Tag Archives: James Tynion IV

Weekly Comic Haul, May 9, 2018: Venom, Justice League: No Justice

By Rob Siebert
Fanboy Wonder

I’m Rob, and these are the comics I spent my hard-earned money on this week…

(And shame on me, there are no indie comics in my haul this week. Unless you count The Walking Dead as an indie comic. I do not.)

Venom #1
I’m not much of a Venom guy, so normally I wouldn’t have picked this one up. But Donny Cates’ name attracted me to it. He writes Babyteeth over at Aftershock, which I’ve really enjoyed. So I’m giving this one a whirl for him.

Justice League: No Justice #1
I’m not the world’s biggest Scott Snyder fan. He’s hit or miss with me. But the Justice League portion of DC Nation #0 piqued my interest. Plus, James Tynion IV and Joshua Williamson are attached, and I dig both of them. Francis Manapul is also an artistic deity. This has been proven.

Detective Comics #980
James Tynion IV is my favorite modern Batman writer. The fact that he’s bringing back all this ’90s and early ’00s stuff is a just a bonus.

Star Wars: The Last Jedi #1
I don’t normally pick up these Star Wars movie adaptations from Marvel. But the preview for this one caught my eye. A portion of it is done through Luke’s point of view, which is a nice little added hook.

The Walking Dead #178 and #179
In recent months, I’ve slept on The Walking Dead a little bit. It was partially intentional, and partially cost-related. I’m intrigued by the new direction they’ve taken things, but they obviously didn’t grab me hard enough to keep me buying month to month. Here’s hoping the combined effort of these two issues will change that.

Darth Vader #15
I’ve had to hold back on Darth Vader as well. This one was strictly a cost thing. Like issue #14, this one might be a candidate for “Epic Covers.” For some reason, part of me is always surprised when someone uses a lightsaber underwater. Luke just did that in Star Wars #48. Did they work that way in the “Legends” continuity?

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

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A Batman: Night of the Monster Men Review – Hollow Monsters

Batman #7, 2016, cover, Yanick PaquetteTITLE: “Batman: Night of the Monster Men”
AUTHORS: Steve Orlando, Tom King, Tim Seeley, James Tynion IV
PENCILLERS: Riley Rossmo, Roge Antonio, Andy MacDonald
COLLECTS: Batman #79Nightwing #78Detective Comics #941942
PUBLISHER: DC Comics
CUMULATIVE PRICE: $17.94
GRAPHIC NOVEL RELEASE: March 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

This “Night of the Monster Men” crossover boasts an extremely talented group of writers and artists, stars Batman and some of his more popular allies, and is even inspired by one of the very first Batman stories. It also began a week after DC “killed” Tim Drake. So there was a lot of potential here for a creative, emotional, thrill ride.

Yeah, none of that happened. “Night of the Monster Men” feels like your wife dragging you to one of your friend’s weddings. It’s an obligation you’re stuck with, so you try to make the best of it. But in the end you’re just happy to get the hell out of there.

Running through BatmanNightwing, and Detective Comics, this story sees Hugo Strange create giant monsters that attack the city. Much of Batman’s surrogate family gets wrapped up in the chaos. But despite all the innocent lives that hang in the balance, Strange’s entire plot is about Batman himself.

Batman #1, Professor Hugo Strange and the Monsters, 1940, Bob Kane and Bill FingerAll this Hugo Strange/Monster Men stuff is inspired by a story from 1940’s Batman #1 entitled “Professor Hugo Strange and the Monsters.” It’s a respectable early outing for the Dark Knight by Bill Finger and Bob Kane in which Strange creates a bunch of big ogres to terrorize the city. Matt Wagner took the same cue for his 2006 miniseries Batman and the Monster Men, which was exponentially better.

