Weekly Comic 100s: Wolverine #1 is EIGHT DOLLARS, and Also Reviews…

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Eight dollars for Wolverine #1.

EIGHT. DOLLARS.

This is the latest volume, mind you. We’re not talking about something historic or particularly significant. This is simply the latest adventure of everybody’s favorite clawed Canadian.

Why eight dollars? Because it’s just a thing Marvel does with a good percentage of its #1 issues. And readers are, for reasons I will never comprehend, willing to fork that money down.

Well, not ALL of them. I was happy to leave that one on the shelf, bub. If Marvel is going to give me the finger, I’m willing to give it right back to them. I just wish others were willing to say no.

If I’m going to put down eight bucks for a Wolverine comic Hugh Jackman better be leaping off the damn page singing Greatest Showman songs as he’s taking out my garbage.

TITLE: Batman #89
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Danny Miki, Carlo Pagulayan, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Variant cover by Francesco Mattina.
RELEASED: February 19, 2020

In essence what we’re getting here is a follow-up to Death of the Family. Definitely a hell of a way to start Tynion’s run. But Scott Snyder, Greg Capullo, and that whole crew did a masterful job of putting that genie back in the bottle. How do you do that again? Or do you?

There’s a panel in this issue where Lucius Fox refers to the Joker, the Riddler, and the Penguin as members of Batman’s “Classic Rogues Gallery.” *thud* Yeesh. Did somebody from marketing slip that in?

Loving the perspective on this variant cover.

TITLE: Teenage Mutant Ninja Turtles #103
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS:
Campbell. Ronda Pattison (Colorist). Shawn Lee (Letterer). Variant cover by Eastman.
RELEASED: February 19, 2020

Quite the emotional issue this month. They really try to yank at our heartstrings.

I came away from this issue thinking about Sophie Campbell. She turned in a highly impactful script, and her drawing the issue obviously allows her to accentuate and emphasize certain things.

Campbell also does a tremendous job getting the Turtles to emote, sometimes without any dialogue to support her art. Case in point: The Raphael/Jennika argument. Look at the anger in Raph’s bulging eyes and clenched teeth, or the quiet defiance from Jennika.

Um, are they giving Michelangelo depression? If so, that’s…really cool, actually.

TITLE: The Low Low Woods #3
AUTHOR: Carmen Maria Machado
ARTISTS: Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by Sam Wolfe Connelly.
RELEASED:
February 19, 2020

I’m not in love with this book. The texture of the art is “sketchier” than I tend to like. But the haunted small-town setting keeps me coming back. I’m finding myself wanting to meet more people from the aptly yet ridiculously named Shudder-to-Think, Pennsylvania.

For instance, we meet a thousand-year-old witch in this issue. But she has the body of a young girl. Then we unpack the revelation from issue #1, and things get really weird.

In this case, weird is good.

TITLE: BANG! #1
AUTHOR: Matt Kindt
ARTISTS: Wilfredo Torres, Nayoung Kim (Colorist), Nate Piekos (Letterer)
RELEASED:
February 19, 2020

It’s James Bond meets Doctor Who. I can’t tell you how without spoiling the issue. But you’ll get it.

BANG! is apparently connected to one of Matt Kindt’s previous works, Revolver. I’ve heard of it, but never read it. How it’s connected to BANG! isn’t immediately apparent. But it’s perfectly accessible on its own.

Like The Low Low Woods, I didn’t expect this story to hook me the way it has. As is often the case, issue #2 will be the clincher.

TITLE: Go Go Power Rangers #29
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Raul Angulo (Co-Colorist), Eleonora Bruni (Co-Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED: February 12, 2020

There’s an opening battle sequence in this issue where Tommy, who is now the team leader, freezes up. Jason, the former leader, quickly yet briefly steps back into his old role. I like that. By this point, Tommy had been in positions to lead. But he’d never been the leader. There should be some growing pains there.

