Tag Archives: IDW Publishing

Weekly Comic 100s: Marvels X, Batman #86, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Earth X was probably the one big Alex Ross project I knew the least about. So I got myself a nice little education heading into this week’s Marvels X. Low and behold it’s a trilogy. Now a tetralogy, with Marvels X.

Looks like I’ve got some catching up to do. But in the meantime…

TITLE: Marvels X #1
AUTHORS:
Alex Ross (Story), Jim Krueger (Story and Script)
ARTISTS:
Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED:
January 8, 2020

Having not read Earth X, and with this being intended as a prequel, I’m forced to judge this issue simply at face value. And at face value, it’s absolutely fine.

Our main character, a teenager named David, is the one person on in this dystopian future who does not have super powers. Orphaned and alone, he sets out for New York City to find his idols: Captain America, Iron Man, and Spider-Man.

Seeing an artist like Well-Bee tackle a Ross/Krueger concept like this feels different, but intriguing. For now, my interest is piqued.

TITLE: Batman #86
AUTHOR: James Tynion IV
ARTISTS: Tony Daniel, Danny Miki (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED: January 8, 2019

For my money, Tynion has a better handle on Batman and his world than Scott Snyder or Tom King. So I’m anxious to see what he turns in.

As Bruce continues to mourn for Alfred, various assassins gather in Gotham. Meanwhile, the issue presents us with an intriguing idea: Over the years, Bruce has randomly sketched, essentially doodled, bits of Gotham’s skyline and architecture as he would have them look. In the wake of “City of Bane,” he has a chance to make those visions a reality. Also, something’s up with the Joker…

So far, so good.

TITLE: The Clock #1
AUTHOR: Matt Hawkins
ARTISTS: Colleen Doran, Bryan Valenza (Colorist), Troy Peteri (Letterer)
RELEASED: January 8, 2020

This is not the most gracefully executed issue. Naturally, it needs to get a lot of exposition out of the way, and it falls into the clunky dialogue trap that comes with that. Also, early on some of the the speech balloons are hard to follow. They don’t contrast with the backgrounds (specifically the outdoor ones) enough, so you have a hard time following who is saying what.

But under all that, The Clock might just be a good story about a super cancer threatening to wipe our half the Earth’s population. But the jury’s still out.

TITLE: Star Wars: The Rise of Kylo Ren #2 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by Clayton Crain
RELEASED:
January 8, 2020

If you need to be sold on the idea of a book about Luke’s post-Return of the Jedi adventures, look no further than this issue. He faces the Knights of Ren, with both Lor San Tekka and a young Ben Solo at his side. Call it The Adventures of Luke Skywaker, as a take-off of one of Lucas’ early draft titles for Star Wars.

Ben’s interactions with Snoke have a slightly different flavor now that The Rise of Skywalker has come out. Snoke is also wearing his most flamboyant outfit yet. What’s up with the hat…?

TITLE: Teenage Mutant Ninja Turtles #101
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS:
Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED:
January 8, 2020

Basically, this book is doing what the 2007 TMNT movie did. Only, you know, better. The Turtles are split up and doing their own thing. And we’ve got kind of an Arkham City spin, as they’ve walled off a portion of New York to throw all the mutants in.

I like this. It’s a big status quo shake-up the series has probably needed for awhile now. Encouragingly, the character that shines the most in this issue is Jennika, our new female Ninja Turtle. Lots of fresh intrigue as this series moves forward.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #2 (of 5)
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Walter Baiamonte (Colorist), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: January 8, 2020

In this issue we find out why Tommy has joined the Foot Clan. He’s apparently trying to save another clan member we don’t know. This new person’s identity, and how he connects to Tommy, is now far more interesting than the interactions the Turtles are having with the other Rangers.

They pull a stunt with Shredder at the end that I can take or leave. Seeing him meet Rita is pretty cool, though.

God damn, these Dan Mora covers are amazing.

TITLE: Young Justice #12
AUTHOR: Brian Michael Bendis
ARTISTS: John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: January 8, 2020

At what point do we just make this the new Teen Titans ongoing? Young Justice feels the way that book should feel. At least that’s how I…feel?

This is a pretty dense issue with a lot of standing around and talking. But Superboy does punches a T-Rex. That always counts for something.

We now appear to be headed toward a big Wonder Comics team-up, i.e. Young Justice along with the Wonder Twins and the kids from Dial H For Hero. Thankfully, it looks like it’s all staying within Young Justice, as opposed to a crossover.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Star Wars #1, I Can Sell You A Body #1

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

You know what sucks? When your favorite comic shop closes down.

