Weekly Comic 100s: Black Widow, Batman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Black Widow #1
AUTHOR: Kelly Thompson
ARTISTS: Elena Casagrande, Jordie Bellaire (Colorist), Cory Petit (Letterer). Cover by Adam Hughes
RELEASED: September 2, 2020

This one’s fairly low on action considering it’s the debut of a Black Widow series. The issue tries to make up for it with intrigue, but there isn’t quite enough to wet my appetite for more.

This, despite some awesome art from Elena Casagrande and Jordie Bellaire. I found it had a slightly similar vibe to the Matt Fraction/David Aja Hawkeye stuff. And of course, yet another breathtaking Adam Hughes cover.

TITLE: Batman #98
AUTHOR: James Tynion IV
ARTISTS: Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by David Finch.
RELEASED: September 1, 2020

As the cover suggests, there’s a big fight between Harley Quinn and Punchline in this issue. As obvious as her inclusion is given the nature of the story, “Joker War” has been a little too Harley-heavy for my taste. It feels like yet another case of DC shoehorning her into a story that’s not necessarily about her.

On the plus side, Jimenez and Morey are on their game here. So is Tynion, as as get a pretty powerful exchange between Batman and…Alfred’s memory? It’s not Alfred’s ghost, I know that for sure.

TITLE: We Only Find Them When They’re Dead #1
AUTHOR:
Al Ewing
ARTISTS:
Simone Di Meo, Mariasara Miotti (Color Assistant), Andworld Design (Letterer)
RELEASED:
 September 2, 2020

Spaceships that carve up space gods to mine humanity’s new resources? Alright book, you’ve got my attention…

This first issue is a little hard to follow, as we’re getting adjusted to how the book works and what’s going on. But by the end we get a decent hook to bring us back for next issue. Take into account how gorgeous this issue is, particularly from a coloring standpoint, and they’ve got me signed up for next time.

TITLE: Shazam #14
AUTHOR: Geoff Johns
ARTISTS: Dale Eaglesham, Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Dale Keown.
RELEASED: September 1, 2020

Ugh. What an awful final issue. It feels like they tried to cram in about two years worth of content. The resolution of the plot threads with Mr. Mind, Billy’s dad, and Black Adam. A pathetically condensed fight with Superboy-Prime. Then of course, they have to end the series on a happy note, though it’s hard to imagine this issue making anyone happy.

It’s not the creators’ fault, mind you. The book got cancelled. But still, the characters, the creators, and the series itself deserved better.

TITLE: Lonely Receiver #1
AUTHOR: Zac Thompson
ARTISTS: Jen Hickman, Simon Bowland (Letterer)
RELEASED: September 2, 2020

I’m not sure what I expected from Lonely Receiver, but it wasn’t what I got. And that’s not necessarily a bad thing.

This strikes me as a story with a lot of layers to it. It’s a story about a woman falling in love with a robot designed specifically to be her partner. But we’ve got undertones dealing with our needs as human beings that are really interesting. Thus far, this books is a little like I, Robot meets an old fashioned romance comic, with some more, shall we say, mature elements mixed in.

TITLE: Star Trek: Hell’s Mirror
AUTHOR: J.M. DeMatteis
ARTISTS: Matthew Dow Smith, Candice Han (Colorist), Neil Uyetake (Letterer)
RELEASED: September 2, 2020

What we have here is a look at the Khan Noonien Singh of the Mirror Universe. And with that in mind, the story and the characters are about what you’d think they’d be. In that sense, this one-shot almost writes itself.

The solicitation heralded the return of J.M. DeMatteis to Star Trek after almost 40 years. For what it’s worth, I can see why. This issue feels just like an episode of the original series. Definitely worth a look for fans.

TITLE: Young Justice #18
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Scott Godlewski, Michael Avon Oeming, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by John Timms & Eltaeb.
RELEASED: September 1, 2020

Had a nice Powers flashback looking at Michael Avon Oeming’s work. Seeing him work on the Spoiler is a little surreal.

This wasn’t quite the “Tim and Stephanie go on a date” issue that I was hoping for. That makes this one a disappointment for yours truly.

By the end of this issue Drake is back to being Robin. But is he actually Robin, or is he Red Robin? Just when we thought Tim had his identity crisis solved…

TITLE: Justice League #52
AUTHOR: Jeff Loveness
ARTISTS: Robson Rocha, Daniel Henriques (Inker), Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Cully Hamner.
RELEASED: September 1, 2020

Way too much Batman to cap off a two-part filler story before the book starts to tie in with…*sigh*…Dark Nights: Death Metal.

We’ve seen all kinds of stories that dive into the psyches of various League members. It always seems like five or six issues is too long. But I’d have been happy to see “The Garden of Mercy” go another issue or two. What Loveness, Rocha, and Henriques turn in here is perfectly fine.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman, Dead Body Road, TMNT, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Last week I said I missed Star Wars and TMNT comics. This week we got the return of Bounty Hunters, and a double-dose of TMNT. Where are you gonna find a more fair friggin’ deal than that?

This week’s new releases are pretty light. So I’m holding a few back from last week’s pull list. That Texas Blood is one of them. We might also see Marvels Snapshot: Captain America and/or Harley Quin: Black + White + Red.

TITLE: Batman #93
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Javier Fernandez, Tomeu Morey & David Baron (Colorists), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: June 23, 2020

The Designer’s role in this story more or less wraps up in this issue. That’s a little sad, as I liked that character concept. Even if the costume was a little bit much.

Punchline, the Joker’s new answer to Harley Quinn, gets put over pretty strong here. They obviously want her to be a big deal. She’s got an interesting worldview, and it’s not as crazy as you might think. Her costume is definitely cosplay-friendly. Not quite as much as Harley, but expect to see her around the convention scene.

