Weekly Comic 100s: Rorschach #1, Commanders in Crisis, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Rorschach #1
AUTHOR: Tom King
ARTISTS: Jorge Fornes, Dave Stewart (Colorist), Clayton Cowles (Letterer)
RELEASED: October 13, 2020

This is one of those first issues that doesn’t really try to hook you until the last page. As such, we spend most of Rorschach #1 setting up our characters and their world. Which, considering this book takes place 35 years after Watchmen, is hardly the worst idea in the world.

Thus far, Rorschach is every bit the noir exhibition we expected it to be, with Jorge Fornes turning in some excellent pencil work. I’m just hoping when it’s all said and done we get Vision Tom King on this book, and not “City of Bane” Tom King.

TITLE: Commanders in Crisis #1
AUTHOR: Steve Orlando
ARTISTS: Davide Tinto, Francesca Carotenuto (Colorist), Fabio Amelia (Letterer)
RELEASED: October 14, 2020

This book was obviously written with a Crisis on Infinite Earths type event comic in mind. As if we didn’t get the hint, Dan friggin’ Didio writes an introduction to Commanders in Crisis.

I’m still a little bit confused about how the CiC universe works from a comic book science perspective. But hopefully it’ll be easier to grasp on to as the story, about a bunch of multiverse survivors trying to save the last surviving Earth, continues to expand.

I’m on the fence on Commanders in Crisis, but there’s enough potential to bring me back for issue #2.

TITLE: Batman: The Adventures Continue #14
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Kubina (Colorist), Josh Reed (Letterer). Cover by Justin Erickson.
RELEASED: October 15, 2020

This issue, which wraps up the “Red Son Rising” arc, is much like this Batman: The Adventures Continue series at large. Which is to say, it doesn’t blow you away. But it’s still pretty much what you want it to be. We get our climactic sequence with Batman, Jason Todd, the Joker, and Robin. And as one might expect, it leaves the door open for more of Jason in the future.

I’m always happy to see a new B:TAC issue pop up. I’m hoping our adventures continue for at least the foreseeable future.

TITLE: Superman #26
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Danny Miki (Inker), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Cover by Reis, Joe Prado, & Sinclair.
RELEASED: October 13, 2020

Reis, Miki, and Sinclair really nail a couple of iconic Superman shots here. Though I confess, I’m a sucker for that kinda stuff.

What I’m not necessarily a sucker for is a Superman vs. Alien of the Week story. That feels like what we’ve gotten these last two issues. As far as Bendis’ Superman run is concerned, we’re about to wrap up. If we end like this, it’ll be a disappointing end to an otherwise positive stretch of time with the character.

Still, Bendis’ handling of Clark Kent and his supporting cast is strong as always.

TITLE: Darth Vader #6
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by InHyuk Lee.
RELEASED: October 15, 2020

New story. Same trick. We’re once again using a location from the prequels. Though at least this time we’ve got an interesting story to tell. The Empreror tests Vader by breaking him and seemingly leaving him to die on Mustafar. Now Vader must crawl back from the abyss without the use of the Force…

Alright. I’m interested.

Like the main Star Wars title, Darth Vader started off with something of an eye-rolling tale. But now both books seem to be upping the intrigue. Here’s hoping they both find success in that regard.

TITLE: Wonder Woman #764
AUTHOR: Mariko Tamaki
ARTISTS: Steve Pugh, Romulo Fajardo Jr. (Colorist), Pat Brosseau (Letterer). Variant cover by Joshua Middleton.
RELEASED: October 13, 2020

Tamaki makes Wondie and Maxwell Lord into a bantering good cop/bad cop duo here. I’m not sure how I feel about that, as Max is supposed to be one of her worst enemies…

And yet, I can appreciate what they bring to the table as a duo. The Wonder Woman character doesn’t necessarily lend itself to partnerships like this. So even with an unlikely partner, there’s an intrigue to it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Iron Man #1, Star Wars, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Iron Man #1
AUTHOR: Christopher Cantwell
ARTISTS: Cafu, Frank D’Armata (Colorist), Joe Caramagna (Letterer). Cover by Alex Ross
RELEASED: September 16, 2020

The premise of this book is that Tony Stark is going back to basics. Good ol’ fashioned super-heroing. He does this in his classic costume, which is pretty cool. Cafu and D’Armata give us an amazing page of him “suiting up.”

Cantwell’s dialogue, particularly between Iron Man and Hellcat, is pretty funny. It may get to be grating as the issues go on. But for now I dig it.

Cool use of sign language in this issue. It’s only one panel. But it’s memorable.

TITLE: Seven Secrets #2
AUTHOR: Tom Taylor
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte & Katia Ranalli (Colorists), Ed Dukeshire (Letterer)
RELEASED: September 16, 2020

This second issue is basically a big exposition dump. But there’s some interesting stuff in here. Especially what basically amounts to a ninja school for youngsters. Then the emotional stakes raise when we start to see our main character, Caspar, interact with his parents.

