A Batman, Vol. 8: Cold Days Review – Bruce Wayne Against Batman?

TITLE: Batman, Vol. 8: Cold Days
AUTHOR: Tom King
ARTISTS:
Lee Weeks, Matt Wagner, Tony Daniel, Mark Buckingham, Andrew Pepoy, Danny Miki (Inker)
COLORISTS: Elizabeth Breitweiser, Tomeu Morey
LETTERER:
Clayton Cowles
COLLECTS:
Batman #5157
PUBLISHER:
DC Comics
PRICE:
$16.99
RELEASED:
December 19, 2018

By Rob Siebert
Fanboy Wonder

A while back, I did a “Panels of Awesomeness” on a couple of the pages in Cold Days. It’s the scene in Batman #51 when Bruce Wayne snaps and rips a urinal out of the wall (shown below). People may criticize Tom King’s writing on this series, but I believe he has the distinction of being the only writer to have Batman do that.

But you can’t blame the guy, can you? If your wedding had gone that way

1. One Angry Man
As if things weren’t already crappy for him, Bruce Wayne gets jury duty in the titular three-issue story that kicks off Cold Days. Mr. Freeze stands trial for the murder of three women. On paper, it’s an open-and-shut case. Not only did Freeze confess to the murders, but Batman examined the forensic evidence, discovering a detail the police missed. One juror, however, believes Freeze is innocent: Bruce Wayne. Why? Because as Batman, he beat Freeze to a pulp, unintentionally forcing a confession.

This Batman series may have a tendency to go off the rails. But credit where credit is due: I love this story. In fact, it’s the high point of Tom King’s entire run. It cuts right to the core of who Bruce Wayne is, as he’s forced to do something he’s not accustomed to: Confronting a mistake, and making good on it. “Cold Days” even examines the notion that Batman is infallible, at least in the eyes of the public. But as we see all too clearly, he’s not infallible. He’s just a man. A man in a tremendous amount of pain.

The last time we saw Lee Weeks on this book was in Batman Annual #2, illustrating a story set early in Batman’s career. What he turns in here, alongside Elizabeth Breitweiser and Clayton Cowles, is every bit as good, if not better. One of the qualities that makes Weeks’ work so special is that he feels very much at home on a more “grounded” story like this one, without any super-powered exploits. And yet, he can also thrive working on a character like Superman.

King uses “Cold Days” to touch on a subject we rarely touch on with the Dark Knight: religion. He talks about how his father was Christian, and wanted Bruce to find spirituality as well. As one might imagine, that didn’t happen. What we learn is that Batman more or less became Bruce’s religion. And in the eyes of many, Batman has become the equivalent of a deity. It’s a really cool sequence, and I credit King for having the guts to go there.

We also get a fantastic page in issue #51. While Bruce is serving on the jury, Dick Grayson is filling in as Batman. We get a page on the roof of police headquarters where he’s talking to Commissioner Gordon. The following dialogue ensues…

Gordon: “You’re not him. You’re that other him.”
Batman: “What’s the problem, Commissioner? How can I help?”
Gordon: “Is he alright?”
Batman: *pauses* “No.”

I love that Gordon isn’t written as an idiot, and how this harkens back to pieces of the Knightfall and No Man’s Land stories from the ’90s. Frankly, I wouldn’t have a problem if he called him out as Nightwing.

2. The Dynamic Duo
In the last 20 years or so, writers have made Bruce and Dick a little too friendly for my taste. Until recently, there were times when Dick was acting more like Robin than Damian, the actual Robin. I always liked the idea that when Dick struck out on his own, he developed his own methods and philosophies that at times put him at odds with Batman. He wouldn’t be the estranged son. That role should be saved that role for Jason Todd. I’d simply have Dick be his own man. But when the chips were down, he’d be there if Bruce truly needed him.

That’s precisely the scenario we have in Batman #54. As Bruce tries to power his way through his grief over Selina, Dick simply hangs out. A constant source of levity. And indeed, there’s a fantastic moment where Batman actually does break, and Dick is there for him. This is all intercut with various moments from Dick’s early days at Wayne Manor. It’s one of King’s better written Batman issues.

Our guest artist for issue #54 is none other Matt Wagner. I hadn’t realized just how much I missed him working on Batman. What’s so special about Wagner is that he can capture whatever tone you want, with whatever character you want, while still injecting a sense of fun into his art. It’s never not fun to look at a Matt Wagner book.

3. The Beast Unleashed
As much as I disliked Scott Snyder’s Zero Year story, I loved the way it revitalized the Riddler. King, to his credit, continued that revitalization during his run. But one can also argue he did a little revitalizing himself. With, of all characters, KGBeast.

