Tag Archives: Guillem March

A Batman #14 Review – They Totally Had Sex!

Batman #14, 2017TITLE: Batman #14
AUTHOR: Tom King
PENCILLER: Mitch Gerads. Cover by Stephanie Hans.
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED:
January 4, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

In 2011’s Catwoman #1 and #2, Judd Winick and Guillem March put together a scene where Batman and Catwoman have sex, complete with masks and costumes. We don’t see anything X-rated. But the climactic (no pun intended) page of issue #1 depicts what I think is supposed to be our heroes having achieved penetration. It was generally regarded as distasteful. An assessment I agree with.

In Batman #14, our heroes have sex again (shown below). Once again, I believe we see them achieve penetration. I’m generally not a fan of actually seeing superheroes have sex. Implication is usually fine. But actually showing us the act? No. There’s a trashy, niche porn element to it that I can’t shake. Let alone the fact that these characters also appear on lunch boxes and kids t-shirts.

But if for some reason you must show us Batman and Catwoman doing the nasty, this is how you do it.

batman #14, 2016, sex scene, Mitch GeradsSelina Kyle is about to go to face life in prison without parole for the murder of 237 people. (How/when did this happen, by the way? Is this something Tom King did for this story? I’m lost.) Batman is convinced she’s not guilty. But for whatever reason, Selina isn’t proclaiming her innocence. Now they have one last night together, and they’re spending it where they belong: The Gotham City rooftops.

So why is the sex in this issue different from what we saw in 2011? As much as I enjoy Judd Winick’s work, it was instantly clear that his scene was done for shock value. It was about the sex itself, rather than what the sex meant. Batman #13 is a romantic story that builds to the characters giving into their desires. As Selina puts it, it’s about what they want to do, as opposed to what they have to do.

While I still wouldn’t have actually shown us any of the act, this is actually my favorite Batman issue Tom King has done. I love stories that look at the Batman/Catwoman dynamic, and it’s satisfying to see these characters have a moment like this.

As we’ve frequently seen during King’s run, Batman and Catwoman call each other Bat and Cat. I like that. It adds a layer of familiarity, and almost intimacy to their relationship. It’s so simple that I’m surprised we haven’t seen it more often.

King also brings a bunch of C and D-list Batman villains along for the ride. The Clock King, Film Freak, Condiment King, and Kite Man are just a few of the names our heroes spend this special night with. An especially busy night, it would seem…

batman #14, Mitch Gerads, two-page spreadMitch Gerads handles the pencils, inks, and colors. Almost everything in this issue is bathed in cool blues, which sets the tone beautifully. When we get to the intimacy between Bruce and Selina, Gerads uses those blue tones to highlight some of the scarring on Bruce’s body. That’s an interesting touch.

Early on we get a gorgeous two-page spread of a starry night sky. It’s tremendously fitting, given the importance of this night, and Selina’s talk about it shining like a diamond. Gerads also does some lovely work with Selina’s facial expressions, whether it’s her excitement at being on the rooftops, or her sorrow at having to go away.

Tom King’s Batman run has been a mixed bag. But his intentions have obviously been good, especially when it comes to Batman and Catwoman. Sex notwithstanding, this is the issue where that’s the most plainly seen. As such, it’s his best.

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A Detective Comics #27 Review – An All-Star Let Down

Detective Comics #27 (2014)TITLE: Detective Comics #27
AUTHORS: Brad Meltzer, Gregg Hurwitz, Peter Tomasi, Francesco Francavilla, Mike Barr, John Layman, Scott Snyder.
PENCILLER: Francavilla, Bryan Hitch, Patrick Gleason, Neal Adams, Jock, Ian Bertram, Kelley Jones, Guillem March, Graham Nolan, Jason Fabok, Mike Allred, Sean Murphy. Cover by Greg Capullo.
PUBLISHER: DC Comics
PRICE: $7.99
RELEASED:
January 8, 2014

By Rob Siebert
Editor, Fanboy Wonder

Oye. We’re barely into 2014 and DC has already put out another overpriced Batman issue. Well that’s just great…

At least this one is somewhat justified. This year marks the 75th anniversary of the Dark Knight’s first appearance in the original Detective Comics #27 in 1939. As such, the 27th issue of the New 52′s Detective Comics gathers numerous creators of note to pay tribute to the character with a 96-page collection of short stories celebrating Batman and his legacy. Among those along for the ride are iconic artist Neal Adams, current Batman scribe Scott Snyder, Identity Crisis author Brad Meltzer, as well as the book’s current creative team, John Layman and Jason Fabok. The issue also features pinups by Patrick Gleason, Jock, Kelley Jones, Graham Nolan, and Mike Allred.

Detective Comics #27 (2014), Francesco FrancavillaI can’t say I was blown away by anything I saw here, but Francesco Francavilla’s four page contribution to the book, “Rain,” is pretty cool. Ironically, from a plot perspective there’s really not much to it. Batman saves a mother and child from a car wreck during a rainstorm. But at the very end, Francavilla ties it into not only Batman: Year One, but also his own work on Detective Comics. As a longtime fan, and someone who’s still getting over the fact that Year One is being replaced in current Batman canon by Zero Year, I appreciated the respective nods. But it’s Francavilla’s art that really makes “Rain” the standout story in the book. His color palette in particular is perfect for Batman, and the tone of his world.