In a perfect world, we could have spent the entire first arc of the book on the content in this issue. Whether the speed-through was worth it or not depends on the quality of the story they end up telling.

Meanwhile, Daniele Di Nicuolo remains at home in a story about youngsters doing martial arts.

TITLE: Star Wars #6
AUTHOR: Charles Soule
ARTISTS: Jesus Saiz, Arif Prianto (Co-Colorist), Clayton Cowles (Letterer). Cover by R.B. Silva and Guru-eFX
RELEASED: September 16, 2020

Six issues in, this book finally starts to get interesting here. We finally finish the ridiculous business of finding Luke an intermediate lightsaber, and then we jump right into something cool at an old Jedi temple.

Story notwithstanding, I certainly can’t complain about Jesus Saiz and Arif Prianto’s art. Saiz captures the likenesses of the actors very well. This issue in particular has a wonderful closing splash page.

TITLE: Giant-Size X-Men: Storm
AUTHOR: Jonathan Hickman
ARTISTS: Russell Dauterman, Matthew Wilson (Colorist), Ariana Maher (Letterer)
RELEASED: September 16, 2020

Emma Frost steals this issue within the first few pages. Storm laments the fact that she might be dying, and Emma lays into her for being dramatic. “After all, we’re just going to resurrect you, dear.”

I love when even the characters themselves know how death works in comics.

Actually, we wind up returning to the “Why not just die and come back?” question later. It’s the most interesting part of the story, but we don’t dive into it to any sort of satisfaction. By and large this book, like the other Giant-Size X-Men books, is very missable.

TITLE: Darth Vader #5
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letter). Cover by InHyuk Lee.
RELEASED: September 16, 2020

Some of the art in this book is really awkward. Case in point, a flashback panel where we see Obi-Wan cut Anakin’s limbs off in Revenge of the Sith. The figure rendering itself is fine. But some of the posing is just weird.

Thankfully, they do not in fact exhume Padme’s corpse in this issue. That’s where it looks like it’s going for a few pages…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Drakkon New Dawn, Star Wars, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Power Rangers: Drakkon New Dawn
AUTHOR:
Anthony Burch
ARTISTS:
Simone Ragazzoni, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Jung-Geun Yoon.
RELEASED:
August 19, 2020

I’m starting to get a little weary of all this Drakkon-verse stuff. It works as part of a story where the Power Rangers go to a dark alternate universe. But as an island unto itself? Meh. As time progresses, it feels like all we’re doing is answering where this person or that person are in the Drakkon-verse. That’s not enough to justify a miniseries like this, in my view.

Then again, it must be selling. So what do I know?

TITLE: Batman #97
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Guillem March & Morey.
RELEASED:
August 18, 2020

The central story of “Joker War” has lots of intrigue. But there are little things that throw if off-balance. For instance, there’s a really cool moment where Batman has to fight a bunch of “Joker zombies” blind-folded. I love that. It’s a wonderful use of all Bruce’s training. But much like Joker’s facial expression at the end of last issue, a small detail taints it…

Batman says, “A good bat knows how to fight blind.”

Ugh. Why? Whatever happened to Batman being the strong silent type?

Also, why does Joker have abs?

TITLE: Justice League #51
AUTHOR: Jeff Loveness
ARTISTS: Robson Rocha, Daniel Henriques (Inker), Romulo Fajardo Jr. (Colorist), Tom Napolitano (Letterer). Cover by Philip Tan, Jay David Ramos, & Nick Derington.
RELEASED: August 18, 2020

Robson Rocha really gets to flex here with an beautiful two-page montage of some of the League’s most iconic moments. Beautiful work.

The narration in this issue is a little confusing. It takes some time to catch on to not necessarily who it is, but who they’re talking to. Still, you should catch on by the end. I love me a good Black Mercy story. So it’ll be interesting to see what they turn in here.

TITLE: Dead Day #2
AUTHOR: Ryan Parrott
ARTISTS: Evgeniy Bornyakov, Juancho! (Colorist), Charles Pritchett (Letterer). Cover by Andy Clarke & Jose Villarrubia.
RELEASED: August 19, 2020

“Nice to see you two lovebirds back together, though. I’m sure rigor mortis has it’s advantages.”

Ew.

These fashionable guys on the cover are “Lifers,” a group of religious extremists somewhat ironically opposed to the whole resurrection thing. They make for a nice bit of world-building. I like ’em.

TITLE: Star Wars: Bounty Hunters #4
AUTHOR: Ethan Sacks
ARTISTS: Paolo Villanneli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED: August 19, 2020

Story-wise, this isn’t the most engaging book you’ll find. I’ve almost completely lost the plot. But Paolo Villanneli and Arif Prianto are killing it on the art. The opening page is beautiful. It’s got a gritty texture, yet is still as colorful as you want Star Wars to be. And of course, Lee Bermejo’s covers are awesome.