“Night of the Monster Men” suffers from a variety of problems. But chief among them is a lack of emotional stakes. That’s an odd problem to have, considering what just happened with Tim, and how many of Batman’s surrogate family members are in this fight. In the first issue, Batman repeatedly emphasizes that no one else is dying. This gives the impression that we’re going to get an overprotective Batman, frantically trying to micromanage the efforts of his partners to keep them from dying. This would be futile, of course. But it would have made a great emotional backdrop. We also had the perfect cast for such a story, with Bruce having recently trusted Batwoman to train this new crop of young heroes. And of course, we’ve got his original partner, Dick Grayson. Hugo Strange’s motive also would have been more poignant.

Instead, we mostly get a story about Batman fighting monsters. Monsters created from cadavers, no less. We can’t even go the route of, “Don’t kill the monsters! They’re people!” Later, two of our heroes are turned into monsters, but they don’t mine this for much emotion either.

Granted, they’re cool looking monsters. “Night of the Monster Men” enlists Riley Rossmo and Andy MacDonald, both of whom excel in the fantasy/horror side of things. We also have they very capable Roge Antonio, who give us a nice blend of horror and naturalism. Instead of going the ogre route, the story mostly opts for a mix of mutant aberrations and giant kaiju type monsters. They’re fun to look at, but they’d be more fun if they were more than mere physical threats to our heroes Batman. There’s little of any depth or substance to them, and what the final issue attempts to pass as such via Strange’s motivation doesn’t connect in a meaningful way. (That monster represented fear? But weren’t we supposed to be afraid of all of them?)

Detective Comics #942, monster two-page spread, 2016So instead of a coherent crossover that ties into and takes advantage of Batman’s fragile emotional state, what we essentially get is a bunch of fluff that they attempt to tie together at the end with some psych mumbo jumbo. It’s all so hollow.

“Night of the Monster Men” also suffers from being a little too long, and a little too crowded. The story struggles to give Spoiler and Orphan something to do in all of this. Like Booster Gold in his Justice League Unlimited episode, they’re mostly relegated to crowd control. There’s a cave sequence (not that cave) involving Spoiler, Orphan, and Harvey Bullock that largely feels like padding. If they’d cut that out, along with the ridiculous scene where our heroes use giant guns and harpoons on top of buildings (conveniently adored with the heroes’ insignias) to stop a monster, they’d probably have been able to trim this down from six issues to four. Five at most.

Nightwing #8 and Detective Comics #942 also make full use of the “Hugo Strange dressed as Batman” trope, as we learn that Strange himself wants to be Batman. A fine motive, though not necessary in this case. “Night of the Monster Men” would have worked fine as Strange’s attempt to spotlight Batman’s inadequacies and force him to hang up the cowl, in the process pouring salt in the wound left by Tim’s departure. Perhaps the urge to use the only piece of classic Batman/Hugo Strange imagery was too intense. Admittedly, at that point I was just happy we were finally getting a scene between two human beings, as opposed to hollow monster battles.

batman-clayface-suit-detective-comicsOn the upside, this story makes fine use of Clayface’s new status as one of Batman’s allies. He plays a practical role at first, spreading himself out to guide people out of the city. He also plays an integral role in the finale. But his highlight here, and one of the highlights in “Monster Men” as a whole, comes in Batman #8. As the Dark Knight is about to face one of the monsters head on, Clayface envelops him, effectively becoming a suit of armor. Does technically this fall under the banner of giant awful Batman robots/armor? Absolutely. But the execution is unique enough that it gets a pass from me.

“Batman and the Monster Men” offers good showings from the artists attached, and a bright spot here or there. But by and large, this was a turn off and a waste. Nightwing and Detective Comics were both on a solid course up to this point, and things were starting to look up for Batman. Hopefully we can get back to our regularly scheduled programming in short order.

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A Detective Comics #941 Review – The Dead Robin Trope

Detective Comics #941, 2016, coverTITLE: Detective Comics #941
AUTHOR: Steve Orlando, James Tynion IV
PENCILLER: Andy MacDonald. Cover by Yanick Paquette.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: September 28, 2016

By Rob Siebert
Editor, Fanboy Wonder

Thus far, “Night of the Monster Men” has left me uninspired. Certainly not what I was hoping for after what happened with Tim Drake last issue.

