Tag Archives: Frank Miller Batman

A DKIII: The Master Race #9 Review – The Dark Knight Reboots

TITLE: Dark Knight III: The Master Race #9
AUTHORS: Brian Azzarello, Frank Miller
PENCILLERS: Andy Kubert, Miller
PUBLISHER: DC Comics
PRICE: $5.99
RELEASED: June 7, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Well, there it is. May as well have called this one The Dark Knight Reboots. For all intents and purposes, that’s what it was. There’s no official word on a DKIV story going forward. But given what we saw here, it seems pretty damn likely. Between this and the incorporation of Watchmen into the canonical DC Universe, they just can’t help but play the hits. For better or worse…

This issue sees Batman, Superman, Batgirl (Carrie Kelley), Lara the Supergirl, and the other heroes have their final confrontation with Quar and the Kryptonian invaders. Afterward, the Dark Knight Universe has a new status quo. Especially now that Bruce Wayne has been revitalized via the Lazarus Pit. So where do our heroes go from here?

Let’s start with the positives. This issue, and the DKIII main story overall, were really well illustrated. Andy Kubert has been able to meld his style with just enough vintage Frank Miller to make this a unique presentation. Even Miller himself, when working on the mini-comics we got in each issue, was able to settle into a groove. His art has been widely derided in recent years. But while he started off shoddily, it’s been quite awhile since I’ve enjoyed his art this much.

Ray Palmer/The Atom has a really nice moment in this issue where he gets to thwart some of the bad guys. It was clever the way they incorporated Ray into all of this. So to see him “get his win back” in the end was cool.

I also liked what they did with Green Lantern. A little corny? Yes. But he had a great little sub-plot about defeat and redemption. And when you consider one of Green Lantern’s original creators, Martin Nodell, took inspiration from Aladdin and the magic lamp, it makes a kind of sense.

Maybe the reason I’m so into this new take on Green Lantern is because when you close DKIII, it’s one of the few things left that’s really and truly different about this universe. Yes, certain supporting characters are absent. And we’ve got Lara and Carrie in the picture, along with Clark and Diana’s young son. But think about it. We don’t even have that old, gritty, Clint Eastwood-style Batman anymore, now that Bruce has gone through the Lazarus Pit. The Justice League is essentially back together now. What’s left to do in this universe now?

Various points in this story felt like we were gearing up for a passing of the torch. Carrie Kelley becomes Gotham’s protector, while Lara takes over for her Superman. In the end, they pay that off with Carrie becoming Batwoman and teaming with Bruce. Then in our mini-comic, we see Lara is now under the tutelage of her father. This feels like they were didn’t want to remove Batman and Superman, for fear of how it would effect sales going forward. I can understand that. But the ending of this story feels so safe and sub-par anyway, that they may have made that sacrifice regardless.

So why not just go for it? Why not kill the Bruce Wayne character? The Joker had an iconic death scene in The Dark Knight Returns. You can take a crack at doing the same thing with Bruce here. Given how old he is, it’s getting more and more contrived to have him keep coming back in the Batsuit. So have him die in Superman’s arms in issue #6 or #7, prompting Carrie to officially take over for him as Batwoman. There’s an argument to be made for that being the ending DKR should have had.

Then, if you must bring Bruce back via the Lazarus Pit, have it be in DKIV. We can see him challenge Carrie for Gotham City, the effects of the pit having driven him insane.

Many a reader, myself included, has criticized Frank Miller for the bizarre and even offensive choices he made in The Dark Knight Strikes Again and All-Star Batman and Robin. But I’ll always credit Miller with being willing to take risks with his art. In the end, DKIII feels like they went too far in the other direction. The Dark Knight Returns has become a timeless piece of art. DKIII seems mostly like something thrown together by editors so that DC can continue to cash in on the team of Frank Miller and Batman. It’s a missed opportunity. With Brian Azzarello, Andy Kubert, and all these other supremely talented creators on board, they could have made something that allowed DC to sell more books, Instead we got something that feels largely hollow.