TITLE: Dead Body Road: Bad Blood #1
AUTHOR: Justin Jordan
ARTISTS: Benjamin Tiesma, Mat Lopes (Colorist), Pat Brosseau (Letterer). Cover by Matteo Scalera & Morena Dinisio.
RELEASED: June 24, 2020

This issue has a strong hook. For yours truly, most of that has to do with our heroine, Bree Hale. We establish her as a small town girl-next-door type. But obviously she has a history that allows her to kick all kinds of ass and escape perilous situations. She’s particularly strong in the climactic sequence as she fights off a sadistic interrogator.

My understanding is this isn’t connected with the previous Dead Body Road mini at all, and that it’s an anthology book like Criminal. So you should be okay coming in cold.

TITLE: Teenage Mutant Ninja Turtles #105
AUTHORS: Sophie Campbell (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED: June 24, 2020

There’s a big moment between Raph and Alopex in this issue that leads me to believe we’re headed toward fairly uncharted waters: Romantic interests for the Turtles.

And no, don’t talk about Mitsu in TMNT III. Please.

I’m game for really putting the Teenage in Teenage Mutant Ninja Turtles. Especially now that they’re doing this Mutant Town story. Between the Raph/Alopex scene and the concert setting, this issue really does that well. They’ve got a chance to break some new ground here. Let’s hope they take it.

TITLE:TMNT: Jennika #3
AUTHOR:
Braham Revel, Ronda Pattison
ARTISTS:
Revel, Jodi Nishijima, Pattison (Colorist), Shawn Lee (Letters).
RELEASED:
June 24, 2020

I can’t get over how much Braham Revel’s style reminds me of the 2012 Nickelodeon show.

It’s amazing to think how virtually everything The Next Mutation did wrong with Venus di Milo, IDW has done right with Jennika. Although based on how the IDWverse has been put together, we might actually see Venus in the comics at some point.

Bebop and Rocksteady show up here. Why does Rocksteady carry an average-sized sledgehammer? It feels like it should be bigger. Mutant-sized. That, or a giant blaster like on the old cartoon.

TITLE: Mighty Morphin Power Rangers #50
AUTHOR:
Ryan Parrott
ARTISTS:
Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
June 24, 2020

Ryan Parrott does Rocky, Adam, and Aisha a lot of justice in these books. That’s one of those things that’s expected, but still really nice when you actually see it. Rocky is also sans mullet, which I appreciate.

“Necessary Evil” might have gone a little long. But it was still a story very much worth telling. Well executed too, in terms of both the writing and the visuals.

Definitely a worthy issue #50. And if the cliffhanger at the end is any indication, PR fans are going to want to come back for issue #51.

TITLE: Suicide Squad #6
AUTHOR:
Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Redondo & Marcelo Maiolo.
RELEASED:
June 24, 2020

The humor in this issue is on-point. Especially with Batman doing a guest shot. That’s a high compliment coming from me, as I don’t usually get into Harley-Quinn-style comedy.

We’re teased with a separation of Harley and Deadshot from all the various new characters in the group. That would be interesting, though I expect ultimately a bad move for sales. I’d stick around, though. Again, a pretty high compliment from yours truly.

TITLE: Star Wars: Bounty Hunters #3
AUTHOR: Ethan Sacks
ARTISTS: Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED: June 24, 2020

Boba Fett is teased for this issue, but doesn’t show. I’m curious as to how much of him we’ll need to see to keep this series afloat as the months go by. That’s not to say characters like Bossk and Valance aren’t appealing. But Boba’s drawing power is obvious at this point. You could easily make the argument for doing a Boba Fett series, much like the Darth Vader one.

I grow a little weary of the story they’re telling about all these hunters having a common target. The target in question simply isn’t that interesting. Not yet, at least.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Gotham City Sirens: Division Retro Review – Gotham City Stumble

***Retro Reviews are pieces of Primary Ignition‘s past (i.e. the old site) dug from the archives and returned to their rightful place. They’ve been minimally altered. The text has been cleaned up just a little, and I’ve updated the artistic credits to go beyond just the penciller. But this is mostly the content in its original form. At the end, I’ll throw in a bit of hindsight.***

TITLE: Gotham City Sirens: Division

AUTHOR: Peter Calloway
ARTISTS: Andres Guinaldo, Ramon Bachs. Cover by Guillem March.
INKERS: Lorenzo Ruggiero, Bachs,
COLORISTS: JD Smith
LETTERERS: Steve Wands, Dave Sharpe, Carlos M.Mangual, Travis Lanham, Raul Fernandez.
COLLECTS: Gotham City Sirens #2021, #2326
FORMAT: Paperback
PUBLISHER: DC Comics
PRICE: $14.99
RELEASED: March 7, 2012

By Rob Siebert
Kenosha Kicker. Polka! Polka! Polka!

Reading all 26 issues of Gotham City Sirens is kind of like dating a woman who’s really hot, but who you eventually realize has a lot of personality issues. Eventually you find yourself wondering whether the whole relationship was even worth it at all.

The final volume of this series sees Harley Quinn bound and determined to kill the Joker. She breaks into Arkham Asylum, causing a massive riot. Caught in the mix are Black Mask, Clayface, our Sirens, and even Batman/Bruce Wayne himself (“Anything involving The Joker I take care of personally.”) Amidst the chaos, Harley, Catwoman and Poison Ivy will be placed at odds. Allegiances are tested, and friendships may be broken beyond repair.

I have two major issues with this book, both of which I touched on in my review of the previous volume: The way Joker is drawn and the way Harley is written.

