Posted in Movies

George Lucas on Star Wars: Chewbacca and the Ewoks

By Rob Siebert
Fanboy Wonder

The Scene: To aid in their final defeat of the Empire, the Rebel Alliance finds unlikely help on Endor in the form of the diminutive, fuzzy, primitive ewoks.

George Lucas Says (Via From Star Wars to Jedi): “In the original screenplay [the ewoks were] a society of wookiees who had this giant ground battle with the Empire at the end of the film. And also a space battle. They were trained to fly ships, and they were able to take over the Empire. Well, in the evolution of the script I realized I couldn’t do this giant battle. When I came to the third film and the battle was back in again … I couldn’t use wookiees, because I’d established Chewbacca as being a relatively sophisticated creature. … He [wasn’t] the primitive that he was in the original screenplay. So I had to develop a new kind of wookiee or a new kind of creature that was primitive … [what I decided to do was] instead of making them incredibly tall the way wookiees are, I’d make them incredibly short. And at the same time to make them look different from the wookiees I’d give them short fur instead of long fur. That’s really where the ewok evolved.”

George Lucas Also Says (Via the Return of the Jedi Commentary Track): “It was a wookiee planet. Since I had fallen in love with the wookiees so much when I made Episode IV, I decided to make [Han Solo’s] co-pilot a wookiee, which meant that he was technologically advanced. And the whole concept originally was that the people that overthrew the Empire were not technological. So I had to reinvent a half-sized wookiee.”

I Say: “Before Jar Jar and the gungans became as despised as they are, we had Wicket and the ewoks in Return of the Jedi. I don’t hate either group the way a lot of fans do. I actually enjoy the ewoks quite a bit. But I do reject the notion that a society of wookiees couldn’t have worked in Jedi. I’m fairly certain that even back then, Chewbacca’s backstory was that of a slave, freed and taken in by Han Solo. Given enough time, you can teach technology to a primitive. Chewie could have been unique among his people, and thus been that much more distinct.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

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George Lucas on Star Wars: Obi-Wan Kenobi, the Wise Mentor

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became pop cultural staples. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

THE SCENE(S): We are introduced to Obi-Wan Kenobi, a wise old hermit living in the deserts of Tatooine who was once a Jedi Knight. He guides Luke Skywalker throughout the film, teaching him the ways of the Force.

GEORGE LUCAS SAYS (VIA THE STAR WARS: A NEW HOPE COMMENTARY TRACK): “Most of the characters in this follow the classic mythological archetypes of the [in the case of Luke and Obi-Wan] the young hero and … the old wizard, the old man, the wise companion. … There’s always a teacher. Someone who mentors the young hero in what his destiny is.”

I SAY: Lucas famously read Joseph Campbell’s The Hero With A Thousand Faces before writing the original Star Wars treatment. So he’s very much a student of mythological motifs, archetypes, etc. One of which is, of course, the wise mentor.

Likely the most common example you’ll find is Merlin, who mentored King Arthur. But you’ve also got Biblical characters like Moses or Elijah, or Norse mythology characters like Odin or Mimir. The Iliad also has the likes of Nestor or Chiron. More modern examples include Gandalf from the works of J.R.R. Tolkien, Albus Dumbledore from the Harry Potter series, and even Mr. Miyagi from The Karate Kid.

Of course, Star Wars is filled with wise sages. After Obi-Wan in A New Hope, The Empire Strikes Back introduced us to Yoda, and then Qui-Gon Jinn in The Phantom Menace. Years later, Luke Skywalker, Princess Leia, and Han Solo would all play a version of the role in the sequel trilogy.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Movies

George Lucas on Star Wars: The Cave Scene

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became pop cultural staples. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

The Scene: At Yoda’s behest, Luke walks into a cave. Inside, he’s confronted by Darth Vader. A fight ensues in which Luke beheads his opponent, only to discover his own face under Vader’s mask. It has all been an illusion.

George Lucas Says (via The Empire Strikes Back commentary track): “Part of the [cave scene] is learning about the Force, learning the fact that the Force is within you and at the same time you create your own bad vibes. So if you think badly about things, or you act badly, or you bring fear into a situation, you’re going to have to defend yourself, or you’re going to have to suffer the consequences of that. In this particular case, he takes his sword in with him, which means he’s going to have combat. … He is creating this situation in his mind, because on a larger level, what caused Darth Vader to become Darth Vader is the same thing that makes Luke bring that sword in with him. … [Luke] has the capacity to become Darth Vader, simply by using the hate, and fear, and using weapons, as opposed to using compassion, caring, and kindness.”

I Say: This is probably blasphemous to many, but those words from Lucas being to mind a line from The Phantom Menace: “Your focus determines your reality.” Lucas may suck at writing dialogue, but at least he’s consistent.