Jason also has a conversation with Zordon that I’ve wanted to see for over two damn decades. They talk about why Jason was replaced as leader, and whether or not he wants the job back. Some great character work in this one.

TITLE: Ghostbusters: Year One #1
AUTHOR: Erik Burnham
ARTISTS: Dan Schoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: January 22, 2020

You’ll never hear me complain about Burnham and Shoening doing more Ghostbusters comics. Ever.

While I wouldn’t count this issue among their best work, there is one bit that I love. We’re looking at Winston’s first year on the job, and he only gets a few minutes of training, shooting a single proton stream before he’s shoved on to a job. That’s perfect. Despite the Ghostbusters being established and experienced, Winston still gets the same seat-of-his-pants training they did. It obviously lends itself to this being a comedy at heart.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Darth Vader, Batman, X-Men/Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Darth Vader #1
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Variant cover by Chris Sprouse.
RELEASED: February 5, 2020

After the events of Empire, Darth Vader starts investigating Luke’s birth/origins. He journeys back to Tatooine (again). He then goes to Padme’s old apartment on Coruscant, which remains more or less preserved after 20 years. As if it’s a crime scene or something. Based on the ending, I assume we’ll learn more next issue.

I understand it from a storytelling perspective. But in-universe, it’s always a little too convenient that these landmark places all essentially look the same no matter when we see them. That Lars Homestead will still be standing 30 years later

TITLE: Batman #88
AUTHOR:
James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: February 5, 2020

I wasn’t very nice to Guillem March last time. In fact, I’m rarely depict his work positively. But to his credit, he won me over with this issue. At least a little bit. His rendering of Catwoman in a graveyard on a rainy night is damn near beautiful. The scene with Batman, Penguin, Deathstroke, and the others is also very strong.

At more than one point, it seemed to me like this issue was laying the groundwork for the long-awaited Three Jokers book. Remember, we’re building toward a story in the pages of Batman called “Joker War.”

TITLE: X-Men/Fantastic Four #1 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS: Terry Dodson, Rachel Dodson (Inker), Dexter Vines (Inking Assistant), Karl Story (Inking Assistant), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: February 5, 2020

I’m terrified of X-Men comics. Specifically, the decades worth of continuity and characters. But to this book’s credit, it’s fairly accessible.

Franklin Richards, the mutant teenage son of Reed Richards and Sue Storm, is summoned by Charles Xavier to live with Earth’s mutants on the island nation of Krakoa. This doesn’t sit well with Reed. Naturally, conflict and teen angst ensue.

I’ve been looking for a bridge back into the Marvel Universe. X-Men/Fantastic Four #1 might be it, as it does a nice job setting up both teams, and giving us a compelling main character in Franklin.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #3
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: February 5, 2020

We get a fight between Rita and Shredder in this issue. It’s a relatively lengthy battle. And you know what? I’m just going to come out and say it: I wanted this to be one of those fights where the guy and girl hook up at the end. You know how it goes. The passion overcomes them, etc. These two have a lot in common, after all.

What that says about me and these characters from my childhood, I’ll let you decide.

Oh my God. What if Shredder, not Zedd, was actually Thrax‘s father?!?!? Mind blown!!!

TITLE: Young Justice #13
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Michael Avon Oeming, Mike Grell, John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: February 5, 2020

Well hey there, Mike Grell! It’s been too long! What’s more, Grell gets to once again draw a character he created in Warlord. Warlord and Superboy actually have a pretty nice dynamic in this issue. The experienced elder statesman offering calm words of wisdom to an upset Superboy.

For the moment at least, the Young Justice cast has expanded greatly. If these additional characters stick around, it’s a lot to balance. But it’s still damn good to see a couple of them.

TITLE: Lois Lane #8
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: February 5, 2020

As much as I’m enjoying having Greg Rucka back at DC, I’m wondering if this needed to be a 12-issue maxi-series. This entire issue felt mostly like filler.

For instance, there’s a scene in this issue where Superman shows up after an attempt on Lois’ life. We take four pages to see husband and wife re-united, and then to see the attention the Man of Steel gets from the local police.