The problem with Guinaldo’s Joker is that it’s trying to mix the look of Heath Ledger’s Joker in The Dark Knight with what Grant Morrison did during his run on Batman. In all fairness, after Morrison’s run DC never came up with a definitive look for the Joker to match the events of those stories. As such, creators working on different books didn’t necessarily know how to portray him. As a result, we usually got something along the lines of the traditional Joker with a bullet-shaped scar in the middle of his forehead (shown above).

The Joker we get in Division looks, quite frankly, like a pasty-faced geezer with some smeared lipstick on his cheeks. Though Guinaldo does supply us with a pretty good manic Joker face every so often, this take on the character isn’t nearly as maniacally menacing as it should be. For yours truly this became a big annoyance as the story went on.

And then there’s Harley. This story takes her to a pretty grim, dark place, especially in the beginning. She’s got a lot of rage directed at the Joker, and as a result we get a lot of inner monologue that seems out of character to me…

“There’s a place. A place in my head. A place on the other side of happy-go-lucky. The one part of me that isn’t looking for the joke. In that dark place–lurks rage…when the laughter breaks down–and humor can’t quiet its hunger–the rage gets out. And then it runs the show.”

I reject this portrayal of Harley not because of principle, but execution. We’ve seen her get angry before. It’s to be expected from a crazy lady who loves a homicidal clown and commits crimes while dressed like a Commedia dell’arte character.

But in Division, Harley becomes a cold, calculated strategist and murderer. We get inside her head and follow her thought process as she systematically breaks into Arkham. This portrayal robs the character of some of her charm. We’re not supposed to be able to follow Harley’s mindset when she does these things. She’s insane. Is she, deep down, a good person who could potentially be saved? Yes. But her infatuation with the Joker has also placed her on a different plane of reality than the rest of us. The reason she can be so goofy, so sick and twisted, with such drastic emotional swerves, is that she’s not playing with the same deck the rest of us are. This book defies that notion by simply making Harley an overly emotional, hopelessly attached girlfriend in a clown suit. She looks sane.

And as we all know, this chick ain’t sane.

The book does have its moments, though. We spend a little time with Aaron Cash, the asylum’s head of security whom we met in the Arkham Asylum video game. We’re with him when he learns about The Joker’s role in the death of his infant son, which is simply haunting. The Arkham Asylum riot is given the right amount of weight by Calloway. He doesn’t play it off like an every day occurrence the way some writers do. There’s a nice aura of panic about it.

Gotham City Sirens started out on such a high note. Unfortunately the memory of how good the series was during that first seven months or so never stopped haunting it. I’m sure I wasn’t the only one hoping for this series to be something of an action/comedy, akin to what we sometimes saw in Batman: The Animated Series and Gotham Girls. No such luck. In the end, Gotham City Sirens was just like every other Batman book on the stands. And what’s the point of putting this oddball trio together if you’re not going to have some fun with it?

At one point in this book, Harley asks Ivy: “Did the three of us make sense as a team? Ever?” (shown above)

The answer is no. But that was where all the fun should have come from.

***In Hindsight***
I wish I could say my opinion had changed on this one. Paul Dini wrote a total of 10 issues, which are collected in the first and second volumes. If you want to check out this series, those are the books you need to read.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman, Superman, and DC’s Digital Offerings

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
A Giant Something or Other

In response to the comic book industry being essentially stuck in limbo due to the Coronavirus pandemic, DC is releasing stories digitally that were previously exclusive to their DC Giants line. The Giants books were originally exclusive to mass market outlets, most notably Walmart. So what we’re getting here are basically re-prints.

But hey, they’re new to me. Plus, there’s some all-star talent attached to this stuff. We’ve got Brad Meltzer and Jim Lee on Batman, Amanda Conner and Jimmy Palmiotti on Wonder Woman, Gail Simone on the Flash. Hey, sign me up!

I was also finally able to purchase that Superman: Villains one-shot. So I threw that in too.

TITLE: Superman: Man of Tomorrow #1
AUTHOR: Robert Venditti
ARTISTS: Paul Pelletier, Andrew Hennessy (Inker), Adriano Lucas (Colorist), Clayton Cowles (Letterer). Cover by Rafa Sandoval, Jordi Tarragona and Tomeu Morey.
DIGITAL RELEASE: April 20, 2020

Our story here is about the Parasite leeching off the city’s power grid and causing a mass blackout. In response, Superman tells the people of Metropolis to stand by one another. To share food, help find medicine for people in need, check on their neighbors, etc. Seems like a pretty poignant message right now, eh?

It’s so awesome when somebody gets Superman right. What we get here is also very accessible to new readers, and Paul Pelletier absolutely nails the art, particularly with the Parasite.

At the end of the day, this is the Superman I want to read.

TITLE: Batman: Gotham Nights #1
AUTHORS: Sal Giunta, Brad Meltzer, Larry Hama,
ARTISTS: Jim Lee, Mirko Colak, Scott Williams (Inker),
COLORISTS: Alex Sinclair, John Kalisz
LETTERERS: Chris Eliopoulos, Travis Lanham
DIGITAL RELEASE: April 21, 2020

What Sal Giunta and Brad Meltzer do with “Medal of Honor” is really special. So I’m simply going to encourage you to read it without going into things.

The Lee, Williams, and Sinclair trio give me Hush flashbacks. In a good way.

The second story follows a similar “service” theme, only with Kate Kane instead of Batman. We go back to her military days, which is unexpected but not unwelcome. But I’m sure it was a surprise for casual fans looking for Batwoman.

TITLE: Wonder Woman: Agent of Peace #1
AUTHORS: Amanda Conner, Jimmy Palmiotti
ARTISTS:
Inaki Miranda, Hi-Fi (Colors), Travis Lanham (Letterer). Cover by Conner and Alex Sinclair.
DIGITAL RELEASE:
April 22, 2020

I’m not really a Harley Quinn fan. I know that’s enough to get me strung up in some circles. But I’ve almost always found her more annoying than humorous.