The plot of this Batman/Detective Comics/Nightwing crossover is pretty straightforward. Professor Hugo Strange is unleashes a bunch of giant monsters on Gotham City. All the while, a hurricane threatens to hit the city during the attack. Batman, Batwoman, Nightwing, Gotham Girl, and various other members of the surrogate “Bat-Family” are truly in a battle against he elements. But in the wake of Tim’s “death,” the Dark Knight is having trouble allowing others to take the risks necessary to save lives.

Before we get into this issue, or “Night of the Monster Men” as a whole, let’s talk a little bit about what happened to Tim. Rumors of his demise are greatly exaggerated. During the events of Detective Comics #940, he attempted to sacrifice himself in the battle against Jacob Kane and the Colony. But the mysterious Mr. Oz, who we’ve previously seen interact with Superman, captured him. Now everyone, including Batman, believes Tim to be dead. By and large, the whole thing was well done. The art was engaging. The writing was impactful. It was a nice way to put the character on the shelf for refreshment, while also paying tribute to him.

Batman #1, portrait shot, Greg CapulloBut part of me really wishes they hadn’t done it.

I understand there are only so many routes to take with these  superhero characters. At some point, everybody’s going to have a brush with death. But now, all four characters that have been the official canonical Robin have either been killed off, or thought to be dead by almost everyone in their universe. Even Stephanie Brown, who was only Robin for about a month, has “died” and come back. What’s more, most of it has happened in just the last five years.

Let’s look at the timeline…

* 1988: Jason Todd is killed by the Joker in “A Death in the Family.”
* 2004: After a short stint as Robin, Stephanie Brown, a.k.a. the Spoiler, fakes her death.
2013: Damian Wayne is killed in battle by Heretic.
* 2014: With Batman’s help, Dick Grayson fakes his death and joins Spiral.
* 2016: Tim Drake is captured, presumed killed after a fight with the Colony.

The concept of Robin is pretty hard to swallow. It’s always been fun, but if you look at it in a real world context, there’s a definite creep factor to it. This Dead Robin trope ups that creep factor considerably. What we have here is a man continually enlisting aids from these boys, who eventually age out of their role, and all have the same black hair style. And eventually, they all die violently.

Detective Comics #941, 2016, Nightwing, Gotham GirlAm I getting carried away? Maybe. But at the very least, the storytelling in these Bat-books is getting repetitive. I’ll at least credit Tynion and the Detective Comics crew for doing it better than it’s been done in awhile.

“Night of the Monster Men” feels like it’s going to be an examination of the trust Batman puts in his partners, which he’s reconsidering after what happened to Tim. At one point in this issue, Batwoman tells him he’s in a situation he can’t control. Our hero’s response is: “I refuse to accept that scenario.”

What’s happening in Batman’s head is, thus far, the most interesting element in all of this. The trouble is there isn’t much more to latch on to in terms of meat. At least not yet. The monsters look cool enough, but we see they’re somehow created from cadavers. So while they’re obviously very threatening, we’re not invested in them much more than we would be mindless foot soldiers or zombies. Thankfully, that changes at the end of this issue.

This is my first exposure to Andy MacDonald’s work. But he and colorist John Rauch give everything a nice texture, and make solid use of splash pages and larger panels to show off these Godzilla-ish monsters. Our creators also don’t hesitate to use “They’re not alive? Let’s rip ’em to shreds!” logic when it comes to Gotham Girl fighting them.

“Night of the Monster Men” seems like a summer blockbuster that arrived late. Thus far, like many a summer blockbuster, it’s heavy on the action, but low on substance. As we’re halfway through, that doesn’t bode well. We’ve got some really good talent on these books, so I want to give them the benefit of the doubt. But I don’t have high hopes.

