A Divergence #1 Review – The New Batman, a New Era for Superman, and More Mobius

Divergence #1 (2015)TITLE: Divergence #1
AUTHORS: Scott Snyder, Gene Luen Yang, Geoff Johns.
PENCILLERS: Greg Capullo, John Romita Jr., Jason Fabok.
PUBLISHER: DC Comics
PRICE: Free Comic Book Day Release
RELEASED: May 2, 2015

By Levi Sweeney
Staff Writer, Grand X

This year, we actually got something nice from DC for Free Comic Book Day. Not only do we have three talented writers matched with three equally talented artists, but the three mini-stories we’re given are actually pretty amazing! Snyder, Yang, and Johns are all in top form today, and if these stories are any indication of what’s to come post-Convergence, then I think I might just take a look.

Divergence #1 seeks to set up the new status quo for Batman, Superman, and the Justice League after Convergence. Batman gets top billing, as he often does these days. In “The Rookie”, Gotham City without Batman has thankfully not descended into chaos and fire following the events of Batman #40. It’s actually pretty refreshing to see Gotham at peace for once, though the narrating TV reporter speaks of unhealed wounds. Indeed, Capullo treats us to a beautiful splash page of a crowd of Gothamites shining miniature Bat Signals in the sky, looking positively sullen.

Batman, Divergence, Greg CapulloBut all hope is not lost! The Hillary Clinton-esque Geri Powers appears to reassure the citizens of Gotham City that a new Batman is about to be born. Who’s behind the cowl this time? I think I’ll leave that for you readers to find out for yourselves. But I’ll tell you this: It’s equal parts astounding and amusing. It was also nice to see the seeming end of Batman through the point-of-view of the ordinary, mundane folks like the reporters and cops. The inner circle of the Bat-family is nowhere in sight, except for the new “Batman.”

In “Exposed,” we’re introduced to Gene Luen Yang’s take on Superman. We start with Clark Kent and Jimmy Olsen chatting sometime after Clark’s had his secret identity outed by Lois Lane. To top it all off, he’s operating with weakened powers. In my opinion, Superman has behaved in pretty much every single New 52 appearance as an irrepressible jerkhat. This includes Geoff Johns’ run on Justice League, which features Superman and his fellow heroes engaging in petulant bickering while, you know, saving the world.

Divergence #1, Superman, John Romita Jr. So Superman here is kind of a jerk, understandably so. But he then beats up this super-strong thug who tries to kill him and some innocent bystanders. At least he tried to avoid the fight, and he actually saved some people. Jimmy Olsen then plasters pictures of the fight all over social media, and excrement hits the fan for the Man of Steel. He then tells off Lois Lane when she tries to help him.

I like Yang’s story, but I don’t like his Superman. Yang’s a talented writer, but I wish the people at DC would get over themselves and get the message that their heroes don’t all have to be jerks. Superman is one such hero, and he’s a good place to start. At the very least, the story was still pretty fun. Yang’s writing style is free of any grim-and-gritty pretentions, a theme reinforced by the bright, easy-lined artwork of John Romita Jr.

And that brings us to the final story in this issue: “The Other Amazon.” Fittingly enough, this story by Geoff Johns focuses primarily on the lore of Wonder Woman, using it to highlight the origin of The Anti-Monitor, a.k.a. Mobius. The long and short of it is that this rogue Amazon named Myrina gives birth to Mobius, whose father is revealed to us at the end, and we get a preview of Darkseid War. She will apparently be a major player in this latest hullaballoo. I really hope that this will end up being a feather in Wonder Woman’s cap. From what we see here, it certainly looks likes it will be the case.

Divergence #1, Wonder Woman, Jason FabokThe mini-story itself does its job well. It gives us a window into what’s going on in Darkseid War, and makes you want to check it out. It actually looks pretty epic! On the other hand, I’m beginning to get fed up with these Geoff Johns-led super-mega-events. First there was Blackest Night, and then Flashpoint, Trinity War, Forever Evil, etc. I mean really, when will it end? At least Jason Fabok’s art was nice. It manages to be bright and flashy even when most of the background is dark brownish and grayish.