Here’s to Rockhead’s Comics and Games in Kenosha, WI, for feeding my weekly comic fix for the last two years or so. You guys were awesome. I’m truly sad to see you go…

TITLE: Star Wars #1
AUTHOR: Charles Soule
ARTISTS: Jesus Saiz, Arif Prianto (Co-Colorist), Clayton Cowles (Letterer). Cover by R.B. Silva and GURU-eFX.
RELEASED:
January 1, 2020

This debut of Marvel’s post-Empire Strikes Back title is pretty much what you’d expect, with the characters reeling from what happened on Bespin.

But interestingly, this issue actually takes places during the events of Empire. A certain amount of time passes between the Star Destroyer escape and the closing scene. But how much time? When we open this book the Rebels don’t trust Lando, and Luke isn’t even sure he wants to be a Jedi any longer.

I’m hoping Luke doesn’t get a lightsaber in this series. The green one doesn’t come along until the next film, after all.

TITLE: I Can Sell You A Body #1 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS: George Kambadais, Ferrier (Letterer)
RELEASED: January 1, 2020

What we have here is a mini about “reverse exorcisms,” i.e. spirits of the dead being found new bodies by our main character, Denny Little.  But things go awry when he gets mixed up with the mob. Y’know, the way you always do when you gain the power to communicate with the dead…

Ferrier and Kambadais don’t waste an inch of space here, putting out a really dense issue. But the story has promise, and the art has a nice charm to it. I can see myself following Denny for four issues.

TITLE: Action Comics #1018
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED: January 1, 2020

I was actually dreading this issue. Simply because of John Romita Jr’s art.

Romita can be hit-or-miss as it is. But Action Comics #1018 has a rushed quality, as if the deadline was breathing down his neck. As such, the end product often looks awkward. Or worse, bush league.

Case in point, the way Superman is posed on the cover. What is that stance, exactly?

As this issue is partially about the Justice League fighting the Legion of Doom in the middle of Metropolis, this was a particularly bad time for a performance like this. Bad form, JRJR.

TITLE: Detective Comics #1018
AUTHOR: Peter Tomasi
ARTISTS: Scott Godlewski, David Baron (Colorist), Rob Leigh (Letterer). Cover by Rafael Sandoval, Jordi Tarragona, and John Kalisz.
RELEASED: January 1, 2020

This dialogue in this issue is really awkward at times, which is not a problem Tomasi usually (if ever) has. For some reason, Batman is uncharacteristically chatty.

Case in point, he leaves a crime scene and says to the cops, “Got what I needed. Scene is immaculate. Left behind only my boot prints. Merry Christmas.”

Um…thanks?

On the plus side, Tomasi tugs at our heartstrings in his own special way by showing us Bruce spending his first holiday season without Alfred. Very reminiscent of the stuff he did on Batman and Robin all those years ago.

TITLE: Lois Lane #7 (of 12)
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: January 1, 2019

While I continue to love simply having that Greg Rucka, street-level aesthetic back at DC, I’m losing interest in the mystery of who’s trying to kill Lois Lane and why. Frankly, the subplot about the public believing she’s having an affair with Superman is far more interesting. I’m curious to see how Clark revealing his identity to the world will effect this story, if in fact they cross over.

The back and forth between Lois and Renee Montoya is fun. It’s obvious Rucka is happy to be working on his version of the Question once again.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: TMNT #100, Dark Knight ReturnsSuperman

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Word recently broke about Kevin Eastman and Peter Laird working together again after all these years for a Ninja Turtles story called “The Last Ronin.” How fitting then, that not only does IDW’s Teenage Mutant Ninja Turtles #100 comes out this week, but we’ve also got a new Frank Miller book. It’s no secret that Eastman and Laird drew inspiration from Miller’s work in the early to mid ’80s.

Imagine what would have happened if it had the modern Frank Miller back then. Back then you had his work on characters like Daredevil and Wolverine. Now? We’ve got the Dark Knight sequels and Holy Terror. *shudders*

TITLE: Teenage Mutant Ninja Turtles #100
AUTHORS: Kevin Eastman, Bobby Curnow, Tom Waltz (Script)
ARTISTS: Dave Watcher, Michael Dialynas. Variant cover by Eastman.
SUPPLEMENTAL ARTISTS: Mateus Santolouco, Adam Gorham, Dan Duncan, Cory Smith
COLORISTS: Ronda Pattison, Bill Crabtree
LETTERER: Shawn Lee
RELEASED: December 11, 2019

TMNT #100 is more or less exactly what you want it to be. All recent plot threads converge, and as expected, we see the return of a major villain. Can’t say I expected that death, though. And make sure you don’t miss that epilogue…

The only real complaint I have is that I felt half a step behind because I couldn’t keep up on the Shredder in Hell mini. I suppose that’s the problem when you’ve created a world so rich and dense. You can’t always pack everything into one series. But that’s not necessarily a terrible problem to have.

