Weekly Comic 100s: Ranger Slayer, Joker War, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

DC’s decision to get in bed with Lunar Distribution is starting to feel like a mistake. Because out in my neck of the woods (the mid-west), it seems like Lunar is crapping said bed.

My local comic shop just went three weeks without receiving any product from DC. (Any DC books you’ve seen here in the last few weeks have been purchased digitally.) I’ve been going to comic shops for almost 20 years now and I’ve never see that happen. Not only is it unacceptable from a simple customer service perspective, but it couldn’t have happened at a worse time. Retailers are already being hit by the fallout from COVID-19. The least publishers can do is put the damn books in the stores…

Bad form, folks. Bad form.

TITLE: Power Rangers: Ranger Slayer
AUTHOR:
Ryan Parrott
ARTISTS:
Dan Mora, Raul Angulo (Colorist), Ed Dukeshire (Letterer)
RELEASED:
July  22, 2020

Not really my cup of tea. But if you were into Lord Drakkon’s dark alternate universe, or the “Coinless” Universe as it’s now called, you’ll be into this.

I was hoping for something more tightly focused on this alternate version of Kimberly. But the scope of this story is more about the Coinless Universe at large. Fair enough. I just wish they’d called this issue something different.

This issue gives us something I never thought we’d see, though in hindsight seems obvious for a universe like this: Ghost/Zombie Power Rangers. It was inevitable, I tell you!

TITLE: X-Men/Fantastic Four #4
AUTHOR:
Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ranson Getty (Inkers), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED:
July 22, 2020

This one ends on something of a whimper, rather than a bang. Which is to say it more or less ends the way you think it will, with Franklin ending up where you think he will.

Still, the appeal of a mini like this is to see characters from different books rub against each other. X-Men/Fantastic Four does that.

There’s also a curious little scene at the end with Reed Richards that I’m curious to see if they follow up on.

TITLE: Batman #95
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
July 21, 2020

We kick off with kind of a dumb “retroactive foreshadowing” scene with Batman and Alfred. “Good thing Alfred will always be here,” and all that. Lame.

It occurred to me during this issue that “Joker War” is just a sophisticated version of that New Batman Adventures episode, “Joker’s Millions. That’s not a knock. I’m just sayin’.

Now that Joker knows Batman’s secret, it’s extremely foreboding to see him messing around with movie theaters. Especially the one Thomas and Martha Wayne went to with Bruce before their murder…

TITLE: Shazam! #13
AUTHOR:
Geoff Johns
ARTISTS:
Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Julian Totino Tedesco.
RELEASED:
July 21, 2020

Well damn. If this book is ending in September, we’re not going to get a pay-off for this Superboy Prime stuff are we?

As the book really cranks up the father/son drama with Billy and his dad, I’m struck by just how great Dale Eaglesham has been on this title. It’s clean. It’s expressive. It’s versatile. He fits Shazam like a glove, to the point that this series has become one of my favorite takes on the character. Frankly, his work with Michael Atiyeh is worth the cover price on its own.

TITLE: Shazam!: Lightning Strikes #1
AUTHOR:
Dan Jurgens
ARTISTS:
Travis Moore, Nick Filardi, Marshall Dillon. Cover by Evan “Doc” Shaner.
RELEASED:
July  17, 2020

Now that the Shazam! book is ending, I’m particularly grateful to see the Big Red Cheese join DC’s line of digital-firsts.

What we get here is nice and kid-friendly. One of Billy Batson’s classmates is bragging about knowing Shazam. So Billy shows him up precisely the way you think he will. From there we segue into a fight with a villain.

Travis Moore’s Shazam looks a lot like Zachary Levi in the movie. I wonder if that’s intentional, or just how the character came out…

TITLE: Wynd #2
AUTHOR:
James Tynion IV
ARTISTS:
Michael Dialynas, Aditya Bidikar (Letterer)
RELEASED:
July 22, 2020

So far, this book feels a little bit like Saga for young people. It’s got whimsy and wit, but a lot less sex stuff.

After reinforcing some of the world-building they did last time, this issue cranks up the emotion with the prospect of separating Wynd from his adopted family. It’s very well done, and has me invested in not only Wynd, but his sister Oakley.

We also meet a character called “the Bandaged Man.” I really dig how he’s designed, though that may just be my love for Batman: Hush sneaking through.

TITLE: Action Comics #1023
AUTHOR:
Brian Michael Bendis
ARTISTS:
John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Variant cover by Lucio Parillo.
RELEASED:
July 21, 2020

This is typically the part of “Weekly Comic 100s” where I complain about John Romita Jr. So here you go: I don’t like JRJR’s art here.

