Alex Ross Spotlight: Living with Mistakes

By Rob Siebert
Fanboy Wonder

Every creative person lives with mistakes, or work they don’t necessarily look back on fondly. To an extent it seems counter-intuitive to think of Alex Ross in such a light, as he’s in such a league of his own among comic book and superhero artists. But indeed, the man is vulnerable to the same things any artist is. Case in point, in Mythology: The DC Comics Art of Alex Ross, he’s very critical of the lithography pictured at right. Gorgeous though it may be, Ross is quick to critique his rendering of Superman’s head.

In the latest video from his YouTube channel, Ross talks about living with certain insufficiencies and failures in his work. I’ve juxtaposed it with a video from two years ago, in which he talks about the importance of completing work. As a former journalist, I can very much identify with turning in work you’re not 100% satisfied with. But a deadline is a deadline, and sometimes the bullet simply has to be bitten.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: Very Early Marvel Art

By Rob Siebert
Not An Artist. At All.

You know what’s sad? Alex Ross drew better as a seven-year-old than I probably could as a 30-something-year-old.

Still, we all did this, right? Those of us who were into superheroes, anyway. We’d get a pencil and some crayons and go to town. I have vivid memories of sitting down and drawing Batman and Robin, the Power Rangers, the Ninja Turtles, etc. It’s just that Alex Ross took things several steps further.

That’s why he is who he is.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: “Lightning of Spirit”

By Rob Siebert
Fanboy Wonder

Considering he draws characters that look and feel so realistic, it’s a little surprising to hear Alex Ross say that his work, and superhero comics in general, aren’t about practicality or realism. In the end, it’s about how it makes you feel. Which is what all art is about, really.

Ross says something in the video below that really jumped out at me. It’s about superheroes having a “lightning of spirit.” That’s perfect. I love that.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Iron Man 2020, Go Go Power Rangers, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Oye. Not a good comic book week for yours truly. Not only am I still reeling from the demise of my local shop, but my pull list was uncharacteristically small this week. So what’s a frustrated fanboy to do?

With only three issues in my stack this week, I’ve added a mini-review of Detective Comics #1000, as we learned this week that it was the highest selling comic book of 2019.

Shout out to Jay’s Comics in Gurnee, IL. I’m pretty sure they’re my new shop.

TITLE: Iron Man 2020 #1 (of 6)
AUTHOR:
Dan Slott, Christos Gage
ARTISTS:
Pete Woods, Joe Caramagna (Letterer).
RELEASED:
January 15, 2020

Thanks to a lot of backstory, (which the issue is nice enough to provide us post-script), Tony Stark’s adoptive brother Arno Stark is now Iron Man. Straight out of the gate, he’s got a rebellious robot uprising to contend with.

As someone who hasn’t kept up with Iron Man lately, there’s not much here to excite me. It’s inferred that Arno has sinister intentions. But when friggin’ Doctor Doom has played the role before, everyone else pales from a “villain as the hero” perspective. Ironic, as Dan Slott’s work on The Superior Spider-Man drew me to this book.

TITLE: Go Go Power Rangers #27
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED: January 15, 2020

Excellent issue, which includes a fight between Tommy and Lord Zedd over the White Ranger powers.

So between what’s happening in this book, and in the main MMPR title, you’re telling me the all-wise Zordon has no idea what’s happening with Jason, Zack, and Trini? The kids he himself chose to be Power Rangers? Like, not even a little? That’s the one aspect of “Necessary Evil” I’m having trouble buying. Other than that, I’m really enjoying what we’re getting from the PR titles right now. The main book was shaky for awhile, but things are definitely back on track.

TITLE: The Low Low Woods #2
AUTHOR: Carmen Maria Machado
ARTISTS: Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by J.A.W. Cooper.
RELEASED:
January 15, 2020

Something felt off here. I’m not sure if the issue was paced to fast, or I was having trouble recalling things from the first issue, or the bizarre-but-not-in-a-scary-way thing we see on page three. But I wasn’t into this issue as much as the first.

I do, however, appreciate the way they’ve developed the town of Shudder-to-Think, Pennsylvania as almost a character unto itself. The town apparently has “an extremely unhealthy relationship with its dead.” As I said last time, it’s very reminiscent of a Stephen King story.

