Tag IG-11

Catching Up With The Mandalorian – “Chapter 8: Redemption”

Rob Siebert 3 Comments

The Mandalorian, season 1 posterSERIES: Star Wars:  The Mandalorian
EPISODE: S1:E8 – “Chapter 8:  Redemption”
STARRING: Pedro Pascal, Giancarlo Esposito, Gina Carano, Carl Weathers, Taika Waititi (Voice)
WRITER: Jon Favreau
DIRECTOR:  Taika Waititi
PREMIERE DATE: December 27, 2019
SYNOPSIS: Trapped, the Mandalorian and his allies struggle to keep the child out of Moff Gideon’s hands.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

Taika Waititi, who directs this episode, and is also widely known for directing Thor: Ragnarok and Thor: Love and Thunder, serves as the voice of IG-11. Fitting, as this episode is a big one for the repurposed droid.

That scout troopers punching the child in the bag is one of those things that makes you hate the bad guy, but where you also can’t help but laugh a little. What can I say? It was funny. As was the target practice bit moment later.

This episode is the first time we hear the Mandalorian’s given name: Din Djarin. Not the worst name, by Star Wars standards. “The Mandalorian” has more mystique, of course.

The appearance of the super battle droids in the flashback sequence was a nice touch. It set the period.

It was pretty bad-ass to see IG-11 riding through that town on a speeder bike, twin guns blazing. Question: If his new base function is to nurse and protect, why does he bring the child into a town occupied by Imperial troops? Granted, none of them can shoot…

It’s funny to me how none of the stormtroopers can hit a target, as this episode makes light of. But when the episode needs him to be, Moff Gideon is a crack shot.

Din Djarin, The Mandalorian, Redemption, Pedro Pascal

I’d never seen or heard of Pedro Pascal prior to The Mandalorian. So what he looked like was news to me. He didn’t necessarily look how his voice suggested he looked. But that’s not a good or a bad thing, per se.

The armorer tasking Mando with reuniting the child with its own kind was a great hook for season two. As the last of the Jedi, the obvious implication was Luke Skywalker. Or perhaps Ahsoka Tano. But we couldn’t have realistically expected to see either of them…could we?

The big moment in this episode is when IG-11 sacrifices itself to save the rest of the group. I’ll say this much: The episode does a great job making us care about the repurposed robot, which we didn’t see again until the previous episode. It feels genuinely sad as he walks through the lava.

Something I appreciated about this group mission as opposed to some others we see in Star Wars is that there were consequences and casualties. Kuiil and IG-11 didn’t make it, and Mando was wounded to the point that he wouldn’t have survived if left to his own devices. The bad guys come off threatening and dangerous even in defeat.

Mando taking on Moff Gideon in the TIE fighter was a cool climax for the season. Suitably suspenseful, as you’d expect a man in a jetpack trying to take down a plane to be.

Din Djarin, The Mandalorian, Redemption

The one thing I didn’t like about this episode was how rushed everything was after said climax. Mando literally lands from taking down the TIE fighter, and everyone announces what they’re going to do going forward. Felt uncharacteristically clumsy.

The revelation of Moff Gideon with the Darksaber at the end was a fun little moment. Star Wars geeks knew what it was, obviously. And those who didn’t know would come to know as the series progressed.

Disney bet a lot on this first season of The Mandalorian. The first episode premiered with the launch of Disney+, so it was a great added incentive to give the service a try. But beyond that, it set the standard for all live action Star Wars TV projects to come. And thankfully for the fans, that standard wound up being pretty high. The Mandalorian season one isn’t just great Star Wars television. It’s great television, period. It’s compelling, intriguing, gorgeous to look at, and perhaps most importantly, very accessible to those not well-versed in Star Wars. (I’m trying to get my parents to watch it to this day.)

All in all? It was a home run for everybody involved.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Catching Up With The Mandalorian – “Chapter 7: The Reckoning”

Rob Siebert 1 Comment

The Mandalorian, season 1 posterSERIES: The Mandalorian
EPISODE: S1:E7 – “Chapter 7: The Reckoning”
STARRING: Pedro Pascal, Gina Carano, Carl Weathers, Werner Herzog, Nick Nolte (voice)
WRITER: Jon Favreau
DIRECTOR: Deborah Chow
PREMIERE DATE: December 18, 2019
SYNOPSIS: The Mandalorian recruits help to take down his former client.