I just wonder if this book is getting over-crowded with Super-people. Remember, that’s part of what prompted the original Crisis on Infinite Earths. Superman didn’t feel as special because he had too many sidekicks, cousins, stringers, etc.

At the end of this issue Jimmy Olsen says, “Guess we’re not putting out a paper today.” That line should have had a lot more weight to it. If you’re a newsman, that’s blasphemy.

TITLE: Detective Comics #1023
AUTHORS:
Peter Tomasi
ARTISTS:
Brad Walker, Andrew Hennessy & Norm Rapmund (Inkers), Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
July 21, 2020

A team-up between the Joker and the Court of Owls? Now that’s the stuff of nightmares.

Detective Comics hasn’t felt like a Tomasi book in awhile. There’s a certain refinement that’s missing. In particular, Batman is a little too talky for my taste.

In this issue, Batman performs brain surgery on Two-Face out in the streets of Gotham (Because why not?). The comic book science regarding how Harvey’s brain is being messed with is a little confusing. Not that I’d put too much stock in it. At the end of the day, he’s still Two-Face.

TITLE: Billionaire Island #1
AUTHOR:
Mark Russell
ARTISTS:
Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
March 4, 2020

A brutally honest, unfiltered look at where our society may be going sooner rather than later. And in all honesty, a clever premise for a book. I was expecting things to get Survivor-esque right off the bat. But they’re taking the time to build to that.

The most unsettling part of this issue? Our lead villain puts his opposition (journalists, etc) into a giant hamster cage. Complete with an oversized water dispenser. The sad thing? That doesn’t even seem that far-fetched anymore.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: SDCC Comic-Con at Home Documentary

By Rob Siebert
Fanboy Wonder

To coincide with this year’s special San Diego Comic-Con@Home, Alex Ross’ YouTube channel has released a 30-minute “documentary” in which Ross talks about how the pandemic has effected him, his artistic process, breaking into the industry, and more!

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: Marvel “Timeless” Portraits

By Rob Siebert
Fanboy Wonder

This week, Marvel unveiled a second wave of “Timeless” portraits by the incomparable Alex Ross. The paintings, which now total 28, will be used as variant covers this fall. They’re also being used for a mural in Marvel’s new offices.

Six of Ross’ “Timeless” portraits are pictured below. The rest can be seen here.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: Marvels and History

By Rob Siebert
The 5th Turtle

It’s easy to compare Marvels to another seminal Alex Ross work at DC years later, Kingdom Come. The stories themselves aren’t that similar. But the main character in both is essentially an average Joe seeing all this colorful superhero stuff from the ground level.

The Norman McCay we meet in Kingdom Come is an old man. But in Marvels, we follow Phil Sheldon the late ’30s into the mid-’70s. So we see the majority of his life play out alongside the evolution of the world of Marvels.

Ross elabrorates…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: Very Early Marvel Art

By Rob Siebert
Not An Artist. At All.

You know what’s sad? Alex Ross drew better as a seven-year-old than I probably could as a 30-something-year-old.

Still, we all did this, right? Those of us who were into superheroes, anyway. We’d get a pencil and some crayons and go to town. I have vivid memories of sitting down and drawing Batman and Robin, the Power Rangers, the Ninja Turtles, etc. It’s just that Alex Ross took things several steps further.

That’s why he is who he is.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Alex Ross Spotlight: “Lightning of Spirit”

By Rob Siebert
Fanboy Wonder

Considering he draws characters that look and feel so realistic, it’s a little surprising to hear Alex Ross say that his work, and superhero comics in general, aren’t about practicality or realism. In the end, it’s about how it makes you feel. Which is what all art is about, really.

Ross says something in the video below that really jumped out at me. It’s about superheroes having a “lightning of spirit.” That’s perfect. I love that.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman: The Adventures Continue #1, and Much More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

This pandemic is really throwing a monkey wrench into my reading habits.

My local comic shop is still working on getting me issues from March 25. I’ve stayed away from digital editions, as I want to support local shops as much as possible. Ergo, I’ve been waiting two weeks for certain issues. But sooner than later, the most recent editions of Action Comics, Batman/Superman, TMNT, and others will be reviewed here.

The only new issue I purchased this week was a digital exclusive. And how could I resist? It’s the return of the DC Animated Universe!

TITLE: Batman: The Adventures Continue #1
AUTHORS:
Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Dave Johnson.
RELEASED:
April 1, 2020

This is exactly what it was supposed to be: A return to the old form, i.e. the comics of yesteryear that were based on the Bruce Timm animated shows. Heck, they even threw in a title card, a la Batman: The Animated Series.