TITLE: Darth Vader #4
AUTHOR:
Greg Pak
ARTISTS:
Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by InHyuk Lee.
RELEASED:
August 12, 2020

Vader basically gets swallowed by a whale in this issue. I mean, c’mon. You’ve gotta love that. A friggin’ whale!

In contrast, this story is trying to get a lot of mileage out of trotting out characters from prequels. As if we care that much what happened to Ric Olie. Don’t know who Ric Olie is? You’re not alone. There was a way to do this without scraping the bottom of the barrel. It might have only been a one or two-issue story where Vader simply visits Padme’s tomb. But sometimes, less is more.

TITLE: Something is Killing the Children #9
AUTHOR:
James Tynion IV
ARTISTS:
Werter Dell-Edera, Miquel Muerto (Colorist), Andworld Design (Letters)
RELEASED:
August 12, 2020

There’s a fantastic image in here that takes us into our first ever flashback scene with Erica Slaughter. She’s curled up in a cupboard, and one eye is staring straight out at the reader. That and all the deep blacks make it a really spooky shot.

Should this book count as a guilty pleasure? Because of all the…y’know…child death? Either way, I’m enjoying the hell out of it. It’s one of the best indie comics on the market right now.

TITLE: Wonder Woman #760
AUTHOR: Mariko Tamaki
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Pat Brosseau (Letterer). Cover by David Marquez.
RELEASED: August 18, 2020

I find it so amusing that Maxwell Lord, the character created for Justice League International, has evolved into such a formidable villain for Wonder Woman. And low and behold, he’s once again  casting her in an unfavorable public light.

Last issue, we were introduced to Diana’s new neighbor Emma, who I get the sense will be a civilian-level friend for her. Almost a Jimmy Olsen equivalent. I’m very curious to see how that evolves, as it’s not often we get to see Wondie have that kind of relationship.

 

Weekly Comic 100s: TMNT Double-Feature, Wonder Woman #759, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles #107
AUTHOR: Sophie Campbell (Story), Ronda Pattison (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer). Variant cover by Eastman.
RELEASED:
July 29, 2020

The Turtles have an “old days” moment here where they head down to the sewers and fight a bunch of Mousers. It’s just a couple of cutesy lines. But it does serve as a reminder of just how different this series is from the standard TMNT status quo. Instead of four Turtles striking from the shadows, we’ve got five Turtles living openly in a town full of mutants.

As they roam the sewers, the Turtles mix it up with what basically amounts to an undersea monster. It’s played like a horror movie. Kinda fun.

TITLE: TMNT Annual 2020
AUTHOR: Tom Waltz
ARTISTS: Adam Gorham, John Rauch & Michael Garland (Colorists), Shawn Lee (Letterer). Variant cover by Kevin Eastman and Fahriza Kamputra (Colorist).
RELEASED:
July 29, 2020

This annual mainly serves as a check-in with our villains. Most notably Shredder, who we haven’t heard much from since issue #100. They color his costume purple and silver, like the old cartoon. I won’t complain about that…

As the cover indicates, they’re doing a symbiosis story with Krang and Leatherhead. Yet another example of how this series continues to bring these characters into uncharted waters. Given how much has been done with the Ninja Turtles universe, it’s pretty amazing to see how much hasn’t been done.

TITLE: Wonder Woman #759
AUTHOR: Mariko Tamaki
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Pat Brosseau (Letterer). Cover by David Marquez.
RELEASED:
July 28, 2020

So we’ve got Mariko Tamaki, who wrote Supergirl: Being Super, and Mikel Janin, one of the stars of Tom King’s Batman run. On paper, this new team should be great.

Their first issue is pretty ground level. Lots of flowery narration about what a hero is, what heroes do, etc. My only big problem is that Tamaki gives in to the temptation of putting Wondie in an everyday situation, shopping for furniture, and making it seem foreign to her. She’s been in “man’s world” for so long, yet she has no idea how to shop for furniture? Yeah, right.

TITLE: Darth Vader #3
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by Inhyuk Lee.
RELEASED:
July 29, 2020

How many times have we seen Darth Vader cross paths with characters from the prequels and then get all feelingsy? Enough that I rolled my eyes when Captain Typho showed up in this issue.

However, as someone who read Queen’s Shadow by E.K. Johnston, I appreciated the inclusion of Sabe and another character from that book. It’s a nice little tie-in that doesn’t take anything away from the story being told here.

TITLE: Batman: The Adventures Continue #9
AUTHORS: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Paolo Rivera & Joe Rivera.
RELEASED:
July 30, 2020

In this issue we finally get into Jason Todd’s origin story, his connection to Batman, etc. It’s not drastically altered from the comics. But it’s altered just enough to distinguish it. I liked what I saw.

