Weekly Comic 100s: Three Jokers, Marvels X, Spider-Man, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Three Jokers #2
AUTHOR: Geoff Johns
ARTISTS: Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED: September 29, 2020

Three Jokers is much more about Jason Todd than I imagined it would be. That’s not a bad thing.

This issue contains a romantic moment between Jason and Barbara Gordon. That is a bad thing.

Johns tries to tie the events of this story back to the murder of Thomas and Martha Wayne, which I find forced. I’d much rather spend those pages exploring the fact that there are, y’know, three Jokers!

Still, Jason Fabok and Brad Anderson present us with one of the most beautiful Batman books we’ve seen in a long time.

TITLE: Marvels X #5
AUTHOR: Alex Ross (Story), Jim Krueger (Script)
ARTISTS: Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED: September 30, 2020

There’s a page in here that’s particularly poignant, given the times we’re living in today. Our main character is talking to the Falcon about Captain America.

Falcon says it’s hard to be Cap’s friend at the moment, given all the anger in the country. As a hero, he has to worry about controlling his fellow citizens, as opposed to protecting them.

“It’s not a democracy anymore. It’s not about different voices. It’s about one voice. An angry, frightened one.”

Powerful stuff.

TITLE: Wonder Woman #763
AUTHOR: Mariko Tamaki
ARTISTS: Carlo Barberi, Matt Santorelli (Inker), Alejandro Sanchez (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Sanchez.
RELEASED: September 29, 2020

First and foremost, Liar Liar is a really stupid name for a villain. Better that she just go by Emma Lord.

Indeed, we found out last issue that Maxwell Lord has a daughter. I can’t say I saw that coming.

Carlo Barberi’s art is growing on me. He turns in some really dynamic and attractive work here. But I still can’t help but miss Mikel Janin, who’s not an easy act to follow for anybody.

This Diana partnership is growing on me too. Enough to get me to start picking up Wonder Woman again.

TITLE: Spider-Man #4
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: September 23, 2020

On the whole, I’m liking this book. Especially the “sketchy” looking art, which is different than a lot of what Sara Pichelli has put out over the years. I really only have one major issue: Tony Stark.

Iron Man pulls focus. It’s a rule that’s osmosed into the comics from the movies. Thus, Tony’s presence in this story, even as a supporting character, takes some much-needed emphasis off this new Ben Parker character. We’ve only got one issue left in this mini. All the more reason to keep this a Spider-Man story.

TITLE: Suicide Squad #9
AUTHOR: Tom Taylor
ARTISTS: Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Travis Moore & Alejandro Sanchez.
RELEASED: September 22, 2020

We get a guest appearance from Superman in this issue, and I’ve gotta say, Redondo draws a hell of a Man of Steel.

The decision to make Ted Kord a villain in this series is an interesting one. He’s not a character that long-time readers would be inclined to hate, or even dislike.

It feels like Taylor wanted to do more in this series with Deadshot and his daughter. Here’s hoping he gets another chance somewhere down the line

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Kylo Ren, Doomsday Clock, Batman Finale

By Rob Siebert
Fanboy Wonder

Yeesh. Talk about a loaded week. Big finales, big debuts, and some Star Wars backstory we’ve been waiting years for. And of course, with big issues, come big upticks in pricing. Mostly at DC. They actually had the gall to charge $4.99 for the Tom King Batman finale. Oye.

But next week is largely a throwaway week. (Unless you’re Marvel. Kudos to them.) So I’ll be able to play a little catch up. So next week’s batch will include Family Tree #2, Shazam #9, Star Wars: Empire Ascendant, Batman/Superman #5.

But for now, we’ve got a lot to get to…

TITLE: Star Wars: The Rise of Kylo Ren #1 (of 4)
AUTHOR:
Charles Soule
ARTISTS: Will Sliney. GuruFX (Colors). Travis Lanham (Letterer). Cover by Clayton Crain.
RELEASED:
December 18, 2019

I was ready to be mad at this issue for giving us stuff we should have gotten in one of the movies. As it turns out, this was benign.

In The Last Jedi, Luke says that after burning down the temple, Ben Solo left with some of his other students. Here, we learn that doesn’t quite mean what it sounds like. We also learn who the Knights of Ren are, which is welcome information.

Not the strongest first issue I’ve ever seen. But the intrigue around what happened to Ben Solo is enough to bring us back for more.

TITLE: Doomsday Clock #12
AUTHOR: Geoff Johns
ARTIST: Gary Frank, Brad Anderson (Colorist), Rob Leigh (Letterer).
RELEASED: December 18, 2019

From the beginning, we’ve known this book has been building toward Superman vs. Doctor Manhattan. A symbol of hope against a symbol of cynicism. The implication being that Superman would ultimately get through to Doc, and bring about a change of heart.

We do get a scene like that in this issue. But it’s so brief, and frankly a little contrived, that it was hardly worth the two years of build-up.

That’s right, folks. Doomsday Clock #1 came out in November 2017. It’s taken us more than two years to get here. Really takes the edge off, doesn’t it?

TITLE: Batman #85
AUTHOR: Tom King
ARTISTS: Mikel Janin, Hugo Petrus, Jordie Bellaire (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: December 19, 2019

Here we have yet another big finale that ends not with a bang, but with a whimper.