Am I missing something? Why are we seeing this?

On the upside, the assassin that comes after Lois has a pretty cool look.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Wonder Woman #750, Guardians of the Galaxy #1, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

With the release of Wonder Woman #750, our resident Amazon Princess had a pretty big week. It was a 96-page issue consisting of multiple short stories, filled with A-list talent. Something like that doesn’t exactly lend itself to a 100-word format. So, as we lead off with it here, I’m going to focus on the story that I liked the best, and will hopefully have a sizeable impact on the DCU going forward. It’s titled “A Brave New World.”

TITLE: Wonder Woman #750
AUTHOR (For Our Purposes): Scott Snyder
ARTISTS (For Our Purposes):
Bryan Hitch, Mike Spicer (Colorist), Tom Napolitano (Letterer). Cover by Joelle Jones.
RELEASED:
January 22, 2020

It’s always surreal to see a real-life US President in a superhero comic book. Having FDR in this book was no exception. What’s more it worked, setting the period well, and helping create the monumental moment they wanted.

This story establishes Diana as the world’s first superhero, an an inspiration for generations. I’m all for establishing more of a firm timeline for the DCU. With the New 52, everything was so vague and uncertain. This is a step up, and gives Wondie a nice notch on her belt. What’s more, it opens up plenty of new story opportunities…

TITLE: Guardians of the Galaxy #1
AUTHOR: Al Ewing
ARTISTS:
Juann Cabal, Federico Blee (Colorist) Cory Petit (Letterer)
RELEASED:
January 22, 2020

For someone diving into a Guardians book for the first time in awhile, this was a challenge to follow. Lots of talk about the “Kree Civil War,” the “Cancerverse,” etc.

Still, the familial bond between the Guardians, Quill and Rocket specifically, is enough to get you through. Rocket’s more fashionable look is actually pretty cool. He’s almost got a secret agent vibe to him.

Question: What’s up with Gamora’s eyes? Is that just how they’re coloring her now?

TITLE: Batman #87
AUTHOR: James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: January 22, 2020

I’ll be honest: I’m not a Guillem March fan. I soured on him when he did the New 52 Catwoman series. So his art took me out of the issue. His Penguin is a little too monsterish for me, and his Riddler was a little too…veiny?

Still, I’m digging this story with all the assassins in Gotham. There’s a definite aura of danger in the air. Cheshire was put over nicely in this issue, despite how things end up for her.

The Bat-books as a whole are also doing a nice job emphasizing Alfred’s absence.

TITLE: American Jesus #2 (of 3)
AUTHOR: Mark Millar
ARTISTS:
Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by Jodie Muir and Matteo Scalera.
RELEASED:
January 22, 2020

Ugh. I’ve got to start paying better attention to issue numbering. Three issues? That’s all we’re getting? That sucks. It really sucks. There’s potential for a whole series here. But we’re only going to scratch the surface.

I’ve you’ve seen The Path on Hulu, this issue reminded of that. We get a time jump, and our teenaged would-be Messiah is at the center of a cult housed in a secure compound. But of course, she’s a teenager. So she can’t just stay in the compound.

All I can say is they’d better really stick the landing on this one.

TITLE: Mighty Morphin Power Rangers #47
AUTHOR:
Ryan Parrott
ARTISTS:
Daniele Di Nicuolo, Walter Baiamonte (Colorist), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
January 22, 2020

Awesome cover, with our nine Rangers together. Now that the big secret is out, there’s potential for some really cool moments between the current team and the Omega Rangers. Case in point, we get a pretty cool interaction between Trini and Aisha in this issue.

I’ve become a huge fan of Daniele Di Nicuolo. But in this issue we get the first panel from him that I don’t like. It’s a shot of Tommy sneering at Jason. It’s both ill-executed and I’ll conceived. Tommy doesn’t really sneer, does he? He’s more of a glare guy.

