Tag Archives: Jason Todd

Toy Chest Theater: Batman with a Gun

By Rob Siebert
Fanboy Wonder

In theory, I should hate this image. For me, the whole Batman-with-a-gun thing is supremely played out. So much so that I typically roll my eyes when I see it. I also found the brown duster from Batman v Superman to be, like a lot of things in that movie, very stupid.

But for some intangible reason, this shot from Indonesian photographer Riza Nugraha works for me.

Actually, it might not be one reason, but a bunch of them. When combined, the goggles, scarf, duster, gun, and belt give me a Jason Todd/Red Hood vibe. I’m sure the faded, sort of rusty red hue helps in that respect. Somehow, I’m reminded of Assassin’s Creed. Which doesn’t really make sense, as I’ve never played a single one of those games.

I also appreciate the background. Instead of putting the character in the desert, Nugraha put him in some kind of wooded environment. Based on the coloring and the haze, it seems like a fire of some kind has just taken place. Perhaps it’s even post-apocalyptic.

I’ve previously said that in my opinion, the best action figure photography allows you to forget you’re looking at plastic toys. Perhaps I should change it to, “The best action figure photography stimulates your imagination and creativity allowing you to forget you’re looking at plastic toys.”

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A Detective Comics #941 Review – The Dead Robin Trope

Detective Comics #941, 2016, coverTITLE: Detective Comics #941
AUTHOR: Steve Orlando, James Tynion IV
PENCILLER: Andy MacDonald. Cover by Yanick Paquette.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: September 28, 2016

By Rob Siebert
Editor, Fanboy Wonder

Thus far, “Night of the Monster Men” has left me uninspired. Certainly not what I was hoping for after what happened with Tim Drake last issue.

The plot of this Batman/Detective Comics/Nightwing crossover is pretty straightforward. Professor Hugo Strange is unleashes a bunch of giant monsters on Gotham City. All the while, a hurricane threatens to hit the city during the attack. Batman, Batwoman, Nightwing, Gotham Girl, and various other members of the surrogate “Bat-Family” are truly in a battle against he elements. But in the wake of Tim’s “death,” the Dark Knight is having trouble allowing others to take the risks necessary to save lives.

Before we get into this issue, or “Night of the Monster Men” as a whole, let’s talk a little bit about what happened to Tim. Rumors of his demise are greatly exaggerated. During the events of Detective Comics #940, he attempted to sacrifice himself in the battle against Jacob Kane and the Colony. But the mysterious Mr. Oz, who we’ve previously seen interact with Superman, captured him. Now everyone, including Batman, believes Tim to be dead. By and large, the whole thing was well done. The art was engaging. The writing was impactful. It was a nice way to put the character on the shelf for refreshment, while also paying tribute to him.

Batman #1, portrait shot, Greg CapulloBut part of me really wishes they hadn’t done it.

I understand there are only so many routes to take with these  superhero characters. At some point, everybody’s going to have a brush with death. But now, all four characters that have been the official canonical Robin have either been killed off, or thought to be dead by almost everyone in their universe. Even Stephanie Brown, who was only Robin for about a month, has “died” and come back. What’s more, most of it has happened in just the last five years.

Let’s look at the timeline…

* 1988: Jason Todd is killed by the Joker in “A Death in the Family.”
* 2004: After a short stint as Robin, Stephanie Brown, a.k.a. the Spoiler, fakes her death.
2013: Damian Wayne is killed in battle by Heretic.
* 2014: With Batman’s help, Dick Grayson fakes his death and joins Spiral.
* 2016: Tim Drake is captured, presumed killed after a fight with the Colony.

The concept of Robin is pretty hard to swallow. It’s always been fun, but if you look at it in a real world context, there’s a definite creep factor to it. This Dead Robin trope ups that creep factor considerably. What we have here is a man continually enlisting aids from these boys, who eventually age out of their role, and all have the same black hair style. And eventually, they all die violently.

Detective Comics #941, 2016, Nightwing, Gotham GirlAm I getting carried away? Maybe. But at the very least, the storytelling in these Bat-books is getting repetitive. I’ll at least credit Tynion and the Detective Comics crew for doing it better than it’s been done in awhile.