TITLE: Detective Comics #1000
AUTHORS: Scott Snyder, Kevin Smith, Paul Dini, Warren Ellis, Denny O’Neil, Christopher Priest, Brian Michael Bendis, Geoff Johns, James Tynion IV, Tom King, Peter Tomasi
ARTISTS: Greg Capullo, Jim Lee, Dustin Nguyen, Becky Cloonan, Steve Epting, Neal Adams, Alex Maleev, Kelley Jones, Alvaro Martinez-Bueno, Tony Daniel, Joelle Jones, Doug Mahnke. Cover by Lee.
INKERS:
Jonathan Glapion, Scott Williams, Derek Fridolfs, Raul Fernanxes
COLORISTS:
FCO Plascencia, Alex Sinclair, John Kalisz, Jordie Bellaire, Elizabeth Breitweiser, Dave Stewart, Michelle Madsen, Tomeu Morey
LETTERS:
Tom Napolitano, Todd Klein, Steve Wands, Simon Bowland, Andworld Design, Willie Schubert, Josh Reed, Rob Leigh, Clayton Cowles
RELEASED:
March 27, 2019

Yeesh. No wonder this issue sold so well. The sheer amount of talent on this thing, many of whom shaped the mythology of Batman, is outrageous.

I was pleasantly surprised to find something I liked in each tale from this 96-page multi-story anthology. But ultimately, it’s Brian Michael Bendis and Alex Maleev that steal the show with “I Know.” An elderly Oswald Cobblepot confronts an equally elderly, wheelchair-bound Bruce Wayne to tell him he’s known his secret for a long time. It’s a quieter story compared to the rest. But it’s no less impactful for it.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

 

Alex Ross on YouTube: Marvels 25th Anniversary

By Rob Siebert
Fanboy Wonder

I continue to be a frequent viewer of the Alex Ross YouTube channel. While many of the videos are only two or three minutes, I say the art by itself is worth the click.

Today however, they put out a longer one to note the 25th anniversary of Marvels. Ross dives into some of his inspirations while working on the book, and the emergence of painted comics in the late ’80s and early ’90s. Definitely a stand-out on the channel.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Toy Chest Theater: RIP Stan Lee

By Rob Siebert
Fanboy Wonder

With the passing of Stan Lee, fans from across the globe are paying tribute to the iconic creator in their own unique ways.

I found this image from Nicholas Belmont to be particularly touching. Since the news broke yesterday, I’ve seen a lot of “grieving” images from toy photographers. Many of which depict an emotional Spider-Man being comforted by other Marvel heroes. That’s perfectly natural, I think. There’s nothing wrong with that. People process grief in a lot of different ways.

But for yours truly, in times like these scenes of love resonate so much more than scenes of grief or sadness. That’s what we get here. The love and respect we all feel for Stan Lee, personified by the characters he helped create.

Rest in peace, Mr. Lee. Thank you for inspiring so many.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Toy Chest Theater: Iron Man and Spidey by cgeRock

By Rob Siebert
Fanboy Wonder

Some of my favorite pieces are the ones you look at and say, “How’d they do that?” Is it a computer effect? Is it somehow practical?

But the honest truth is, I don’t want to know. Why ruin the magic? And this photo by cgeRock definitely has that magic to it. Along with  a few warm fuzzies. Uncle Tony gives Peter a helping hand. What’s not to love?

The star of this photo is, oddly enough, the water itself. Not just the way it’s reacting to Iron Man, but the natural intrigue of what happens to that suit when it’s submerged. We’re inclined to think it’ll short out, or that it’s integrity will give due to the water pressure.

But this is Tony Stark we’re talking about. And of course, it’s comic book science. Still, it’s not often toy photography tickles that part of your brain.

cgeRock can be found on both Twitter and Instagram.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com!

Toy Chest Theater: Raph, Leo, and a Hell of a Crowd!

By Rob Siebert
Fanboy Wonder

The TMNT are back in this second edition of “Toy Chest Theater.” I didn’t necessarily want to do a double dose of Turtle Power. But after seeing this beauty from Jax Navarro at Plastic Action, how could I resist?

I’m a sucker for Teenage Mutant Ninja Turtles: The Movie. Almost 30 years later, it’s still my favorite take on the concept. So any toy photographer that can find something creative to do with those NECA figures gets points with me automatically.

But what puts this one over the top is that it’s so beautifully random. The Ninja Turtles playing street ball? Pretty damn cool. But the Ninja Turtles playing street ball in front of such a…wide assortment of characters? Awesomeness, personified in plastic!

What’s more, the way some of the background figures are posed is not only very natural, but very in-character. The best example? Han Solo leaning against the wall with his forearm on C-3PO’s shoulder. Even the way Threepio’s body is leaned looks perfect. Harley looks great too. The combination of her behind Thor is odd, but somehow pleasing.