But with Wonder Woman as her “straight man” you get a pretty entertaining team. To their credit, they actually got me to chuckle when Harley appeared wearing what was supposed to be Amazonian armor.

Conner and Palmiotti write a hell of a Wondie. Early on, there’s an exchange between her and two security guards that I got a kick out of. Like Robert Venditti with Superman, they get her.

TITLE: Aquaman: Deep Dives #1
AUTHOR:
Steve Orlando
ARTISTS:
Daniel Sempere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Liam Sharpe and Romulo Fajardo Jr.
DIGITAL RELEASE:
April 23, 2020

“My name is Black Manta. You killed my father. Prepare to die.”

That’s basically what this issue is about.

I imagine because these were (at least in theory) released to a different audience, they wanted to start on the ground floor in some of these stories. That means a lot of expository dialogue. Superman: Man of Tomorrow did that. But this one really lays the expository dialogue on thick.

Great fight between Aquaman and Black Manta, though. At the “Museum of Unnatural History.” I adore that.

TITLE: The Flash: The Fastest Man Alive #1
AUTHOR:
Gail Simone
ARTISTS: Clayton Henry, Marcelo Maiolo (Colorist), Rob Leigh (Letterer). Cover by Dan Panosian.
RELEASED:
April 24, 2020

Coming out of this issue I know two things.

The Flash TV show has indeed ruined Iris West for me. Not because of the actress. Because of how she’s written.

Had it come out a month or two sooner, a few less people would have gotten on those disease-infested cruise ships.

Not surprisingly, Gail Simone writes a great Flash. Gail Simone writes a great almost-anything. Together with Henry, Maiolo, and Leigh, they’ve put together one of the highlights of this DC Giants digital-first campaign.

TITLE: Superman: Villains #1
AUTHORS: Brian Michael Bendis, Matt Fraction, Jody Houser
ARTISTS:
Michael Gaydos, Riley Rossmo, Scott Godlewski, Bryan Hitch, Cully Hamner, Steve Lieber, Jim Mahfood.
COLORISTS:
Gaydos, Ivan Plascencia, Gabe Eltaeb, Alex Sinclair, Dave McCaig, Nathan Fairbairn, Mahfood.
LETTERERS:
Dave Sharpe, Clayton Cowles, Tom Napolitano, Troy Peteri, Josh Reed.
RELEASED:
March 4, 2020

So here we have a bunch of villains reacting to Superman telling the world he’s Clark Kent. We hear from Toyman, Mongul, and a Joker-ized Supergirl (see Batman/Superman). We also get a story that bridges into future Superman and Action Comics storylines.

But by far the best part of the issue is a two-page Lex Luthor story, as he discovers he has 98 messages on his voicemail. And several of them (Possibly all of them?) are from the Joker. And he’s laughing. Take a wild guess at what he’s laughing at, folks…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Gotham City Sirens: Strange Fruit Retro Review – Hate that Joker!

***Retro Reviews are pieces of Primary Ignition‘s past (i.e. the old site) dug from the archives and returned to their rightful place. They’ve been minimally altered. The text has been cleaned up just a little, and I’ve updated the artistic credits to go beyond just the penciller. But this is mostly the content in its original form. At the end, I’ll throw in a bit of hindsight.***

TITLE: Gotham City Sirens: Strange Fruit
AUTHORS: Tony Bedard, Peter Calloway
ARTISTS: Andres Guinaldo, Jeremy Haun, Guillem March
INKERS: Lorenzo Luggiero, BIT, Walden Wong
COLORISTS: JD Smith, Tomeu Morey
LETTERER: Steve Wands, Travis Lanham, Dave Sharpe
COLLECTS: Gotham City Sirens #1419
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $22.99
RELEASED: August 16, 2011

By Rob Siebert
The same Rob from up top.

It was somewhere during this story that I gave up on Gotham City Sirens ever being the book I wanted it to be. As it started out as a title written by Paul Dini, I was hoping we’d get something more light-hearted, akin to the work Dini did with Harley Quinn and Poison Ivy on Batman: The Animated Series. Over the first several issues, we did get that. But it tapered off as different writers started to come on to the book.

Strange Fruit is fairly low on humor, and it’s the first trade in the series without Dini’s name on it, but a high-stakes storyline keeps the title from taking a steep plunge in quality.

The first two issues continue the story that was started in the last book. It’s about Poison Ivy helping an alien or something. In all honesty, my distaste for a random alien appearance in a Bat-book pretty much took me out of the story. It’s not terrible. But I wasn’t a fan.

We then move into a story in which Talia al Ghul and Zatanna are trying to stop a group of bad guys from targeting Catwoman so they can learn Batman’s true identity. What further complicates things is that Catwoman lied to Harley and Ivy, telling them she didn’t know his identity. Trust issues galore can be found in this story, which will lead to Harley making a VERY dramatic decision.

Something’s been nagging at me about Gotham City Sirens for awhile, and it traces back to the events of this book. The way Andres Guinaldo draws the Joker (see below) irritates me terribly. We only see him through sporadic flashbacks, but I’m consistently bothered with the way Guinaldo puts those Dark Knight-ish red etches at the corners of his mouth. He’s not the first artist to do it, but the way he does it is really distracting. They’re much too big. It looks like he’s smeared lipstick on his cheeks. I understand part of it is just Guinaldo’s style. But The Joker’s Dark Knight look doesn’t lend itself to that style.