***New around here? Check out our Star Wars review archive!**

By Rob Siebert
Fanboy Wonder

The objective in this episode is to neutralize Mando’s former client, played by Werner Herzog, thus ensuring the safety of the child. Herzog’s character is only known as “the client.” He gets no name, no backstory details, nothin’. That’s not to say we need a lot in that sense for this character. He shows up, serves his purpose, and exits at the natural time. The fact that (and the way that) Werner Herzog plays him is enough to make him memorable. It would just be nice to have something to call him other than “the client.”

Even years later, I can’t decide if it’s a little too convenient that the people Mando recruits for the mission just happen to be the ones he’s recently met during the events of the show. Obviously I get it in the sense that they’re telling a story, and it might be a little late in the season to be introducing new allies. It just feels a little, well…convenient. You’d think he’d have some other contacts or comrades, not unlike the lot we met in “The Prisoner.”

After picking up Cara Dune, they travel to Arvala-7 to meet with Kuiil. When he sees the child, Kuiil remarks, “It hasn’t grown much.” How much time has passed since the last time these two saw each other? A few months, maybe? How much did Kuiil expect the kid to have grown?

We see Kuiil has repurposed IG-11 as a sort of butler/protector. It definitely makes sense that someone as small as Kuiil would want a guardian of sorts. He’s apparently very resourceful, but doesn’t seem like a fighter.

Mando and Cara pass time aboard the ship by arm-wrestling. Even with a Force-powered little goblin on my side, I don’t think you could pay me to wrestle Gina Carano. I base that purely on the size of her arms compared to mine…

Nice little monologue by Werner Herzog’s character about what life was like under Imperial rule as opposed to what things have been like since “the revolution.” Great insight into his character, his privilege, and his justification for the horrors of the Empire.

We meet Moff Gideon in this episode, played by Giancarlo Esposito. I mention this in a future review, but I’ll say it here too: Moff Gideon really wants to be Darth Vader. He’s got the black armor, the cape, his own personal TIE fighter. I wouldn’t be shocked to see he had a black helmet laying around somewhere.

In our final shot of the episode, we see that the speeder bike troopers have killed Kuiil and taken the child. Kind of a shame to see Kuiil go. But like the client, he arrived and left the story very naturally, and was memorable in his own right. I couldn’t have asked for much more from him.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Mandalorian, “Chapter 17: The Apostate” Review

Rob Siebert 3 Comments

The Mandalorian, season 3 posterSERIES: Star Wars:  The Mandalorian
EPISODE: S3:E1 – “Chapter 17:  The Apostate”
STARRING: Pedro Pascal, Carl Weathers, Emily Swallow, Marti Matulis, Katee Sackoff
WRITER: Jon Favreau 
DIRECTOR:  Rick Famuyiwa
PREMIERE DATE: March 1, 2023
SYNOPSIS: The Mandalorian continues his journey toward absolution.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

I know this gripe has been…uh…griped, by many already. But it must be said: This premiere should have been about how Din Djarin and Grogu are ultimately reunited after the latter’s time training with Luke Skywalker. Instead, they did that story on The Book of Boba Fett, stealing thunder that should have been reserved for this third season. Choosing to give us those critical moments under the banner of a different show was the biggest, and perhaps only major, mistake The Mandalorian has made thus far.

Simply put, The Book of Boba Fett should have been about Boba Fett, Fennec Shand, and the characters that show is specifically about. The Mandalorian should, conversely, be about Mando and Grogu’s journey together. Going forward, let’s not color outside the lines anymore. If they want these characters to appear in one another’s shows, be my guest. But events and moments that are critical to a particular show, should be done on said show. I don’t think that’s too much to ask.

Between this new season of The Mandalorian, and the success of The Last of Us on HBO Max, I think we can all agree Pedro Pascal is living his best life right about now.

I’m sure I wasn’t the only one who thought that opening sequence was a flashback to Din Djarin’s childhood. It would have made sense, given this episode, and apparently this season overall, are about him seeking redemption in the eyes of his people. Mando did get a nice entrance, though. So there’s the upside.

