Tag Archives: James Tynion IV

Weekly Comic 100s: Spider-Man #2, Batman #81

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Spider-Man #2
AUTHORS:
J.J. Abrams, Henry Abrams
ARTISTS:
Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel and Dave Stewart. 
RELEASED:
October 16, 2019

Whether you like this J.J. Abrams stuff or not, I can say his name value got me to buy a Spider-Man comic again.

Ben Parker got into this dad’s old costume pretty quickly. But I buy his motivation: He does it to impress a girl. I mean, c’mon! He’s a ninth grade boy. That’s usually about as complex as their motivations get.

Sara Pichelli continues to turn in not just awesome art, but art that’s distinctly different from her work on Miles Morales. Needless to say, she’s become one of the definitive Spider-Man artists of this era.

TITLE: Batman #81
AUTHOR:
Tom King
ARTISTS:
John Romita Jr (Penciller), Klaus Janson (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer) Mitch Gerads (Co-Penciller, Co-Inker, Co-Colorist)
RELEASED:
October 16, 2019

I’m not the world’s biggest Tony Daniel fan. But the switch from his art to John Romita Jr’s has been jarring.  The look and texture of the story has changed halfway through. That’s rarely a good thing.

When Tom King tries to pull the “Batman had a plan all along” card, my initial was, “I don’t buy it.” Also, King makes the Flashpoint Batman’s fighting prowess so exceptional it almost becomes cartoonish. Especially with how it’s executed.  Maybe these opinions will change once the story ends, or I have more time to absorb it. But for now, they’re losin’ me…

TITLE: Star Wars: Allegiance #2
AUTHOR: Ethan Sacks
ARTISTS: Luke Ross, Lee Loughridge (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto
RELEASED: October 16, 2019

I’m finding myself wanting more Kylo Ren in this book. Especially after reading that Snoke one-shot they put out a few weeks ago, where the two characters go to Dagobah. Still, I understand why they might not be able to do that, as we’re obviously building to the movie. We do, however, get to spend some quality time with Rey, which is nice.

We learn in this issue that Admiral Ackbar has a son, but only met him once because “his focus was elsewhere.” Apparently the only good dad in the galaxy was Bail Organa…

TITLE: Something is Killing the Children #2
AUTHOR: James Tynion IV
ARTISTS: Werther Dell-Edera, Miquel Muerto (Colorist), Andworld Design (Inks)
RELEASED: October 16, 2019

I’m digging this book so far. Attention-grabbing title aside, Tynion, Dell-Edera, and the rest of this team have started a great horror-mystery. It’s got kind of a Stephen King/YA novel/Twilight Zone feel to it.

As the mystery of this supernatural child-devouring menace unfolds, the book manages to entice the hell out of you with how gorgeously grotesque some of these things are. The intrigue there, along with our likable female anti-hero, makes it easy to come back for more.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

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Panels of Awesomeness: Justice League: No Justice #1

By Rob Siebert
Fanboy Wonder

CREATORS: Scott Snyder (Author), Joshua Williamson (Author), James Tynion IV (Author), Francis Manapil (Artist), Hi-Fi (Colors)

THE SCENE: In a battle between Brainiac and the Justice League, Superman lands a high-impact blow. But Brainiac’s motivations aren’t what the Man of Steel thinks they are.

WHY THEY’RE AWESOME: One thing I’ve always remembered about Superman Returns is the critique about its action sequences. Specifically, the notion that we needed to see Superman punch somebody. I don’t necessarily agree with that. However,  it is always satisfying when Big Blue hits a big blow on a big bad. Case in point, this moment with Brainiac.

What makes these two pages truly awesome the layout. Francis Manapul makes the punch as giant and epic as it deserves to be, complete with a heroic one-liner and Superman’s fist coming straight up at us. But then you’ve got the figures overlapping just a bit with the panels on the opposite page. More often than not, that trick makes for a really fun visual.

I also really like the sequential storytelling here. On the previous page we see Brainiac on top of his ship, with the rest of the League wrapped up in those tentacles. Then we get the punch, and in the next two panels we follow them off the ship and through that building. And based on how that lower middle panel is framed, we can see what kind of distance they’ve covered in relation to the ship.

Finally, that lower right panel gives us a really nice pull into the next page. Not only do you have that defiant line from Brainiac, but he’s blocking another punch. Thus indicating the momentum is about to shift.