On the flip side, if you get a chance, Google the variant cover Frank Miller did for this issue. It’s…*ehem*…interesting.

I was sadly disappointed in Brad Meltzer and Bryan Hitch’s retelling of “The Case of the Chemical Syndicate,” the story Bob Kane and Bill Finger introduced Batman with in the original Detective Comics #27. Via text boxes, Meltzer lets us read the first entry in the “Journal of the Bat-Man,” as we move through the story. That’s an awesome idea, but the execution gets old after awhile. Most of the entry is just Bruce listing the various reasons why he’s becoming Batman. “I do it because people are afraid. I do it because the world needs heroes. I do it because the police can’t be in every alley.” It goes on like that for most of the story. In his previous work at DC, Meltzer has told some really emotional, touching stories, and I understand this is his attempt at doing that again. But the “I do it because…” method gets irritating after awhile.

Detective Comics #27, 2014, Neal AdamsOddly enough, this issue teams Neal Adams, the man who helped redefine Batman after the camp era in the ’60s, with Gregg Hurwitz, the man who’s been overdoing the horror element in Batman: The Dark Knight. But surprisingly, their story, “Old School,” a story which cracks the fourth wall and deals with Batman evolving over the course of his career, goes fairly well. It’s not fantastic by any means, but it’s more satisfying than Adams’ more recent work on the character (see Batman: Odyssey, and a weird zombie story from Batman: Black and White #1). He even gets to draw Bob Kane at the end, which is nice.

We also get a story from Peter Tomasi and Ian Bertram, which seems to take place in the Batman #666 timeline. It sees Damian Wayne/Batman, Dick Grayson/Nightwing, Tim Drake as the pre-New 52 Red Robin, a very elderly Alfred, and Police Commissioner Barbara Gordon celebrating Bruce’s 75th birthday with him. Unbeknownst to them, he ends up going out in costume again, which results in what I deem to be a pretty awkward tribute to The Dark Knight Returns (shown above). Mike Barr and Guillem March bring Phantom Stranger into the mix to give Bruce a look at what the world would be like if his parents hadn’t been murdered, and he hadn’t become Batman. It’s a little too short to be as effective as it wants to be, and Phantom Stranger’s last few lines are a little corny. But it’s a decent attempt. Scott Snyder and Sean Murphy close out the issue with a story set in the future, which deals with Bruce Wayne clones. Meh.

Detective Comics #27, 2014, birthdayWe also get a story from Peter Tomasi and Ian Bertram, which seems to take place in the Batman #666 timeline. It sees Damian Wayne/Batman, Dick Grayson/Nightwing, Tim Drake as the pre-New 52 Red Robin, a very elderly Alfred, and Police Commissioner Barbara Gordon celebrating Bruce’s 75th birthday with him. Unbeknownst to them, he ends up going out in costume again, which results in what I deem to be a pretty awkward tribute to The Dark Knight Returns (shown above). Mike Barr and Guillem March bring Phantom Stranger into the mix to give Bruce a look at what the world would be like if his parents hadn’t been murdered, and he hadn’t become Batman. It’s a little too short to be as effective as it wants to be, and Phantom Stranger’s last few lines are a little corny. But it’s a decent attempt. Scott Snyder and Sean Murphy close out the issue with a story set in the future, which deals with Bruce Wayne clones. Meh.

The issue isn’t all warm fuzzies, mind you. Layman and Fabok also get 27 pages to kick off the “Gothtopia” crossover, which will apparently branch into Catwoman, Batgirl, Batwing, and Birds of Prey. The story brings us a very different Gotham City where crime and unemployment are at all-time lows, the economy as booming, and the city shines in the light of day. Clad in a black and white costume, Batman and his cohorts are honored as heroes. Bruce Wayne has also allowed romance to enter his life via Selina Kyle, who patrols the streets at his side as Catbird.

Detective Comics #27, 2014, Gothtopia*groans* Catbird? Really? That’s the name we’re going with? We couldn’t come up with anything better for an amalgamation of Catwoman and Robin? Do we even need to give the character a new name? The red shirt is a pretty clear connection to Robin. I think we all get that. So couldn’t we just call her Catwoman? Or anything else besides Catbird? That name puts me in the mood to watch reruns of CatDog

In any event, as you might imagine, things in Gotham City aren’t quite as they seem. And being the detective that he is, Batman is already starting to unravel things by the end of the issue. At this point, I can’t say I’m dying to read the next issue, or add the corresponding tie-ins to my pull list. Based on what I’ve seen thus far, this story seems like a “this is all too good to be real” story, which has been done plenty of times before. Heck, it was done in this same issue. Granted, it’s still early, and we can still explore quite a bit of this new world that’s unfolded before us. But thus far I’m not impressed.

And sadly, that’s pretty much my verdict on Detective Comics #27 overall. In all honesty, Batman fans would be better off checking out recent issues of Batman: Black and White if they’re looking for some good short Batman stories. They’re not all winners, but chances are you’ll find at least one  that’s more fulfilling than most of what we see here.

Image 1 from author’s collection. Image 2 from inter-comics.com. Image 3 from 13thdimension.com. Image 4 from uncanny.ch. 

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