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A Detective Comics #939 Review – Tim Drake’s Return to Glory

Detective Comics #939, cover, Eddy BarrowsTITLE: Detective Comics #939
AUTHOR: James Tynion IV
PENCILLER: Eddy Barrows
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: August 24, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Did any character get a more of a raw deal in the New 52 than Tim Drake? Not only was he put in a horrendous new costume, but his 20-year history was compressed and retconned to the point that we were essentially dealing with a new character. Almost four years later, and things aren’t much better for him.

That being said, Tim Drake fans should send James Tynion IV a thank you note. Detective Comics #939 is the best Tim Drake story I’ve read in years. New 52 Red Robin may finally become more than a shell of his pre-reboot self, and really set himself apart from his “brothers” in Batman’s surrogate family. Though in a way it’s a shame, as it’s looking like he’ll soon be either retired or dead…

The quaint team of heroes assembled by Batman and Batwoman have begun to mount a comeback against the military force Jacob Kane has dedicated to eliminating caped heroes in Gotham. But as drones prepare to swarm the city, Kate Kane suspects Batman knows more than he’s letting on about her father’s efforts. Meanwhile, Tim Drake ponders a future without superheroics. But he may not live to see such a future, after he makes a drastic choice that terrifies his teammates.

Detective Comics #939, Tim and Steph, Eddy BarrowsSince Tynion came aboard Detective Comics, Tim has been debating whether to leave Gotham to attend Ivy University full time. This is consistent with the Tim Drake we often saw in the late ’90s and early ’00s. At that point, Tim was unsure of his future as a superhero, often insecure when comparing himself to Dick Grayson and the like. This college storyline seems to play off that idea. As much of a Tim Drake fan as I am, seeing him walk away might not be the worst thing at this point. Batman has a lot of legacy characters that tend to simply drift in the status quo, serving no real purpose. Letting Tim hang up his cape might freshen up his character, and his relationships with the active heroes. And as a bonus, things would be a little less crowded in Gotham.

But of course, Detective Comics is really about Batwoman these days, giving her the spotlight she deserves. What stands out prominently about Tynion’s take on her is the relationship she has with Batman. They’ve been established as cousins, and early in the issue we see a young Kate try to comfort Bruce Wayne at his parents’ funeral. Because they have that deep-rooted connection, she’s able to talk to him in a way few people can. Her words have weight with him, as illustrated when she calls him out for keeping something from her, and he’s forced to admit fault. How often does that happen to Batman? She may be his cousin, but Kate often acts like his big sister.

I’ve been mostly pleased with Eddy Barrows’ work on this series thus far. In recent issues he and the other artists have emphasized certain panels, usually those that transition to another scene, by adjusting to a more painterly style. The above image of Stephanie is an example. Often it will occur when something dramatic or important is said. Other times it just enhances a nice character shot. It takes some getting used to. But it’s a fun way to liven up dialogue scenes, and can leave lasting impressions.

Clayface, Detective Comics #939, 2016Barrows is also very good at showing us the dichotomy of Basil Karlo, a.k.a. Clayface. Case in point, the page at right. On one hand, we’ve got a great shot of this bulky, gooey monster. But in the next panel, that same monster almost looks like a sad puppy. Here’s hoping this book devotes some more time to Basil in the near future. We could potentially see some really good stuff here.

Barrows does love that legs spread and knees bent pose, doesn’t he? We saw Batman in this pose in issue #934, and now Tim. On the cover, no less. I opted for the Rafael Albuquerque variant.

Like Tim Drake, Detective Comics is better than it’s been in quite some time. In terms of consistency, we’re talking pre-New 52. This book isn’t simply housing for Batman’s legacy characters. It’s in contention for the best Bat-book on the stands. My only question now is whether it’ll be down a Robin going forward…

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A Detective Comics #934 Review – Rebirth and Redemption

Detective Comics #934, 2016, Eddy BarrowsTITLE: Detective Comics #934
AUTHOR: James Tynion IV
PENCILLER: Eddy Barrows
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: June 8, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

I dig this issue for no other reason than it rights a wrong that’s been present since 2011. It fixes the Red Robin costume. That thing had been far too ugly for far too long. It was a damn embarassment.

