A Justice Society of America #1 Micro-Review – The Long Game

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Justice Society of America 1, cover, November 2022, Mikel JaninTITLE: Justice Society of America #1
AUTHOR: Geoff Johns
ARTISTS:
Various. Cover by Mikel Janin.

RELEASED: November 29, 2022

By Rob Siebert
Fanboy Wonder

Geoff Johns appears to be playing the long game out of the gate with this new Justice Society of America series. We’re not jumping right in with series staples like Green Lantern Alan Scott, The Flash (Jay Garrick), and Wildcat. Instead, we’ve got a time-travel story about Batman’s daughter Helena Wayne, a.k.a. Huntress. It’s not what I expected at all, but I’m not ready to poo-poo the book yet. Let’s see where things go…

At least with Mikel Janin and Jordie Bellaire handling the art, things look pretty.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The New Golden Age #1 Micro-Review – Fun Ideas, No Coherence

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

TITLE: The New Golden Age #1
AUTHOR: Geoff Johns
ARTISTS:
Various. Cover by Mikel Janin.

RELEASED: November 8, 2022

Coming in, I was under the impression The New Golden Age was going to be a look at the World War II era DC Universe, what the Justice Society of America was up to during that time, perhaps a little time travel to boot, etc. That’s not exactly what we got

There are a good amount of interesting and fun ideas in here. The trouble is that there’s a lack of coherence between them. For instance, does this take place in the main timeline? Or is it on an alternate Earth? Earth-2, perhaps? Is it a multiverse type thing?

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

DC’s Infinite Frontier #0 – A Rapid Fire Review

By Rob Siebert
Fanboy Wonder

Couldn’t jam Infinite Frontier into an edition of “Weekly Comic 100s,” so we decided to upgrade the format. We’ll cover each story in this oversized issue in rapid fire fashion, and take a glimpse into DC’s future (not to be confused with Future State).

TITLE: Infinite Frontier #0
AUTHORS:
Various
ARTISTS:
Various. Cover by Dan Jurgens & Mikel Janin.
RELEASED:
March 2, 2021

Justice League: Wait, so is Black Adam’s name changing to Shazadam or not? I thought it wasn’t.

Batman: This one’s split into two parts. I’m liking this premise where Barbara Gordon mentors Stephanie Brown and Cassandra Cain in a Birds of Prey sort of way.

Also, Bane dies. Let’s see how long that lasts…

Wonder Woman: Apparently Wonder Woman did something super big and important in Dark Nights: Death Metal, so now she’s elevated to “the Quintessence” council with Phantom Stranger, the Spectre, etc., and we need a new Wonder Woman. Which is going to be…Wonder Woman’s mother Hippolyta? I think? Honestly, I don’t really get it…

Wonder Girl: So Yara Flor, the Future State Wonder Woman, is going to be the new Wonder Girl. That could be cool. But she only gets a few pages here. Frankly, I’d rather have spent more time with her than the ladies of Themyscera. We still don’t know much about her, after all.

Green Lantern: Alan Scott: In a very heartfelt scene, Alan comes out to his children as a gay man. That’s pretty cool. I’m also excited DC is borrowing from The New Frontier, and making it canon that the Justice Society was shut down during the era of McCarthyism.

Teen Titans Academy: Not much to go on here. But I continue to be optimistic about Teen Titans Academy.

Superman: Interestingly, we focus not on Clark Kent here, but Jonathan Kent. It looks very similar to what we saw in Future State. I’m not nearly as optimistic for that sort of thing here as I am with Wonder Woman…

Green Arrow & Black Canary: It looks like they’re undoing one of the deaths from Heroes in Crisis, which is a good thing. The less we have to remember from that book, the better.

Stargirl: Right off the bat, I love the art on this one. It reminds me of the original Young Justice book. A nice little teenager superhero outing by Geoff Johns. After all these years, I still miss him on Teen Titans

Green Lanterns: We see John Stewart, Simon Baz, and Keli “Teen Lantern” Quintela here. If they’re going to do a new Green Lanterns book, I wouldn’t mind one about the three of them as a team.

The Flash: This one gets a little far out in terms of cosmic scope. But it ends with some news that should make Wally West fans happy. I’m certainly intrigued.