A lot is thrown at us here. Bane. A giant robot attacking S.T.A.R. Labs. Lex Luthor and a mystery regarding Superman’s whereabouts. But what I took away from issue #1 is that they’re going that route. A route paved by Judd Winick about 15 years ago…

TITLE: Star Wars: Bounty Hunters #2
AUTHOR: Ethan Sacks
ARTISTS:
Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo
RELEASED:
March 25, 2020

I got a little lost on this one.

I came away from last issue thinking about our main character, or at least one of them, Valance. Obviously I remembered Boba Fett and Bossk were there. But I struggled to remember the significance of T’onga, why different characters were going certain places, and when certain events took place. A quick re-read of issue #1 set me straight. But obviously that’s not something you want readers to have to do. Then again, maybe it’s just me.

TITLE: I Can Sell You A Body #3 (of 4)
AUTHOR: Ryan Ferrier
ARTISTS:
George Kambadais. Ferrier (Letterer).
RELEASED:
March 25, 2020

This issue unexpectedly hit me in the feels. I talked a bit about the Henrietta character last time. She’s very likable, but as a love interest, she’s all in with Denny very quickly. Not in the creepy way, either. It’s more like they just click.

It made me reminisce about the people I’ve clicked with like that. And not just in a romantic way. There’s a magic in that feeling that’s really great. So I Can Sell You A Body gained some surprising sentimental points from me with this one.

TITLE: Ghostbusters: Year One #3 (of 4)
AUTHOR: Erik Burnham
ARTISTS: Dan Shoening, Luis Delgado (Colorist), Neil Uyetake (Letterer)
RELEASED: March 25, 2020

If you’ve seen the trailer for Ghostbusters: Afterlife (as you should have), you know it’s probably not an accident they saved Egon for last.

The absolutely brilliant part of this issue? Part of it is plotted based on a line Casey Kasem had in the original film. When it comes to writing Ghostbusters, Erik Burnham is a damn genius.

Along those same lines, I love the way Burnham has the other characters describe Peter Venkman’s personality. Mostly because he then proceeds to prove them right.

TITLE: X-Men/Fantastic Four #3 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ransom Getty (Inkers), Andrew Crossley & Peter Pantazis (Colorists), Joe Caramagna (Letterer).
RELEASED:
March 25, 2020

Superheroes fighting. The older I get, the less I enjoy it. Maybe it’s all the division we see in the world today. But I didn’t get a huge kick out of seeing the X-Men and the Fantastic Four fighting.

On the upside, the art is gorgeous and the colors vibrant and fun. I remain somewhat surprised at how political this book is, i.e. relations between Latveria and Krakoa. But at it’s core, it’s really the relationship between Reed Richards and his son Franklin, and how the latter’s choices will ultimately effect the world.

TITLE: Suicide Squad #4
AUTHOR:
Tom Taylor
ARTISTS:
Daniel Sampere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Bruno Redondo and Lucas.
RELEASED:
March 25, 2020

Captain Boomerang returns in this issue. One way or another, the band always gets back together.

Taylor still has me entertained with this more espionage-centered direction. We also learn much more about our new characters, and what exactly their agenda is.

Deadshot also has a great character moment in this issue. Or rather, Floyd Lawton does. He becomes very sympathetic, and you’re that much more invested.

TITLE: Alienated #2 (of 6)
AUTHOR:
Simon Spurrier
ARTISTS:
Chris Wildgoose, Andre May (Colorist), Jim Campbell (Letterer)
RELEASED:
March 18, 2020

This’ll definitely fill your teen angst quota for the week.

Despite being about three high schoolers finding an alien that gives them telepathic powers, what these characters are feeling is very real. In this issue, there’s lot of longing to be seen, noticed, or at least acknowledged. I think every teenager can relate to that at some point in their lives.

Chris Wildgoose has a hell of an issue. There’s a two-page spread that’s just gorgeous. He also gets to flex some otherworldly character design muscles. They come out looking pretty awesome.

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Darth Vader, Batman, X-Men/Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Darth Vader #1
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Variant cover by Chris Sprouse.
RELEASED: February 5, 2020

After the events of Empire, Darth Vader starts investigating Luke’s birth/origins. He journeys back to Tatooine (again). He then goes to Padme’s old apartment on Coruscant, which remains more or less preserved after 20 years. As if it’s a crime scene or something. Based on the ending, I assume we’ll learn more next issue.