Frankly, I hope they portray Jason Todd as having been with Batman for only a short time. In the DCAU I’d like to see him portrayed more as a tragically failed experiment than a lost son. Again, it would be different. But not so much that it’s unrecognizable. That’s the formula that seems to work best.

TITLE: Mighty Morphin Power Rangers #52
AUTHOR: Ryan Parrot
ARTISTS: Moises Hidalgo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
July 29, 2020

We’re still following Jason, Zack, and Trini, despite the events of this issue occurring after “The Power Transfer.” Not a bad thing, but not what I expected either. Especially since they’re getting their own book in a few months.

I’m not sure how I feel about the way Jamal Campbell posed Aisha on the cover. It’s like she’s showing off her butt or something…

We introduce a civilian character in this issue who worries about the holding the Rangers accountable for their actions. Sort of a “don’t trust the Power Rangers” mindset. Very curious to see where that goes.

TITLE: Batman/Superman #9
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED:
July 28, 2020

In almost 20 years, I can count the number of Ultra-Humanite stories I’ve read on one hand. So this story is cool for me in that sense.

This issue, and this team, have a really nice energy. Joshua Williamson is often hit-or-miss. But he, Clayton Henry, and Alejandro Sanchez make for a winning combination with these characters. Not a perfect combination per se, but a winning one.

TITLE: Suicide Squad #7
AUTHOR: Tom Taylor
ARTISTS: Daniel Sampere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Jeremy Roberts.
RELEASED:
July 28, 2020

Our Tom Taylor original characters get a new team name in this issue: The Revolutionaries. Not bad. I don’t know how much of a life they’ll have out from under the Suicide Squad name. But still, not bad.

For at least one issue, Taylor brings Floyd Lawton’s young daughter into the sandbox and gives her a a bow and arrow and a hero name: Liveshot. She almost reminds me of a kid version of the Kate Bishop Hawkeye. Interesting…

TITLE: Billionaire Island #2
AUTHOR: Mark Russell
ARTISTS: Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
July 2, 2020

It seems that in addition to the absurdly rich, Billionaire Island is home certain rich, famous, and disgraced. We get an actual Kevin Spacey cameo in this issue. Yes, I wretched. But it’s also a funny little moment.

We haven’t gotten into the bloodshed yet. But the book does crank up the action a little bit with this issue. Something tells me it’s going to be worth the wait.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Darth Vader, Batman, X-Men/Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Darth Vader #1
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Variant cover by Chris Sprouse.
RELEASED: February 5, 2020

After the events of Empire, Darth Vader starts investigating Luke’s birth/origins. He journeys back to Tatooine (again). He then goes to Padme’s old apartment on Coruscant, which remains more or less preserved after 20 years. As if it’s a crime scene or something. Based on the ending, I assume we’ll learn more next issue.

I understand it from a storytelling perspective. But in-universe, it’s always a little too convenient that these landmark places all essentially look the same no matter when we see them. That Lars Homestead will still be standing 30 years later

TITLE: Batman #88
AUTHOR:
James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: February 5, 2020

I wasn’t very nice to Guillem March last time. In fact, I’m rarely depict his work positively. But to his credit, he won me over with this issue. At least a little bit. His rendering of Catwoman in a graveyard on a rainy night is damn near beautiful. The scene with Batman, Penguin, Deathstroke, and the others is also very strong.

At more than one point, it seemed to me like this issue was laying the groundwork for the long-awaited Three Jokers book. Remember, we’re building toward a story in the pages of Batman called “Joker War.”

TITLE: X-Men/Fantastic Four #1 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS: Terry Dodson, Rachel Dodson (Inker), Dexter Vines (Inking Assistant), Karl Story (Inking Assistant), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: February 5, 2020

I’m terrified of X-Men comics. Specifically, the decades worth of continuity and characters. But to this book’s credit, it’s fairly accessible.

Franklin Richards, the mutant teenage son of Reed Richards and Sue Storm, is summoned by Charles Xavier to live with Earth’s mutants on the island nation of Krakoa. This doesn’t sit well with Reed. Naturally, conflict and teen angst ensue.

I’ve been looking for a bridge back into the Marvel Universe. X-Men/Fantastic Four #1 might be it, as it does a nice job setting up both teams, and giving us a compelling main character in Franklin.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #3
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: February 5, 2020

We get a fight between Rita and Shredder in this issue. It’s a relatively lengthy battle. And you know what? I’m just going to come out and say it: I wanted this to be one of those fights where the guy and girl hook up at the end. You know how it goes. The passion overcomes them, etc. These two have a lot in common, after all.

What that says about me and these characters from my childhood, I’ll let you decide.

Oh my God. What if Shredder, not Zedd, was actually Thrax‘s father?!?!? Mind blown!!!