Justice League: No Justice wraps up today with issue #4. As I’ve said previously, this is the first Justice League story I’ve picked up in a couple of years. Very curious to see where this goes.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Weekly Comic Haul, May 23, 2018: Detective Comics, Star Wars, Delta 13

By Rob Siebert
Fanboy Wonder

I’m Rob, and these are the comics I spent my hard-earned money on this week…

Detective Comics #981
James Tynion IV’s run ends with this issue. As a longtime fan of characters like Tim Drake, Stephanie Brown, Jean Paul Valley, and Cassandra Cain, I’m so proud of what he was able to do on this book. There’s a reason he’s my favorite modern-day Batman writer. If you want to dive into this series, don’t skip on anything. Go all the way back to Rise of the Batmen.

Justice League: No Justice #3
So in last week’s issue, we learned that the heroes “from the main four teams” that aren’t in these makeshift groups are being held in stasis by Brainiac. That’s his fail-safe, apparently. And somehow the only hero of any merit left is Green Arrow. A bit convenient, wouldn’t you say? It does what it’s designed to do, which is explain why no other heroes are around to help. But still.

Star Wars #46
As you’ll see, this was a big Star Wars week for yours truly. I’m still ready for this Mon Cala story to be over. And for someone other than Salvador Larroca to be drawing it. But I’m obviously still forking money down for it. So in the end, they win.

Star Wars: Poe Dameron #27
The opening scene in this book is downright touching. Expect to see it in Panels of Awesomeness soon. I don’t want to give away much. But it takes place shortly after The Last Jedi, and involves Leia and Chewie.

Star Wars: Darth Vader #16
This one is a few weeks old, but a buddy of mine has been on me to catch up on Vader. He wasn’t wrong. This one also takes place on Mon Cala, but it occurs shortly after Revenge of the Sith. It’s a little bit slow at certain points. But Charles Soule and Giuseppe Camuncoli know how to deliver the action. If you’re a Star Wars fan, it’s worth the read.

Teenage Mutant Ninja Turtles: Urban Legends #1
This series is actually a reprint of the TMNT stuff Image published in the late ’90s. I’ve always been curious about it, mostly because of the big changes they made to the status quo (i.e. Donatello becoming part-robot). But I haven’t had the chance to read it until now. All I’ll say is, you can definitely tell this is a ’90s Image book. I’m not sure if I’ll keep picking it up. But this one certainly entertained me.

Delta 13 #1
I hadn’t even heard about this series. But Steve Niles’ name piqued my interest. After reading the first issue, it seems like there might be something good here. I was hoping for a bit more of a hook. But it’s officially on my radar.

Babyteeth #4
I ordered this issue from my local comics shop (Shout out to Rockhead’s Comics and Games in Kenosha). Realistically, I could have bought the trade. Or worse, pirated it online. But I wanted to read it issue by issue. So far, I haven’t been disappointed.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Weekly Comic Haul, May 9, 2018: Venom, Justice League: No Justice

By Rob Siebert
Fanboy Wonder

I’m Rob, and these are the comics I spent my hard-earned money on this week…

(And shame on me, there are no indie comics in my haul this week. Unless you count The Walking Dead as an indie comic. I do not.)

Venom #1
I’m not much of a Venom guy, so normally I wouldn’t have picked this one up. But Donny Cates’ name attracted me to it. He writes Babyteeth over at Aftershock, which I’ve really enjoyed. So I’m giving this one a whirl for him.

Justice League: No Justice #1
I’m not the world’s biggest Scott Snyder fan. He’s hit or miss with me. But the Justice League portion of DC Nation #0 piqued my interest. Plus, James Tynion IV and Joshua Williamson are attached, and I dig both of them. Francis Manapul is also an artistic deity. This has been proven.

Detective Comics #980
James Tynion IV is my favorite modern Batman writer. The fact that he’s bringing back all this ’90s and early ’00s stuff is a just a bonus.

Star Wars: The Last Jedi #1
I don’t normally pick up these Star Wars movie adaptations from Marvel. But the preview for this one caught my eye. A portion of it is done through Luke’s point of view, which is a nice little added hook.

The Walking Dead #178 and #179
In recent months, I’ve slept on The Walking Dead a little bit. It was partially intentional, and partially cost-related. I’m intrigued by the new direction they’ve taken things, but they obviously didn’t grab me hard enough to keep me buying month to month. Here’s hoping the combined effort of these two issues will change that.

Darth Vader #15
I’ve had to hold back on Darth Vader as well. This one was strictly a cost thing. Like issue #14, this one might be a candidate for “Epic Covers.” For some reason, part of me is always surprised when someone uses a lightsaber underwater. Luke just did that in Star Wars #48. Did they work that way in the “Legends” continuity?

