Tag Archives: Harold Ramis

Dan Schoening Easter Egg Hunt: Eddie Murphy at Ghostbusters HQ

By Rob Siebert
Fanboy Wonder

The Eddie Murphy/Ghostbusters connection goes back a long way. The irony there is that most people have no idea there’s a connection at all.

Legend has it that while writing early treatments for Ghostbusters, Dan Aykroyd had his eye on Murphy for a co-starring role. This would have been during Murphy’s days on Saturday Night Live. But as the film evolved, and Harold Ramis, Ivan Reitman, and Bill Murray became involved, the idea of Murphy playing a role fell to the wayside.

Some believe Murphy had been pegged for the Winston Zeddemore role, i.e. the everyman who gets to asks the Ghostbusters expository questions. A quote from Harold Ramis is cited in Ghostbusters: The Ultimate Visual History, which ultimately debunks this idea…

“Everyone thought that Winston was written for Eddie Murphy, but Eddie was really only going to costar with Danny is in his original version of the story. I never spoke to Eddie about being in the film.”

Decades later, Dan Schoening would pay a subtle tribute to Murphy in Ghostbusters #2.

Alright, maybe subtle isn’t the right word.

As Ecto-1 does one of its trademark zooms out of the firehouse, it nearly clips Axel Foley, Murphy’s character in Beverly Hills Cop. Foley is conspicuous by his trademark black jacket and muscle car.

Fittingly, both Ghostbusters and Beverly Hills Cop were released in 1984. Both made big bucks, and spawned franchises. *sigh* Sure makes you miss the ’80s, doesn’t it?

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

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A Ghostbusters: Displaced Aggression Review – Chemistry and Comics

Ghostbusters: Displaced Aggression, coverTITLE: Ghostbusters: Displaced Aggression
AUTHOR: Scott Lobdell
PENCILLERS: Ilias Kyriazis, Michael Dialynas. Cover by Nick Runge.
COLLECTS: Ghostbusters: Displaced Aggression #1-4
FORMAT: Softcover
PUBLISHER: IDW Publishing
PRICE: $17.99
RELEASE DATE: April 7, 2010

By Rob Siebert
Editor, Fanboy Wonder

You’ll find very few people happier than me that the Ghostbusters are back in comic shops. I doubt you’ll ever see a writer re-capture the magic of what Bill Murray, Dan Akroyd, Harold Ramis and the others brought to the screen all those years ago. But it’s still a lot of fun to watch the boys in grey suit up and kick some slime! (That’s right, I said it.)

After being defeated by the ghostly villain Koza’rai, the boys in gray each find themselves trapped in a different time period. Their only hope is Rachel Unglighter, a student of Egon’s, who travels back in time to reunite the team and save the world.

Ghostbusters: Displaced Aggression #1, VenkmanThis book is pretty accessible to Ghostbusters fans young and old. The story almost writes itself. And with Peter trapped in the old west, Ray trapped in the days of King Arthur, etc, the jokes do too. That’s unquestionably the hardest part of the Ghostbusters movies to replicate on to the page: that comedic camaraderie Murray, Aykroyd and the others put into it. How do you channel the genius of Bill Murray? You can’t. You simply have to do your best.

That’s the thing about the GB miniseries’ that have come out in recent years (to coincide with the 25th anniversary of the first film). In my opinion, they’re only as good as their Venkman. Did Aykroyd create the concept? Yes. Did he and Ramis write the films? Yes. But the Peter Venkman character (along with Sigourney Weaver’s character, Dana Barrett) was what injected some reality into them. He was the healthy cynic. In essence, he was the Han Solo of Ghostbusters (I think that means Egon was C-3P0). So as a writer, the closer you can come to generating something along the lines of Murray’s performance, the better your story is going to be.

I don’t think Scott Lobdell comes incredibly close in that regard, but he does a decent job. For my money, the best Ghostbusters graphic novel out there is Legion by Andrew Dabb.

From an artistic standpoint, Displaced Aggression is pretty “cartoonish,” but I can live with that. At the end of the book, Michael Dialynas pencils a short story about what Janine (the Ghostbusters’ secretary) was doing while the main story was taking place. His style looks a little more “comic bookish” to me. But then again, who am I to say what looks cartoonish or comic-bookish?

Ghostbusters: Displaced Aggression, JanineThe real question is, if Janine can get in the book, why can’t Louis Tully?

In the end, this book was fun for me because I’m such a ghosthead. But I can recognize that it doesn’t recapture the magic of the films. And that’s okay. It’s doesn’t look like The Real Ghostbusters cartoon, and the creators’ hearts are in the right place. For me, the latter is what matters most.

RATING: 5.5/10

Image 1 from bleedingcool.com. Image 2 from protoncharging.com.

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