TITLE: Young Justice #13
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Michael Avon Oeming, Mike Grell, John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: February 5, 2020

Well hey there, Mike Grell! It’s been too long! What’s more, Grell gets to once again draw a character he created in Warlord. Warlord and Superboy actually have a pretty nice dynamic in this issue. The experienced elder statesman offering calm words of wisdom to an upset Superboy.

For the moment at least, the Young Justice cast has expanded greatly. If these additional characters stick around, it’s a lot to balance. But it’s still damn good to see a couple of them.

TITLE: Lois Lane #8
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: February 5, 2020

As much as I’m enjoying having Greg Rucka back at DC, I’m wondering if this needed to be a 12-issue maxi-series. This entire issue felt mostly like filler.

For instance, there’s a scene in this issue where Superman shows up after an attempt on Lois’ life. We take four pages to see husband and wife re-united, and then to see the attention the Man of Steel gets from the local police.

Am I missing something? Why are we seeing this?

On the upside, the assassin that comes after Lois has a pretty cool look.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Dr. Strange, Spider-Ham, Shazam!

By Rob Siebert
Fanboy Wonder

As promised, this week I’ve padded the rather slim pickings from December 26 with some leftovers from December 19.

By the way, folks, I tried to read Incoming!, the big issue that’s supposed to lead us into what Marvel’s doing in 2020. But I couldn’t get through it. It’s all supposed to link back to a mysterious murder, which was intriguing enough. But the massive scope of the story, with all the different plot threads and characters, was just too much to follow.

Thankfully, Marvel is pretty well represented this week…

TITLE: Dr. Strange #1
AUTHOR: Mark Waid
ARTISTS: Kev Walker, Java Tartaglia (Colorist), Cory Petit (Letterer). Cover by Phil Noto.
RELEASED: December 26, 2019

The twist here is that Stephen Strange now has use of his hands again. Now he can resume his work as a surgeon, while continuing on as a master of the mystic arts.

I’m not much of a Doctor Strange fan. But I can’t find much to fault this issue for. The opening page is its best. It’s got a Twilight Zone feel to it, while also reminding me of one of the opening splash pages for an issue of Saga.

I don’t feel a huge pull to come back next issue. But what the hell? I won’t rule it out.

TITLE: Spider-Ham #1 (of 5)
AUTHOR:
Zeb Wells
ARTISTS:
Will Robson, Erick Arciniega (Colorist), Joe Caramagna (Letterer). Cover by Wendell Dalit.
RELEASED: December 26, 2019

For yours truly, the biggest surprise coming out of Spider-Ham #1 was that our titular character is on a team with other anthropomorphic animal heroes. Iron Mouse, Squawkeye, Quacksilver, etc. Basically the same Looney Tunes concept, but with the Avengers.

If you like this sort of thing, or enjoyed the character in Into the Spider-Verse, then this Spider-Ham miniseries should be right up your alley. Me? While the issue was fine, I’ll take a pass on this one.

TITLE: Shazam #9
AUTHOR:
Geoff Johns
ARTISTS: Marco Santucci, Scot Kolins, Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Kaare Andrews.
RELEASED: December 18, 2019

Most of this book takes place in the “Wozenderlands,” an amalgamation of the worlds of The Wizard of Oz and Alice in Wonderland. We’re told there was a “crisis,” and the worlds had to be merged. So essentially, it was Crisis on Infinite Earths, but with these fairy tale settings and characters.

That is so friggin’ random, that I absolutely love it. Who in the hell could have called this? All the while, we continue to advance the story of Billy Batson and his family. Truly, Shazam! has become one of the best books DC has right now.

TITLE: Batman/Superman #5
AUTHOR: Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: December 18, 2019

This whole “Secret Six” thing ended up not being the mystery I wanted it to be. And at times Williamson’s dialogue is a little awkward. But at the end of the day, this first story arc was fine. I did love the nice little “trust moment” he gave our titular characters in this issue.

I also feel like I haven’t heaped enough praise on David Marquez and Alejandro Sanchez. They’ve put together an absolutely beautiful book. Marquez can make virtually anything look good. Whether he’s working in the DC, Marvel, any other universe.

TITLE: Star Wars: Empire Ascendant
AUTHORS: Charles Soule, Greg Pak, Ethan Sacks, Simon Spurrier
ARTISTS: Luke Ross, Roland Boschi, Paolo Villanelli, Caspar Wijngaard. Cover by Ricardo Federici.
COLORISTS: Guru-eFX, Rachelle Rosenberg, Arif Prianto, Lee Loughridge
LETTERERS: Clayton Cowles, Travis Lanham
RELEASED: December 18, 2019

Empire Ascendant serves as a bridge into the four new Star Wars books Marvel’s releasing in the near future. Apparently they all take place after The Empire Strikes Back, as opposed to the previous ones, which were set beforehand.