***For more DKIII: The Master Race, check out our reviews of issues #1, #2, #3, #4, #5, #6, #7, and #8.***

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

SaveSave

SaveSaveSaveSave

SaveSaveSaveSaveSaveSaveSaveSaveSaveSave

SaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSave

Advertisements

A DKIII: The Master Race #8 Review – Kryptonians vs. Amazons

TITLE: Dark Knight III: The Master Race #8
AUTHORS: Brian Azzarello, Frank Miller
PENCILLERS: Andy Kubert, Miller
PUBLISHER: DC Comics
PRICE: $5.99
RELEASED: March 29, 2017

Need to catch up? Check out issues #1, #2, #3, #4, #5, #6, and #7

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Originally, this was supposed to be the end of the line. DKIII was supposed to run for eight issues before a ninth was announced last September. As much respect as I have for all the talent involved here, they should have gone the other way and capped it at seven. DKIII has an okay story, but it’s officially worn out its welcome.

Quar’s Kryptonian forces are at war with Wonder Woman and the Amazons, with Lara the Supergirl caught in the middle. So now the question becomes: What action will be taken by the daughter of Superman and Wonder Woman? Meanwhile, the Lazarus Pit has restored Batman. But Quar is preparing to make his final move…

The entire story has been building toward this fight between the Kryptonians and the Amazons. But somehow, like last issue, this still fills like filler and transitional material. Andy Kubert, inker Klaus Janson, and colorist Alex Sinclair get to have flex their muscles by following Wonder Woman through a mildly gory battle sequence. But there’s not much drama in what we’re seeing. It’s just Wondie ripping through the bad guys because of some loophole about magic that isn’t really explained. All with a baby strapped to her back, who is somehow smiling through it all. Quar isn’t there, nor is Lara’s love interest. So these are essentially a bunch of Kryptonian foot soldiers.

This penultimate chapter, and this big battle, might have been the ideal place for Lara to make her choice. Does she side with her mother and the Amazons, or Quar and the Kryptonians? We get no such moment in this issue. Not even a cliffhanger to bring us into the next issue. That might have given this issue the emotional kick it desperately needs.

That’s not to say some of this isn’t fun. While there’s an extremely awkward splash page of Wonder Woman leaping (shown left), our artists do great work with the Amazons. Early on, they answer the Kryptonians’ challenge with a spear in a really cool way. Once we get into the physicality, Sinclair puts a red sky over the proceedings, striking a subtle yet pronounced emotional note. Azzarello also gives Diana a couple of good narration lines about the Amazons being an isolationist society: “Perfection stagnates. Perfection frustrates. Isolation gives to yearning.”

On the subject of Sinclair, this is his first time coloring the main story. You can absolutely notice the difference, everything pops a little more.

So where is Batman during all of this? He’s around. Like all the other characters, he’s being moved into position for the climax. Once he’s suited up, we do get a nice little moment with the Jerry Robinson Batmobile (shown below), its lone fin and big Bat head out in all it’s glory. As a life-long Batman buff, it made me smile.

But it also illuminates a major problem with DKIII. Out of the three chapters in Frank Miller’s so-called “Dark Knight trilogy,” this one may have the least to do with Batman himself. Or even the character’s lore and mythology. This feels less like a Batman story, and more like a Justice League story that Batman plays a big part in. The Dark Knight Strikes Again had a much larger scope than the original. DKIII might have been a good time to tighten the focus again.

There are elements in this story that make me wonder if that wasn’t supposed to be the case at one point. We see Carrie Kelley take up the mantle of Batgirl, the scene she had with Commissioner Yindel on the rooftop in issue #7, and a lot of little moments with she and Bruce. It almost feels like this started as a story where Bruce passes the torch to her, but plans were changed when Miller decided he wanted to do a fourth story. I have nothing concrete to base that on. Just a feeling.

Our mini-comic this month is Dark Knight Universe Presents: Detective Comics. We learn that Bruno, the woman from DKR with the flattop and the swastika pasties, is still alive. We get an incident with her and Commissioner Yindel at a prison, which I assume is supposed to be Arkham Asylum. There’s not much to write home about from a story perspective. But like last month, Frank Miller turns in some surprisingly clean line work. At times he reverts back to more of what he’s given us as of late. We’ll call it “disproportioned.” But by and large, Miller carries his end here.