The story with Zatanna and Talia isn’t the strongest I’ve ever seen, but it’s good. Both have been romantically linked to Bruce Wayne in the past, and those connections make for interesting storytelling. Selina and Zatanna also have a history, which adds to the fire.

While there are a few Harley Quinn moments that harken back to the tone the series started with, the book sets more of a traditional tone, which essentially makes it just like all the other Bat-books, which means it loses a huge part of its selling point. At least for me. I’m certainly not heartbroken this series won’t be part of the New 52 reboot.

***In Hindsight***
My mind about Andres Guinaldo’s Joker has not changed. Thankfully, that trend has died down in the years since.

At the time, I gave this book a 6/10. Upon re-reading, that feels about right. I liked that they played with Selina’s knowledge of Bruce’s identity. Though ironically this was post-Final Crisis, and the Batman we see in this book is Dick Grayson.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman: The Adventures Continue #1, and Much More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

This pandemic is really throwing a monkey wrench into my reading habits.

My local comic shop is still working on getting me issues from March 25. I’ve stayed away from digital editions, as I want to support local shops as much as possible. Ergo, I’ve been waiting two weeks for certain issues. But sooner than later, the most recent editions of Action Comics, Batman/Superman, TMNT, and others will be reviewed here.

The only new issue I purchased this week was a digital exclusive. And how could I resist? It’s the return of the DC Animated Universe!

TITLE: Batman: The Adventures Continue #1
AUTHORS:
Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Dave Johnson.
RELEASED:
April 1, 2020

This is exactly what it was supposed to be: A return to the old form, i.e. the comics of yesteryear that were based on the Bruce Timm animated shows. Heck, they even threw in a title card, a la Batman: The Animated Series.

A lot is thrown at us here. Bane. A giant robot attacking S.T.A.R. Labs. Lex Luthor and a mystery regarding Superman’s whereabouts. But what I took away from issue #1 is that they’re going that route. A route paved by Judd Winick about 15 years ago…

TITLE: Star Wars: Bounty Hunters #2
AUTHOR: Ethan Sacks
ARTISTS:
Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo
RELEASED:
March 25, 2020

I got a little lost on this one.

I came away from last issue thinking about our main character, or at least one of them, Valance. Obviously I remembered Boba Fett and Bossk were there. But I struggled to remember the significance of T’onga, why different characters were going certain places, and when certain events took place. A quick re-read of issue #1 set me straight. But obviously that’s not something you want readers to have to do. Then again, maybe it’s just me.

TITLE: I Can Sell You A Body #3 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS:
George Kambadais. Ferrier (Letterer).
RELEASED:
March 25, 2020

This issue unexpectedly hit me in the feels. I talked a bit about the Henrietta character last time. She’s very likable, but as a love interest, she’s all in with Denny very quickly. Not in the creepy way, either. It’s more like they just click.

It made me reminisce about the people I’ve clicked with like that. And not just in a romantic way. There’s a magic in that feeling that’s really great. So I Can Sell You A Body gained some surprising sentimental points from me with this one.

TITLE: Ghostbusters: Year One #3 (of 4)
AUTHOR: Erik Burnham
ARTISTS: Dan Shoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: March 25, 2020

If you’ve seen the trailer for Ghostbusters: Afterlife (as you should have), you know it’s probably not an accident they saved Egon for last.

The absolutely brilliant part of this issue? Part of it is plotted based on a line Casey Kasem had in the original film. When it comes to writing Ghostbusters, Erik Burnham is a damn genius.

Along those same lines, I love the way Burnham has the other characters describe Peter Venkman’s personality. Mostly because he then proceeds to prove them right.

TITLE: X-Men/Fantastic Four #3 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ransom Getty (Inkers), Andrew Crossley & Peter Pantazis (Colorists), Joe Caramagna (Letterer).
RELEASED:
March 25, 2020

Superheroes fighting. The older I get, the less I enjoy it. Maybe it’s all the division we see in the world today. But I didn’t get a huge kick out of seeing the X-Men and the Fantastic Four fighting.

On the upside, the art is gorgeous and the colors vibrant and fun. I remain somewhat surprised at how political this book is, i.e. relations between Latveria and Krakoa. But at it’s core, it’s really the relationship between Reed Richards and his son Franklin, and how the latter’s choices will ultimately effect the world.

TITLE: Suicide Squad #4
AUTHOR:
Tom Taylor
ARTISTS:
Daniel Sampere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Bruno Redondo and Lucas.
RELEASED:
March 25, 2020

Captain Boomerang returns in this issue. One way or another, the band always gets back together.

Taylor still has me entertained with this more espionage-centered direction. We also learn much more about our new characters, and what exactly their agenda is.

Deadshot also has a great character moment in this issue. Or rather, Floyd Lawton does. He becomes very sympathetic, and you’re that much more invested.

TITLE: Alienated #2 (of 6)
AUTHOR:
Simon Spurrier
ARTISTS:
Chris Wildgoose, Andre May (Colorist), Jim Campbell (Letterer)
RELEASED:
March 18, 2020

This’ll definitely fill your teen angst quota for the week.

Despite being about three high schoolers finding an alien that gives them telepathic powers, what these characters are feeling is very real. In this issue, there’s lot of longing to be seen, noticed, or at least acknowledged. I think every teenager can relate to that at some point in their lives.

Chris Wildgoose has a hell of an issue. There’s a two-page spread that’s just gorgeous. He also gets to flex some otherworldly character design muscles. They come out looking pretty awesome.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Power Rangers Double Feature, Spider-Woman #1, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

No comic shop for me this week. These were strictly digital purchases. Thank God for Comixology.The irony in all of this is that it feels like the prologue for a story you’d read in a comic book…

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #4 (of 5)
AUTHOR:
Ryan Parrott
ARTISTS:
Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED:
March 18, 2020

You knew it was inevitable. You can’t have this story without somehow getting the Turtles into Ranger costumes. That being said those outfits are pretty goofy. Granted, the premise itself is goofy. And they look about as good as they were ever going to. But even by Power Ranger/Ninja Turtle standards…goofy as hell.