Overall: A good outing, worth the $5.99 price tag. This is what I was hoping those Generations Shattered and Generations Forged books would be like. A jumping on point for various parts of the DCU.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: TMNT: The Last Ronin, Three Jokers #3, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Teenage Mutant Ninja Turtles: The Last Ronin #1
AUTHORS: Peter Laird (Story), Kevin Eastman & Tom Waltz (Story & Script)
ARTISTS: Eastman (Layouts), Esau & Isaac Escorza, Ben Bishop, Luis Delgado (Colorist), Samuel Plata (Color Assists), Shawn Lee (Letterer)
RELEASED: October 28, 2020

There’s a certain Batman Beyond vibe to the world of The Last Ronin. Some of The Dark Knight Returns too. And our villain almost a Kylo Ren rip-off. But none of this is necessarily bad. This book has a lot of intrigue going for it, and is off to an interesting start.

As this is supposedly based on an old story by Eastman and Laird, I came into it thinking it took place in the original TMNT comic canon. There’s a character on the last page who indicates that’s probably not the case.

TITLE: Batman: Three Jokers #3
AUTHOR:
Geoff Johns
ARTISTS:
Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
October 27, 2020

Another beautiful issue by Jason Fabok and Brad Anderson. Though not what I would call a satisfying ending to the whole Three Jokers premise.

The story had a lot of interesting ideas, particularly when it came to Jason Todd and Barbara Gordon. Even Joe Chill, the man who killed Thomas and Martha Wayne. There’s also a new, interesting twist on the events of The Killing Joke. But in the end, this should remain out of continuity. A well written, gorgeously drawn idea exhibition. Nothing more.

TITLE: The Department of Truth #2
AUTHOR: James Tynion IV
ARTISTS: Martin Simmonds, Aditya Bidikar (Letterer), Dylan Todd (Designer)
RELEASED: October 28, 2020

“Collective belief shapes the world, so everything is a little bit true, or has the potential to be true.”

That’s a quote from this issue which essentially sums up the premise of The Department of Truth. And every time I find myself getting into it, that premise pulls me right out of the story. Because even using comic book logic, I just can’t get behind it.

Plus, we see something in this issue that turns me off. Any kind of violence against children has been doing that since my daughter was born.

TITLE: Batgirl #50
AUTHOR: Cecil Castellucci
ARTISTS: Emanuela Lupacchino, Marguerite Sauvage, Aneke, Wade Von Grawbadger (Inker), Mick Gray (Inker), Scott Hanna (Inker), Jordie Bellaire (Colorist), Trish Mulvihill (Colorist), Becca Carey (Letterer). Cover by Joshua Middleton.
RELEASED: October 27, 2020

What’s interesting about this book’s take on Batgirl is that she’s integrated into her community in a way Batman has never been. She’s helping an old lady with her groceries, she’s teaching self defense classes, etc. That’s not necessarily a bad thing, but it’s yet another example of why the Batgirl costume in this series doesn’t work. Barbara Gordon is part of the community too. So, as she’s only wearing a domino mask as Batgirl, it would be that much easier for people to recognize her. 

Now that this series is over, hopefully she gets a new outfit. And soon.

TITLE: Power Rangers: Drakkon New Dawn #3
AUTHOR: Anthony Burch
ARTISTS: Simone Ragazzoni, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Jung-Geun Yoon.
RELEASED: October 28, 2020

This mini started to get interesting at the end of issue #2, when it looked like the Mighty Morphin Power Rangers as we knew them were about to return to the “Drakkonverse.” But this issue doesn’t follow through on that, which pretty much killed it for me.

But apparently Lord Drakkon sells comics. So I’d be surprised if we don’t get some kind of follow-up to this story. As one might expect, they leave the door wide open for it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Three Jokers, Marvels X, Spider-Man, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Three Jokers #2
AUTHOR: Geoff Johns
ARTISTS: Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED: September 29, 2020

Three Jokers is much more about Jason Todd than I imagined it would be. That’s not a bad thing.

This issue contains a romantic moment between Jason and Barbara Gordon. That is a bad thing.

Johns tries to tie the events of this story back to the murder of Thomas and Martha Wayne, which I find forced. I’d much rather spend those pages exploring the fact that there are, y’know, three Jokers!

Still, Jason Fabok and Brad Anderson present us with one of the most beautiful Batman books we’ve seen in a long time.