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

A Batman: Night of the Monster Men Review – Hollow Monsters

Batman #7, 2016, cover, Yanick PaquetteTITLE: “Batman: Night of the Monster Men”
AUTHORS: Steve Orlando, Tom King, Tim Seeley, James Tynion IV
PENCILLERS: Riley Rossmo, Roge Antonio, Andy MacDonald
COLLECTS: Batman #79Nightwing #78Detective Comics #941942
PUBLISHER: DC Comics
CUMULATIVE PRICE: $17.94
GRAPHIC NOVEL RELEASE: March 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

This “Night of the Monster Men” crossover boasts an extremely talented group of writers and artists, stars Batman and some of his more popular allies, and is even inspired by one of the very first Batman stories. It also began a week after DC “killed” Tim Drake. So there was a lot of potential here for a creative, emotional, thrill ride.

Yeah, none of that happened. “Night of the Monster Men” feels like your wife dragging you to one of your friend’s weddings. It’s an obligation you’re stuck with, so you try to make the best of it. But in the end you’re just happy to get the hell out of there.

Running through BatmanNightwing, and Detective Comics, this story sees Hugo Strange create giant monsters that attack the city. Much of Batman’s surrogate family gets wrapped up in the chaos. But despite all the innocent lives that hang in the balance, Strange’s entire plot is about Batman himself.

Batman #1, Professor Hugo Strange and the Monsters, 1940, Bob Kane and Bill FingerAll this Hugo Strange/Monster Men stuff is inspired by a story from 1940’s Batman #1 entitled “Professor Hugo Strange and the Monsters.” It’s a respectable early outing for the Dark Knight by Bill Finger and Bob Kane in which Strange creates a bunch of big ogres to terrorize the city. Matt Wagner took the same cue for his 2006 miniseries Batman and the Monster Men, which was exponentially better.

“Night of the Monster Men” suffers from a variety of problems. But chief among them is a lack of emotional stakes. That’s an odd problem to have, considering what just happened with Tim, and how many of Batman’s surrogate family members are in this fight. In the first issue, Batman repeatedly emphasizes that no one else is dying. This gives the impression that we’re going to get an overprotective Batman, frantically trying to micromanage the efforts of his partners to keep them from dying. This would be futile, of course. But it would have made a great emotional backdrop. We also had the perfect cast for such a story, with Bruce having recently trusted Batwoman to train this new crop of young heroes. And of course, we’ve got his original partner, Dick Grayson. Hugo Strange’s motive also would have been more poignant.

Instead, we mostly get a story about Batman fighting monsters. Monsters created from cadavers, no less. We can’t even go the route of, “Don’t kill the monsters! They’re people!” Later, two of our heroes are turned into monsters, but they don’t mine this for much emotion either.

Granted, they’re cool looking monsters. “Night of the Monster Men” enlists Riley Rossmo and Andy MacDonald, both of whom excel in the fantasy/horror side of things. We also have they very capable Roge Antonio, who give us a nice blend of horror and naturalism. Instead of going the ogre route, the story mostly opts for a mix of mutant aberrations and giant kaiju type monsters. They’re fun to look at, but they’d be more fun if they were more than mere physical threats to our heroes Batman. There’s little of any depth or substance to them, and what the final issue attempts to pass as such via Strange’s motivation doesn’t connect in a meaningful way. (That monster represented fear? But weren’t we supposed to be afraid of all of them?)

Detective Comics #942, monster two-page spread, 2016So instead of a coherent crossover that ties into and takes advantage of Batman’s fragile emotional state, what we essentially get is a bunch of fluff that they attempt to tie together at the end with some psych mumbo jumbo. It’s all so hollow.

“Night of the Monster Men” also suffers from being a little too long, and a little too crowded. The story struggles to give Spoiler and Orphan something to do in all of this. Like Booster Gold in his Justice League Unlimited episode, they’re mostly relegated to crowd control. There’s a cave sequence (not that cave) involving Spoiler, Orphan, and Harvey Bullock that largely feels like padding. If they’d cut that out, along with the ridiculous scene where our heroes use giant guns and harpoons on top of buildings (conveniently adored with the heroes’ insignias) to stop a monster, they’d probably have been able to trim this down from six issues to four. Five at most.