We get four short stories set just before Empire. Not a lot from the main characters, Luke, Leia, etc. But if you give it a chance, this stuff actually has some meat to it. My personal favorite is the set-up for the Bounty Hunters series. I think The Mandalorian has wet the fandom’s collective appetite for more stuff like that.

TITLE: Family Tree #2
AUTHOR: Jeff Lemire
ARTISTS: Phil Hester, Eric Gapstur (Inker), Ryan Cody (Colorist), Steve Wands (Letterer)
RELEASED: December 18, 2019

Family Tree needs to be careful it doesn’t accidentally become a comedy.

It’s meant to be a horror/adventure comic about people being forcibly changed into trees. But there’s a flashback in this issue where Judd, the book’s resident grizzled old man character, is caring for a fully transformed…uh…tree person? When the tree tries to talk back to Judd, I couldn’t help it. My funny bone was tickled a bit. I still buy Family Tree as the horror story it’s trying to be. But sometimes there’s a thin like between horror and hilarity.

TITLE: The Low, Low Woods #1
AUTHOR: Carmen Maria Machado
ARTISTS:
Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by J.A.W. Cooper.
RELEASED:
December 18, 2019

This feels like a Stephen King story. (Heh…)

The Low, Low Woods takes place in 1997, which hits a nostalgic soft spot for me. There’s a lot of exposition in this issue. We learn about a small town forever changed by a raging fire, and two teenage girls who discover some gory surprises.

If you like this sort of thing, I’d definitely recommend it. For me personally, this issue is a little low on intrigue. But the characters and the setting are interesting enough to at least get me to consider coming back for issue #2.

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Weekly Comic 100s: Star Wars Finale, Batman/Superman, The Question

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Star Wars #75
AUTHOR:Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: November 20, 2019

A fine way to end the series. Great pacing, mixed with good character work and some nice action scenes. Once again, Greg Pak and Phil Noto shine a glowing spotlight on Chewbacca and C-3PO. What’s more, they find a way to subtly weave the tragedy of Darth Vader into everything. (See the closing page.)

In particular, I’m sad to see Pak go. He’s proven here that he knows how to tell a good Star Wars story. And as we’ve learned through a couple of the recent movies, that’s not something everyone can do.

TITLE: Batman/Superman #4
AUTHOR: Joshua Williamson
PENCILLER:
David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED:
November 20, 2019

In this issue we learn the identities of the six “Jokerized” heroes, a.k.a. the “Secret Six.” They didn’t play it up as a mystery the way I hoped they would. It was essentially reveal after reveal after reveal. A disappointing execution for what is still a compelling story concept.

Can we come up with a nickname for the Batman Who Laughs? Saying the whole thing every time makes for awkward dialogue. (“Don’t listen to the Batman Who Laughs, Donna!”) If this guy’s sticking around for the long haul, that’s something that needs to be fixed.

TITLE: Batman #83
AUTHOR: Tom King
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Clayton Cowles (Letterer)
RELEASED: November 20, 2019

This is the issue where Bruce finally discovers what’s happened to Alfred. Keep in mind it happened back in August. That tells you all you need to know about whether they’re padding this thing out…

As a framing device, the issue uses a recording of Alfred. I always like when writers use Alfred’s journal like that, so King’s twist on it was cool. Janin has the unenviable, yet in the end quite successful task of showing us Batman grieving for several pages.

I’ve been ready for this climactic battle for awhile now. So let’s get on with it, shall we?

TITLE: Something is Killing the Children #3
AUTHOR: James Tynion IV
ARTISTS: Werther Dell-edera, Miquel Muerto (Colorist), Andworld Design (Lettering)
RELEASED: November 20, 2019

After a very strong opening page, and our longest scene yet with one of the monsters, we spend the bulk of the issue with our heroine, the bad-ass Erica Slaughter. There’s an eight-page sequence with her in a police station that’s a lot of fun.

We still don’t know much about…anything. What these monsters are, who Erica is, who she’s working for, etc. Sometimes that sort of mystery works, sometimes it doesn’t. It works here. The nervous dynamic James has with Erica doesn’t hurt in that regard. It’s not romantic. But it’s cute in its own way.

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Weekly Comic 100s: Star Wars Stuff, Batman/Superman,

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Tacked an extra one down on the end here. The most recent issue of Superman. But of course, in the spirit of the Rise of Skywalker hype, we begin with Allegiance

TITLE: Star Wars: Allegiance #3
AUTHOR: Ethan Sacks
ARTISTS:
Luke Ross, Lee Loughridge (Colorist), Clayton Cowles (Letterer). Cover by Marco Checchetto.
RELEASED:
October 23, 2019

Leia, Rey, and some of the Resistance are still on Mon Cala in this issue. Because it’s largely an underwater planet, Leia has to wear the equivalent of a scuba suit. Imagining an older Carrie Fisher in an outfit like that is…weird.