TITLE: Marvels X #5
AUTHOR: Alex Ross (Story), Jim Krueger (Script)
ARTISTS: Well-Bee, Cory Petit (Letterer). Cover by Ross.
RELEASED: September 30, 2020

There’s a page in here that’s particularly poignant, given the times we’re living in today. Our main character is talking to the Falcon about Captain America.

Falcon says it’s hard to be Cap’s friend at the moment, given all the anger in the country. As a hero, he has to worry about controlling his fellow citizens, as opposed to protecting them.

“It’s not a democracy anymore. It’s not about different voices. It’s about one voice. An angry, frightened one.”

Powerful stuff.

TITLE: Wonder Woman #763
AUTHOR: Mariko Tamaki
ARTISTS: Carlo Barberi, Matt Santorelli (Inker), Alejandro Sanchez (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Sanchez.
RELEASED: September 29, 2020

First and foremost, Liar Liar is a really stupid name for a villain. Better that she just go by Emma Lord.

Indeed, we found out last issue that Maxwell Lord has a daughter. I can’t say I saw that coming.

Carlo Barberi’s art is growing on me. He turns in some really dynamic and attractive work here. But I still can’t help but miss Mikel Janin, who’s not an easy act to follow for anybody.

This Diana partnership is growing on me too. Enough to get me to start picking up Wonder Woman again.

TITLE: Spider-Man #4
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: September 23, 2020

On the whole, I’m liking this book. Especially the “sketchy” looking art, which is different than a lot of what Sara Pichelli has put out over the years. I really only have one major issue: Tony Stark.

Iron Man pulls focus. It’s a rule that’s osmosed into the comics from the movies. Thus, Tony’s presence in this story, even as a supporting character, takes some much-needed emphasis off this new Ben Parker character. We’ve only got one issue left in this mini. All the more reason to keep this a Spider-Man story.

TITLE: Suicide Squad #9
AUTHOR: Tom Taylor
ARTISTS: Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Variant cover by Travis Moore & Alejandro Sanchez.
RELEASED: September 22, 2020

We get a guest appearance from Superman in this issue, and I’ve gotta say, Redondo draws a hell of a Man of Steel.

The decision to make Ted Kord a villain in this series is an interesting one. He’s not a character that long-time readers would be inclined to hate, or even dislike.

It feels like Taylor wanted to do more in this series with Deadshot and his daughter. Here’s hoping he gets another chance somewhere down the line

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Three Jokers #1 Review – Too Many Smiles?

TITLE: Three Jokers #1
AUTHOR: Geoff Johns
ARTISTS:
Jason Fabok, Brad Anderson (Colorist), Rob Leigh (Letterer)
PUBLISHER: DC Black Label
PRICE:
$6.99
RELEASED:
August 25, 2020

By Rob Siebert
Fanboy Wonder

Alright, DC. You can have your “Joker War,” and you can have Three Jokers. But after these are both said and done, we put the ol’ Clown Prince back on the shelf for a little while. There is such a thing as too many smiles…

At last, more than four years after it was first teased in Johns and Fabok’s Justice League run, Three Jokers has arrived. Why’d it take so long? No clue. But I’ve gotta say, the end product was almost worth the wait. While he’s obviously used Batman in his larger DC stories, Geoff Johns hasn’t spent a lot of time on a proper Bat-book. But in terms of the overall “feel” of things, i.e. characterization, tone, the sense of sacrifice, and that lingering dread that comes with a great Joker story, Johns and the Three Jokers team absolutely nail it.

Three Jokers presents us with the notion that there are…well, three Jokers. When the Harlequin of Hate seemingly strikes three points in Gotham at the exact same time, Batman, Batgirl, and the Red Hood must figure out where the genuine article is. But certain evidence points them toward something more elusive: That three different men have played the role of the Joker over the years. And unbeknownst to our heroes, a fourth Joker may be on his way…

In a broad sense, I don’t really like the idea of there having been three Jokers. Rather, I like the notion that he evolved over time just as Batman did. But I’ve been around long enough to know these kinds of things often aren’t as they initially seem. So I’ll reserve judgment on the premise and simply judge the content on its own merits.

One thing I give this issue a lot of credit for is quickly and effectively establishing the Joker’s relationship to Batman, and also providing the character with dramatic weight he deserves. It’s all done within the first few pages, using very little dialogue. We see Batman’s scarred and mangled flesh juxtaposed with single images of his enemies corresponding to specific wounds. Characters like Bane, the Riddler, Scarecrow, etc. Then we get one for the Joker. Then the Joker again. Then the Joker again. Then the Joker yet again. Thus the reader, whether a Batman buff or someone picking up a comic for the first time, understands the Joker isn’t simply another villain. He’s the one who’s given Batman more scars, both physically and emotionally, than anyone else.