“Night of the Monster Men” feels like it’s going to be an examination of the trust Batman puts in his partners, which he’s reconsidering after what happened to Tim. At one point in this issue, Batwoman tells him he’s in a situation he can’t control. Our hero’s response is: “I refuse to accept that scenario.”

What’s happening in Batman’s head is, thus far, the most interesting element in all of this. The trouble is there isn’t much more to latch on to in terms of meat. At least not yet. The monsters look cool enough, but we see they’re somehow created from cadavers. So while they’re obviously very threatening, we’re not invested in them much more than we would be mindless foot soldiers or zombies. Thankfully, that changes at the end of this issue.

This is my first exposure to Andy MacDonald’s work. But he and colorist John Rauch give everything a nice texture, and make solid use of splash pages and larger panels to show off these Godzilla-ish monsters. Our creators also don’t hesitate to use “They’re not alive? Let’s rip ’em to shreds!” logic when it comes to Gotham Girl fighting them.

“Night of the Monster Men” seems like a summer blockbuster that arrived late. Thus far, like many a summer blockbuster, it’s heavy on the action, but low on substance. As we’re halfway through, that doesn’t bode well. We’ve got some really good talent on these books, so I want to give them the benefit of the doubt. But I don’t have high hopes.

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A We Are Robin #7 Review – Middle Child Syndrome

We Are Robin #7 coverTITLE: We Are Robin #7
AUTHOR: Lee Bermejo
PENCILLER: Carmine Di Giandomencio. Cover by Jorge Corona.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: December 16, 2015

By Rob Siebert
Editor, Fanboy Wonder

I really wish they’d stop lumping Jason Todd and Tim Drake together. It’s happening in Batman & Robin Eternal, and now it’s happening in Robin War.

I think I get the how and the why of it. Dick Grayson is the original Robin, and Damian Wayne is the current Robin. So Jason and Tim are left in an awkward “middle child” position. There’s not necessarily enough time to focus on them individually while still keeping the plot going, so writers put them together. To an extent that makes sense. They have such conflicting personalities that they work as a bickering duo. But they both have such rich histories that it’s a shame to see them lumped together merely by default. Hell, in this issue they’re lumped together to try and kill each other!

Yes, in part four of Robin War, Red Hood and Red Robin are pitted against each other by the Court of Owls in a fight to the death, in an attempt to decide who the new “Gray Son” is. But Jason and Tim have a few tricks up their sleeves. Meanwhile, Dick Grayson and Batman (Jim Gordon) search for the truth about Councilwoman Noctua, creator of the “Robin Laws.”

We Are Robin #7, Red Robin, Red HoodThe fight between Tim and Jason isn’t anything special, and it more or less goes the way you think it will. You’d think the Court would have had the foresight that two young, athletic guys who aren’t restrained in any way would end up doing what they did. Also, Carmine Di Giandomencio does what I talked about in the Grayson #15 review, and puts facial features on Red Hood’s helmet. That never ceases to be obnoxious.

Sadly, while some of Di Giandomencio’s layouts are interesting, his art doesn’t do it for me here. It’s not that he’s bad at what he does. It’ s more that what he does looks awkward compared to the art we’ve seen in previous installments, particularly Mikel Janin’s work in Grayson. Characters’ faces look awkward at times, as does their body language. This is particularly true when we get to the scene in the prison. There are a few panels where Damian looks more twisted and insane than observant and determined.

The scene with Grayson and Gordon is okay. But there were a couple of things that struck me. On page 3, there are a pair of panels that show Gordon catching a dangling Grayson after he slips climbing up a building. Firstly, I find it odd that Dick would make such a rookie mistake. Secondly, is Gordon strong enough to hold Dick’s entire body weight? My guess would be no.

We Are Robin #7, Dick Grayson, Jim GordonOddly enough, the idea of Gordon, and the entire world knowing Dick Grayson was Robin/Nightwing is taking some getting used to. Until recently, Dick was pretty isolated in the pages of Grayson. But now that he’s moving beyond Spyral, we’re starting to see more ramifications from what happened in Forever Evil. I still don’t quite understand how the world knowing about Dick’s superheroing doesn’t lead back to Bruce Wayne being Batman. If you remember Batman #1, there’s a big portrait of Bruce, Dick, Tim, Damian, and Alfred in Wayne Manor. If you see that painting knowing Dick’s identity, it’s not that hard to put the pieces together, isn’t it? Especially when the general public knows that Bruce has funded Batman’s activities.

