***WARNING: Spoilers lay ahead.***
By Rob Siebert
Editor, Fanboy Wonder
Champions simultaneously is and is not a product of it’s time. Stories about the new generation rising up and righting the wrongs of the world have been around as long as storytelling itself. And of course, it’s a teenage superhero book. Not exactly a new concept.
At the same time, Mark Waid is going out of his way to be contemporary with Champions. You’ve got some standard teenage superhero stuff, sure. But the book also tackles Islamaphobia, Islamic Fundamentalism, feminism, and police brutality. This is very much a book for 21st century issues, as seen from one side of the political aisle.
In the aftermath of Civil War II, Ms. Marvel (Kamala Kham), Nova (Sam Alexander), and Spider-Man (Miles Morales) have left the Avengers. Determined to give the world heroes they can believe in again, they form a team of their own. A team that refuses to punch down or use unjust force, but instead win the day with wisdom and hope. With the addition of Hulk (Amadeus Cho), Viv Vision, and Cyclops, the Champions are born.
I feel like I owe Humberto Ramos an apology. HIs style is so exaggerated, cartoony even, that one can fall into the trap of underestimating just how good he is. I’ll admit it: That happened to me. But what makes Ramos so special is his versatility. Champions is a potpourri of what superhero comics can offer. It’s a teen dramedy. It’s a superhero action thriller. It’s a look at what it means to be a hero. It’s an inspiring look at what happens when seemingly ordinary people stand up for themselves. But Ramos’ work fits all of it, and ties everything together seamlessly. Visually, nothing feels awkward or out of place. I can only imagine the talent it takes to pull that off.
Mind you, there are some minor bumps in the road. Issue #2 give us a pretty pitiful case of panel duplication. There’s also a splash page where Hulk and Viv are making out that I still don’t get. Hulk is so much bigger than her. I just don’t get how their mouths would…match up? Nothing too intense. But it does briefly pluck you out of the story.
Both Mark Waid and Humberto Ramos have been outspoken regarding the Trump administration, and some of the moves they’ve made. Waid, along with other creators, has made efforts to create “safe spaces” at comic book conventions, and has generally been very public about his feelings toward bullies, hate-mongerers, etc. Ramos, on the other hand, has simply opted not to appear in states that voted for Trump.
Champions, issues #3 and #5 in particular, doesn’t hide that it’s a book written by people with those beliefs. The upside to that is we get some powerful material about standing up to hate, and not being afraid to put yourself at risk to do what’s right. The downside is that this isn’t what a lot of people want in their comics. Though I doubt Waid, Ramos, and the Champions team care who they piss off.
In this sense, the book can overplay it’s hand at times. Especially in issue #3, when we get to the Amal character. She’s a fierce young woman standing up against a militant extremist group committing gender apartheid. It’s pretty obvious how the reader is supposed to feel about her. But Waid makes a point of slipping in little lines about how she should be the leader of the Champions, and how she’s a bad ass. He’s coming from a good place, but that’s overkill.
Gwenpool pops up in issue #5 to join the team’s efforts against a crooked and racist sheriff turning a blind eye to hate crimes. Enraged when a mosque is set ablaze, Gwen and the Champions are tempted to respond with violence. They instead opt to take a more difficult, non-violent route. This has a little bit of a PSA feel to it, but it’s a good message, and an effective use of the Gwenpool character.
Champions has become arguably the most provocative and inviting book Marvel has on the stands right now. It’s not for everyone. But it doesn’t necessarily try to be. It’s also a tremendous example of how the superhero genre can be used for more than just popcorn fun. Change the World has that. But it’s clearly about much more.
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