Also adding dramatic weight is the presence of Batgirl/Barbara Gordon and the Red Hood/Jason Todd. Ask a casual comic book reader to name three Joker stories, and chances are two of them will be (for better or worse) The Killing Joke – Where the Joker shoots and paralyzes Barbara, and A Death in the Family – The infamous story where the Joker kills Jason. So having them around is a nice reminder of what the stakes are when dealing with the Joker. You’d think, with both breathing and walking, the opposite would be true. But both carry a heavy existential burden.

Jason Fabok gets to put his own little tweaks on all the iconic costumes for Three Jokers. The only changes of real significance are to Red Hood’s costume (shown above). Most of what we see is an improvement. The Bat emblem on his chest is thankfully gone. He’s now in a leather jacket with a red tunic that has, you guessed it, a hood. The tunic is supposed to look like the Robin costume. It even has an R on the belt buckle. Initially I wasn’t sure how I felt about that. But it’s grown on me. In fact, it’s probably my favorite take on the costume since Under the Hood in the mid 2000s.

I credit Three Jokers #1 with having one of the best, most cinematic chase scenes I’ve read in quite awhile. There’s not even that much to it. Just Batman and Batgirl trying to stop an ambulance, with Batman coming aboard and fighting inside. But Johns and Fabok made a more exciting sequence out of this than some creators can with four times as much.

This book is also beautifully colored. The palette Brad Anderson is working with feels like it can explode into a bright, beautiful blaze at any moment. But instead we get colors that are very full and that pop, but also feel like they’ve been dipped in darkness. The way Fabok and Anderson capture Gotham City feels definitive. Like this is what it’s supposed to look like.

Jason Todd is really the star of this first issue. That’s mostly because of the climax and a deliciously emotional, character-defining moment between a killer and his victim…

Three Jokers #1 straddles an interesting line. I totally disagree with its premise, yet I can’t deny this is a great comic book. Normally I can’t stand it when even oversized comics are priced above $5. But I can say with full confidence that this one is worth the price of admission.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Ranger Slayer, Joker War, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

DC’s decision to get in bed with Lunar Distribution is starting to feel like a mistake. Because out in my neck of the woods (the mid-west), it seems like Lunar is crapping said bed.

My local comic shop just went three weeks without receiving any product from DC. (Any DC books you’ve seen here in the last few weeks have been purchased digitally.) I’ve been going to comic shops for almost 20 years now and I’ve never see that happen. Not only is it unacceptable from a simple customer service perspective, but it couldn’t have happened at a worse time. Retailers are already being hit by the fallout from COVID-19. The least publishers can do is put the damn books in the stores…

Bad form, folks. Bad form.

TITLE: Power Rangers: Ranger Slayer
AUTHOR:
Ryan Parrott
ARTISTS:
Dan Mora, Raul Angulo (Colorist), Ed Dukeshire (Letterer)
RELEASED:
July  22, 2020

Not really my cup of tea. But if you were into Lord Drakkon’s dark alternate universe, or the “Coinless” Universe as it’s now called, you’ll be into this.

I was hoping for something more tightly focused on this alternate version of Kimberly. But the scope of this story is more about the Coinless Universe at large. Fair enough. I just wish they’d called this issue something different.

This issue gives us something I never thought we’d see, though in hindsight seems obvious for a universe like this: Ghost/Zombie Power Rangers. It was inevitable, I tell you!

TITLE: X-Men/Fantastic Four #4
AUTHOR:
Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ranson Getty (Inkers), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED:
July 22, 2020

This one ends on something of a whimper, rather than a bang. Which is to say it more or less ends the way you think it will, with Franklin ending up where you think he will.

Still, the appeal of a mini like this is to see characters from different books rub against each other. X-Men/Fantastic Four does that.

There’s also a curious little scene at the end with Reed Richards that I’m curious to see if they follow up on.

TITLE: Batman #95
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
July 21, 2020

We kick off with kind of a dumb “retroactive foreshadowing” scene with Batman and Alfred. “Good thing Alfred will always be here,” and all that. Lame.