But there’s plenty more to like here. A mysterious force is targeting Gotham’s heroes, some of whom are not prepared for this new threat. Batman comes to Kate Kane, a.k.a. Batwoman, to help train the next generation of heroes. Red Robin, The Spoiler, Orphan, and (of all people) Clayface are chosen to train under The Dark Knight and his new partner. A partner who knows more about Batman than he suspected, and is hungry for more knowledge. Such as what Batman isn’t saying about this new threat to costumed heroes.

This “reborn” Detective Comics has a feel-good vibe to it by virtue of its cast, which consists largely of characters who were screwed over creatively during the New 52. Tim Drake lost so much of his depth and backstory in the reboot, and given that silly costume. I’ve got high hopes that James Tynion IV, an accomplished Batman writer himself, can do some justice for him. And of course, Stephanie Brown and Cassandra Cain were wiped from continuity and didn’t return until later. With their respective backstories altered, of course. Fans may remember the shakeup in 2013 over DC not allowing Kate Kane to marry. The road to this title has been frustrating. But there’s a nice opportunity for redemption here.

Detective Comics #934, Eddy Barrows, ClayfaceOn the subject of redemption, the addition of Clayface to this team is surprising. He obviously doesn’t qualify as a costumed hero. But it plays to the idea that on some level, Batman really is trying to rehabilitate the villains he fights. The smart bet is this goes bad at some point. But in the meantime, the dynamic Basil Karlo will have with his more virtuous teammates is intriguing.

This issue is also particularly noteworthy for the return of Jean-Paul Valley, the original Azrael, and the man who replaced Bruce Wayne as Batman in the early ’90s Nightfall storyline. How he connects to the Michael Lane version of Azrael (if at all) remains to be seen, and I can only assume Knightfall is no longer canon. But longtime fans may get a kick out of seeing him again, and hopefully not for the last time. As we open the issue, Batman seems to be trying to recruit him. I’d love to see him return as either a part-time ally, or even an enemy.

It’s not often you see Batman playing the good cop. But that’s exactly what we get here, with Batwoman in the bad cop role. She comes off as a hardened drill sergeant, while Batman plays the supportive mentor. It’s a side to him that don’t see quite as regularly. At least not since Batman & Robin ended. What’s more, Batwoman gets put over really well. Especially when she surprises Bruce with the knowledge of his secret.

Eddy Barrows has earned this run on Detective Comics. He’s had memorable runs on both Nightwing and Superman and recently spent some time on Martian Manhunter. He’s good with acting, and emotion, which shows here. From the fear in Azrael’s eyes as Batman closes in, to the intensity and anger from Kate when a mysterious figure appears in her apartment. He’s able to inject sympathy into the otherwordly Clayface as well as any artist I’ve ever seen (shown above). He connects you to the characters well in that sense.  Barrows’ rendering of Batman’s cowl evokes memories of Michael Keaton’s costume from the Tim Burton movies. Inker Eber Ferreira and colorist Adriano Lucas also deserve credit for making the presentation so clean, and beautifully shadowy.

Detective Comics #934, Eddy Barrows, BatmanIt’s Barrows’ body proportioning I’m not certain about. There’s a panel in which The Spoiler is looking down on a crime in progress, and it looks like her legs are separated from her torso. There’s an otherwise beautiful shot of Batwoman swinging through the city in which our heroine looks just a bit too lanky. Barrows also has a weird thing about leg positioning, as we see in a shot of Batman swooping into a building (shown right). It’s a similar bizarre position to the one we saw on his Nightwing #1 cover.