In any event, this issue gives us a brief conversation between Dick and Jim about the ethical nature of letting a youngster work with Batman, and how Gordon justified letting it happen. He even has a couple of lines about child soldiers overseas, and boys organizing to fight the Nazis in Poland. My guess is Lee Bermejo put this stuff in to suggest a kind of real-life basis for the Robin concept. It’s an interesting idea, but it doesn’t cast either Dick or Gordon in a different light, or offer any sort of insight. It’s just sort of there in the middle of the issue.

We Are Robin #7, image 3Also, late in the book somebody in the Robin street crew calls Red Robin “the one with the goofy wings.” It’s always cool when the characters say what you’re thinking as a reader. For that matter, something you’ve been thinking since the damn New 52 started…

Sadly, We Are Robin #7 is largely a step down from its predecessors. The various Robins escaping from their cages felt somewhat anticlimactic, though the cliffhanger does succeed in wetting your appetite for the next installment. I can’t say I’ve been overly thrilled with the body of Robin War thus far. There’s been too much emphasis on this “Gray Son” stuff, which I’ve always felt was rather stupid. Gazing at the solicitations for upcoming issues, my hopes aren’t that high. I’m trying to be optimistic that something cool will happen near the finale, as Tom King is writing Robin War #2, and he’s a pretty damn good writer.

Image 1 from gamespot.com. Images 2 and 3 from adventuresinpoortaste.com.

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A Grayson #15 Revew – “Being a Robin”

Grayson #12TITLE: Grayson #15
AUTHOR: Tom King, Tim Seeley
PENCILLER: Mikel Janin
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: December 9, 2015

***Need to catch up? Check out our look at Robin War #1.***

By Rob Siebert
Editor, Fanboy Wonder

What does an event crossover like Robin War need to get right in order to be successful? What’s a central idea that they have to really nail? What’s the entire damn story built around?

The answer is: The concept of Robin. And after Grayson #15, I’m not sure if they got that right or not.

The “Robin Laws” are in effect, and anyone who might be construed as a member of the Robin movement is outlawed in Gotham. Now Dick Grayson, Jason Todd, Tim Drake, and Damian Wayne have taken all the members of this street crew underground for training. But which of these so-called Robins really have what it takes? And what happens when the GCPD turns up the heat?

Grayson #15, 2015, Mikel Janin, page 2Let’s talk about Robin, and a recurring device Tim Seeley and Tom King use in this issue, and this concept of “being a Robin.”

Early in the issue, we see Dick ultimately take responsibility for the Robin street gang, as he was the first Robin. I like that idea, and I wish they’d expanded on it a bit more. The thing about Robin, is that both in-story and behind the scenes, he wasn’t designed to be a “legacy character.” He wasn’t created with the idea of the mantle being passed from youngster to youngster. Robin is Dick’s creation, and it had become so well known and so identifiable with Batman, it was inherited by Jason, Tim, and Damian.

But when you look at how Robin is talked about in this issue, it doesn’t come off that way. As Dick and the various Robins are training with Duke Thomas and the various Gotham kids, each of them recite a little verbal essay about being Robin. Each of them is to the effect of: “Batman once told me being a Robin is about ______.” What I object to about that is the verbage “being a Robin” as opposed to “being Robin.” That one letter changes a lot. It’s almost as Batman is a knight of some kind, and Dick and the others were all squires, serving as apprentices until they graduated to knighthood. Even DC has said, seemingly in jest, that Robin is an “internship program.”

Point blank, that’s a really stupid idea.

Grayson #15, Mikel Janin, Robin WarTo be fair, Seeley and King didn’t create it. It’s been around since the New 52 began. Even in Red Hood and the Outlaws #0, which shows us Jason Todd’s New 52 origin story, Alfred refers to the Robin identity as “an opening in [Batman’s] operation.” Why they decided to suck all the humanity out of Robin is anybody’s guess…

Mind you, I really enjoy We Are Robin, and appreciate the notion of a group of kids inspired by Robin. But what good is that if you suck so much of the depth out of the root concept?

In any event, despite a certain lack of depth, the scenes between Dick and Duke Thomas are interesting. Their backgrounds are very different, but they’re both natural leaders. It evokes thoughts of Duke one day graduating to become one of Batman’s partners. But I’d hate to see him simply become another one of the pack.