Also, the detail on the background is incredible. It actually looks like a real place. There’s something about that red lighting. It actually serves as a camouflage of sorts for Spider-Man, Red Skull, Superman, and the other characters Navarro has up on that ledge. I actually missed most of them at first look.

For plenty more from Plastic Action, check Jax Navarro out on Twitter, Instagram, and Facebook!

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com!

A Civil War II Review – Lighting Strikes Twice?

Civil War II, coverTITLE: Civil War II
AUTHOR: Brian Michael Bendis
PENCILLERS: David Marquez, Olivier Coipel, Andrea Sorrentino
COLLECTS: Civil War II #0-8
FORMAT: Hardcover
PRICE: $50
RELEASED: February 1, 2017

***WARNING: Spoilers lay ahead!***

By Rob Siebert
Editor, Fanboy Wonder

There’s a good event comic somewhere inside Civil War II. You just need to squint really hard to see it. As amazingly talented as Brian Michael Bendis is, what he turns in here doesn’t truly get going until issue #5, and by that point you regret buying in to begin with. The series is also bogged down by a certain been-there-done-that feeling. The original Civil War was one of the biggest hits Marvel has ever had. By comparison, Civil War II feels like a knock-off song played by a shoddy cover band.

In the original story, the question of whether superheroes should register their true identities with the government caused a major rift, and subsequently a war. This time the divisive issue is “predictive justice,” or in essence, profiling. When a young man named Ulysses is suddenly able to see vivid visions of the future, Captain Marvel sees a crucial opportunity to stop instances of crime, injustice, and tragedy before they ever occur. Iron Man, however, can’t live with punishing someone who hasn’t done anything wrong yet. What’s more, the exact nature of these visions are unclear. Is Ulysses truly seeing the future, or just a potential future? As they search for an answer, heroes will fall in more ways than one.

civil-war-ii #4, two-page spreadThe predictive justice idea is a sufficient divider, and reflects recent real-world events involving police brutality. The Black Lives Matter movement specifically comes to mind, especially when we see what happens to Miles Morales. But it’s when we drill down on the notion of another war amongst the heroes that Civil War II begins to fall apart.

Civil War ended when Captain America surrendered, realizing how costly and violent the conflict had become. The idea that all of these heroes, most of whom were involved in that same war, would allow things to escalate to this degree a second time makes them all look irresponsible, and even downright stupid. This is especially the case after Hawkeye straight up murders Bruce Banner with a literal crowd of heroes watching. But of course, if the heroes don’t fight, you have no story. So you have to make it work.

The way you massage that into working, for my money, is to have the heroes lament having to fight each other again. The original Civil War is barely even acknowledged in this book. It’s almost as if Civil War II is trying to hide from it. While it goes without saying that this story has to stand on its own, it’s a sequel. A sequel to one of the most renowned stories Marvel has ever done, no less. Instead of dancing around it, why not embrace it? The payoff would seemingly be a deeper story.

Civil War II #5, 2016, Spider-Man, Captain AmericaBut even with that added depth, Civil War II would face the problem that it’s simply not that interesting until issue #5. Ulysses has a vision of Spider-Man clutching a dead Captain America in front of a decimated Capitol Building. Given how young Miles is, and the obvious real-world parallels, this is where the story finally starts to gain some momentum. Hindsight being 20/20, this should have happened in issue #3. You put the Miles vision in issue #3, and Bruce’s death in issue #5. That way, Bruce’s death doesn’t feel so glossed over, and it’s fresh in our minds when we get to the final confrontation.

How about this: Captain Marvel puts Miles in prison following the vision in issue #3. (That opens up issues with Miles’ civilian identity. But we can work around that.) After Banner’s death and Hawkeye’s subsequent acquittal, Iron Man’s crew breaks Miles out of prison. We then get the confrontation in front of the Capitol Building as they were presented in issues #7 and #8. Would this little switch fix everything? No. But it would at least up the intrigue level earlier, and perhaps take us on more of a ride from start to finish. In truth, James Rhodes doesn’t even have to die in issue #1. As was the case with Banner, his death is almost glossed right over.

Our primary artist is David Marquez, with Olivier Coipel and Andea Sorrentino tagging in for specific sequences. Marquez delivers big here, particularly in issues #5 and #6. His stuff with Miles is very strong, which makes sense, as he and Bendis worked on Ultimate Comics Spider-Man together. He gives us an absolutely gorgeous two-page spread of Spidey overlooking Times Square, watching the Hawkeye trial. And of course, primary colorist Justin Ponsor gives us the Marvel Universe in all its glory.

hawkeye-civil-war II #3, David MarquezWe do, however, see a lot of what I’ve come to call the “Marquez doe-eyed pouty face.” Marquez is good with facial expressions. But we see variations of this one over and over, perhaps most notably when Hawkeye surrenders in issue #3 (shown left). We see it multiple times from Carol Danvers and Ulysses. We see it so much it becomes distracting and borderline comical.

