Weekly Comic 100s: Iron Man 2020, Go Go Power Rangers, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Oye. Not a good comic book week for yours truly. Not only am I still reeling from the demise of my local shop, but my pull list was uncharacteristically small this week. So what’s a frustrated fanboy to do?

With only three issues in my stack this week, I’ve added a mini-review of Detective Comics #1000, as we learned this week that it was the highest selling comic book of 2019.

Shout out to Jay’s Comics in Gurnee, IL. I’m pretty sure they’re my new shop.

TITLE: Iron Man 2020 #1 (of 6)
AUTHOR:
Dan Slott, Christos Gage
ARTISTS:
Pete Woods, Joe Caramagna (Letterer).
RELEASED:
January 15, 2020

Thanks to a lot of backstory, (which the issue is nice enough to provide us post-script), Tony Stark’s adoptive brother Arno Stark is now Iron Man. Straight out of the gate, he’s got a rebellious robot uprising to contend with.

As someone who hasn’t kept up with Iron Man lately, there’s not much here to excite me. It’s inferred that Arno has sinister intentions. But when friggin’ Doctor Doom has played the role before, everyone else pales from a “villain as the hero” perspective. Ironic, as Dan Slott’s work on The Superior Spider-Man drew me to this book.

TITLE: Go Go Power Rangers #27
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED: January 15, 2020

Excellent issue, which includes a fight between Tommy and Lord Zedd over the White Ranger powers.

So between what’s happening in this book, and in the main MMPR title, you’re telling me the all-wise Zordon has no idea what’s happening with Jason, Zack, and Trini? The kids he himself chose to be Power Rangers? Like, not even a little? That’s the one aspect of “Necessary Evil” I’m having trouble buying. Other than that, I’m really enjoying what we’re getting from the PR titles right now. The main book was shaky for awhile, but things are definitely back on track.

TITLE: The Low Low Woods #2
AUTHOR: Carmen Maria Machado
ARTISTS: Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by J.A.W. Cooper.
RELEASED:
January 15, 2020

Something felt off here. I’m not sure if the issue was paced to fast, or I was having trouble recalling things from the first issue, or the bizarre-but-not-in-a-scary-way thing we see on page three. But I wasn’t into this issue as much as the first.

I do, however, appreciate the way they’ve developed the town of Shudder-to-Think, Pennsylvania as almost a character unto itself. The town apparently has “an extremely unhealthy relationship with its dead.” As I said last time, it’s very reminiscent of a Stephen King story.

TITLE: Detective Comics #1000
AUTHORS: Scott Snyder, Kevin Smith, Paul Dini, Warren Ellis, Denny O’Neil, Christopher Priest, Brian Michael Bendis, Geoff Johns, James Tynion IV, Tom King, Peter Tomasi
ARTISTS: Greg Capullo, Jim Lee, Dustin Nguyen, Becky Cloonan, Steve Epting, Neal Adams, Alex Maleev, Kelley Jones, Alvaro Martinez-Bueno, Tony Daniel, Joelle Jones, Doug Mahnke. Cover by Lee.
INKERS:
Jonathan Glapion, Scott Williams, Derek Fridolfs, Raul Fernanxes
COLORISTS:
FCO Plascencia, Alex Sinclair, John Kalisz, Jordie Bellaire, Elizabeth Breitweiser, Dave Stewart, Michelle Madsen, Tomeu Morey
LETTERS:
Tom Napolitano, Todd Klein, Steve Wands, Simon Bowland, Andworld Design, Willie Schubert, Josh Reed, Rob Leigh, Clayton Cowles
RELEASED:
March 27, 2019

Yeesh. No wonder this issue sold so well. The sheer amount of talent on this thing, many of whom shaped the mythology of Batman, is outrageous.

I was pleasantly surprised to find something I liked in each tale from this 96-page multi-story anthology. But ultimately, it’s Brian Michael Bendis and Alex Maleev that steal the show with “I Know.” An elderly Oswald Cobblepot confronts an equally elderly, wheelchair-bound Bruce Wayne to tell him he’s known his secret for a long time. It’s a quieter story compared to the rest. But it’s no less impactful for it.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

 

An Infamous Iron Man #1 Review – The Most Unlikely Hero

Infamous Iron Man #1, 2016, cover, Alex MaleevTITLE: Infamous Iron Man #1
AUTHOR: Brian Michael Bendis
PENCILLER: Alex Maleev
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: October 19, 2016

By Rob Siebert
Editor, Fanboy Wonder

So this is basically Superior Spider-Man with Doctor Doom and Iron Man. That’s an incredibly simplistic description. But it’s basically accurate, isn’t it? Hey, Superior Spider-Man was really good. If they can capture some of that magic with Infamous Iron Man, more power to them.

In the aftermath of Civil War II, Tony Stark is out of the picture. As Civil War II has been plagued by delays, we don’t know where Tony is, or what’s happened to him. But he’s gone. In his stead, the most unlikely of replacements will take up the Iron Man name: Victor von Doom. But why? More importantly, what is in store for the world now that Doctor Doom is Iron Man???

At face value, this seems to be another story about a bad guy trying to make amends with the world and become a hero. His motivation beyond that remains to be seen. But something’s clearly not right, as evidenced by his creepy scene with Tony’s former love interest Amara Perara. There’s an ominous vibe that seems to indicate things aren’t what they seem. He also makes it clear he’s taking on the Iron Man identity whether Tony (or at least a digital projection of Tony’s consciousness) approves.

Infamous Iron Man #1, 2016, Alex Maleev, Doctor Doom costumeThere’s also something going on with Doom’s mother. They bring her up at the start of the issue, and then we see her at the end. Looks like someone’s got some mommy issues…

Also, the Thing is now an agent of S.H.I.E.L.D. So Doom has a built-in first opponent, who he may face a soon as next issue.

Artist Alex Maleev and colorist Matt Hollingsworth let us know we’re squarely in villain territory for most of the issue. Their dark, sketchy, muted M.O. sets a grim tone worthy of Marvel’s most despicable villain. Even when we see Doom rescue Maria Hill from Diablo, it’s difficult to trust him as he’s shrouded in darkness.

Maleev’s rendering of Victor, whose face has been restored after the events of Secret Wars, is interesting. He maintains the suave and sharp look he had in Invincible Iron Man. But Maleev also humanizes him. Early in the issue, there’s a transition from a shot of the Doctor Doom mask, to the same shot of Victor. Male gives him a face slightly touched by age. Mike Deodato modeled him after Vincent Cassel in Invincible. But you can also see a little Peter Cushing (Tarkin from Star Wars) in Maleev’s version.

Doctor Doom is, among many things, delightfully complex. He’s as good a candidate as any to do the villain-becomes-hero routine. Our villain’s attempt to reform will inevitably crash and burn. Given this is Doctor Doom we’re talking about, that crash will undoubtedly be big, epic, and deadly. So for now, Infamous Iron Man has my attention.

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