The “B story” in Allegiance has been about Finn, Poe, and BB-8 stealing weapons for the Resistance. Sacks writes their chemistry very well. Well enough, in fact, that I felt a pang of sadness that they didn’t end up being romantically involved. Yeah, I was on that team.

No Kylo Ren in this issue. Bummer.

TITLE: Star Wars #73
AUTHOR: Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: October 16, 2019

This volume of Star Wars is going out strong as we head toward its issue #75 finale. Greg Pak knows how to weave the multi-strand rip-roaring adventure, as all of our main heroes fight for their lives.

But for yours truly, the star of this “Rebels and Rogues” storyline has been Phil Noto. He’s been one of my favorite Star Wars artists dating back to the build-up to The Force Awakens. His “sketchy” style is a lot of fun, and he nails all the likenesses. As far as I’m concerned, he’s welcome in this galaxy any time.

TITLE: Batman/Superman #3
AUTHOR: Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: October 23, 2019

Unlike many, I’m not really into the Batman Who Laughs, or much of the Metal stuff. But the premise of that character “infecting” six characters across the DCU, and our two heroes having to solve the mystery of who they are was enough to draw me in.

But the way Williamson has executed it thus far, it’s not so much a mystery as it is them happening upon each victim. It’s still a cool idea. I just wish they’d dig a little deeper into it. On the upside, it’s great to see Marquez drawing the World’s Finest.

TITLE: Action Comics #1016
AUTHOR: Brian Michael Bendis
ARTISTS: Szymon Kudranski, Brad Anderson (Colorist), Dave Sharpe (Letterer). Cover by Jamal Campbell.
RELEASED: October 23, 2019

I absolutely adore the framing device for this issue. A Daily Planet reporter does man-on-the-street interviews to recap a fight between Superman and the Red Cloud. Bendis is as good as almost anyone at playing up the journalism element in Superman’s world.

A Szymon Kudranski comic that’s this colorful takes some getting used to. There’s nothing wrong with it. But his M.O. is typically on the dark and gritty side. Type his name into Google Images. You’ll see what I mean.

TITLE: Superman #16
AUTHOR: Brian Michael Bendis
ARTISTS:
David LaFuente, Paul Mounts (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis.
RELEASED:
October 9, 2019

I’m not sure I’ve ever seen Superman look quite so…blocky. I know LaFuente’s style is more on the cartoonish side, and generally I like what he turns in. But the Superman we see here looks more like a Superman action figure than the Man of Steel himself.

This issue gives us the inevitable reunion between Superboy and Robin after Jon Kent’s trip into space, which aged him a few years older than Damian. Bendis gives us what you’d hope to see here. The initial awkwardness, some hijinks and a feel-good exit. A strong issue, blockiness notwithstanding.

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Superman Against Police Brutality – An Action Comics #42 Review

Action Comics #42 coverTITLE: Action Comics #42
AUTHOR: Greg Pak
PENCILLER: Aaron Kuder
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: July 1, 2015

Miss last issue? Check out Action Comics #41.

By Rob Siebert
Editor, Fanboy Wonder

Superman vs. The Cops. Yeesh. Well, it’s timely. You can’t fault them for not being relevant…

Indeed, in the year that the town of Ferguson became synonymous with racial prejudice and police brutality, and headlines continue to pop up about cops going too far, Superman finds himself standing between the police and innocent people. While I’m still not a big fan of the de-powered “Tough Guy Superman” approach, this is very much in line with what a Superman comic should be. The Man of Steel taking on issues that effect real people.

As Superman, whose identity has been exposed to the world, battles a monster made of “solidified shadow,” the Metropolis police descend on the citizens assembled in “Kentville.” Now the question is, can Superman protect these people? And what will he have to do to accomplish that?

Action Comics #42, chainsGreg Pak and Aaron Kuder return Superman to his roots here as a champion for the oppressed and defenseless. As we see police in riot gear attempt to tear gas civilians, our hero is set up in a somewhat contrived, yet visually arresting scenario. He wraps himself in a giant chain and creates a barrier between the police and the citizens. He then takes repeated shots to the face from gimmicked up S.W.A.T. team guys. It’s hokey, but it creates the sense of drama and sacrifice they’re going for. And of course, the chain harkens back to the tried-and-true image of Superman snapping the chains off his body.

To be fair, the police aren’t completely demonized here. We see reluctance among the cops, and some of them acknowledge how Superman has saved them in the past. But the bad apples spoil the bunch. We also see the civilians debating whether they should fight back, so the hostility isn’t entirely one-sided. But it’s fairly obvious what this issue is meant to be. The police are the bad guys. One can definitely argue whether this is in good taste, but I think much depends on how the in-story conflict is resolved. We end on a rather dramatic image, so we’ll obviously be seeing more of this next month.