But man oh man, I wish things would end here. Compared to The Dark Knight Strikes Again and All Star Batman and RobinDKIII is pretty harmless. But from an artistic perspective, it hasn’t been enough to justify dragging the DKR stuff out of the mothballs.

Follow Primary Ignition on Twitter, or at Facebook.com/PrimaryIgnition.

A DKIII: The Master Race #7 Review – Green Lantern’s Light

DKIII: The Master Race #7, 2016, cover, Andy KubertTITLE: Dark Knight III: The Master Race #7
AUTHOR: Brian Azzarello, Frank Miller
PENCILLER: Andy Kubert
PUBLISHER: DC Comics
PRICE: $5.99
RELEASED: December 28, 2016

(Need to catch up? Check out issues #1, #2, #3, #4, #5, and #6.)

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Believe it or not, the character with the best showing in DKIII #7 is Green Lantern. It’s not even in the main story. This is the first DKIII issue where the mini-comic has been superior in terms of quality. It may represent the best storytelling in DKIII overall.

After Batman is mortally wounded in the battle against the Kryptonian army, Superman rushes to save the Dark Knight’s life. But the battle isn’t over. A far more personal blow is about to be struck. The fate of the world, and one special young life, hangs in the balance.

Of course they didn’t kill off Bruce Wayne. They went the Lazarus Pit route. So now he’s not only alive, but he’s been de-aged. We don’t see much of him once he emerges from the pit. But he’s clearly able-bodied, and he’s even got his dark hair back. I can only assume this is a set-up for future stories. Whether DKIV is actually in the works or not remains to be seen. This book has hardly been a critical success. But you can’t argue with sales, can you?

dkiii-7-superman-and-batman

Assuming we will see more Dark Knight stories going forward, I find it odd that we apparently won’t be seeing old man Bruce Wayne any longer. That rougher, Clint Eastwood-style Batman is one of the big trademarks of this universe. Why do away with something like that?

We also get some dialogue between Commissioner Yindel and Carrie Kelley, that implies that their relationship will continue into the future. Essentially as a new Batman/Jim Gordon type pairing. The elevation and establishment of Carrie as a full-fledged hero has been an ongoing theme in DKIII. From a storytelling perspective, it would be fitting to have Carrie take over as Gotham’s protector, while Bruce goes off to do something else. But by God it bears repeating: GIVE CARRIE A NEW COSTUME!

Donald Trump returns in this issue, via a disturbingly authentic sounding tweet: “We won just like I said we would, and now we’ll make the Kryptonians pay to rebuild Gotham City. You’re gonna love it.” Some things are just a little too real…

Between Batgirl and armored Superman, DKIII has definite costume problems. But by and large, Andy Kubert, inker Klaus Janson, and colorist Brad Anderson have given this story a look that feels like great extension of Miller and Janson’s art from the original. In particular, our cliffhanger scene with Wonder Woman and Lara has a great intensity to it.

dkiii-hal-jordanWhen you get right down to it, most of what we see in DKIII #7 is filler and transitional material. That’s part of why the Strange Adventures mini-comic comes off so well. But it’s more than that. It’s also a comeback story that sees a humbled Hal Jordan reconnect to his humanity.

After losing his hand in issue #3, Hal wanders the desert hunting down his lost Green Lantern Ring. It’s in the hands of what appears to be a militant extremist group. (Oddly enough, the ring is still on Jordan’s severed hand. Maybe this is the same group that found Luke Skywalker’s hand and lightsaber after The Empire Strikes Back…) With some help from Hawkman and Hawkgirl, he gains a new perspective on his place in the universe and boldly declares: “I’m back.” In a way, it’s beautiful. Perhaps I’m biased, but Miller’s art even looks a little more polished here.

Notwithstanding the Green Lantern content, DKIII #7 is mostly missable. Right now, I’m hoping for a big finish. Something with a little more personality than we saw from the big attack on Gotham City. But between Kryptonians and Amazons, that may prove difficult.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.