Seeing Mikel Janin draw the We Are Robin cast is a big thrill. The art on that book is really nice, as is Greg Capullo’s rendering of Duke in Batman. But the photo realism of Janin’s style is a welcome break. The layout of page 2 with the multiple face shots (shown above) adds a certain aura of this being about real kids from a real place. I also appreciate the fact that he draws The Red Hood’s mask as an actual helmet, with no vague facial features present. Other artists should take note. He even manages to make that awful Red Robin costume look halfway decent. We even get a nice take off of the classic Batman #9 cover by Dick Sprang. Awesome stuff.

Grayson #15, Mikel janinYou’d think an event comic based around the legacy of Robin would want to grant the character a little more depth. There’s still some potential in Robin War, but the more they dwell on this “Gray Son” stuff with the Court of Owls, the less hope I have. I was trying to forget all that stuff ever happened…

Images 1 and 2 from adventuresinpoortaste.com. Image 3 from blacknerdproblems.com.

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A Robin War #1 Review – Teenage Wasteland

Robin War #1TITLE: Robin War #1
AUTHORS: Tom King (story), Khary Randolph, Alain Mauricet, Jorge Corona, Andres Guinaldo, Walden Wong.
PENCILLERS: Emilio Lopez, Chris Sotomayor, Gabe Elitaeb, Sandra Molina. Cover by Mikel Janin.
PUBLISHER: DC Comics
PRICE: $4.99
RELEASED: November 2, 2015

By Rob Siebert
Editor, Fanboy Wonder

Robin War is a crossover that kicks off with a teenager, a cop, and a couple of guns.

*tugs at collar* G’aahhhh….

Per the 75th anniversary of the Robin character, we have Robin War, a crossover event that pits the various characters that have worn the mantle of Robin against The Court of Owls. After a showdown between one of the many youngsters acting under the banner of Robin (See We Are Robin) accidentally kills a policeman, Gotham City strikes back at the movement. Anyone even wearing Robin-like attire is subject to arrest, via the “Robin Laws” enacted by a city councilwoman with ties to the Court of Owls. The ensuing conflict will draw the attention of not only Batman (Jim Gordon), but the four young men who worked aside the original Batman as Robin. Dick Grayson, Jason Todd, Tim Drake, and the current Robin Damian Wayne are headed back to Gotham.

Robin War #1, title pageConceptually, in terms of celebrating the anniversary of Robin, I appreciate this crossover more than Batman & Robin Eternal. Though I’m not sure what it’s long term effects may be, the event itself is concise. It also touches books like Robin: Son of Batman, Teen Titans, Red Hood & Arsenal, and even Gotham Academy. It’s a nice illustration of how widespread Robin’s influence on the DC Universe has been. It also keeps the event contained within the span of about a month, which is nice.

Police brutality and the ethics of law enforcement are topical right now, for obvious reasons. It’s tough to read this book and not think of kids like Trayvon Martin. Especially when we get to the scene where Duke Thomas is arrested for simply wearing red shoes. I doubt they’re going for political commentary with this issue, but they’re certainly playing off that controversy here. Whether that’s tacky or not is subjective, I suppose. Either way, it gives Robin War an impactful opening.

Robin War #1, RobinsFor obvious reasons, Dick Grayson will play a big role here. The cliffhanger implies teases pretty interesting about his future. When we first see him here, he’s wearing a black and white suit that’s so James Bond it’s almost funny. At one point, the Court refers to him as the “Gray Son of Gotham,” so I guess we’re going back to that crap again. There’s also a splash page in which Dick, after getting a summon from his Gotham comrades, jumps out a window. Between the splash and the previous page, his full line is: “At the end of the day, from the beginning of the day…first and always foremost…I am Robin!”

I don’t like this bit. Firstly, the line is terribly redundant. They could have cut a lot of fat there and just had him say, “First and foremost, I am Robin!” Secondly, I’m not sure I appreciate that sentiment. Yes, Dick Grayson was Robin before he was anything else. But he’s been a lot of other things too. What so many modern writers seem to be forgetting about is the independence Dick gained when he broke away from Batman to become Nightwing. He’s loyal to his Gotham family, but he’s also his own man. I get what they’re going for with this line, but it turned me off.

