Weekly Comic 100s: Star Wars Adventures, Lois Lane #9, and..Other Stuff…

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

So yeah…how’s your quarantine been?

Like every other business on Earth, the comic book industry is being hit hard by the Coronavirus pandemic. As such, comic shops will receive no new issues this week. What exactly will happen with digital releases remains to be seen. But Image, IDW, Dark Horse, and Oni Press have all opted out of digital releases until print issues return to stores.

As for me, “social distancing” kept me out of my comic shop this week. My issues are being shipped to me, but they won’t arrive until….today. Because of course.

But in the spirit of wanting to put something in this space this week, I’ve done some digital shopping of my own. I put some issues in my cart that aren’t the most recent, but that piqued my interest. First among these was Lois Lane #9, which for some reason has alluded me for several weeks now…

As for what’ll be in this space over the next several weeks, all I can say is something will be here. Even if I’ve got to review comics from decades ago. But next time, we’ll get into the issues I’m about to get in the mail. Such issues include Batman/Superman, Star Wars: Bounty Hunters, andI Can Sell You A Body, and more.

TITLE: Lois Lane #9
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Andy Troy (Colorist), Simon Bowland (Letterer)
RELEASED: March 4, 2020

Batman shows up in this issue, seemingly for no reason other than to pad the story. Still, it is good to see Rucka writing him again. Even like this.

As the cover suggests, there’s an immigration angle here. If, like Batman, it were shoehorned in for no reason I’d take issue with it. But Rucka weaves it into the mystery of who is out to kill Lois. So it works for me.

Also, do yourself a favor and Google “Jessica Midnight.” Just a heads up.

TITLE: Star Wars Adventures #31
AUTHORS: Michael Moreci, Cavan Scott
ARTISTS: Arianna Florean, David M. Buisan, Valentina Taddeo (Colorist), Charlie Kirchoff (Colorist), Jake M. Wood (Inker)
RELEASED: March 18, 2020

I’ve had my eye on this title, as it was recently announced it’ll contain stories set after The Rise of Skywalker. But apparently that’s not until May…

What we get here is perfectly serviceable. First is a story about Rey flying an X-Wing for the first time. I assume that’s meant to foreshadow what she does near the end of Rise. Then we get a back-up about a young explorer in wild space. Frankly, the back-up intrigued me more than the main story did. We haven’t seen much (or any?) of wild space, have we?

TITLE: Outlawed #1
AUTHOR: Eve L. Ewing
ARTISTS:
Kim Jacinto, Espen Grundetjern (Colorist), Clayton Cowles (Letterer). Cover by Pepe Larraz and David Curiel.
RELEASED:
March 18, 2020

This book is here to set the table for yet another Champions relaunch. After the most recent relaunch ended this past October with only 10 issues. I mean…alright? If you’re sure.

This issue feels very Civil War-ish. A big explosion during a battle involving the Champions prompts the government to adopt a law prohibiting those under 21 from acting as superheroes.

This issue on its own didn’t do much for me. But I really liked the Mark Waid/Humberto Ramos Champions line-up. So if this kicks off a good story for them, I’m all in.

TITLE: Marvels Snapshots: Sub-Mariner
AUTHOR:
Alan Brennert
ARTISTS:
Jerry Ordway, Espen Grundetjern (Colorist), Travis Lanham (Letterer). Cover by Alex Ross.
RELEASED:
March 11, 2020

I’ve got the unique perspective of reading Marvels at the same time all this supplemental material is coming out. It’s a lot to take in. But the process has been fun.

Though he comes from Atlantis, virtually a different world, this issue shows us Namor is just as vulnerable to the scars of war as his human cohorts. Set shortly after World War II, and told from the perspective of his love interest Betty Dean, this “snapshot” shows us how Namor both is and isn’t human. Ordway and Grundetjern set the period brilliantly with their art.

TITLE: The Resistance #1 (of 6)
AUTHOR: J. Michael Straczynski
ARTISTS:
Mike Deodato Jr., Frank Martin (Colorist), Sal Cipriano (Letterer). Cover by Rahzzah.
RELEASED:
March 18, 2020

Good lord. This one might actually be too timely. Read at your own risk as far as triggers go.

Quick summary: A deadly virus sweeps the planet, killing hundreds of millions. Then suddenly, it goes dormant. In response, a new American president is elected that promises to keep the pubic safe if the virus returns. But some of the survivors have inexplicably acquired superpowers. So what the hell happens now?