TITLE: Dark Knight Returns: The Golden Child
AUTHOR: Frank Miller
ARTIST: Rafael Grampa. Cover by Grampa and Pedro Cobiaco.
COLORIST: Jordie Bellaire
LETTERERS: John Workman, Deron Bennett
RELEASED: December 11, 2019

My impression when I closed this book was that Miller must either have a ghostwriter working with him, or the editors are heavily involved here. Because this is a surprisingly competent issue to have his name on it in 2019. But if it was mostly Miller? Good on him.

No Bruce Wayne here. Which is kind of odd, but fine with me. Carrie Kelley, Lara, and this Dark Knight universe Jon Kent are more interesting anyway. They’re taking on Darkseid here, and Raphael Grampa’s art looks amazing.

A really good start. But keep your expectations tempered.

TITLE: Superman #18
AUTHOR: Brian Michael Bendis
ARTIST:
Ivan Reis
INKER:
Joe Prado
COLORIST:
Alex Sinclair
LETTERER:
Dave Sharpe
RELEASED:
December 11, 2019

Ugh. Why?

Yes, it’s exactly what it looks like. The same thing they did in 2015, in a storyline that, fittingly, was also called Truth.

It’s not that I don’t think Bendis and this team can do a good job with it. But we were just here. And inevitably, when you do this kind of thing you have to come up with some convoluted way to get the genie back in the bottle. So why even bother?

I will say, though, there’s a single silent page depicting the big moment between Clark Kent and Perry White that’s absolutely beautiful.

TITLE: Something is Killing the Children #4
AUTHOR: James Tynion IV
ARTIST: Werther Dell-Edera
COLORIST: Miquel Muerto
LETTERED BY: Andworld Design
RELEASED: December 11, 2019

In this issue, we get a major revelation about the nature of the monsters devouring children in Archer’s Peak. Tynion takes what I’ll refer to as the “Do you believe in magic?” approach. It’s an interesting twist that I didn’t see coming, and for my money, helps separate this book from the pack. Hopefully he’s given the time to expand on it.

As cool as Erica Slaughter is, part of me actually wants to see her killed off so James can take her place and learn about all this monster stuff. Probably won’t happen. But could be cool.

TITLE: Detective Comics #1017
AUTHOR: Tom Taylor
ARTIST: Fernando Blanco. Cover by Tony Daniel.
COLORIST: John Kalisz
LETTERER: Travis Lanham
RELEASED: December 11, 2019

A nice little one-and-done. I like when they do these. In the context of Detective Comics, it reminds me of Paul Dini’s run all those years ago.

Our story deals with missing children at the Martha Wayne Orphanage in Gotham. Taylor shows us a more sensitive and empathetic side of Batman and Robin. Also, the art in this issue really stands out, as Kalisz uses a more saturated color palette, while our inks are darker. He even gives us a sort of saturated sepia tone for the opening flashback that sets the scene really well.

TITLE: Go Go Power Rangers #26
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino
COLORIST: Raul Angulo
LETTERER: Ed Dukeshire
RELEASED: December 11, 2019

One of the big selling points of this book early on was it was set in the pre-Green Ranger days. Tommy, one way or another, inevitably pulls focus from the other characters. It’s a little sad that the emphasis has shifted that way.

But Parrott is still the best PR writer we’ve seen from this BOOM! Studios run with the license. Oddly enough, what I enjoyed most about this issue was a flashback to Tommy eating a meal with Rita at the palace. As a kid, I always wanted to see him in there interacting with the other villains.

TITLE: Dying is Easy #1 (of 5)
AUTHOR: Joe Hill
ARTIST: Martin Simmonds. Cover by J. Lou.
COLOR ASSISTANT: Dee Cunniffe
LETTERER: Shawn Lee
RELEASED: December 11, 2019

Cop turned stand-up comic. Now there’s something you don’t see every day.