Vane and the other pirates want to break into an in-session school before being stopped by Mando and Greef Karga. That’s a nice heelish bad guy move.

I call BS on the notion that Mando thinks IG-11 is the only droid that can help him in his quest to find the living waters of Mandalore. IG-11 had a nice little story in season one. I even liked the statue in town being dedicated to him. We didn’t need to revive him for more.

Gorian Shard, the big lead pirate behind Vane and his crew, looked like, in Mrs. Primary Ignition’s words, “a swamp monster.” I did, in fact, get a Swamp Thing vibe from him. That’s not a bad thing. Just a thing. Either way, you know we haven’t seen the last of him this season.

Seasons one and two were largely held together by Grogu’s story. Mando’s quest to learn his origins, get him back to the Jedi, etc. This season, we don’t have that. So I’m very curious to see what they’re going to do with the Grogu character going forward. As fun as it is to watch him do cute things, there has to be more to him than that.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches The Mandalorian: Wait, That’s Not Hoth!!!

Rob Siebert 7 Comments

***As the second season of The Mandalorian rapidly approaches, it’s time to take a look back at the foundation laid by the first season. This is “Rob Watches The Mandalorian.”***

By Rob Siebert
Fanboy Wonder

This opening scene is, of course, our tone-setter. And once of the best I’ve ever seen. As far as space westerns go, you can’t do much better than this. Our lone gunman walks into a saloon, finds trouble, and has to shoot his way out. Everything is perfect.

For whatever reason, when I think of The Mandalorian the first thing that comes to mind is that poor guy getting cut in half by the door. Maybe it’s because, like the series itself the whole thing is so damn smooth and cool.

So why is this snow planet not Hoth? Because, as Admiral Piett told us in The Empire Strikes Back, “The Hoth system is supposed to be devoid of human forms.” Originally I was miffed that a later episode took us back to the friggin’ Mos Eisley Cantina, but we couldn’t go to some random bar on Hoth. Whoops…

That’s a problem Star Wars creators are running into these days. The more films and TV shows that are made, the harder it is to make all these planets feel distinct and different. A lot of the worlds in the sequel trilogy, for instance, look alike.

Our blue friend, who I don’t believe has a name, is played by SNL alum Horatio Sanz. I knew I recognized him from somewhere…

Is this the first time we’ve seen a bounty puck? There certainly weren’t any in the movies.

Practically every Star Wars project has to do the cantina. Or at least some version of a cantina. Some setting where aliens from various different worlds come together for a drink or a party or the like. In this episode alone we get two of them. At least The Mandalorian had the guts to take a stab at the Mos Eisley Cantina, the cantina setting, later on.

I love that the client, the guy that hires Mando and really gets the plot moving, is part of this tiny little faction of Imperials, complete with a few beat-up looking stormtroopers. It’s a great bit of world-building. It’s one thing for Mando to say the Empire is gone. It’s another thing for us to actually see what it’s been reduced to.

Whenever I watch the scene with Mando trying to ride the Blurg and talking with little Kuiil, I always think of the prequels. If the prequels had blended practical and CGI effects as seamlessly as The Mandalorian, people would talk about them in such a different light. They’d still be badly written, but at least they wouldn’t look like giant video games.

In writing this, I at one point had in my notes, “I’m happy they didn’t give him a quirky droid sidekick.” A character like K-2SO in Rogue One or L3-37 in Solo. That’s another Star Wars trope people have to be mindful of going forward.

Then I realized, “Oh wait, they did give him a quirky droid sidekick.” It’s just that IG-11 isn’t around the whole time.

I do like IG-11, largely because his presence in the climactic shoot-out sequence explains how IG-88 works. In The Empire Strikes Back, IG-88 was essentially just a tall prop that stood next to Boba Fett and the other bounty hunters. It couldn’t have been on screen for more than a second or two. But like many a bit player in Star Wars, it gained a cult following. But of course, we never got to see the IG-88 in action. We were never meant to. As such, I always wondered how this tall, seemingly cumbersome, ridid-looking robot was supposed to do the same job as Boba Fett…

Turns out, these IG droids may be all of those things. But they’re also fast, and make for a hell of an action scene!

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.