On the whole, this Free Comic Book Day issue was by no means of low quality. DC really invested a lot into this issue, bringing in some real heavy hitters, and boy, did they hit hard. Divergence #1 gave us three engaging, entertaining stories with lovely artwork and solid writing. This is a far cry from last year’s Free Comic Book Day issue, where they just reprinted the origin of Chris Kent. That was just lazy.

Fortunately, Divergence #1 is anything but.

Image 1 from dreamwidth.org. Image 2 from weirdsciencedccomicsblog.wordpress.com. Image 3 from bleedingcool.com.

Follow Levi Sweeney on Twitter @levi_sweeney, or at his blog, The Stuff of Legend.

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A Detective Comics #27 Review – An All-Star Let Down

Detective Comics #27 (2014)TITLE: Detective Comics #27
AUTHORS: Brad Meltzer, Gregg Hurwitz, Peter Tomasi, Francesco Francavilla, Mike Barr, John Layman, Scott Snyder.
PENCILLER: Francavilla, Bryan Hitch, Patrick Gleason, Neal Adams, Jock, Ian Bertram, Kelley Jones, Guillem March, Graham Nolan, Jason Fabok, Mike Allred, Sean Murphy. Cover by Greg Capullo.
PUBLISHER: DC Comics
PRICE: $7.99
RELEASED:
January 8, 2014

By Rob Siebert
Editor, Fanboy Wonder

Oye. We’re barely into 2014 and DC has already put out another overpriced Batman issue. Well that’s just great…

At least this one is somewhat justified. This year marks the 75th anniversary of the Dark Knight’s first appearance in the original Detective Comics #27 in 1939. As such, the 27th issue of the New 52′s Detective Comics gathers numerous creators of note to pay tribute to the character with a 96-page collection of short stories celebrating Batman and his legacy. Among those along for the ride are iconic artist Neal Adams, current Batman scribe Scott Snyder, Identity Crisis author Brad Meltzer, as well as the book’s current creative team, John Layman and Jason Fabok. The issue also features pinups by Patrick Gleason, Jock, Kelley Jones, Graham Nolan, and Mike Allred.

Detective Comics #27 (2014), Francesco FrancavillaI can’t say I was blown away by anything I saw here, but Francesco Francavilla’s four page contribution to the book, “Rain,” is pretty cool. Ironically, from a plot perspective there’s really not much to it. Batman saves a mother and child from a car wreck during a rainstorm. But at the very end, Francavilla ties it into not only Batman: Year One, but also his own work on Detective Comics. As a longtime fan, and someone who’s still getting over the fact that Year One is being replaced in current Batman canon by Zero Year, I appreciated the respective nods. But it’s Francavilla’s art that really makes “Rain” the standout story in the book. His color palette in particular is perfect for Batman, and the tone of his world.

On the flip side, if you get a chance, Google the variant cover Frank Miller did for this issue. It’s…*ehem*…interesting.

I was sadly disappointed in Brad Meltzer and Bryan Hitch’s retelling of “The Case of the Chemical Syndicate,” the story Bob Kane and Bill Finger introduced Batman with in the original Detective Comics #27. Via text boxes, Meltzer lets us read the first entry in the “Journal of the Bat-Man,” as we move through the story. That’s an awesome idea, but the execution gets old after awhile. Most of the entry is just Bruce listing the various reasons why he’s becoming Batman. “I do it because people are afraid. I do it because the world needs heroes. I do it because the police can’t be in every alley.” It goes on like that for most of the story. In his previous work at DC, Meltzer has told some really emotional, touching stories, and I understand this is his attempt at doing that again. But the “I do it because…” method gets irritating after awhile.