TITLE: Superman #18
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Joe Prado (Co-Inker), Danny Miki (Co-Inker), Julio Ferriera (Co-Inker), Oclair Albert (Co-Inker), Alex Sinclair (Colorist), Andworld Design (Letterer)
RELEASED:
January 22, 2020

This issue is essentially split in half. The first is dedicated to Superman revealing his identity to the world last issue. The second involves his role in the United Planets. The latter features a pretty awesome fight with Mongul.

I might have to call BS on the public’s reaction to Superman’s “unmasking.” In part, at least. Maybe Bendis simply hasn’t gotten to this point in the story yet, but it feels like there should be more hysteria. Clark’s family and friends being harassed for information, etc. People aren’t so calm about secrets like this. Trust me. I’ve met a few.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Marvels X, Batman #86, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Earth X was probably the one big Alex Ross project I knew the least about. So I got myself a nice little education heading into this week’s Marvels X. Low and behold it’s a trilogy. Now a tetralogy, with Marvels X.

Looks like I’ve got some catching up to do. But in the meantime…

TITLE: Marvels X #1
AUTHORS:
Alex Ross (Story), Jim Krueger (Story and Script)
ARTISTS:
Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED:
January 8, 2020

Having not read Earth X, and with this being intended as a prequel, I’m forced to judge this issue simply at face value. And at face value, it’s absolutely fine.

Our main character, a teenager named David, is the one person on in this dystopian future who does not have super powers. Orphaned and alone, he sets out for New York City to find his idols: Captain America, Iron Man, and Spider-Man.

Seeing an artist like Well-Bee tackle a Ross/Krueger concept like this feels different, but intriguing. For now, my interest is piqued.

TITLE: Batman #86
AUTHOR: James Tynion IV
ARTISTS: Tony Daniel, Danny Miki (Inker), Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED: January 8, 2019

For my money, Tynion has a better handle on Batman and his world than Scott Snyder or Tom King. So I’m anxious to see what he turns in.

As Bruce continues to mourn for Alfred, various assassins gather in Gotham. Meanwhile, the issue presents us with an intriguing idea: Over the years, Bruce has randomly sketched, essentially doodled, bits of Gotham’s skyline and architecture as he would have them look. In the wake of “City of Bane,” he has a chance to make those visions a reality. Also, something’s up with the Joker…

So far, so good.

TITLE: The Clock #1
AUTHOR: Matt Hawkins
ARTISTS: Colleen Doran, Bryan Valenza (Colorist), Troy Peteri (Letterer)
RELEASED: January 8, 2020

This is not the most gracefully executed issue. Naturally, it needs to get a lot of exposition out of the way, and it falls into the clunky dialogue trap that comes with that. Also, early on some of the the speech balloons are hard to follow. They don’t contrast with the backgrounds (specifically the outdoor ones) enough, so you have a hard time following who is saying what.

But under all that, The Clock might just be a good story about a super cancer threatening to wipe our half the Earth’s population. But the jury’s still out.

TITLE: Star Wars: The Rise of Kylo Ren #2 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by Clayton Crain
RELEASED:
January 8, 2020

If you need to be sold on the idea of a book about Luke’s post-Return of the Jedi adventures, look no further than this issue. He faces the Knights of Ren, with both Lor San Tekka and a young Ben Solo at his side. Call it The Adventures of Luke Skywaker, as a take-off of one of Lucas’ early draft titles for Star Wars.

Ben’s interactions with Snoke have a slightly different flavor now that The Rise of Skywalker has come out. Snoke is also wearing his most flamboyant outfit yet. What’s up with the hat…?

TITLE: Teenage Mutant Ninja Turtles #101
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS:
Campbell, Ronda Pattison (Colorist), Shawn Lee (Letterer).
RELEASED:
January 8, 2020

Basically, this book is doing what the 2007 TMNT movie did. Only, you know, better. The Turtles are split up and doing their own thing. And we’ve got kind of an Arkham City spin, as they’ve walled off a portion of New York to throw all the mutants in.