As many problems as I have with Civil War II, I’ll credit Bendis for one thing: Not killing off Tony Stark. That was what a lot of us were expecting, given Rory Williams had essentially taken up his mantle in Invincible Iron Man. Instead Tony ends up in a coma, and we get a vague explanation about how he can’t be treated. Frustrating in its lack of specifics, but better than having to go through the usual death, funeral, and resurrection routine.

Civil War II could have worked. It would never have been what its predecessor was. But it could have at least been a compelling story. What they gave us had its moments. But by the time things finally got off the ground, it was too late. Given how all-encompassing Civil War II was in terms of its effect on other books, this story can be given partial credit for DC Comics regaining all that lost momentum last year.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

A Civil War II #6 Review – Following the Moral Compass

Civil War II #6, 2016, cover, Marko DjurdjevicTITLE: Civil War II #6
AUTHOR: Brian Michael Bendis
PENCILLER: David Marquez. Cover by Marko Djurdjevic.
PUBLISHER: Marvel
PRICE: $4.99
RELEASED: October 26, 2016

By Rob Siebert
Editor, Fanboy Wonder

***WARNING: Spoilers lay ahead.***

An irony occurred to me after reading Civil War II #6. All this in-story drama and controversy among the superheroes is occurring because a teenager named Ulysses can supposedly see visions of the future. The actions taken by the heroes as a result of these visions have brought about the deaths of James Rhodes and Bruce Banner, the ruining of Clint Barton’s public life, and a lot of bad blood among our characters.

But now it’s all come to a head thanks to a vision of Miles Morales, Spider-Man, another teenager. As if we needed further confirmation that this story is really about the violence we see on the news every day, particularly involving young people.

After last issue’s startling vision of Spider-Man moments after murdering Steve Rogers, the battle between the heroes has come to a stand still. Our characters reel from what they’ve just seen and ponder their next move.

This issue brings us some of the best work David Marquez and have done together. Naturally, much of it involves Miles. The genuinely unsettling two-page spread of Spidey and a dead Captain America is simply re-printed from last issue. I’d normally call that shamefully cheap. But it works to preserve the emotional intensity of the moment.

Civil War II #6, 2016, David Marquez, Miles Morales visionThe page at right is the best in the issue. It shows us Miles’ emotional state after seeing what he did, and is a classic example of showing instead of telling. I love that they took us inside the vision for one panel, and the red smears in the page gutters are a nice touch. Though that actually looks more like paint than blood. I think I had walls that color once…

Marko Djurdjevic’s cover also adds a new dimension to the idea of Miles murdering Captain America. With his own shield? Really? C’mon man.

The reaction that Steve Rogers has to this is important. It’s as big a character moment for him as anybody else. Not surprisingly Bendis gets it right, positioning Rogers as the compassionate moral compass. He then accents it by having Black Panther switch sides, saying that “if you are on Captain America’s side…you can rest easy knowing you are on the right side.”

This, of course, casts poor Carol Danvers as the bad guy. Her protege Ms. Marvel even   stands against her in this issue (Though she’d already done that in the Ms. Marvel ongoing.). Carol has more or less been in the bad guy position the entire time, making her decisions based on events that could happen, rather than what has happened. Perhaps recognizing this, Bendis takes time in this issue to remind us she’s still trying to do the right thing, and doesn’t want to hurt Miles. We see her guilt, and she gets a nice moment of reassurance from Peter Quill. But the violence that’s resulted from all of this is causing her case to fall apart. Kitty Pryde’s expression in the image below says it all.

We get what I imagine was meant to be a bit of foreshadowing for Champions, as Ms. Marvel, Nova, and young Cyclops rally to protect Miles. The delays that have plagued Civil War II obviously tarnish that. But this scene was my first exposure to Riri Williams, who will be taking on the Iron Man role soon. I imagine that’s the case for quite a few readers. So perhaps the upside is worth it.

civil-war-ii-i-am-grootCivil War II showed up late, in more ways than one. This story just found its second gear last issue, and it finally feels it has the stakes an event comic should have. Hopefully those stakes continue to rise. Toward the end of the issue there’s a spooky page with Ulysses. A descent into evil may be forthcoming.

The question is, does he drag Carol Danvers down with him?

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.