Tom King is a good writer. I believe that. But for whatever reason, this “City of Bane” story went on way too long, and he ended up overstaying his welcome on Batman. The truly sad part? There’s a good story in here if you rifle through it, and maybe rearrange some pieces.

On the upside? Mikel Janin’s work on Batman has been consistently great. As far as I’m concerned, he’s welcome back in Gotham any time.

TITLE: American Jesus #1
AUTHOR: Mark Millar
ARTISTS: Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by McGee and Frank Quitely.
RELEASED:
December 18, 2019

A 14-year-old Hispanic girl becomes the modern-day Virgin Mary in a story written by the guy who did books like Kick-Ass and Nemesis? Sure. Sounds harmless enough…

Maybe it’s me, but the art in this book seems a little weird. Like the proportions are just a touch off. It’s minor, just just prominent enough to be noticeable.

There’s a lot of intrigue here, given the sensitive topic and Millar’s penchant for the outlandish. While there’s nothing blasphemous in this issue (at least as far as I can see), I figure it’s just a matter of time.

TITLE: Spider-Man #3 (of 5)
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: December 18, 2019

Tony Stark pops up in this book, and now our story has an Avengers angle to it. That’s disappointing. This is a story about the legacy of Spider-Man, and the strained relationship between a father and son. So why not keep the lens focused on Spidey’s world, and not open things up to the larger Marvel Universe until later? We need to be focusing on Ben right now. Not some wacky take on Tony Stark as an old man.

On the upside, we get further into who Cadaverous is. Good stuff, with Pichelli’s art on point.

TITLE: Suicide Squad #1
AUTHOR: Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Ivan Reis.
RELEASED:
December 18, 2019

While it lacks the impact and sizzle of a Jim-Lee-drawn debut, this issue has some intrigue to it. We’ve got three mainstays in Deadshot, Harley, and King Shark. But we’ve also got a big group of new characters. They kind of look like what Marv Wolfman and George Perez would produce if asked to produce a modern team of superheroes.

Mind you, some of them are dead when we close the issue. But if even one of them sticks for a decent amount of time, that’s an accomplishment.

TITLE: Mighty Morphin Power Rangers #46
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: December 18, 2019

A few little things I noticed that aren’t out of character per se, but perhaps show how these characters are different in this time period…

– Tommy’s more relaxed demeanor now that they’re seemingly no longer Earth’s last line of defense.

– Kimberly stepping up into more of a leadership role with the three new Rangers.

– Trini’s more sarcastic personality. It’s not how I would write the character, as she’s normally more reserved. But we can chalk it up to her gaining confidence through her experiences as a Power Ranger.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Spider-Man #2, Batman #81

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Spider-Man #2
AUTHORS:
J.J. Abrams, Henry Abrams
ARTISTS:
Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel and Dave Stewart. 
RELEASED:
October 16, 2019

Whether you like this J.J. Abrams stuff or not, I can say his name value got me to buy a Spider-Man comic again.

Ben Parker got into this dad’s old costume pretty quickly. But I buy his motivation: He does it to impress a girl. I mean, c’mon! He’s a ninth grade boy. That’s usually about as complex as their motivations get.

Sara Pichelli continues to turn in not just awesome art, but art that’s distinctly different from her work on Miles Morales. Needless to say, she’s become one of the definitive Spider-Man artists of this era.

TITLE: Batman #81
AUTHOR:
Tom King
ARTISTS:
John Romita Jr (Penciller), Klaus Janson (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer) Mitch Gerads (Co-Penciller, Co-Inker, Co-Colorist)
RELEASED:
October 16, 2019

I’m not the world’s biggest Tony Daniel fan. But the switch from his art to John Romita Jr’s has been jarring.  The look and texture of the story has changed halfway through. That’s rarely a good thing.

When Tom King tries to pull the “Batman had a plan all along” card, my initial was, “I don’t buy it.” Also, King makes the Flashpoint Batman’s fighting prowess so exceptional it almost becomes cartoonish. Especially with how it’s executed.  Maybe these opinions will change once the story ends, or I have more time to absorb it. But for now, they’re losin’ me…

TITLE: Star Wars: Allegiance #2
AUTHOR: Ethan Sacks
ARTISTS: Luke Ross, Lee Loughridge (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto
RELEASED: October 16, 2019

I’m finding myself wanting more Kylo Ren in this book. Especially after reading that Snoke one-shot they put out a few weeks ago, where the two characters go to Dagobah. Still, I understand why they might not be able to do that, as we’re obviously building to the movie. We do, however, get to spend some quality time with Rey, which is nice.

We learn in this issue that Admiral Ackbar has a son, but only met him once because “his focus was elsewhere.” Apparently the only good dad in the galaxy was Bail Organa…

TITLE: Something is Killing the Children #2
AUTHOR: James Tynion IV
ARTISTS: Werther Dell-Edera, Miquel Muerto (Colorist), Andworld Design (Inks)
RELEASED: October 16, 2019

I’m digging this book so far. Attention-grabbing title aside, Tynion, Dell-Edera, and the rest of this team have started a great horror-mystery. It’s got kind of a Stephen King/YA novel/Twilight Zone feel to it.

As the mystery of this supernatural child-devouring menace unfolds, the book manages to entice the hell out of you with how gorgeously grotesque some of these things are. The intrigue there, along with our likable female anti-hero, makes it easy to come back for more.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.