I like this. It’s a big status quo shake-up the series has probably needed for awhile now. Encouragingly, the character that shines the most in this issue is Jennika, our new female Ninja Turtle. Lots of fresh intrigue as this series moves forward.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #2 (of 5)
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Walter Baiamonte (Colorist), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: January 8, 2020

In this issue we find out why Tommy has joined the Foot Clan. He’s apparently trying to save another clan member we don’t know. This new person’s identity, and how he connects to Tommy, is now far more interesting than the interactions the Turtles are having with the other Rangers.

They pull a stunt with Shredder at the end that I can take or leave. Seeing him meet Rita is pretty cool, though.

God damn, these Dan Mora covers are amazing.

TITLE: Young Justice #12
AUTHOR: Brian Michael Bendis
ARTISTS: John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: January 8, 2020

At what point do we just make this the new Teen Titans ongoing? Young Justice feels the way that book should feel. At least that’s how I…feel?

This is a pretty dense issue with a lot of standing around and talking. But Superboy does punches a T-Rex. That always counts for something.

We now appear to be headed toward a big Wonder Comics team-up, i.e. Young Justice along with the Wonder Twins and the kids from Dial H For Hero. Thankfully, it looks like it’s all staying within Young Justice, as opposed to a crossover.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

A Batman #14 Review – They Totally Had Sex!

Batman #14, 2017TITLE: Batman #14
AUTHOR: Tom King
PENCILLER: Mitch Gerads. Cover by Stephanie Hans.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED:
January 4, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

In 2011’s Catwoman #1 and #2, Judd Winick and Guillem March put together a scene where Batman and Catwoman have sex, complete with masks and costumes. We don’t see anything X-rated. But the climactic (no pun intended) page of issue #1 depicts what I think is supposed to be our heroes having achieved penetration. It was generally regarded as distasteful. An assessment I agree with.

In Batman #14, our heroes have sex again (shown below). Once again, I believe we see them achieve penetration. I’m generally not a fan of actually seeing superheroes have sex. Implication is usually fine. But actually showing us the act? No. There’s a trashy, niche porn element to it that I can’t shake. Let alone the fact that these characters also appear on lunch boxes and kids t-shirts.

But if for some reason you must show us Batman and Catwoman doing the nasty, this is how you do it.

batman #14, 2016, sex scene, Mitch GeradsSelina Kyle is about to go to face life in prison without parole for the murder of 237 people. (How/when did this happen, by the way? Is this something Tom King did for this story? I’m lost.) Batman is convinced she’s not guilty. But for whatever reason, Selina isn’t proclaiming her innocence. Now they have one last night together, and they’re spending it where they belong: The Gotham City rooftops.

So why is the sex in this issue different from what we saw in 2011? As much as I enjoy Judd Winick’s work, it was instantly clear that his scene was done for shock value. It was about the sex itself, rather than what the sex meant. Batman #13 is a romantic story that builds to the characters giving into their desires. As Selina puts it, it’s about what they want to do, as opposed to what they have to do.

While I still wouldn’t have actually shown us any of the act, this is actually my favorite Batman issue Tom King has done. I love stories that look at the Batman/Catwoman dynamic, and it’s satisfying to see these characters have a moment like this.

As we’ve frequently seen during King’s run, Batman and Catwoman call each other Bat and Cat. I like that. It adds a layer of familiarity, and almost intimacy to their relationship. It’s so simple that I’m surprised we haven’t seen it more often.

King also brings a bunch of C and D-list Batman villains along for the ride. The Clock King, Film Freak, Condiment King, and Kite Man are just a few of the names our heroes spend this special night with. An especially busy night, it would seem…

batman #14, Mitch Gerads, two-page spreadMitch Gerads handles the pencils, inks, and colors. Almost everything in this issue is bathed in cool blues, which sets the tone beautifully. When we get to the intimacy between Bruce and Selina, Gerads uses those blue tones to highlight some of the scarring on Bruce’s body. That’s an interesting touch.