It occurred to me during this issue that “Joker War” is just a sophisticated version of that New Batman Adventures episode, “Joker’s Millions. That’s not a knock. I’m just sayin’.

Now that Joker knows Batman’s secret, it’s extremely foreboding to see him messing around with movie theaters. Especially the one Thomas and Martha Wayne went to with Bruce before their murder…

TITLE: Shazam! #13
AUTHOR:
Geoff Johns
ARTISTS:
Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Julian Totino Tedesco.
RELEASED:
July 21, 2020

Well damn. If this book is ending in September, we’re not going to get a pay-off for this Superboy Prime stuff are we?

As the book really cranks up the father/son drama with Billy and his dad, I’m struck by just how great Dale Eaglesham has been on this title. It’s clean. It’s expressive. It’s versatile. He fits Shazam like a glove, to the point that this series has become one of my favorite takes on the character. Frankly, his work with Michael Atiyeh is worth the cover price on its own.

TITLE: Shazam!: Lightning Strikes #1
AUTHOR:
Dan Jurgens
ARTISTS:
Travis Moore, Nick Filardi, Marshall Dillon. Cover by Evan “Doc” Shaner.
RELEASED:
July  17, 2020

Now that the Shazam! book is ending, I’m particularly grateful to see the Big Red Cheese join DC’s line of digital-firsts.

What we get here is nice and kid-friendly. One of Billy Batson’s classmates is bragging about knowing Shazam. So Billy shows him up precisely the way you think he will. From there we segue into a fight with a villain.

Travis Moore’s Shazam looks a lot like Zachary Levi in the movie. I wonder if that’s intentional, or just how the character came out…

TITLE: Wynd #2
AUTHOR:
James Tynion IV
ARTISTS:
Michael Dialynas, Aditya Bidikar (Letterer)
RELEASED:
July 22, 2020

So far, this book feels a little bit like Saga for young people. It’s got whimsy and wit, but a lot less sex stuff.

After reinforcing some of the world-building they did last time, this issue cranks up the emotion with the prospect of separating Wynd from his adopted family. It’s very well done, and has me invested in not only Wynd, but his sister Oakley.

We also meet a character called “the Bandaged Man.” I really dig how he’s designed, though that may just be my love for Batman: Hush sneaking through.

TITLE: Action Comics #1023
AUTHOR:
Brian Michael Bendis
ARTISTS:
John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Variant cover by Lucio Parillo.
RELEASED:
July 21, 2020

This is typically the part of “Weekly Comic 100s” where I complain about John Romita Jr. So here you go: I don’t like JRJR’s art here.

I just wonder if this book is getting over-crowded with Super-people. Remember, that’s part of what prompted the original Crisis on Infinite Earths. Superman didn’t feel as special because he had too many sidekicks, cousins, stringers, etc.

At the end of this issue Jimmy Olsen says, “Guess we’re not putting out a paper today.” That line should have had a lot more weight to it. If you’re a newsman, that’s blasphemy.

TITLE: Detective Comics #1023
AUTHORS:
Peter Tomasi
ARTISTS:
Brad Walker, Andrew Hennessy & Norm Rapmund (Inkers), Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
July 21, 2020

A team-up between the Joker and the Court of Owls? Now that’s the stuff of nightmares.

Detective Comics hasn’t felt like a Tomasi book in awhile. There’s a certain refinement that’s missing. In particular, Batman is a little too talky for my taste.

In this issue, Batman performs brain surgery on Two-Face out in the streets of Gotham (Because why not?). The comic book science regarding how Harvey’s brain is being messed with is a little confusing. Not that I’d put too much stock in it. At the end of the day, he’s still Two-Face.

TITLE: Billionaire Island #1
AUTHOR:
Mark Russell
ARTISTS:
Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
March 4, 2020

A brutally honest, unfiltered look at where our society may be going sooner rather than later. And in all honesty, a clever premise for a book. I was expecting things to get Survivor-esque right off the bat. But they’re taking the time to build to that.

