You know what book I miss? X-Men Gold. Jonathan Hickman’s X-Men book is so ambitious right out of the gate, and there’s nothing wrong with that. But for a story with so many characters and convoluted plot threads, X-Men Gold was delightfully simple and accessible. I didn’t have to comb through Wikipedia once.
The inaugural artist on that title was Ken Lashley. In honor of Star Wars Day, here we have Lashley’s take on The Mandalorian courtesy of his Instagram account. I love the texture on Baby Yoda. The coloring by Juan Fernandez is also really dynamic. Perfectly suited for the Star Wars Universe.
Honestly, that show can’t get back quick enough. It’s the kind of thing the world really needs right about now.
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I’m currently zipping through the final season of Orange is the New Black, as I imagine a great many people are. I’m not finished yet, but thus far they seem to be going out on a pretty heavy emotional note. Several of them, actually.
Today I happened to look up Beth Dover, the actress that plays the Linda Ferguson character, on Instagram. One of her posts led me to Victoria Haigh, an amazing fan artist with an obvious love for the show. Dover used the image at left on her page, which reminds me a lot of the ensemble images Kevin Maguire does.
For an added dose of astonishment, check out Haigh’s web site. You’ll find not only more Orange, but lots of Kate McKinnon, and she’s certainly no stranger to superheroes!
When I first saw this image a couple of months ago, I didn’t get it.
Obviously, it’s an amazing pic from Samia, a.k.a. @everydaylink. The placement of Link, the creepy and foreboding eyes, the murky green setting. It’s fantastic.
I’ve only played on Zelda game, A Link to the Past. But it had been so long, I didn’t understand the significance of the eyes. I naturally assumed it was a level in one of the games. But I wasn’t sure…
Then, Mrs. Primary Ignition got me a Super Nintendo Classic Edition for Christmas. One of the games on it is A Link to the Past. Wouldn’t you know it, eventually I would up eyeing down those same…er….eyes. Actually fighting the eye monster directed me toward an easy-to-miss, but still awesome detail in the image: The ground. When you give it an initial scan, it’s easy to dismiss it as dirt or something. But if you look under Link’s feet, it’s actually flooring. That attention to detail is one of the things that separates this image from the pack.
This image makes me think of the art we saw in the aftermath of 9/11. Images of the superheroes we love, placed next to the very real heroes who rushed in to save lives and provide aid when the terrorist attacks occurred. John Romita Jr’s work in The Amazing Spider-Man #36 comes to mind, for obvious reasons.
The caption on photographer Joe Hume’s Instagram page reads “Sometimes we fail.” That’s interesting, as that’s not how I read this image. Mourning? Yes. Failure? No. But that seems to be the story Hume had in mind. Fair enough, I suppose.
Either way, it’s a powerful image. The iconography of the Spider-Man suit and the fireman’s hat. The orange blaze in the background. But the lighting from below is what clinches it. I don’t know that it’s supposed to be from the fire. A street light, perhaps. Or a light on one of the buildings. But it works very well.
I’m always wary of writing up the same person more than once in a limited period of time. Bon Bernardo, a.k.a. Batang ’90s Art, was actually the first creator I featured under the “Power Rangers Spotlight” banner. But as he’s one of, if not the premiere fan artist in the community, you see a lot of him. And recently, he hit another home run.
While I enjoy video games, they’re not really my arena. As such, I know next to nothing about Red Dead Redemption II. But of course, I can appreciate good piece of cover art when I see it. Evidently, Bernardo can as well…
Obviously this is timely, what with the release of the game. But it’s also an objectively beautiful parody and tribute. I’m not the only one that thinks so, either. This piece is now being used for merch up at Ript Apparel. It was even shared on Instagram by Austin St. John, the original Red Ranger himself!
Falling down a social media rabbit hole yesterday, I stumbled across this little treat. A behind the scenes look at an upcoming six-episode Teenage Mutant Ninja Turtles fan series called Back in the Shell…
The series is coming to us courtesy of the folks at Nerdbot. The Turtle suits are coming from Prop Shop Garage, who make some stellar looking TMNT costumes akin to the ones in the old ’90s flicks, which Back in the Shell is obviously trying to capture the spirit of. (As if that track from Spunkadelic wasn’t a dead give-away!) A teaser is is being advertised for next week. You can officially call me intrigued, dudes and dudettes.
I do have one question, though.
This is a fan-series, undoubtedly made with a fraction of the money used to make the Paramount/Nickelodeon TMNT movies. So how is it that this, a teaser for a teaser, can get me more excited than those two movies did? Not individually, mind you. Combined.
The answer is pretty obvious to me. But I’ll let you decide for yourself.
I’ve talked about nostalgic feels in this space before. Todays selections gave me the wannabe dad feels.
I stumbled across the Red Ranger piece yesterday, and traced it back to the Instagram page of Brazilian designer/illustrator Arthur Lobato. As the day went on, he followed it up with Pink and Black. Hopefully we get more in the near future.
These perfectly capture the kind of playful parent I want to be someday. Joy and fun radiate off each of them. The cartooning is also well done, and the colors really pop. The whole parent/child and Ranger/zord dynamic is really cute too.
My favorite of the three is the red one, simply because of the way the little boy is looking up at his dad. Here’s hoping I get to do a two-part Halloween costume with my kid someday…