Early on we get a gorgeous two-page spread of a starry night sky. It’s tremendously fitting, given the importance of this night, and Selina’s talk about it shining like a diamond. Gerads also does some lovely work with Selina’s facial expressions, whether it’s her excitement at being on the rooftops, or her sorrow at having to go away.

Tom King’s Batman run has been a mixed bag. But his intentions have obviously been good, especially when it comes to Batman and Catwoman. Sex notwithstanding, this is the issue where that’s the most plainly seen. As such, it’s his best.

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A Detective Comics #27 Review – An All-Star Let Down

Detective Comics #27 (2014)TITLE: Detective Comics #27
AUTHORS: Brad Meltzer, Gregg Hurwitz, Peter Tomasi, Francesco Francavilla, Mike Barr, John Layman, Scott Snyder.
PENCILLER: Francavilla, Bryan Hitch, Patrick Gleason, Neal Adams, Jock, Ian Bertram, Kelley Jones, Guillem March, Graham Nolan, Jason Fabok, Mike Allred, Sean Murphy. Cover by Greg Capullo.
PUBLISHER: DC Comics
PRICE: $7.99
RELEASED:
January 8, 2014

By Rob Siebert
Editor, Fanboy Wonder

Oye. We’re barely into 2014 and DC has already put out another overpriced Batman issue. Well that’s just great…

At least this one is somewhat justified. This year marks the 75th anniversary of the Dark Knight’s first appearance in the original Detective Comics #27 in 1939. As such, the 27th issue of the New 52′s Detective Comics gathers numerous creators of note to pay tribute to the character with a 96-page collection of short stories celebrating Batman and his legacy. Among those along for the ride are iconic artist Neal Adams, current Batman scribe Scott Snyder, Identity Crisis author Brad Meltzer, as well as the book’s current creative team, John Layman and Jason Fabok. The issue also features pinups by Patrick Gleason, Jock, Kelley Jones, Graham Nolan, and Mike Allred.

Detective Comics #27 (2014), Francesco FrancavillaI can’t say I was blown away by anything I saw here, but Francesco Francavilla’s four page contribution to the book, “Rain,” is pretty cool. Ironically, from a plot perspective there’s really not much to it. Batman saves a mother and child from a car wreck during a rainstorm. But at the very end, Francavilla ties it into not only Batman: Year One, but also his own work on Detective Comics. As a longtime fan, and someone who’s still getting over the fact that Year One is being replaced in current Batman canon by Zero Year, I appreciated the respective nods. But it’s Francavilla’s art that really makes “Rain” the standout story in the book. His color palette in particular is perfect for Batman, and the tone of his world.

On the flip side, if you get a chance, Google the variant cover Frank Miller did for this issue. It’s…*ehem*…interesting.

I was sadly disappointed in Brad Meltzer and Bryan Hitch’s retelling of “The Case of the Chemical Syndicate,” the story Bob Kane and Bill Finger introduced Batman with in the original Detective Comics #27. Via text boxes, Meltzer lets us read the first entry in the “Journal of the Bat-Man,” as we move through the story. That’s an awesome idea, but the execution gets old after awhile. Most of the entry is just Bruce listing the various reasons why he’s becoming Batman. “I do it because people are afraid. I do it because the world needs heroes. I do it because the police can’t be in every alley.” It goes on like that for most of the story. In his previous work at DC, Meltzer has told some really emotional, touching stories, and I understand this is his attempt at doing that again. But the “I do it because…” method gets irritating after awhile.

Detective Comics #27, 2014, Neal AdamsOddly enough, this issue teams Neal Adams, the man who helped redefine Batman after the camp era in the ’60s, with Gregg Hurwitz, the man who’s been overdoing the horror element in Batman: The Dark Knight. But surprisingly, their story, “Old School,” a story which cracks the fourth wall and deals with Batman evolving over the course of his career, goes fairly well. It’s not fantastic by any means, but it’s more satisfying than Adams’ more recent work on the character (see Batman: Odyssey, and a weird zombie story from Batman: Black and White #1). He even gets to draw Bob Kane at the end, which is nice.