Detective Comics #27, 2014, Neal AdamsOddly enough, this issue teams Neal Adams, the man who helped redefine Batman after the camp era in the ’60s, with Gregg Hurwitz, the man who’s been overdoing the horror element in Batman: The Dark Knight. But surprisingly, their story, “Old School,” a story which cracks the fourth wall and deals with Batman evolving over the course of his career, goes fairly well. It’s not fantastic by any means, but it’s more satisfying than Adams’ more recent work on the character (see Batman: Odyssey, and a weird zombie story from Batman: Black and White #1). He even gets to draw Bob Kane at the end, which is nice.

We also get a story from Peter Tomasi and Ian Bertram, which seems to take place in the Batman #666 timeline. It sees Damian Wayne/Batman, Dick Grayson/Nightwing, Tim Drake as the pre-New 52 Red Robin, a very elderly Alfred, and Police Commissioner Barbara Gordon celebrating Bruce’s 75th birthday with him. Unbeknownst to them, he ends up going out in costume again, which results in what I deem to be a pretty awkward tribute to The Dark Knight Returns (shown above). Mike Barr and Guillem March bring Phantom Stranger into the mix to give Bruce a look at what the world would be like if his parents hadn’t been murdered, and he hadn’t become Batman. It’s a little too short to be as effective as it wants to be, and Phantom Stranger’s last few lines are a little corny. But it’s a decent attempt. Scott Snyder and Sean Murphy close out the issue with a story set in the future, which deals with Bruce Wayne clones. Meh.

Detective Comics #27, 2014, birthdayWe also get a story from Peter Tomasi and Ian Bertram, which seems to take place in the Batman #666 timeline. It sees Damian Wayne/Batman, Dick Grayson/Nightwing, Tim Drake as the pre-New 52 Red Robin, a very elderly Alfred, and Police Commissioner Barbara Gordon celebrating Bruce’s 75th birthday with him. Unbeknownst to them, he ends up going out in costume again, which results in what I deem to be a pretty awkward tribute to The Dark Knight Returns (shown above). Mike Barr and Guillem March bring Phantom Stranger into the mix to give Bruce a look at what the world would be like if his parents hadn’t been murdered, and he hadn’t become Batman. It’s a little too short to be as effective as it wants to be, and Phantom Stranger’s last few lines are a little corny. But it’s a decent attempt. Scott Snyder and Sean Murphy close out the issue with a story set in the future, which deals with Bruce Wayne clones. Meh.

The issue isn’t all warm fuzzies, mind you. Layman and Fabok also get 27 pages to kick off the “Gothtopia” crossover, which will apparently branch into Catwoman, Batgirl, Batwing, and Birds of Prey. The story brings us a very different Gotham City where crime and unemployment are at all-time lows, the economy as booming, and the city shines in the light of day. Clad in a black and white costume, Batman and his cohorts are honored as heroes. Bruce Wayne has also allowed romance to enter his life via Selina Kyle, who patrols the streets at his side as Catbird.

Detective Comics #27, 2014, Gothtopia*groans* Catbird? Really? That’s the name we’re going with? We couldn’t come up with anything better for an amalgamation of Catwoman and Robin? Do we even need to give the character a new name? The red shirt is a pretty clear connection to Robin. I think we all get that. So couldn’t we just call her Catwoman? Or anything else besides Catbird? That name puts me in the mood to watch reruns of CatDog

In any event, as you might imagine, things in Gotham City aren’t quite as they seem. And being the detective that he is, Batman is already starting to unravel things by the end of the issue. At this point, I can’t say I’m dying to read the next issue, or add the corresponding tie-ins to my pull list. Based on what I’ve seen thus far, this story seems like a “this is all too good to be real” story, which has been done plenty of times before. Heck, it was done in this same issue. Granted, it’s still early, and we can still explore quite a bit of this new world that’s unfolded before us. But thus far I’m not impressed.

And sadly, that’s pretty much my verdict on Detective Comics #27 overall. In all honesty, Batman fans would be better off checking out recent issues of Batman: Black and White if they’re looking for some good short Batman stories. They’re not all winners, but chances are you’ll find at least one  that’s more fulfilling than most of what we see here.

Image 1 from author’s collection. Image 2 from inter-comics.com. Image 3 from 13thdimension.com. Image 4 from uncanny.ch. 

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