A DKIII: The Master Race #6 Review – History Repeats

DKIII: The Master Race #6, 2016, cover, Andy KubertTITLE: DKIII: The Master Race #6
AUTHORS: Brian Azzarello, Frank Miller
PENCILLERS: Andy Kubert, Miller
PUBLISHER: DC Comics
PRICE: $5.99
RELEASED: October 19, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

As one might expect, DKIII has shown us a lot of the same imagery The Dark Knight Returns did. Armored Batman, Batman being hunted, Batman against Kryptonians, etc.

DKIII #6 gives us yet another one: The death of Bruce Wayne, complete with a heart monitor on the page. It’s just a shame he goes down in perhaps the most anticlimactic way possible.

After striking a crippling blow to Quar and the Kryptonian army via Kryptonite-laced rain, an armored Batman and Superman are set for battle. They’re not alone, as Batgirl, Commissioner Yindel, and the people of Gotham City are set to serve up some justice of their own. But while the battle now takes place on a more even playing field, in the process they’ll sustain a heavy loss…

I’m calling BS on Bruce Wayne being dead. Or if he is dead, he’s coming back by the end of the story. There’s no way Frank Miller’s Batman, even if he’s mostly written by Brian Azzarello at this point, goes out via a quick heat vision burst (shown below). They’ll stick him in a rejuvenation chamber, a Lazarus Pit, or find some other way to restore him. I’m betting this will serve the dual purpose of rejuvenating his body so he doesn’t need crutches anymore.

DKIII #6, 2016, Andy Kubert, kill shot

DKIII was originally advertised as the final installment in the Dark Knight series. So it’s possible they were intending to kill Bruce off here. But now I’m betting plans have changed. If DKIII has proven anything, it’s that there’s still great value in putting Frank Miller and Batman together. The first issue sold 449,100 copies, making it one of the best selling single issues since the turn of the century. Since then, the book has remained a top 10 seller amongst all publishers.

Frank Miller may be controversial, and neither sequel has done much justice to the legacy left by The Dark Knight Returns. But when you put Miller on a Batman book, it’s newsworthy. That’s a well DC can go back to when they need a boost. Miller is apparently willing to go back, as last year he talked about being the solo writer for a Dark Knight IV story. I believe DKIV is happening. But Miller by himself? I’ll believe that when I see it.

As for this issue, it’s mostly fluff until the finale. It looks pretty, and we get some decent one-liners. (“You want to shut him up, or should I?”) But when we open the issue, our heroes already have the battle mostly won. Most of the action comes from a fight between Batgirl/Carrie Kelley and Baal, Lara’s love interest, who is unaffected by the rain. The Batmobile winds up shredded, which is a cool visual. She eventually ends up beating him with, of all things, her slingshot. Another callback from The Dark Knight Returns.

By the way, can we get better costumes for DKIV? Superman’s armor doesn’t look any less stupid this time around, nor does Batgirl look less gaudy.

DKIII #6, 2016, Frank Miller artOur mini-comic this time is Dark Knight Universe Presents: World’s Finest #1, featuring a confrontation between Lara and Batgirl. Wonder Woman eventually intervenes. I’d be interested to know why this wasn’t in the main issue, with the Baal/Carrie fight getting the backseat. There’s so much more meat here, and it’s in line with what we’ve built up to. The Kryptonians have convinced Lara to turn her back on her family and humanity at large. One would think the story culminates in Batman and Carrie having to stop her, which creates tension with Superman and Wonder Woman, and all the drama you mine from that. Where we go now that Bruce has “died” is an interesting question.

As for Frank Miller’s art…it’s Frank Miller’s art. At this point, it is what it is. Here’s what I will say: These mini-comics have always been beautifully colored by Alex Sinclair.

I’m almost past the point of judging DKIII as good or bad. It’s already not my cup of tea. And yet, I keep slapping cash down for it. At $5.99 an issue, it’s not cheap either. But as DC knows all too well, comic book fans will pay to read what Frank Miller has to say about Batman. It’s been 30 years since The Dark Knight Returns and Batman: Year One, but maybe we’re all secretly hoping he has one more classic left in him.

Again, I’ll believe it when I see it.

Follow Primary Ignition on Twitter @PrimaryIgnition, or at Facebook.com/PrimaryIgnition.