On the flip side, I like how Damian is played up in this issue. He is Robin, after all. He also has some really good reactions to both the Robin movement with Duke Thomas and Jim Gordon acting as Batman. Solicitations indicate he’s staying in Gotham after Robin War, which is a good thing from where I sit.

Robin War #1, Robin introWe have a revolving door of artists on this thing, which is always frustrating. There’s an especially awkward transition when we go from Damian’s confrontation with Bat Cop, to Red Hood and Red Robin appearing on the scene. The styles and the colors just clash. It’s not necessarily the artists’ fault. It’s just a bad transition.

Robin War #1 has its flaws. In my experience, things tend to get a little messy when you have so many people collaborating on a single issue. But generally, I’m interested to see where it’s going. Batman’s apprentices against The Court of Owls doesn’t sound like the worst thing in the world.

Image 1 from io9.com. Remaining images from author’s collection.

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A Batman & Robin: Eternal #1 Review – The Burden of (Low) Expectations

Batman & Robin Eternal #1TITLE: Batman & Robin Eternal #1
AUTHORS: James Tynion IV, Scott Snyder
PENCILLER: Tony Daniel
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: October 7, 2015

***Readers might want to check out Grayson #12, as it sets this issue up quite nicely.***

By Rob Siebert
Editor, Fanboy Wonder

I’m going on record right now: If this book gets as tedious and stupid as Batman Eternal did, I’m out. For some ridiculous reason, I paid $156 for every issue of that series. And like every weekly series DC has put out that isn’t 52, it was a big waste of time and money. So if Batman & Robin Eternal goes off the rails, I won’t be sticking around to watch the awful blaze.

However, Batman & Robin Eternal may be better equipped for success. It’s only 26 issues, which means the creators hopefully won’t have to use as much fluff and filler as they did for its predecessor. Plus, a series with a cast of former Robins is an intriguing idea. The Robin legacy as a whole has been left so ambiguous in the New-52verse that spending some quality time with it would likely do it some good. This series will hopefully supply us with the sense of history we’ve sorely missed.

As an added bonus: This issue introduces Cassandra Cain into the New 52 continuity.

Cassandra Cain, Tony Daniel, Batman & Robin Eternal #1Playing off the events of Grayson #12, the rest of Dick’s surrogate family now knows he’s alive. This issue sees our favorite sexy super-spy help Red Hood and Red Robin catch a bad guy before returning to a familiar location on Spyral business. Then Dick is attacked by a group of well-dressed children with guns, as well as his Spyral partner, followed by a mysterious and lethal martial artist he doesn’t know. His assailant gives him a flash drive that leads him into a mystery in Batman’s past. Via recorded hologram, Bruce calls it his “greatest sin” and his “deepest regret.” The issue ends with a disturbing image which hints at what our mysterious villain, Mother, may be capable of.

Perhaps I’m reading into something that isn’t there, but this issue seems to hint that Dick, Jason, Tim, and others working with Batman was somehow preordained. As if somehow it was all part of a master plan connected to Mother. If that is what they’re going for, then I might as well tag out now. The notion that there was some sort of grand “Robin plan” in place, and that Dick and the others aren’t simply companions Bruce met during his journey, takes so much of the fun away from the Robin concept. The same goes for Batgirl. Bluebird, or whoever else Batman has taken under his proverbial wing. Can we please not make Robin into yet another stupid prophecy character?

Batman & Robin Eternal #1, Tony DanielApparently this series will also present us with the next chapter in Harper Row’s story. In this issue we see she’s capable of manipulating Jim Gordon’s Batman suit. A rivalry between those two could be interesting. But it’s more likely we’ll see why she’s “the key to everything they cannot know. And that is why you must die.” Uh oh, that’s nothing to sneeze at. Batman’s partners have a pretty bad mortality rate, even though they do all come back to life.

I’ve had a love/hate relationship with Tony Daniel and colorist Sandu Florea’s art since the New 52 began, but what we see here is mostly satisfactory. I imagine the scene between Dick, Jason, and Tim taking place in the glow of a big red light wasn’t an accident. The motorcycle chase scene with Dick, leading into the fight with Cassandra was very nicely done. We also have an assassin character called The Orphan who has a cool reveal.