If grim-and-gritty is your thing, this book is right up your alley. If there’s a seedy underbelly to the world of stand-up, this book is smack in the middle of it. Simmonds and Cunniffe do a tremendous job using the colors to create an ominous, foreboding vibe. Ultimately, that pays off on the last page…

Fittingly, the book also manages to be funny in a black comedy sort of way. I’m not totally sold yet, but I may indeed be back for more.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: MMPR/TMNT, Over the RopesBatman

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

***Author’s Note: If I display a variant cover, it’s because I purchased the issue in question with that cover.***

By Rob Siebert
Fanboy Wonder

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #1
AUTHOR:Ryan Parrott
ARTISTS: Simone di Meo, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Variant cover by Goni Montes.
RELEASED: December 4, 2019

Surprisingly, they don’t go the trans-dimensional portal route with this one. This book seemingly has the Rangers and the Turtles living in the same universe. So…does that mean these are the Next Mutation Turtles that go on to meet the Space Rangers? *gulp*

This looks like it’s going to be a pretty standard first-time team-up story. The two teams start out against one another, then work together to face the enemy. But our heroes are in good hands with Ryan Parrott and Simone di Meo.

God damn, those Goni Montes covers are instantly iconic…

TITLE: Over the Ropes #1
AUTHOR: Jay Sandlin, Francesco Segala (Colorist), Justin Birch (Letterer).
ARTISTS: Antonello Cosentino
RELEASED: December 5, 2019

“Wrestling is like religion. You get it or you don’t.”

That’s amazing. Both as an opening line, and a simple philosophy regarding pro wrestling.

Wrestling comics have never really done it for me. Which makes no sense, of course. They’re my two big interests, yet I don’t like them together. But Over the Ropes held my interest, at least. They start off seemingly going with a standard “underdog’s quest for the title” story, but then we get a twist that shakes everything up.

I’ve got a good feeling about this one. I’ll be back for issue #2.

TITLE: Batman #84
AUTHOR:
Tom King
ARTISTS:
Jorge Fornes, Jordie Bellaire (Colorist), Clayton Cowles (Letterer). Cover by Mikel Janin.
RELEASED:
December 4, 2019

We should have gotten this content several months ago. It wouldn’t have saved “City of Bane,” but it would have added some valuable depth to Thomas Wayne.

This book consists mostly of flashbacks, but done in reverse order. We start with the Flashpoint Batman’s recent actions in Gotham City, and go all the way back to before young Bruce Wayne was murdered. (See Flashpoint.)

The reverse order thing is cute in theory, but I found it tough to follow. It didn’t always jog the memories it was supposed to. You might be better off reading this issue back to front.

TITLE: Young Justice #11
AUTHOR: Brian Michael Bendis
ARTISTS: John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: December 4, 2019

A decent issue. But it left me with some questions…

So let’s say I get transported elsewhere in the multiverse. Then somebody goes back in time and causes a dramatic temporal shift, altering the course of the world, and my life with it. If I’m elsewhere in the multiverse when that happens, am I somehow unaffected? Wouldn’t my memories change? And if/when I come back to my now altered world, does my mere presence restore their memories of me from the prior timeline? Do the ripples caused by a said shift not reach across the multiverse?

Asking for a friend.

TITLE: Collapser #6
AUTHORS: Mikey Way, Shaun Simon
ARTISTS:
Ilias Kyriazis, Cris Peter (Colorist), Simon Bowland (Letterer)
RELEASED:
December 4, 2019

You know what sucks? When you really get into a new series, and then remember it’s not a series. It’s a six-issue mini. Rrrrgh.

Either way, Collapser wound up being pretty damn good. This is a book you can hold up as an example of what the Young Animal imprint is capable of, and how it’s different. In terms of both writing and art.

Here’s what I will say: This issue felt a little rushed. I’m inclined to think that means they had a bit more story they could have told. If that’s the case, it’s a cryin’ shame.

TITLE: Lois Lane #6
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: December 4, 2019

This issue is all about the death of General Sam Lane, Lois’ father, in Event Leviathan. Perhaps fittingly, the pre-New 52 Sam Lane was killed off in an event comic as well. The poor guy is just snake bit…

It’s frustrating that we’ve brought the story to a full stop just so we could lament the death of Sam Lane. But with the exception of an awkwardly drawn facial expression Lois has while accepting an American flag at the funeral, the issue is at least done well. It also sticks its landing with a genuinely touching final page.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: TMNT, Star Wars, Batman Annual

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles #99
AUTHORS:
Kevin Eastman, Bobby Curnow, Tom Waltz
ARTISTS:
Dave Wachter, Ronda Pattison (Colorist),
RELEASED:
 October 30, 2019

This damn thing cost $7.99. I’ve been following this main TMNT series since the beginning. But damn. That hurts.

But devil’s advocate: They jam a lot in here. Dozens of heroes and villains battle, with the fate of New York City at stake. Not to mention the lives of various mutants, and even children.