As I’ve said previously, pretty paint-by-numbers team-up stuff here. The TMNT characters do Power Rangers stuff, and vice versa. Shredder and Rita are still the best part. I’m guessing they’re already planning on a sequel, as we get a pretty obvious hint.

TITLE: Go Go Power Rangers #30
AUTHOR:
Ryan Parrott, Sina Grace
ARTISTS:
Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED:
March 11, 2020

A solid issue. But why is Finster creating monsters for Zedd? On the show he was pretty much on the shelf until Rita came back. Why isn’t Zedd just doing it himself?

I’m liking these Goldar, Squatt, and Baboo scenes we’ve been getting in both the main book and in Go Go. It brings back fond memories from season one.

As we move closer to the end (*sniff*), I can only assume Rocky, Adam, and Aisha will pop up soon. If for nothing else than a cameo in the final issue.

TITLE: Spider-Woman #1
AUTHOR:
Karla Pacheco
ARTISTS:
Pere Perez, Paulo Siqueira, Oren Junior (Inker), Frank D’Armata (Colorist), Travis Lanham (Letterer). Cover by Junggeun Yoon.
RELEASED:
March 18, 2020

I’ve never read Karla Pacheco before. But in this book I’m getting a Bendis type vibe from her. That’s not a bad thing. As I recall, Bendis did alright in the Spider-Verse…

Our main story is about Jessica fighting a mysterious illness as she’s trying to protect a rich socialite from being kidnapped. It’s a lot of fun, though I’m partial to the back-up, which goes into how she got the job, and why she’s wearing a different costume for it. Why? Because she goes to a store called “Big Ronnie’s Custom Battle Spandex.”

That. Is. Brilliant.

TITLE: BANG! #2
AUTHOR:
Matt Kindt
ARTISTS:
Wilfredo Torres, Nayoung Kim (Colorist), Nate Piekos (Letterer)
RELEASED: March 18, 2020

BANG! was definitely the most fun book in my stack this week. What we have here is a series that isn’t afraid to revel in action movie tropes and cliches. But beneath the surface there’s something more serious with a lot of intrigue. I’ve officially got high hopes.

This month we meet a new hero, John Shaw, who’s looks like he’s based off John McClane. He gets in the middle of a massacre on a speeding train masterminded by a would-be Bond villain with a disfigured face and a speech impediment shamelessly played for laughs. Yup. I’m all in.

TITLE: Batman #91
AUTHOR:
James Tynion IV
ARTISTS:
Rafael Albuquerque, Jorge Jimenez, Carlo Pagulayan, Danny Miki, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
March 18, 2020

Amidst all the chaos in this issue, the most interesting exchange is between Batman and Deathstroke. Our hero talks about the stakes in his war on crime constantly being raised. He’s almost pleading with Slade, saying that “you people,” i.e. supervillains, need to step aside so he can save Gotham.

Deathstroke gives the correct response, which is ,”You escalated first.”

This is an interesting scene to juxtapose with everything happening with the Designer, the Joker, Catwoman, etc.

We’re six issues into Tynion’s run, and Batman is still firing on all cylinders. Lord knows, I’m still along for the ride…

TITLE: Something is Killing the Children #6
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED:
March 18, 2020

As we close this issue we get another glimpse of “the Order,” a bunch of folks in suits who all wear bandanas like Erica. I nice, cryptic little scene with a little glimpse into Erica’s past.

They did a nice job of spreading the layouts over two pages this month. The panels go left to right, then down, then left and right, almost like words in a paragraph. It’s not necessarily a rare thing. But I really dug the execution here.

TITLE: Marvels X #3
AUTHORS: Alex Ross, Jim Krueger
ARTISTS: Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED: March 18, 2020

There’s a line in here about Reed Richards being blamed for a global pandemic. That one hits home right about now…

They apparently felt the need to re-emphasize David’s importance. They hammer the whole “He could save us all!” thing home so much in this issue it becomes grating. I would also argue David’s plucky fanboy shtick is getting old.

Still, a fairly enjoyable outing. Well-Bee draws a hell of a Spider-Man. I also noticed the touch of gray he added to Peter Parker’s hair. Ironically, it makes him look like Reed Richards.

TITLE: Hotell #1 (of 4)
AUTHOR:
John Lees
ARTISTS:
Dalibor Talajic, Lee Loughridge (Colorist), Sal Cipriano (Letterer). Cover by Kaare Andrews
RELEASED:
March 18, 2020

Hotell feels like a horror book with self-contained stories, a la Tales From the Crypt or The Twilight Zone. I’m not quite sure if that’s what it’ll end up being, especially with only four issues. But that’s what it feels like.

While it tends to suffer from the kind of awkward dialogue you often get in newer indie comics, Hotell surprised me with its ability to create a genuine sense of fear and dread that few comics do. If this is your cup of tea, I highly recommend it.

But be warned. It earns its Mature rating in spades.

TITLE: Star Wars #4
AUTHOR:
Charles Soule
ARTISTS:
Jesus Saiz, Arif Prianto & Rachelle Rosenburg (Colorists), Clayton Cowles (Letterer). Cover by R.B. Silva and Guru-eFX.
RELEASED:
March 18, 2020

In regard to Luke, Leia, and Lando returning to Bespin, the solicitation for this issue tells us, “Things did not go well for the trio the last time they visited this place.”

You mean a few days ago? Hell, Luke is basically wearing the same clothes. Because for some reason the heroes in this book are complete idiots.