The most unsettling part of this issue? Our lead villain puts his opposition (journalists, etc) into a giant hamster cage. Complete with an oversized water dispenser. The sad thing? That doesn’t even seem that far-fetched anymore.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Panels of Awesomeness: Francis Manapul Draws Smallville (and Also Superboy)

By Rob Siebert
Suddenly Wants to Be a Farmer

THE ISSUE: Adventure Comics #1 (2009)
CREATORS: Geoff Johns (Author), Francis Manapul (Artist), Brian Buccellato (Colorist), Steve Wands (Letterer)
RELEASED: August 12, 2009
THE SCENE:
The newly resurrected Conner Kent (long story) enjoys a morning sunrise in Smallville alongside Ma Kent and Krypto.
WHY IT’S AWESOME: Because it’s legitimately one of the most gorgeous images I’ve ever seen in the pages of a comic book.

I remember picking this issue up from Graham Crackers Comics in Downer’s Grove, IL, and feeling my jaw hit the ground when I opened to these pages. It’s been over a decade, and this image has never left me.

As much as Francis Manapul shines here, the real star is Brian Buccellato. That sky is absolute magic. Corny as it is (See what I did there?), how can you look at that and not feel the morning breeze on your face?

There were some additional warm fuzzies here because Conner Kent, a.k.a Superboy, had been gone for a couple years. He’d been killed off in Infinite Crisis, then brought back in Final Crisis: Legion of Three Worlds. Both written by Geoff Johns. When Johns was writing Conner in Teen Titans, he was living with the Kents in Smallville and wasn’t happy about it. So the line, “I can’t believe I ever hated Smallville,” adds the extra exclamation point to the image.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: A Star Wars Trifecta, Bendis, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

We’re strictly looking at Marvel and DC this week, as that’s just how things shook out. Seems like a catch-up edition of “Weekly Comic 100s” is in order sooner than later…

Incidentally, Wolverine #1 was February’s top-selling comic. And no, I still won’t be reading or reviewing it.

TITLE: Star Wars: Bounty Hunters #1
AUTHOR:
Ethan Sacks
ARTISTS:
Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED:
March 11, 2020

Covers don’t usually play a big part in whether I’ll try a new series, or an issue I otherwise wouldn’t be inclined to pick up. But if ever one could, it’s this one. Epic work by Lee Bermejo.

I’d call this a strictly okay start. The success of this series is largely riding on how the Vance character comes off as these early issues are buoyed by classic characters like Boba Fett and Bossk. He’s got a kind of Terminator-like appearance, and a mysterious backstory that piques my curiosity.

Tell me more, comic. Tell me more…

TITLE: Star Wars: The Rise of Kylo Ren #4 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by E.M. Gist.
RELEASED: March 11, 2020

This mini ends exactly how you think it will. Some questions we now have answers to. Some we don’t. But we did get a really nice character moment that illustrates a really interesting, though in hindsight obvious parallel between Kylo Ren and Luke.

During a fight with one of Luke’s other Jedi pupils, Ben says that neither Luke and Snoke see him as a person. “I’m just a…legacy. Just a set of expectations.” From a certain point of view (wink wink), that’s exactly what Luke talks to Rey about in The Last Jedi. The burden of his bloodline.

TITLE: Darth Vader #2
AUTHOR: Greg Pak
ARTISTS:
Raffaele Ienco, Neeraj Menon, Joe Caramagna. Cover by Inhyuk Lee.
RELEASED:
March 11, 2020

In this issue, we supposedly meet a surviving Padme. Funny thing is, the character looks older in the interior art than Natalie Portman does in real life.

Later on, Vader tells someone that if she’d lived, Padme would have joined the Empire. I wonder if he means the Empire that would have existed had he overthrown Palpatine, or the Empire that actually came to pass. I can’t bring myself to believe that he believes the latter. Unless he’s deluded himself that much over the course of two decades.

TITLE: Superman #21
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Joe Prado and Oscar Albert (Inkers), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Variant cover by Bryan Hitch and Sinclair.
RELEASED: March 11, 2020

More Superman vs. Mongul here. Bendis turns the story horizontal and we get a series of slimmer top-to-bottom panels depicting various locations. It’s a nice little trick.

What I’m really liking about this “Truth” story is it illuminates the larger scope of what it means to be Superman. He’s not just some guy flying around in a cape punching things. The United Planets plotline emphasizes something that certain people never seem to understand. Superman is an idealist. Peace. Justice. Unity. Teamwork. Courage. These are the things he really stands for, and I love that Bendis gets that.

TITLE: Young Justice #14
AUTHORS: Brian Michael Bendis, David Walker
ARTISTS:
John Timms, Michael Avon Oeming, Gabe Eltaeb (Inker), Wes Abbott (Letterer).
RELEASED:
March 11, 2020

I’m wondering what the deal is with all these alleged new members. Are we doing a Justice League Unlimited type thing, where characters rotate in and out depending on the mission? Either way, it’s great to see Jackson Hyde back.