We also get a story from Peter Tomasi and Ian Bertram, which seems to take place in the Batman #666 timeline. It sees Damian Wayne/Batman, Dick Grayson/Nightwing, Tim Drake as the pre-New 52 Red Robin, a very elderly Alfred, and Police Commissioner Barbara Gordon celebrating Bruce’s 75th birthday with him. Unbeknownst to them, he ends up going out in costume again, which results in what I deem to be a pretty awkward tribute to The Dark Knight Returns (shown above). Mike Barr and Guillem March bring Phantom Stranger into the mix to give Bruce a look at what the world would be like if his parents hadn’t been murdered, and he hadn’t become Batman. It’s a little too short to be as effective as it wants to be, and Phantom Stranger’s last few lines are a little corny. But it’s a decent attempt. Scott Snyder and Sean Murphy close out the issue with a story set in the future, which deals with Bruce Wayne clones. Meh.

Detective Comics #27, 2014, birthdayWe also get a story from Peter Tomasi and Ian Bertram, which seems to take place in the Batman #666 timeline. It sees Damian Wayne/Batman, Dick Grayson/Nightwing, Tim Drake as the pre-New 52 Red Robin, a very elderly Alfred, and Police Commissioner Barbara Gordon celebrating Bruce’s 75th birthday with him. Unbeknownst to them, he ends up going out in costume again, which results in what I deem to be a pretty awkward tribute to The Dark Knight Returns (shown above). Mike Barr and Guillem March bring Phantom Stranger into the mix to give Bruce a look at what the world would be like if his parents hadn’t been murdered, and he hadn’t become Batman. It’s a little too short to be as effective as it wants to be, and Phantom Stranger’s last few lines are a little corny. But it’s a decent attempt. Scott Snyder and Sean Murphy close out the issue with a story set in the future, which deals with Bruce Wayne clones. Meh.

The issue isn’t all warm fuzzies, mind you. Layman and Fabok also get 27 pages to kick off the “Gothtopia” crossover, which will apparently branch into Catwoman, Batgirl, Batwing, and Birds of Prey. The story brings us a very different Gotham City where crime and unemployment are at all-time lows, the economy as booming, and the city shines in the light of day. Clad in a black and white costume, Batman and his cohorts are honored as heroes. Bruce Wayne has also allowed romance to enter his life via Selina Kyle, who patrols the streets at his side as Catbird.

Detective Comics #27, 2014, Gothtopia*groans* Catbird? Really? That’s the name we’re going with? We couldn’t come up with anything better for an amalgamation of Catwoman and Robin? Do we even need to give the character a new name? The red shirt is a pretty clear connection to Robin. I think we all get that. So couldn’t we just call her Catwoman? Or anything else besides Catbird? That name puts me in the mood to watch reruns of CatDog

In any event, as you might imagine, things in Gotham City aren’t quite as they seem. And being the detective that he is, Batman is already starting to unravel things by the end of the issue. At this point, I can’t say I’m dying to read the next issue, or add the corresponding tie-ins to my pull list. Based on what I’ve seen thus far, this story seems like a “this is all too good to be real” story, which has been done plenty of times before. Heck, it was done in this same issue. Granted, it’s still early, and we can still explore quite a bit of this new world that’s unfolded before us. But thus far I’m not impressed.

And sadly, that’s pretty much my verdict on Detective Comics #27 overall. In all honesty, Batman fans would be better off checking out recent issues of Batman: Black and White if they’re looking for some good short Batman stories. They’re not all winners, but chances are you’ll find at least one  that’s more fulfilling than most of what we see here.

Image 1 from author’s collection. Image 2 from inter-comics.com. Image 3 from 13thdimension.com. Image 4 from uncanny.ch. 

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