KGBeast, real name Anatoli Knyazev, first appeared in the late ’80s as yet another to stake claim to the DCU’s “world’s deadliest assassin” title. (Think Deathstroke, Deadshot, Lady Shiva, etc.) His most prominent character moment came when he cut off his own arm to allude capture by Batman. But since then, he’s been mostly relegated to what I’ll call the villains ensemble, i.e. somebody to put in a scene where Batman has to fight a bunch of bad guys. Heck, Snyder did it recently in All-Star Batman.

But in Batman #55, the Beast does the unthinkable. As Batman and Nightwing are continuing their father/son bonding of sorts, he uses a sniper rifle to put a bullet in Nightwing’s head. With Dick alive, yet devastatingly wounded, Batman does the only thing he can do: go Beast hunting.

In re-reading this “Beast of Burden” story in trade format, I picked up on something I missed in the single issues: the father/son theme. After carrying out the hit on Nightwing, Knyazev tracks down his father to a remote cabin in “far east” Russia. It may as well be the planet Hoth, as it’s seemingly just miles upon miles of snow, some trees, and that one cabin. We learn that like his son, Vasily Knyazev was once a killer for the KGB, and trained Anatoli to be the same. Seeing the two interact after what has clearly been a long time apart, it’s obvious Vasily was a callous and heartless excuse for a father. And yet, he loves his son in his own unique way…

But Bruce can be cold and callous too. He’s about as dark and withdrawn in these pages as he’s ever been. But he’s not heartless. He showed a great deal of compassion for Dick, and cared for him in the best way he knew how. I suspect that’s why we got the flashback scenes in the Matt Wagner issue. To illustrate the differences between these father/son duos. That makes for a really cool story.

Thankfully, unlike Deathstroke vs. Deadshot in The War of Jokes and Riddles, in this book we actually see the damn fight between Batman and KGBeast blow by blow. It’s easy to follow and project yourself into. It ends with Batman pulling off a maneuver I’m not sure we’ve seen from him before. It’s shockingly merciless, as is the book’s ending.

Tony Daniel and Tomeu Morey set the mood perfectly. I’m reluctant to use The Empire Strikes Back as an example again, but the art evokes the same sort of grim, foreboding mood we see in the opening moments of the film. I could almost hear the John Williams score…

Intercut amongst the fight sequences is a folktale Vasily would read to the future KGBeast when he was a boy. Mark Buckingham and Andrew Pepoy tag in for pages that are fittingly drawn like a storybook for a young child. Though it’s certainly more violent and bloody than any book you’ll pick up off shelves today. Or for that matter, any era. There’s a thematic connection of course, and it’s certainly unique to see these cartoony animals drawn alongside this brutal fight.

The only major negative I can find in “Beasts of Burden,” is that it serves as the inciting incident for the “Ric Grayson” stuff in Nightwing. I haven’t purchased a Nightwing comic since, as that story just doesn’t interest me. But that’s got nothing to do with Tom King or this series, so I can’t hold it against this book.

4. Bright Spot for the Dark Knight
Cold Days is indeed the high point of Tom King’s Batman run. A bright spot in an often bizarre series of issues. The “Cold Days” story is outstanding on its own. But the issues with Nightwing and KGBeast were much better than I remembered. The art is consistently gorgeous. Lee Weeks stole the show for yours truly. Though I’ve certainly got a soft spot for Matt Wagner.

I take no joy in saying much of Tom King’s Batman run is skippable. I do, however, take joy in telling you Cold Days is a must-read for fans of both Batman and Nightwing. Outstanding character work mixed with great action. In the end, you really can’t ask for much more.

For more of Tom King’s run on Batman, check out I Am Gotham, I Am Suicide, I Am Bane, Batman/The Flash: The Button, The War of Jokes and Riddles, The Rules of Engagement, Bride or Burglar?, and The Wedding.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Iron Man 2020, Go Go Power Rangers, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Oye. Not a good comic book week for yours truly. Not only am I still reeling from the demise of my local shop, but my pull list was uncharacteristically small this week. So what’s a frustrated fanboy to do?

With only three issues in my stack this week, I’ve added a mini-review of Detective Comics #1000, as we learned this week that it was the highest selling comic book of 2019.

Shout out to Jay’s Comics in Gurnee, IL. I’m pretty sure they’re my new shop.

TITLE: Iron Man 2020 #1 (of 6)
AUTHOR:
Dan Slott, Christos Gage
ARTISTS:
Pete Woods, Joe Caramagna (Letterer).
RELEASED:
January 15, 2020

Thanks to a lot of backstory, (which the issue is nice enough to provide us post-script), Tony Stark’s adoptive brother Arno Stark is now Iron Man. Straight out of the gate, he’s got a rebellious robot uprising to contend with.