Luke digs through mountains of garbage to find his lightsaber. Leia has gotten herself frozen. But don’t worry! If you’ve only been frozen for a little while, you can be thawed out and be completely alert with no side effects!

Friggin’ stupid.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Batman #90, Marvel #1, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

A few leftovers from last week mixed in here. That’s what happens when you get struck by the flu. Not the Corona virus, I assure you. Just the flu…

TITLE: Batman #90
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
March 4, 2020

This issue has stirred up a decent amount of buzz because of a plot point involving the Joker. While I’m very much into what Tynion is doing, Batman #90 has been drastically over-hyped.

Via a flashback from Catwoman, we’re led to believe that the Designer, a mysterious villain we’ve just now learned about, inspired the Joker to evolve from clown-themed criminal to murdering psychopath. There’s nothing wrong with that. But it’s too early to herald it as this amazing development in the Batman mythos. Ask me after a few more issues have come out. Then we’ll talk.

TITLE: Marvel #1 (of 6)
AUTHORS: Alex Ross, Steve Darnall, Frank Espinosa, Sajan Saini, Kurt Busiek, 
ARTISTS:
Ross, Josh Johnson (Letterer), Espinosa, Clayton Cowles (Letterer), Steve Rude, Steven Legge (Colorist)
RELEASED:
March 4, 2020

Here we have the first installment in what was Alex Ross’ original vision for Marvels: An anthology of stories done by creators picked by Ross. Many of whom are working in the Marvel Universe for the first time.

Frank Espinosa turns in a lovely Spider-Man story. Given his style, he’s perfect for a project like this. But I was partial to Marvels author Kurt Busiek’s old school Avengers tale, drawn by the one and only Steve Rude. “Hulk-vengers.” Is that only now a thing? Either way, I love it.

TITLE: King of Nowhere #1 (of 5)
AUTHOR: W. Maxwell Prince
ARTISTS: Tyler Jenkins, Hilary Jenkins (Colorist), Andworld Design (Letters)
RELEASED: March 4, 2020

Every once in awhile, you find yourself holding what’s essentially a giant smorgasbord of bizarre, freakish, and random. Have I seen freakier than this? Yes. But not lately…

Our main character Denis wakes up near the small town of Nowhere, essentially a living acid trip filled with the creatures you see on the cover. Adventures ensue, and then we get a little hook at the end to bring us back. It’s not a particularly strong hook. But frankly, she simple question of “What the actual #$%Q is going on?” might just be the only hook King of Nowhere needs.

TITLE: Ghostbusters: Year One #2
AUTHOR: Erik Burnham
ARTISTS: Dan Schoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: March 4, 2020

This issue sees the Ghostbusters follow up on their very first spectral encounter: Eleanor Twitty, the librarian ghost. Thus, I’m forced to ask the heart-wrenching question of whether Ghostbusters: The Video Game is still canon in the IDWverse.

We also get a cute, and surprisingly heartwarming college flashback where Venkman introduces Ray and Egon. And of course, Schoening draws Egon with the late ’70s/early ’80s Harold Ramis afro. Because how could you not?

TITLE: Batman/Superman #7
AUTHOR:
Joshua Williamson
ARTISTS:
Nick Derington, Dave McCaig (Colorist), John J. Hill (Letterer)
RELEASED:
February 26, 2020

“The Bottled City of the Dead.” That’s fun. I like it. Even if the cliffhanger we get does border on unintentionally funny.

Nick Dergington’s art is the star here, supported wonderfully by Dave McCaig’s colors. To call it “simplistic” looking sounds like a dig. It isn’t. It’s easily digestible. And again, it’s fun.

Williamson’s writing of the rapport between our titular characters is the strongest its been yet in this issue. I’ll admit it’s a bit awkward, though appropriate, that they call each other by their hero names. It feels like they should call each other by their first names. But of course, they’re in the field…

TITLE: TMNT: Jennika #1
AUTHORS: Braham Revel, Ronda Pattison
ARTISTS:
Revel, Jodi Nishijima, Pattison (Colorist), Shawn Lee (Letterer).
RELEASED: February 26, 2020

I like how Revel draws Jennika with a slimmer, dare I say more feminine figure. In theory it sets her apart from the other Turtles that much more. Revel’s style is also mildly reminiscent of the 2012 animated series. It makes for an interesting style shift from the main series.

There’s a decent amount of meat to this story. The best of which involves the awkward romantic tension between Jennika and Casey Jones. It’s an impossible conflict that I’m dying to see how they resolve. Or at least if they can resolve it without making Casey look like a heel.

TITLE: Suicide Squad #3
AUTHOR:
Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer)
RELEASED:
February 26, 2020

What has surprised me more than anything about Tom Taylor’s Suicide Squad run thus far is how much he’s actually delivered on the whole suicide mission premise. By only having two heavy hitters (Deadshot and Harley), and having the cast consist mostly of original characters, he can raise the stakes seamlessly by making the missions more costly.

As far as those new characters are concerned, I remain partial to Fin. Especially after seeing him exact some deliciously gruesome revenge this issue.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Kylo Ren, Doomsday Clock, Batman Finale

By Rob Siebert
Fanboy Wonder

Yeesh. Talk about a loaded week. Big finales, big debuts, and some Star Wars backstory we’ve been waiting years for. And of course, with big issues, come big upticks in pricing. Mostly at DC. They actually had the gall to charge $4.99 for the Tom King Batman finale. Oye.

But next week is largely a throwaway week. (Unless you’re Marvel. Kudos to them.) So I’ll be able to play a little catch up. So next week’s batch will include Family Tree #2, Shazam #9, Star Wars: Empire Ascendant, Batman/Superman #5.