Nightwing #8 and Detective Comics #942 also make full use of the “Hugo Strange dressed as Batman” trope, as we learn that Strange himself wants to be Batman. A fine motive, though not necessary in this case. “Night of the Monster Men” would have worked fine as Strange’s attempt to spotlight Batman’s inadequacies and force him to hang up the cowl, in the process pouring salt in the wound left by Tim’s departure. Perhaps the urge to use the only piece of classic Batman/Hugo Strange imagery was too intense. Admittedly, at that point I was just happy we were finally getting a scene between two human beings, as opposed to hollow monster battles.

batman-clayface-suit-detective-comicsOn the upside, this story makes fine use of Clayface’s new status as one of Batman’s allies. He plays a practical role at first, spreading himself out to guide people out of the city. He also plays an integral role in the finale. But his highlight here, and one of the highlights in “Monster Men” as a whole, comes in Batman #8. As the Dark Knight is about to face one of the monsters head on, Clayface envelops him, effectively becoming a suit of armor. Does technically this fall under the banner of giant awful Batman robots/armor? Absolutely. But the execution is unique enough that it gets a pass from me.

“Batman and the Monster Men” offers good showings from the artists attached, and a bright spot here or there. But by and large, this was a turn off and a waste. Nightwing and Detective Comics were both on a solid course up to this point, and things were starting to look up for Batman. Hopefully we can get back to our regularly scheduled programming in short order.

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A Detective Comics #941 Review – The Dead Robin Trope

Detective Comics #941, 2016, coverTITLE: Detective Comics #941
AUTHOR: Steve Orlando, James Tynion IV
PENCILLER: Andy MacDonald. Cover by Yanick Paquette.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: September 28, 2016

By Rob Siebert
Editor, Fanboy Wonder

Thus far, “Night of the Monster Men” has left me uninspired. Certainly not what I was hoping for after what happened with Tim Drake last issue.

The plot of this Batman/Detective Comics/Nightwing crossover is pretty straightforward. Professor Hugo Strange is unleashes a bunch of giant monsters on Gotham City. All the while, a hurricane threatens to hit the city during the attack. Batman, Batwoman, Nightwing, Gotham Girl, and various other members of the surrogate “Bat-Family” are truly in a battle against he elements. But in the wake of Tim’s “death,” the Dark Knight is having trouble allowing others to take the risks necessary to save lives.

Before we get into this issue, or “Night of the Monster Men” as a whole, let’s talk a little bit about what happened to Tim. Rumors of his demise are greatly exaggerated. During the events of Detective Comics #940, he attempted to sacrifice himself in the battle against Jacob Kane and the Colony. But the mysterious Mr. Oz, who we’ve previously seen interact with Superman, captured him. Now everyone, including Batman, believes Tim to be dead. By and large, the whole thing was well done. The art was engaging. The writing was impactful. It was a nice way to put the character on the shelf for refreshment, while also paying tribute to him.

Batman #1, portrait shot, Greg CapulloBut part of me really wishes they hadn’t done it.

I understand there are only so many routes to take with these  superhero characters. At some point, everybody’s going to have a brush with death. But now, all four characters that have been the official canonical Robin have either been killed off, or thought to be dead by almost everyone in their universe. Even Stephanie Brown, who was only Robin for about a month, has “died” and come back. What’s more, most of it has happened in just the last five years.

Let’s look at the timeline…

* 1988: Jason Todd is killed by the Joker in “A Death in the Family.”
* 2004: After a short stint as Robin, Stephanie Brown, a.k.a. the Spoiler, fakes her death.
2013: Damian Wayne is killed in battle by Heretic.
* 2014: With Batman’s help, Dick Grayson fakes his death and joins Spiral.
* 2016: Tim Drake is captured, presumed killed after a fight with the Colony.

The concept of Robin is pretty hard to swallow. It’s always been fun, but if you look at it in a real world context, there’s a definite creep factor to it. This Dead Robin trope ups that creep factor considerably. What we have here is a man continually enlisting aids from these boys, who eventually age out of their role, and all have the same black hair style. And eventually, they all die violently.

Detective Comics #941, 2016, Nightwing, Gotham GirlAm I getting carried away? Maybe. But at the very least, the storytelling in these Bat-books is getting repetitive. I’ll at least credit Tynion and the Detective Comics crew for doing it better than it’s been done in awhile.

“Night of the Monster Men” feels like it’s going to be an examination of the trust Batman puts in his partners, which he’s reconsidering after what happened to Tim. At one point in this issue, Batwoman tells him he’s in a situation he can’t control. Our hero’s response is: “I refuse to accept that scenario.”

What’s happening in Batman’s head is, thus far, the most interesting element in all of this. The trouble is there isn’t much more to latch on to in terms of meat. At least not yet. The monsters look cool enough, but we see they’re somehow created from cadavers. So while they’re obviously very threatening, we’re not invested in them much more than we would be mindless foot soldiers or zombies. Thankfully, that changes at the end of this issue.