Part of what made DC Universe: Rebirth #1 such a feel-good issue was the combination of story intrigue, and justice finally being done to characters that had gotten a raw deal in recent years (Wally West, Ted Kord, etc.) Detective Comics #934 is similar in that respect. The two issues also weren’t afraid to show us some emotion and humanity. Between Kate’s often volatile nature, the villainous tendencies of Clayface, and the presence of the younger heroes, I suspect there’ll be no shortage of those things going forward. That’s a good thing.

Image 1 from insidepulse.com. Image 2 from comicbookmovie.com.

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A Batman #52 Review – Ohhhh, They’re Being Cute…

Batman #52, 2016, Greg CapulloTITLE: Batman #52
AUTHOR: James Tynion IV
PENCILLER: Riley Rossmo. Cover by Greg Capullo.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: May 11, 2016

***Miss last issue? Check out issue #51!***

By Rob Siebert
Editor, Fanboy Wonder

This is the last issue of this volume of Batman. Because, you know, it’s the New 52. And this is issue #52. Oh, and Batman makes a list, and the important item is number 52.

I’m almost glad all these New 52 books are relaunching. They’re getting a little too cute with their number games…

A short time after the Waynes are murdered, Leslie Thompkins asks young Bruce to compile a list of things he needs to do to move on with his life. It’s not an easy list to compile, however. Years later, the things Bruce wrote down resurface in a manner that requires the attention of Batman. But what exactly is on that list?

A few quick words on James Tynion IV: His contributions to this Batman run should never be looked over. Scott Snyder may have been in the driver’s seat, but Tynion was a hell of a co-pilot with his back-ups on a lot of those issues. One that immediately comes to mind is issue #15, in which he and Jock put The Riddler over really well (and this was pre-Zero Year). Another amazing little story was “The Pit” with Rafael Albuquerque from issue #23. There are moments in this Batman series where I wondered Tynion actually understood Batman better than Snyder did. So if Snyder isn’t going to be the one to close this chapter of Batman’s career, Tynion damn sure deserves it.

Batman #52, Riley Rossmo, Leslie Thompkins, weird hairThat being said, Riley Rossmo’s art is awkward at times. He’s by no means a bad artist. He draws a pretty good Alfred. But there are panels where Batman’s eyes get a little too big and buggy for my taste. At different points he also looks a little too stringy, particularly on the final page. Part of that is Rossmo’s style, which is fair enough. But c’mon, this is Batman we’re talking about.

Also, what exactly is up with Leslie’s hair (shown left)? Is that supposed to be a retro hairdo? It’s more distracting than anything else. Why does Leslie have a cat sleeping on her head?

On the plus side, Rossmo draws what seems to be a nice little tribute to Batman: The Animated Series in this issue (shown below). He incorporates it into the story nicely. Artistically, it’s one of the highlights of the book.

The idea of Bruce creating a list like this is interesting. We don’t get to see a lot of it, which is fine. It’s probably best left to the imagination. We do see a few entries however…

  • #1. Disappear.
  • #7. Feel nothing.
  • #21. Let go of everything.
  • #33. Make them feel what I feel.
  • #45. Don’t let anybody else leave me.

Batman #52, lightning bolt, Riley RossmoWhat’s great about these sentiments is that while these feel like things a child might have written, in different ways you can apply them to both Batman and young Bruce Wayne. Tynion, Rossmo, and the team do a lovely job of illustrating that. They also hit us with a really good tearjerker in the second half of the issue when Alfred makes an addition to Bruce’s list.

Batman #52 is a serviceable conclusion to this volume of The Dark Knight’s adventures. Thankfully, Tynion returns to Batman’s world next month in Detective Comics #894. I’m pleased to see him getting the top billing on a Bat-book. He’s earned his stripes in Gotham City. While this may not be his best work, he’s got a chance to make some great comics going forward. That’s good news for both Tynion and Batman.

Image 1 from gamespot.com. Image 2 from comicvine.com.