Sadly, Daniel is already passing the artistic baton. For upcoming issues, the reigns will be passed between Paul Pelletier, Scot Eaton, Fernando Pasarin, among others. I suppose the best we can hope for are smooth transitions between the various pencillers.

I don’t have high hopes for Batman & Robin Eternal. But in truth, I’d almost be willing to endure another crappy weekly series if they worked in new costumes for the Red Hood and Red Robin. Take the Bat-Symbol off Jason’s chest, and just start from scratch on Tim’s costume. That thing’s been an eye sore since day one.

Image 1 from ign.com. Image 2 from flickeringmyth.com.

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A Grayson #12 Review – A Hero’s Homecoming

Grayson #12 (2015)TITLE: Grayson #12
AUTHORS: Tim Seeley, Tom King
PENCILLER: Mikel Janin
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: September 23, 2015

***Unfamiliar with Grayson? Check out our review of the very first issue!***

By Rob Siebert
Editor, Fanboy Wonder

Full disclosure: I’ve been absent for the past few issues of Grayson. That’s not to say the series has necessarily taken a downturn. But lately, the arrival of certain other books (Secret Wars, We Are Robin, Black Canary), pushed it down the priority list.

This issue, however, merited a look. After deceiving the world into thinking Dick Grayson/Nightwing died during the events of Forever Evil, Dick returns to Gotham City to come clean to his surrogate family. This includes the amnesiac Bruce Wayne, who as Batman, was the one who sent Dick to infiltrate Spyral in the first place. And speaking of Spyral, they’re not going to let Agent 37 leave without a fight.

Grayson #12, Mikel Janin, Bruce WayneSeeley, King, and Janin use a unique device in this issue. Each time Dick reunites with someone, we get a splash page with a black background and various pieces of actual dialogue from the 75-year history of Batman’s world. Naturally, they correspond with Dick’s relation to that character. This not only gives the reader a very real sense of what the dynamic was between Dick and the character in question, but it’s a fitting substitute for the repeated and redundant “You’re alive!” moments we might have seen under a different creative team. It’s also extremely cool that actual dialogue is used. These quotes can actually be traced back to specific issues. You certainly can’t say effort wasn’t made in terms of research.

The device works best with Bruce, who due to events in Batman, has no memories of his time in the costume. The original Dynamic Duo look like a distant memory here, which is fairly sad. But the Grayson team makes good use of its time in the Snyder/Capullo sandbox, particularly when Dick has to protect his former partner, using the very skills Bruce taught him years ago!

The reunion between Dick and Damian is the only one that bucks the “You’re alive!” moment pattern. Apparently, Dick had no idea Damian had been resurrected. From an in-story perspective, that’s really weird. Dick knew Bruce was trying to bring Damian back. He even made a brief appearance in the Robin Rises story. How could he not have known? Is Dick feigning surprise for some reason?

Birds of Prey #8, 1999, Greg Land, Nightwing, OracleWith the splash page/quotes device, this issue harkens back to the pre-New 52 continuity in a way that still maintains a certain fluidity. But surprisingly, Seeley and King harken back to something very specific in the reunion between Dick and Barbara: The trapeze scene from 1999’s Birds of Prey #8. Written by the great Chuck Dixon and drawn by Greg Land, the issue saw Dick take Barbara on a date of sorts to Haly’s Circus. In an empty tent, Dick and the partially paralyzed Barbara go swinging on a trapeze, in a sequence that culminates with a kiss. To my knowledge, this is the first time this event has been mentioned in the New 52 continuity, and it’s really cool to see them show this moment such reverence.

On the flip side of the memories coin, this issue has plenty of flashback images featuring “Red Nightwing,” a.k.a. Nightwing in the red and black suit. If we’re using quotes and plot points from the pre-New 52 continuity, can we at least acknowledge that Nightwing wore a black and blue suit at one point? Yes, I understand it’s probably an editorial mandate. But still, you’re killin’ me…

The conclusion to this issue does the Dick Grayson character a lot of justice. While Bruce Wayne is a natural loner, Dick is a people person, and is more than comfortable as part of a team. In Grayson #12 we see that is a strength, not a weakness. Not only did Seeley and King nail the character, they showed us that with Bruce on the sidelines, Dick Grayson may in fact be the glue that holds the Bat-Family together.

Image 1 from craveonline.com. Image 2 from comicbookresources.com.

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