This sparked my interest enough to read more. Much of what we see here feels disturbingly realistic, particularly in terms of how the public reacts to certain things…

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

 

A Superman: Earth One Retro Review – “Ultimate” Superman

***Retro Reviews are pieces of Primary Ignition‘s past (i.e. the old site) dug from the archives and returned to their rightful place. They’ve been minimally altered. The text has been cleaned up just a little, and I’ve updated the artistic credits to go beyond just the penciller. But this is mostly the content in its original form. At the end, I’ll throw in a bit of hindsight.***

TITLE: Superman: Earth One

AUTHOR: J. Michael Straczynski
ARTISTS: Shane Davis, Sandra Hope (Inker), Barbara Ciardo (Colorist), Rob Leigh (Letterer)
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $19.99
RELEASED: October 27, 2010

By Rob Siebert
Editor, Fanboy Wonder

DC wants their Ultimate line, damn it! And they’re going to rehash these origin stories over and over and over again until SOMEONE gets it right!!!

So I’m guessing because the Grant Morrison/Frank Quitely and Frank Miller/Jim Lee teams couldn’t hack it with a monthly schedule on the All-Star books, DC decided to introduce these Earth One graphic novels, which allow creators to tell stories without being bound down by continuity, tradition, etc. This book is the first in the series, with a Batman: Earth One on the way. Ironically, J. Michael Straczynski was actually taken off the monthly Superman title so he could start working on a sequel to this book.

As expected, Superman: Earth One puts Straczynski’s spin on the classic Superman origin story. It follows an early ’20s Clark Kent into Metropolis as he tries to find himself. We get frequent flashbacks to conversations he had with his adopted father, who in this story is deceased. Eventually, an alien being tracks the last surviving Kryptonian to Earth, and threatens to destroy the planet unless he shows himself. Thus, Clark becomes Superman, etc. etc.

If I sound cynical about this book, it’s because I am. I came into it that way. There’s no story in the comic book industry that’s been rehashed more than Superman’s origin. Geoff Johns was in the middle of rehashing it with Superman: Secret Origin when they announced this book. I understand different writers bring different perspectives and textures to the story. But when you get right down to it, it’s still the same story Just because you can put your own spin on something doesn’t mean you should. Heck, in All-Star Superman Morrison and Quitely were able to get the origin out of the way in four or five panels! And it was beautiful!

The Clark Kent of Earth One is very moody and broody. He walks around in a hoody and jeans, initially trying to find other ways to help humanity besides being a superhero. Some reviewers have made Twilight comparisons. While I’d prefer not to slander Superman with such a label, it’s not hard to picture Robert Pattinson under that hood. *shudders*

Still, credit where credit is due. Straczynski doesn’t use Lex Luthor, Braniac, or any of the stock villains in this story. He instead opts to create his own villain, whose native race was responsible for destroying Krypton. In every other Superman origin, the planet was simply destroyed via a natural disaster of some kind. Having it destroyed out of malice is an intriguing concept. Shane Davis’ art is also very good. My favorite image in the entire book comes toward the end, where Clark puts on the classic glasses for the first time. It’s a hipster look. But it’s new.

I don’t oppose the idea of a younger, less experienced Superman at all. But I think I’d be more inclined to like this book if so much of it hadn’t been done already. Clark’s recollections about his father are a perfect example. The whole “Son, you were put here for a reason” and “Clark, you’re going to find your place in this world,” and “You’re going to fulfill your true destiny” stuff has been done so much that I almost found myself rolling my eyes. Don’t get me wrong, it’s good storytelling. But there’s not much room for Straczynski to put his own spin on that. Or if there was, he didn’t.

For instance, Straczynski depicts The Daily Planet as a paper on the verge of going under, but Geoff Johns did that in Secret Origin. He portrays the public as mixed in terms of how they feel about Superman. But Mark Waid did that in Superman: Birthright, and the mainstream Superman comics have been playing up the “What if he turns on us?” angle for years now.

Bottom line ? I don’t get it. People have been so quick to drop heaps of praise upon this book. But aside from Clark’s age and the new villain, it just seems like a mishmash of things that have already been done. And believe me, they’ve been done better than this. By most standards, Superman: Earth One is a good book. But that’s not because of Straczynski’s creativity. It’s because Superman’s origin story was already good, whether he’s in a hoodie or not.

Now that Superman: Earth One has told its first chapter, hopefully Straczynski and Davis can work on being more innovative with their storytelling, and giving us things we haven’t seen before. In their defense, they obviously didn’t want to do a complete 180, and change the core essence of Superman. But this book breaks very little ground, if any.

RATING: 6.5/10

***IN HINDSIGHT: All of this still pretty much rings true. Amazingly, after all these years I still haven’t forgiven Straczynski for bailing on the “Grounded” storyline. It had so much potential and he just abandoned it.***

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