Bendis’ old Powers colleague Michael Avon Oeming handles some of the art here. The work he does here is fine. But if he’s going to be on the book, I’d prefer he be the sole artist.

TITLE: Cable #1
AUTHOR: Gerry Duggan
ARTISTS:
Phil Noto, Joe Sabino (Letterer)
RELEASED:
March 11, 2020

Well hey there, Phil Noto. Always good to see you.

Here we have the X-Men once again shamelessly tampering with the space time continuum as a younger Nathan Summers lives with present-day mutants on Krakoa.

Outside of a sparring session with Wolverine during the opening pages, and Noto’s art in general this issue didn’t do much for me. There’s something of a novelty in seeing this character in a jungle atmosphere he’s not normally associated with. But in the end, not much to write home about. Not yet at least.

TITLE: Shazam #11
AUTHOR:
Geoff Johns
ARTISTS:
Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Cover by Dale Eaglesham and Atiyeh.
RELEASED:
February 26, 2020

Alright, let’s talk about it: Superboy-Prime is back. His next target? Shazam.

If it were somebody other than Geoff Johns writing this book, I’d be a little apprehensive. But because it’s him, I’m actually looking forward to their big showdown.

Superboy-Prime is pretty much the anti-Shazam. Billy Batson is a young man given great power who ultimately uses it for good. This version of Superboy? A young man whose power made him spoiled, bitter, and angry. These two have more in common than they’d ever admit.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Shazam! #10, Batman/Superman #10, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

The deadline for yesterday’s “Weekly Comic 100s” kinda snuck up on me. So consider this part two. But there’s plenty of first rate talent to be found. Geoff Johns, David Marquez, Peter Tomasi, Dale Eaglesham…

TITLE: Shazam! #10
AUTHOR: Geoff Johns
ARTISTS: Dale Eaglesham, Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer)
RELEASED:
January 22, 2020

The best page scene in this book? Tawky Tawny making dinner while Billy’s adoptive parents look on in apprehension. Change my mind.

We get a surprise return in this issue. It feels way out of left field. But let’s see how it plays out. Seeing this character mix it up with the Shazam family might be really compelling.

Dale Eaglesham and Scott Kolins are still splitting the art duties. I’m a Scott Kolins fan, but Eagleham’s style was made for a book like this. The more pages we get from him, the better.

TITLE: Batman/Superman #6
AUTHOR:
Joshua Williamson
ARTISTS: David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED: January 22, 2020

It feels like they’re trying to channel the tension, paranoia, and mistrust that was hanging over DC titles all those years ago during the build-up to Infinite Crisis. This issue actually references The O.M.A.C. Project by name. Trouble is, DC had years worth of stories to lay the foundation for all that hostility. This series has only had six issues. So it feels like Williamson is referencing something that’s barely there at all.

On the upside, the next story could be really good. We’ve got two villains meeting for (I assume…?) the first time.

TITLE: I Can Sell You A Body #2 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS: George Kambadais, Ferrier (Letterer)
RELEASED: January 22, 2020

They lay the comedy on thicker this month. For instance, we open with a scene in Vatican City. A priest actually says, “Feh. The Jesus card. That old chestnut. Childish.”

Someone also says, “Enough with the ghost dicks!”

This issue got me invested in Henrietta, Denny’s love interest. She’s a sweet lady who, as we learn on the closing page, is willing to stick her neck out for people she cares about. In this case, that trait may not pay off in either the short term or the long term.

TITLE: Detective Comics #1019
AUTHOR: Peter Tomasi
ARTISTS: Scott Godlewski, David Baron (Colorist), Rob Leigh (Letterer). Cover by Rafa Sandoval, Jordi Tarragona, and Baron.
RELEASED: January 22, 2020

This issue and last issue both felt like filler. Which you need sometimes. I just wasn’t hooked by the whole norse mythology thing. On the upside, the dialogue problem from last issue was fixed.

As I mentioned with Batman, they’re making sure Alfred’s death is felt heavily in the Bat-books. It seems like for now Lucius Fox has stepped up and become the “man in the chair.” Fair enough. There’s potential for character work there as Bruce and Lucius come to see each other in new ways.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.