Something I’ve always been a little unsure of is Yoda’s relationship to the cave. On this same commentary track, Empire director Irvin Keshner says that Yoda is “setting it all up, what’s going to happen in the cave.” That always seemed to be the indication based on the cinematic language of this sequence. But if you listen to Lucas tell it, the cave seems to have mystical elements on its own, and Luke taps into them via his connection to the Force.

That idea is supported by other Star Wars creators as well, including Timothy Zahn in his Thrawn trilogy of books, and a recent Supreme Leader Snoke comic written by Tom Taylor.

I’m inclined to think this is a situation where everybody is right, and we just don’t know how all the dots are connected yet.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Uncategorized

George Lucas on Star Wars: Staying Together

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became pop cultural staples. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

The Scene: Like the various groups throughout the Star Wars saga, the heroes of The Phantom Menace are a diverse lot. We have two Jedi, a young queen, a gungan fool, a liberated slave, among others.

George Lucas Says: “One of the difficulties in writing a script with lots and lots of characters is you have to be able to rationalize why everybody is along. If you have a film like Dirty Dozen, where you sort of establish they’re all going out on a mission together, and you gather them all up and they go, it’s pretty easy. But when you have a situation like this where there isn’t any mandate that they stay together, and they’re there for transitory reasons that are constantly having to be renewed as the plot progresses, it becomes much more difficult to be able to get all the characters in on the act and take them along…”

I Say: I can appreciate what he’s saying here, and I appreciate its value. But I’m only half joking when I say it still doesn’t explain why Qui-Gon brought eight-year-old Anakin into a war zone.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Movies

George Lucas on Star Wars: Yoda and Qui-Gon Jinn

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became pop cultural staples. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Wisconsin Raider

The Scene: As Anakin Skywalker slaughters Tusken Raiders over the death of his mother, a meditating Yoda feels his pain and suffering. He also briefly hears Qui-Gon Jinn calling to the young padawan.

George Lucas Says (Via the Attack of the Clones Commentary Track): “… we cut to Yoda, who is meditating, who hears this off-screen, and we do hear a voice in there. That voice is the voice of Qui-Gon Jinn. So we very subtly establish … Yoda is feeling the pain and suffering of Anakin and the Tusken Raiders, [and] he’s also making a connection, unwittingly with Qui-Gon Jinn. Up to this point we haven’t really established that you can make a connection with the departed in this world. That will become a factor in [Episode III].”

I Say: If by factor he means “afterthought,” then  yes, it became a factor in Episode III.

This has always been one of the more frustrating aspects of Revenge of the Sith for me, as it would have done so much to justify Qui-Gon’s entire presence in The Phantom Menace. Plus, they just would have been cool scenes.

The novelizations of Episode II and III both touched on Yoda communicating with Qui-Gon. The latter even had a brief dialogue between the two. But somehow they didn’t make it into the films. So the whole “training I have for you” thing at the end of Sith seemed comically tacked on.

Even The Rise of Skywalker got this one right, with Rey hearing the voices of all the Jedi at the end. It’s not like it was an entirely separate plot thread or anything. It would have taken maybe five to 10 seconds in Clones, and maybe a minute in Sith. All you need is a few lines of audio from Liam Neeson.

All to establish that Yoda has not gone bonkers when he tells Obi-Wan to talk to his dead master.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Movies

George Lucas on Star Wars: Anakin and C-3PO

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became the pop cultural staples they are. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

The Scene: Anakin introduces Padme to C-3PO, the protocol droid he’s building to help his mother. Moments later, Threepio meets R2-D2 for the first time.

George Lucas Says (Via the Phantom Menace Commentary Track): “Not only is Darth Vader Luke and Leia’s father, but he’s also Threepio’s father. I thought that was kind of amusing irony in all of this. And I couldn’t resist it. It gives us the opportunity for Threepio to meet Artoo for the first time, and start what will ultimately become a very long and arduous friendship of sorts.”

I Say: Like a lot of people, my initial reaction to the revelation that Anakin built C-3PO was: “Bullsh*t.” Even in a world with laser swords and slug people, it was far-fetched.

But…when you hear George explain it like this, it actually makes sense. So much of Threepio’s character is based on him trying to relate to human beings. (“Sometimes I just don’t understand human behavior!”) So there’s fantastic comedic irony in the idea that like our main hero Luke Skywalker, Threepio is also Darth Vader’s son. It even casts an interesting new light on the “He’s more machine now than man” line from Return of the Jedi.

But that’s all subtext. To the average moviegoer, this Anakin connection is just a contrivance to shoehorn Threepio into the movie. And for no real reason, as there’s not much for him to do other than be introduced to Artoo. So while I very much like what George was going for with this, I don’t know that it was worth it in the end.

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