I understand it from a storytelling perspective. But in-universe, it’s always a little too convenient that these landmark places all essentially look the same no matter when we see them. That Lars Homestead will still be standing 30 years later

TITLE: Batman #88
AUTHOR:
James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: February 5, 2020

I wasn’t very nice to Guillem March last time. In fact, I’m rarely depict his work positively. But to his credit, he won me over with this issue. At least a little bit. His rendering of Catwoman in a graveyard on a rainy night is damn near beautiful. The scene with Batman, Penguin, Deathstroke, and the others is also very strong.

At more than one point, it seemed to me like this issue was laying the groundwork for the long-awaited Three Jokers book. Remember, we’re building toward a story in the pages of Batman called “Joker War.”

TITLE: X-Men/Fantastic Four #1 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS: Terry Dodson, Rachel Dodson (Inker), Dexter Vines (Inking Assistant), Karl Story (Inking Assistant), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: February 5, 2020

I’m terrified of X-Men comics. Specifically, the decades worth of continuity and characters. But to this book’s credit, it’s fairly accessible.

Franklin Richards, the mutant teenage son of Reed Richards and Sue Storm, is summoned by Charles Xavier to live with Earth’s mutants on the island nation of Krakoa. This doesn’t sit well with Reed. Naturally, conflict and teen angst ensue.

I’ve been looking for a bridge back into the Marvel Universe. X-Men/Fantastic Four #1 might be it, as it does a nice job setting up both teams, and giving us a compelling main character in Franklin.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #3
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: February 5, 2020

We get a fight between Rita and Shredder in this issue. It’s a relatively lengthy battle. And you know what? I’m just going to come out and say it: I wanted this to be one of those fights where the guy and girl hook up at the end. You know how it goes. The passion overcomes them, etc. These two have a lot in common, after all.

What that says about me and these characters from my childhood, I’ll let you decide.

Oh my God. What if Shredder, not Zedd, was actually Thrax‘s father?!?!? Mind blown!!!

TITLE: Young Justice #13
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Michael Avon Oeming, Mike Grell, John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: February 5, 2020

Well hey there, Mike Grell! It’s been too long! What’s more, Grell gets to once again draw a character he created in Warlord. Warlord and Superboy actually have a pretty nice dynamic in this issue. The experienced elder statesman offering calm words of wisdom to an upset Superboy.

For the moment at least, the Young Justice cast has expanded greatly. If these additional characters stick around, it’s a lot to balance. But it’s still damn good to see a couple of them.

TITLE: Lois Lane #8
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: February 5, 2020

As much as I’m enjoying having Greg Rucka back at DC, I’m wondering if this needed to be a 12-issue maxi-series. This entire issue felt mostly like filler.

For instance, there’s a scene in this issue where Superman shows up after an attempt on Lois’ life. We take four pages to see husband and wife re-united, and then to see the attention the Man of Steel gets from the local police.

Am I missing something? Why are we seeing this?

On the upside, the assassin that comes after Lois has a pretty cool look.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Alex Ross Spotlight: Interpreting Superheroes in the “Real World”

By Rob Siebert
Fanboy Wonder

It’s been written that seeing an Alex Ross take on a comic book character is like, “finally meeting someone you’d only ever heard about.”

As anyone familiar with his work knows, Ross is truly in a league of his own in terms of making these characters look real, yet keeping that awe-inspiring flamboyance that captured our hearts in the first place.

Ross has talked about at times using specific likenesses (actors, etc.) as the basis for certain characters. He famously used his father to portray Norman McCay in Kingdom Come. In the same book, Gregory Peck was apparently Ross’ inspiration in rendering an older Bruce Wayne. And as he discusses in the video below, his take on Mister Fantastic was at one time based on how Russell Johnson (the Professor) looked on Gilligan’s Island.

But even when drawing in such a realistic style, is that the way to go? As time went on, Ross would change his mind on the matter…

These days, with superhero movies more prevalent than ever, Ross finds himself in a unique position as filmmakers try to literally bring these stories to life on the big screen. While certain liberties are often taken to make them look more real, Ross remains as reverent as ever for the way these characters were originally designed…

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Alex Ross on YouTube: Marvels 25th Anniversary

By Rob Siebert
Fanboy Wonder

I continue to be a frequent viewer of the Alex Ross YouTube channel. While many of the videos are only two or three minutes, I say the art by itself is worth the click.

Today however, they put out a longer one to note the 25th anniversary of Marvels. Ross dives into some of his inspirations while working on the book, and the emergence of painted comics in the late ’80s and early ’90s. Definitely a stand-out on the channel.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.