Action Comics #42, splashAs far as Clark Kent himself is concerned, the man we see here is more likeable than the one we saw last issue. While issue #41 saw him using mild profanity, and at one point talking like he was in a gritty noir comic, he feels more like Clark here. He still has more of a cynical edge to him. But he doesn’t feel as darkened here. At one point they actually have him hogtie the big monster he’s fighting, i.e. “farm boy.” That’s a little on the nose, but I prefer that to what we saw last issue. Action Comics #41 felt like we were reading the exploits of a different character. This issue feels like a Superman comic. That’s a very welcome change. If it’s not Superman, this whole Truth thing doesn’t even matter, does it?

Pak and Kuder will have me back for next month. For my money, culturally relevant Superman beats sci-fi monster battling Superman any day. Tough Guy Superman? That’s another story. But the intrigue of how they’ll follow this issue is too much to resist.

Image 1 from nothingbutcomics.net. Image 2 from kotaku.com.

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An Action Comics #41 Review – The Supercycle?

Action Comics #41 coverTITLE: Action Comics #41
AUTHOR: Greg Pak
PENCILLER: Aaron Kuder
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: June 3, 2015

By Rob Siebert
Editor, Fanboy Wonder

For better or worse, the glasses are off, folks.

Action Comics #41 is the first issue to be published as part of the Truth storyline. Thanks to an expose written by Lois Lane in The Daily Planet, the world now knows Clark Kent is Superman. When we open the issue, an injured Clark is walking back from a fight of some kind, with fewer powers than he’s ever had. He has some of his strength, he can leap great distances, and has some of his speed. The world’s most powerful man is now a marked man, and he’s more vulnerable than he’s ever been. In his new exposed state, Superman will find both unexpected friends and enemies.

The Truth storyline as a whole seems to be an attempt to not only “humanize” Superman more, but to darken him up. Both have been tried before, with varying degrees of success. In Superman #40, John Romita Jr. seemed to be trying to de-humanize Superman in order to make this transformation more meaningful. Apparently, New 52 Superman couldn’t taste food or get hungry. In a bizarre scene, Romita even had him get drunk with the Justice League.

Action Comics #41, page 2There are some more groaners in this issue, as Clark uses a little bit of salty language. Nothing too harsh. Stuff like “Can’t even really feel my damn fingers right now.” Some might say this is too boy scoutish, but I’m not a fan of Superman swearing. At least not unless he’s got a really good reason. Then a few pages later he gets into a fight with some thugs at a gas station and rides off on a motorcycle (the Supercycle?). Parts of this issue almost feel like a noir comic.

Superman is wearing a t-shirt and jeans now, much like he was drawn in 2011’s Action Comics #1. The cape is gone, reduced to rags that he has wrapped around his knuckles. His shirt features the famous “S” symbol as red and black, instead of the classic red and gold. Again, a darkening of the character. His hair has also been cut, which is actually an improvement in my book. One can argue his appearance is a little on the nose in terms of the “Superman is just like you!” agenda. But then again, does a hero like Superman really need a costume if his identity is public?

None of this stuff is outright offensive, and I do like the concept of the Truth story. But the impression I get from this issue is that they’re trying to play Superman off as a bad ass. And that’s really not what Superman is about. I’ve said it before, and I’ll say it again: He’s an idealist. Truth, justice, peace, etc. If you want to see how the public reacts when they see who this iconic figure is in day-to-day life, that’s one thing. And putting him in a t-shirt and jeans does make him seem like more of a man of the people. But there’s a grittiness at play here that doesn’t feel true to Superman.

Action Comics #41, hungryDC has been trying to shoehorn more dark elements into the Superman mythos for years. For my money, that’s always been a product of writers not knowing what to do with the character. Point blank: Superman can be a hard character to write. But it can be done. Hell, Geoff Johns just had a great little run with Superman. It just seems to be a matter of knowing where the intrigue lies, and how to create drama with him.

This issue also suffers from timing problems. Divergence and preview materials notwithstanding, we don’t know what’s happened to Superman leading up to this issue. He’s apparently been locked out of the Fortress of Solitude and stripped of his costume, but we won’t see that until Superman #41 on June 24. The issue also references something that happens next month in Superman #42. In essence, we’re coming into this issue missing a lot of important information.

Still, the central story in this issue, Clark returning to Metropolis, is interesting. Certain people are on his side, and certain people aren’t. The public’s reaction to Clark being outed, which I suspect is a major part of what we’ll see in Action going forward, is compelling.

I’ll give this issue credit. Despite the groan factor of Superman riding a motorcycle, and talking like a gritty detective, it’s got me interested in what the other ramifications of Clark’s “outing” will be. I’ll be glancing at Batman/Superman and Superman/Wonder Woman for the first time in months. Truth has the potential to bring a lot of new eyes to the Superman books. But if they go too far in the wrong direction, they’ll send those eyes rolling somewhere else.

Image 1 from newsarama.com. Image 2 from adventuresinpoortaste.com.

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