But for now, we’ve got a lot to get to…

TITLE: Star Wars: The Rise of Kylo Ren #1 (of 4)
AUTHOR:
Charles Soule
ARTISTS: Will Sliney. GuruFX (Colors). Travis Lanham (Letterer). Cover by Clayton Crain.
RELEASED:
December 18, 2019

I was ready to be mad at this issue for giving us stuff we should have gotten in one of the movies. As it turns out, this was benign.

In The Last Jedi, Luke says that after burning down the temple, Ben Solo left with some of his other students. Here, we learn that doesn’t quite mean what it sounds like. We also learn who the Knights of Ren are, which is welcome information.

Not the strongest first issue I’ve ever seen. But the intrigue around what happened to Ben Solo is enough to bring us back for more.

TITLE: Doomsday Clock #12
AUTHOR: Geoff Johns
ARTIST: Gary Frank, Brad Anderson (Colorist), Rob Leigh (Letterer).
RELEASED: December 18, 2019

From the beginning, we’ve known this book has been building toward Superman vs. Doctor Manhattan. A symbol of hope against a symbol of cynicism. The implication being that Superman would ultimately get through to Doc, and bring about a change of heart.

We do get a scene like that in this issue. But it’s so brief, and frankly a little contrived, that it was hardly worth the two years of build-up.

That’s right, folks. Doomsday Clock #1 came out in November 2017. It’s taken us more than two years to get here. Really takes the edge off, doesn’t it?

TITLE: Batman #85
AUTHOR: Tom King
ARTISTS: Mikel Janin, Hugo Petrus, Jordie Bellaire (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: December 19, 2019

Here we have yet another big finale that ends not with a bang, but with a whimper.

Tom King is a good writer. I believe that. But for whatever reason, this “City of Bane” story went on way too long, and he ended up overstaying his welcome on Batman. The truly sad part? There’s a good story in here if you rifle through it, and maybe rearrange some pieces.

On the upside? Mikel Janin’s work on Batman has been consistently great. As far as I’m concerned, he’s welcome back in Gotham any time.

TITLE: American Jesus #1
AUTHOR: Mark Millar
ARTISTS: Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by McGee and Frank Quitely.
RELEASED:
December 18, 2019

A 14-year-old Hispanic girl becomes the modern-day Virgin Mary in a story written by the guy who did books like Kick-Ass and Nemesis? Sure. Sounds harmless enough…

Maybe it’s me, but the art in this book seems a little weird. Like the proportions are just a touch off. It’s minor, just just prominent enough to be noticeable.

There’s a lot of intrigue here, given the sensitive topic and Millar’s penchant for the outlandish. While there’s nothing blasphemous in this issue (at least as far as I can see), I figure it’s just a matter of time.

TITLE: Spider-Man #3 (of 5)
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: December 18, 2019

Tony Stark pops up in this book, and now our story has an Avengers angle to it. That’s disappointing. This is a story about the legacy of Spider-Man, and the strained relationship between a father and son. So why not keep the lens focused on Spidey’s world, and not open things up to the larger Marvel Universe until later? We need to be focusing on Ben right now. Not some wacky take on Tony Stark as an old man.

On the upside, we get further into who Cadaverous is. Good stuff, with Pichelli’s art on point.

TITLE: Suicide Squad #1
AUTHOR: Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Ivan Reis.
RELEASED:
December 18, 2019

While it lacks the impact and sizzle of a Jim-Lee-drawn debut, this issue has some intrigue to it. We’ve got three mainstays in Deadshot, Harley, and King Shark. But we’ve also got a big group of new characters. They kind of look like what Marv Wolfman and George Perez would produce if asked to produce a modern team of superheroes.

Mind you, some of them are dead when we close the issue. But if even one of them sticks for a decent amount of time, that’s an accomplishment.

TITLE: Mighty Morphin Power Rangers #46
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: December 18, 2019

A few little things I noticed that aren’t out of character per se, but perhaps show how these characters are different in this time period…

– Tommy’s more relaxed demeanor now that they’re seemingly no longer Earth’s last line of defense.

– Kimberly stepping up into more of a leadership role with the three new Rangers.

– Trini’s more sarcastic personality. It’s not how I would write the character, as she’s normally more reserved. But we can chalk it up to her gaining confidence through her experiences as a Power Ranger.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Toy Chest Theater: Raph, Leo, and a Hell of a Crowd!

By Rob Siebert
Fanboy Wonder

The TMNT are back in this second edition of “Toy Chest Theater.” I didn’t necessarily want to do a double dose of Turtle Power. But after seeing this beauty from Jax Navarro at Plastic Action, how could I resist?

I’m a sucker for Teenage Mutant Ninja Turtles: The Movie. Almost 30 years later, it’s still my favorite take on the concept. So any toy photographer that can find something creative to do with those NECA figures gets points with me automatically.

But what puts this one over the top is that it’s so beautifully random. The Ninja Turtles playing street ball? Pretty damn cool. But the Ninja Turtles playing street ball in front of such a…wide assortment of characters? Awesomeness, personified in plastic!

What’s more, the way some of the background figures are posed is not only very natural, but very in-character. The best example? Han Solo leaning against the wall with his forearm on C-3PO’s shoulder. Even the way Threepio’s body is leaned looks perfect. Harley looks great too. The combination of her behind Thor is odd, but somehow pleasing.

Also, the detail on the background is incredible. It actually looks like a real place. There’s something about that red lighting. It actually serves as a camouflage of sorts for Spider-Man, Red Skull, Superman, and the other characters Navarro has up on that ledge. I actually missed most of them at first look.

For plenty more from Plastic Action, check Jax Navarro out on Twitter, Instagram, and Facebook!

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com!