It all culminates in…well, I can’t say I knew for sure they were going in this direction. But after issue #50, I had a pretty good feeling a certain character would be on his way back by now.

TITLE: Star Wars: Allegiance #4
AUTHOR: Ethan Sacks
ARTISTS: Luke Ross, Lee Loughrige (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto.
RELEASED: October 30, 2019

Again, no Kylo Ren in this issue. Not even a closing shot of him in the last few pages. Lame. Sauce.

On the way to The Rise of Skywalker, Allegiance basically tells us two things: What the Resistance has been doing since the Battle of Crait, and how they obtained some of the resources they’ll undoubtedly have in the movie. It’s not the most fun Star Wars book you’ll ever read, and I doubt it’ll hold up to repeat readings. But as a little appetizer for the release of Episode IX, it works fine.

TITLE: Batman Annual #4
AUTHOR: Tom King
ARTISTS: Jorge Fornes, Mike Norton, Dave Stewart (Colorist), Clayton Cowles (Letterer)
RELEASED: October 30, 2019

This issue quick-fires a bunch of mini-stories at us, narrated via Alfred’s journal. “Everyday” moves day by day from April 7 to April 24.

I’d like to think these are a bunch of cooky ideas Tom King had while brainstorming for his Batman run, but couldn’t squeeze in. Based on what we’ve seen, some of these ideas really feel like his. Batman fights a dragon, takes on an MMA fighter for charity, solves a whodunnit, etc.

Mike Norton tags in for Jorge Fornes for several pages. So we got from a David Mazzuchelli, Year One-ish look to something more akin to Michael Lark.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Astonishing Art: Rise of the TMNT by Billy Martin

By Rob Siebert
Fanboy Wonder

Outside of the initial buzz, I haven’t paid much attention to Rise of the Teenage Mutant Ninja Turtles on Nickelodeon. I have nothing against it, as it obviously breathes new life into the franchise and exposes the characters to a newer crop of young fans. But it’s just not my thing.

But this piece by comic artist Billy Martin? Totally my thing.

In the spirit of Halloween, Martin draws the Turtles from the ’80s cartoon show dressed as their counterparts from Rise of the Teenage Mutant Ninja Turtles. It’s a fun look at the contrast between the two designs, while at the same time keeping things playful.

Martin is no stranger to the boys in green, having done plenty of work on the more kid-friendly books at IDW. His official site can be found here.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com!

Dan Schoening Easter Egg Hunt: John Candy and the Rottweilers

By Rob Siebert
Fanboy Wonder

Before Little Shop of Horrors, Spaceballs, or Honey, I Shrunk the Kids, Rick Moranis pestered Dana Barrett and became the Keymaster in Ghostbusters. After more than 30 years, his performance still makes us laugh. (“Yes, have some!”)

But the Louis Tully character could have been very different. Legend has it that Dan Aykroyd and Harold Ramis originally wanted Louis to be played by none other than John Candy.

In the pages of Ghostbusters: The Ultimate Visual History, producer Joe Medjuck explains that the character was originally supposed to be more flamboyant, much like Candy’s SCTV character Johnny LaRue. But seemingly not wanting to go that route, Candy suggested something that in hindsight seems downright bizarre: Giving Louis a thick German accent and two pet rottweilers.

Decades later, Erik Burnham, Dan Schoening, Luis Delgado, and the IDW Ghostbusters crew gave us a hell of a “What if?” moment in the pages of Ghostbusters #4.

Naturally, the first arc in the series used a lot of familiar elements from the movies. Case in point, in issue #4 we once again find ourselves at 55 Central Park West, as the Stay Puft Marshmallow Man stomps through the city. Ray races through the building, frantically trying to get in position to deploy the “megatrap.”

Ray kicks down the door to room 2206 (Dana’s old apartment), and who does he find but a portly German fellow with two pet rottweilers and a very familiar face.

While you can’t take anything away from Erik Burnham’s script, Luis Delgado’s colors, or anything else the IDW team brought to the table, Dan Schoening was really the star of this page. One of the things that sets his take on the Ghostbusters apart from everyone else’s is his distinct style. It’s obviously cartoony. But he incorporates enough of the actors’ likenesses to make it feel like you’re watching an extension of the movies. John Candy gets the same treatment here. It’s so plainly him, and it really warms your heart.

It’s enough to make you wonder what it would have looked like seeing John Candy become a terror dog…

For more Dan Schoening Easter Eggs, check out Martin Short and Grandma Winslow, and Eddie Murphy at Ghostbusters HQ.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.