As someone who hasn’t kept up with Iron Man lately, there’s not much here to excite me. It’s inferred that Arno has sinister intentions. But when friggin’ Doctor Doom has played the role before, everyone else pales from a “villain as the hero” perspective. Ironic, as Dan Slott’s work on The Superior Spider-Man drew me to this book.

TITLE: Go Go Power Rangers #27
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Cover by Eleonora Carlini.
RELEASED: January 15, 2020

Excellent issue, which includes a fight between Tommy and Lord Zedd over the White Ranger powers.

So between what’s happening in this book, and in the main MMPR title, you’re telling me the all-wise Zordon has no idea what’s happening with Jason, Zack, and Trini? The kids he himself chose to be Power Rangers? Like, not even a little? That’s the one aspect of “Necessary Evil” I’m having trouble buying. Other than that, I’m really enjoying what we’re getting from the PR titles right now. The main book was shaky for awhile, but things are definitely back on track.

TITLE: The Low Low Woods #2
AUTHOR: Carmen Maria Machado
ARTISTS: Dani, Tamra Bonvillain (Colorist), Steve Wands (Letterer). Cover by J.A.W. Cooper.
RELEASED:
January 15, 2020

Something felt off here. I’m not sure if the issue was paced to fast, or I was having trouble recalling things from the first issue, or the bizarre-but-not-in-a-scary-way thing we see on page three. But I wasn’t into this issue as much as the first.

I do, however, appreciate the way they’ve developed the town of Shudder-to-Think, Pennsylvania as almost a character unto itself. The town apparently has “an extremely unhealthy relationship with its dead.” As I said last time, it’s very reminiscent of a Stephen King story.

TITLE: Detective Comics #1000
AUTHORS: Scott Snyder, Kevin Smith, Paul Dini, Warren Ellis, Denny O’Neil, Christopher Priest, Brian Michael Bendis, Geoff Johns, James Tynion IV, Tom King, Peter Tomasi
ARTISTS: Greg Capullo, Jim Lee, Dustin Nguyen, Becky Cloonan, Steve Epting, Neal Adams, Alex Maleev, Kelley Jones, Alvaro Martinez-Bueno, Tony Daniel, Joelle Jones, Doug Mahnke. Cover by Lee.
INKERS:
Jonathan Glapion, Scott Williams, Derek Fridolfs, Raul Fernanxes
COLORISTS:
FCO Plascencia, Alex Sinclair, John Kalisz, Jordie Bellaire, Elizabeth Breitweiser, Dave Stewart, Michelle Madsen, Tomeu Morey
LETTERS:
Tom Napolitano, Todd Klein, Steve Wands, Simon Bowland, Andworld Design, Willie Schubert, Josh Reed, Rob Leigh, Clayton Cowles
RELEASED:
March 27, 2019

Yeesh. No wonder this issue sold so well. The sheer amount of talent on this thing, many of whom shaped the mythology of Batman, is outrageous.

I was pleasantly surprised to find something I liked in each tale from this 96-page multi-story anthology. But ultimately, it’s Brian Michael Bendis and Alex Maleev that steal the show with “I Know.” An elderly Oswald Cobblepot confronts an equally elderly, wheelchair-bound Bruce Wayne to tell him he’s known his secret for a long time. It’s a quieter story compared to the rest. But it’s no less impactful for it.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

 

Panels of Awesomeness: Batman #51 by Lee Weeks

By Rob Siebert
Fanboy Wonder

CREATORS: Tom King (Author), Lee Weeks (Artist), Elizabeth Breitweiser (Colorist), Clayton Cowles (Letterer)

THE SCENE: As he recovers from Selina Kyle leaving him before their wedding, Bruce Wayne’s emotions overcome him while he’s serving jury duty.

WHY IT’S AWESOME: I actually debated on whether to spotlight these pages for “Panels of Awesomeness.” But it’s been awhile since Batman #51 hit the stands, and I still find myself coming back to it. That moment where Bruce Wayne pulls the urinal off the wall and screams out at the reader is branded into my brain. Maybe it’s because of the sheer unusualness of a man ripping a urinal out of the wall.

But in talking about the awesomeness of that page, it’s important to factor in the previous one. Our hero is in full-on Bruce Wayne mode, when he feels this seemingly unprovoked emotional outburst coming on. More than versed in keeping secrets from the world at large, he maintains his calm, excuses himself, and lets loose.

For yours truly, this  “Cold Days” story has been one of the highlights of Tom King’s Batman run. It’s evocative of the Batman stories Greg Rucka or Ed Brubaker wrote in the early to mid 2000s. Think Gotham Central, Officer Down, etc. It’s got a police procedural/courtroom drama feel to it, along with that emotional undercurrent we see in Bruce. Furthermore, it’s got a heck of a finale. Even if you’re not into the whole Batman/Catwoman marriage thing, it’s worth checking out.

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