Pattison (Colorist), Shawn Lee (Letterer)
RELEASED: September 9, 2020

It continues to amaze me how this book is breaking the mold of what a TMNT story can be. What we’ve been getting lately is something more akin to a later issue of The Walking Dead. They’re trying to build a new society from the ground up.

Michaelangelo, for all intents and purposes, starts a Mutant Town podcast in this issue. That. Is. Genius.

TITLE: Something is Killing the Children #10
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto
RELEASED: September 9, 2020

“While you worry about the rules, real people are getting hurt.”

Good line.

This is the first issue of Something is Killing the Children that I think went a little too far with the gore. We actually see a child get murdered in supernatural, yet still pretty brutal, fashion. I still dig the book at large, but that took me right out of the issue.

TITLE: Batman: The Adventures Continue #12
AUTHOR: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Kubina (Colorist), Josh Reed (Letterer)
RELEASED: September 11, 2020

We start getting into the nitty gritty of what the Joker does to Jason Todd in this issue. Harley Quinn is written as having a problem with it. That’s the first move Burnett and Dini have made that I really don’t buy.

I love that for the flashbacks where Jason is Robin, they switched Batman’s costume back to the old Batman: The Animated Series design. Great little continuity touch.

All in all, I really like the DCAU spin they’ve put on A Death in the Family. And it looks like they’re about to stick the landing.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Comic Books/Graphic Novels

A Three Jokers #1 Review – Too Many Smiles?

TITLE: Three Jokers #1
AUTHOR: Geoff Johns
ARTISTS:
Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
PUBLISHER: DC Black Label
PRICE:
$6.99
RELEASED:
August 25, 2020

By Rob Siebert
Fanboy Wonder

Alright, DC. You can have your “Joker War,” and you can have Three Jokers. But after these are both said and done, we put the ol’ Clown Prince back on the shelf for a little while. There is such a thing as too many smiles…

At last, more than four years after it was first teased in Johns and Fabok’s Justice League run, Three Jokers has arrived. Why’d it take so long? No clue. But I’ve gotta say, the end product was almost worth the wait. While he’s obviously used Batman in his larger DC stories, Geoff Johns hasn’t spent a lot of time on a proper Bat-book. But in terms of the overall “feel” of things, i.e. characterization, tone, the sense of sacrifice, and that lingering dread that comes with a great Joker story, Johns and the Three Jokers team absolutely nail it.

Three Jokers presents us with the notion that there are…well, three Jokers. When the Harlequin of Hate seemingly strikes three points in Gotham at the exact same time, Batman, Batgirl, and the Red Hood must figure out where the genuine article is. But certain evidence points them toward something more elusive: That three different men have played the role of the Joker over the years. And unbeknownst to our heroes, a fourth Joker may be on his way…

In a broad sense, I don’t really like the idea of there having been three Jokers. Rather, I like the notion that he evolved over time just as Batman did. But I’ve been around long enough to know these kinds of things often aren’t as they initially seem. So I’ll reserve judgment on the premise and simply judge the content on its own merits.

One thing I give this issue a lot of credit for is quickly and effectively establishing the Joker’s relationship to Batman, and also providing the character with dramatic weight he deserves. It’s all done within the first few pages, using very little dialogue. We see Batman’s scarred and mangled flesh juxtaposed with single images of his enemies corresponding to specific wounds. Characters like Bane, the Riddler, Scarecrow, etc. Then we get one for the Joker. Then the Joker again. Then the Joker again. Then the Joker yet again. Thus the reader, whether a Batman buff or someone picking up a comic for the first time, understands the Joker isn’t simply another villain. He’s the one who’s given Batman more scars, both physically and emotionally, than anyone else.

Also adding dramatic weight is the presence of Batgirl/Barbara Gordon and the Red Hood/Jason Todd. Ask a casual comic book reader to name three Joker stories, and chances are two of them will be (for better or worse) The Killing Joke – Where the Joker shoots and paralyzes Barbara, and A Death in the Family – The infamous story where the Joker kills Jason. So having them around is a nice reminder of what the stakes are when dealing with the Joker. You’d think, with both breathing and walking, the opposite would be true. But both carry a heavy existential burden.

Jason Fabok gets to put his own little tweaks on all the iconic costumes for Three Jokers. The only changes of real significance are to Red Hood’s costume (shown above). Most of what we see is an improvement. The Bat emblem on his chest is thankfully gone. He’s now in a leather jacket with a red tunic that has, you guessed it, a hood. The tunic is supposed to look like the Robin costume. It even has an R on the belt buckle. Initially I wasn’t sure how I felt about that. But it’s grown on me. In fact, it’s probably my favorite take on the costume since Under the Hood in the mid 2000s.

I credit Three Jokers #1 with having one of the best, most cinematic chase scenes I’ve read in quite awhile. There’s not even that much to it. Just Batman and Batgirl trying to stop an ambulance, with Batman coming aboard and fighting inside. But Johns and Fabok made a more exciting sequence out of this than some creators can with four times as much.

This book is also beautifully colored. The palette Brad Anderson is working with feels like it can explode into a bright, beautiful blaze at any moment. But instead we get colors that are very full and that pop, but also feel like they’ve been dipped in darkness. The way Fabok and Anderson capture Gotham City feels definitive. Like this is what it’s supposed to look like.

Jason Todd is really the star of this first issue. That’s mostly because of the climax and a deliciously emotional, character-defining moment between a killer and his victim…

Three Jokers #1 straddles an interesting line. I totally disagree with its premise, yet I can’t deny this is a great comic book. Normally I can’t stand it when even oversized comics are priced above $5. But I can say with full confidence that this one is worth the price of admission.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.