Tag Archives: Fatherhood

Astonishing Art: Fatherhood Edition, by Pena Nezuki

By Rob Siebert
Fanboy Wonder

Three days ago, my daughter was born. I’m not yet sure what I’ll refer to her as on this site. My wife has been Mrs. Primary Ignition. So…Li’l Primary Ignition, maybe?

Naturally, emotions are running high. I spotted this piece by Puna Nezuki on Father’s Day. It smacked me in the feels then. But now…

What makes the image for me, outside of the quality of the character renderings, is the variance between young Splinter and old Splinter. The former standing up straight and tall in his early days of parenthood. The latter with a bit of a hunch, facing old age, but able to look around at a job well done.

Thankfully, I only have one to look after, as opposed to four. I’m also not raising them in a sewer. Truth be told, Splinter might be the most overlooked father in all of pop culture.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

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Batman and…Rattle?

By Rob Siebert
Fanboy Wonder

Let this post serve as the official announcement that this July I’m becoming a father to a baby girl. Parenthood has already brought virtually every emotion on the spectrum straight to my doorstep, and the baby isn’t even here yet. This is going to be a wild ride, folks.

I’m not sure how fatherhood will, if at all, effect what I put in this space. I don’t necessarily want PI to become a “dad blog” in the traditional sense. However, having now been introduced the the adorable and often weird world of baby clothes, I simply couldn’t resist sharing something I spotted at Target last month…

Okay, so it’s obviously a Batman onesie. And hey, who can’t see the appeal in that? I’ll say this: I’d rather my daughter wear this than one of those pink Barbie lookin’ Batman outfits. Don’t let them tell you you’ve got to wear pink because you’re a girl, kiddo! You be your own hero!

But what really caught my eye about this thing, and what’s kept it in my mind all this time, is the rattle. It’s obviously supposed to look like Robin, but…what a weird representation of a character that’s supposed to be Batman’s kid sidekick!

“Kiddo! That’s not what sidekicks are for! I can hear his brains rattling around in there!”

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Astonishing Art: MMPR Cosplay by Arthur Lobato

By Rob Siebert
Fanboy Wonder

I’ve talked about nostalgic feels in this space before. Todays selections gave me the wannabe dad feels.

I stumbled across the Red Ranger piece yesterday, and traced it back to the Instagram page of Brazilian designer/illustrator Arthur Lobato. As the day went on, he followed it up with Pink and Black. Hopefully we get more in the near future.

These perfectly capture the kind of playful parent I want to be someday. Joy and fun radiate off each of them. The cartooning is also well done, and the colors really pop. The whole parent/child and Ranger/zord dynamic is really cute too.

My favorite of the three is the red one, simply because of the way the little boy is looking up at his dad. Here’s hoping I get to do a two-part Halloween costume with my kid someday…

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

A Superman #2 Review – Superman Smiles

Superman #2, 2016, Patrick GleasonTITLE: Superman #2
AUTHORS: Peter Tomasi, Patrick Gleason
PENCILLER: Gleason
PUBLISHER: DC Comics
PRICE: $2.99
RELEASED: July 6, 2016

By Rob Siebert
Editor, Fanboy Wonder

I’m aware this series doesn’t mark the first time Superman has smiled in the last five years. But it sure feels like it. Peter Tomasi and Patrick Gleason’s effort to inject optimism back into the character makes for a refreshing departure from recent attempts to darken him. Truth, justice, hope. Dare I say, love? These are the things we need from Superman in 2016.

The Superman of the pre-New 52 Earth has finally put the cape on again in this new universe. At the same time, his young son Jon is discovering super powers of his own. When we open this issue, the Man of Steel has taken his son to observe him on a routine rescue. But when things go awry, Jon is pulled into the action. Will this new “Superboy” see his run tragically cut short?

In working on Superman, Peter Tomasi has two tremendous advantages over many of his peers. First, he’s inherently good at writing heart-felt stories that highlight the humanity of these iconic, often god-like heroes. As evidence, I direct you to yet another of father and son story by he and Gleason, Batman & Robin: Born to Kill.

Superman #2, Patrick Gleason, family shot, 2016Second, and more importantly, he understands Superman. (I assume Gleason does too. I speak of Tomasi because we’ve obviously seen more of his writing. Gleason has mainly been an artist.) Case in point, our hero saying the following to his son: “It’s not about our powers, or strength, or heat vision. It’s about character. It means doing the right thing when no one else will, even when you’re scared…even when you think no one is looking.”

Yes. A thousand times, yes.

What so many people either don’t understand or don’t appreciate about Superman is the importance of what he stands for. He’s not a boy scout. He’s not a sell out. He’s not an outdated product of a bygone era. It’s not as simple as that. He’s a man with a set of principles, and he acts on those principles in the hopes of making the world a better place. Tomasi understands all of this, and knows it’s critical that Clark and Lois raise Jon with these same principles. As Clark himself says in this issue, Jon may be need to wear the iconic S symbol sooner than later.

It’s very fitting that we’ve re-emphazied these elements in a story that has brought back a previous version of Clark. In a very real sense, this feels like Superman is back.

From an artistic stance, the colors are on point. In particular, John Kalisz’s reds and oranges really pop. Superman’s cape looks fantastic, which makes me miss his red boots even more. There’s also a sequence where Jon is trying to hone his heat vision, and the scene becomes engulfed in an intense red that really brings you into the moment.

Superman #2, 2016, Patrick GleasonIn interviews, I seem to recall Tomasi and Gleason talking about being fathers themselves. In Gleason’s case, that would explain why much of the body language in Superman, as well as Batman & Robin, seems very natural. Not always real, per se. But natural within the context of this world. The panel to the right is my favorite in the issue. That face says a lot. We’ve got patience, compassion, reassurance, protectiveness, and of course, love. Where has this Superman been?

Obviously this new Superman series is meant to be a starting point for new readers. But I maintain that the replacement of the New 52 Superman with the post-Crisis Superman from another universe makes things confusing for new readers. Especially once you get to the end of the issue, where a villain from the post-Crisis era seems to resurface. Mind you, this isn’t Tomasi or Gleason’s fault. And for the record, I’m in favor of this new direction for the Superman books. But this shake-up has come at a price. Picture yourself as a newbie picking up this series. You’d have all kinds of questions about where this Superman came from, what that other universe was like, and where it went. The upside is that might entice one to buy trade paperbacks. But someone on the fence might simply drop the book.

Either way, once you get past the confusion, this is good stuff. Tomasi and Gleason did about 40 issues on Batman & Robin. Obviously Gleason can’t be expected to do that many consecutive issues on a bi-weekly series. But if this team sticks with Superman for the foreseeable future, the smart bet is they’ll deliver quality comics. More often than not, that’s what they do.

Images from readcomics.net.

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