This is my first exposure to Andy MacDonald’s work. But he and colorist John Rauch give everything a nice texture, and make solid use of splash pages and larger panels to show off these Godzilla-ish monsters. Our creators also don’t hesitate to use “They’re not alive? Let’s rip ’em to shreds!” logic when it comes to Gotham Girl fighting them.

“Night of the Monster Men” seems like a summer blockbuster that arrived late. Thus far, like many a summer blockbuster, it’s heavy on the action, but low on substance. As we’re halfway through, that doesn’t bode well. We’ve got some really good talent on these books, so I want to give them the benefit of the doubt. But I don’t have high hopes.

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A Detective Comics #939 Review – Tim Drake’s Return to Glory

Detective Comics #939, cover, Eddy BarrowsTITLE: Detective Comics #939
AUTHOR: James Tynion IV
PENCILLER: Eddy Barrows
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: August 24, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Did any character get a more of a raw deal in the New 52 than Tim Drake? Not only was he put in a horrendous new costume, but his 20-year history was compressed and retconned to the point that we were essentially dealing with a new character. Almost four years later, and things aren’t much better for him.

That being said, Tim Drake fans should send James Tynion IV a thank you note. Detective Comics #939 is the best Tim Drake story I’ve read in years. New 52 Red Robin may finally become more than a shell of his pre-reboot self, and really set himself apart from his “brothers” in Batman’s surrogate family. Though in a way it’s a shame, as it’s looking like he’ll soon be either retired or dead…

The quaint team of heroes assembled by Batman and Batwoman have begun to mount a comeback against the military force Jacob Kane has dedicated to eliminating caped heroes in Gotham. But as drones prepare to swarm the city, Kate Kane suspects Batman knows more than he’s letting on about her father’s efforts. Meanwhile, Tim Drake ponders a future without superheroics. But he may not live to see such a future, after he makes a drastic choice that terrifies his teammates.

Detective Comics #939, Tim and Steph, Eddy BarrowsSince Tynion came aboard Detective Comics, Tim has been debating whether to leave Gotham to attend Ivy University full time. This is consistent with the Tim Drake we often saw in the late ’90s and early ’00s. At that point, Tim was unsure of his future as a superhero, often insecure when comparing himself to Dick Grayson and the like. This college storyline seems to play off that idea. As much of a Tim Drake fan as I am, seeing him walk away might not be the worst thing at this point. Batman has a lot of legacy characters that tend to simply drift in the status quo, serving no real purpose. Letting Tim hang up his cape might freshen up his character, and his relationships with the active heroes. And as a bonus, things would be a little less crowded in Gotham.

But of course, Detective Comics is really about Batwoman these days, giving her the spotlight she deserves. What stands out prominently about Tynion’s take on her is the relationship she has with Batman. They’ve been established as cousins, and early in the issue we see a young Kate try to comfort Bruce Wayne at his parents’ funeral. Because they have that deep-rooted connection, she’s able to talk to him in a way few people can. Her words have weight with him, as illustrated when she calls him out for keeping something from her, and he’s forced to admit fault. How often does that happen to Batman? She may be his cousin, but Kate often acts like his big sister.

I’ve been mostly pleased with Eddy Barrows’ work on this series thus far. In recent issues he and the other artists have emphasized certain panels, usually those that transition to another scene, by adjusting to a more painterly style. The above image of Stephanie is an example. Often it will occur when something dramatic or important is said. Other times it just enhances a nice character shot. It takes some getting used to. But it’s a fun way to liven up dialogue scenes, and can leave lasting impressions.

Clayface, Detective Comics #939, 2016Barrows is also very good at showing us the dichotomy of Basil Karlo, a.k.a. Clayface. Case in point, the page at right. On one hand, we’ve got a great shot of this bulky, gooey monster. But in the next panel, that same monster almost looks like a sad puppy. Here’s hoping this book devotes some more time to Basil in the near future. We could potentially see some really good stuff here.

Barrows does love that legs spread and knees bent pose, doesn’t he? We saw Batman in this pose in issue #934, and now Tim. On the cover, no less. I opted for the Rafael Albuquerque variant.

Like Tim Drake, Detective Comics is better than it’s been in quite some time. In terms of consistency, we’re talking pre-New 52. This book isn’t simply housing for Batman’s legacy characters. It’s in contention for the best Bat-book on the stands. My only question now is whether it’ll be down a Robin going forward…

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