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A Batman & Robin: Eternal #1 Review – The Burden of (Low) Expectations

Batman & Robin Eternal #1TITLE: Batman & Robin Eternal #1
AUTHORS: James Tynion IV, Scott Snyder
PENCILLER: Tony Daniel
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: October 7, 2015

***Readers might want to check out Grayson #12, as it sets this issue up quite nicely.***

By Rob Siebert
Editor, Fanboy Wonder

I’m going on record right now: If this book gets as tedious and stupid as Batman Eternal did, I’m out. For some ridiculous reason, I paid $156 for every issue of that series. And like every weekly series DC has put out that isn’t 52, it was a big waste of time and money. So if Batman & Robin Eternal goes off the rails, I won’t be sticking around to watch the awful blaze.

However, Batman & Robin Eternal may be better equipped for success. It’s only 26 issues, which means the creators hopefully won’t have to use as much fluff and filler as they did for its predecessor. Plus, a series with a cast of former Robins is an intriguing idea. The Robin legacy as a whole has been left so ambiguous in the New-52verse that spending some quality time with it would likely do it some good. This series will hopefully supply us with the sense of history we’ve sorely missed.

As an added bonus: This issue introduces Cassandra Cain into the New 52 continuity.

Cassandra Cain, Tony Daniel, Batman & Robin Eternal #1Playing off the events of Grayson #12, the rest of Dick’s surrogate family now knows he’s alive. This issue sees our favorite sexy super-spy help Red Hood and Red Robin catch a bad guy before returning to a familiar location on Spyral business. Then Dick is attacked by a group of well-dressed children with guns, as well as his Spyral partner, followed by a mysterious and lethal martial artist he doesn’t know. His assailant gives him a flash drive that leads him into a mystery in Batman’s past. Via recorded hologram, Bruce calls it his “greatest sin” and his “deepest regret.” The issue ends with a disturbing image which hints at what our mysterious villain, Mother, may be capable of.

Perhaps I’m reading into something that isn’t there, but this issue seems to hint that Dick, Jason, Tim, and others working with Batman was somehow preordained. As if somehow it was all part of a master plan connected to Mother. If that is what they’re going for, then I might as well tag out now. The notion that there was some sort of grand “Robin plan” in place, and that Dick and the others aren’t simply companions Bruce met during his journey, takes so much of the fun away from the Robin concept. The same goes for Batgirl. Bluebird, or whoever else Batman has taken under his proverbial wing. Can we please not make Robin into yet another stupid prophecy character?

Batman & Robin Eternal #1, Tony DanielApparently this series will also present us with the next chapter in Harper Row’s story. In this issue we see she’s capable of manipulating Jim Gordon’s Batman suit. A rivalry between those two could be interesting. But it’s more likely we’ll see why she’s “the key to everything they cannot know. And that is why you must die.” Uh oh, that’s nothing to sneeze at. Batman’s partners have a pretty bad mortality rate, even though they do all come back to life.

I’ve had a love/hate relationship with Tony Daniel and colorist Sandu Florea’s art since the New 52 began, but what we see here is mostly satisfactory. I imagine the scene between Dick, Jason, and Tim taking place in the glow of a big red light wasn’t an accident. The motorcycle chase scene with Dick, leading into the fight with Cassandra was very nicely done. We also have an assassin character called The Orphan who has a cool reveal.

Sadly, Daniel is already passing the artistic baton. For upcoming issues, the reigns will be passed between Paul Pelletier, Scot Eaton, Fernando Pasarin, among others. I suppose the best we can hope for are smooth transitions between the various pencillers.

I don’t have high hopes for Batman & Robin Eternal. But in truth, I’d almost be willing to endure another crappy weekly series if they worked in new costumes for the Red Hood and Red Robin. Take the Bat-Symbol off Jason’s chest, and just start from scratch on Tim’s costume. That thing’s been an eye sore since day one.

Image 1 from ign.com. Image 2 from flickeringmyth.com.

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