A Star Wars #30 Micro-Review – Life in a Vacuum

***This is where we keep it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

Star Wars 30, cover, January 2023, Stephen Segovia, Rain BeredoTITLE: Star Wars #30
AUTHOR: Charles Soule
ARTISTS: 
Andrés Genolet, Rachelle Rosenberg (Colorist), Clayton Cowles (Letterer). Cover by Stephen Segovia & Rain Beredo. 
RELEASED: 
January 4, 2023

By Rob Siebert
Fanboy Wonder

How long can a human being survive in the vacuum of space without protection, i.e. a space suit? Lando has to do it for a few seconds in this issue. There was also a great issue of Darth Vader a few years back where Doctor Aphra had to do the same. But how long could one really last in space?

LiveScience.com says about two minutes. That seems about right. Either way, it obviously creates a hell of a lot of tension and urgency.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Star Wars: Doctor Aphra, Batman, X-Men, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Not A Doctor. Even in Space.

So it looks like, at least as far as the comic book industry is concerned, our long global nightmare is finally starting to wind down.

Between the launch of Lunar and UCS as new alternative distribution, and Diamond announcing a return to form on May 20, the comic book industry is a few steps closer to being back in business. In the meantime, last week Marvel published Doctor Aphra #1 in celebration of Star Wars day. Meanwhile, issues of Justice League, Lois Lane, among other issues from DC are set to hit the stands tomorrow. I knew I liked Rucka’s Lois Lane maxi, but I had no idea absence would make the heart grow this much fonder…

I also tacked X-Men #2 on. I don’t know that I’ll start picking up the book after it starts shipping again. But curiosity has been getting the better of me. Plus, there’s no better time than now, is there?

TITLE: The Flash: Fastest Man Alive #3
AUTHOR: Gail Simone
ARTISTS: Clayton Henry, Marcelo Maiolo (Colorist), Rob Leigh (Letterer). Cover by V Ken Marion, Sandu Florea, & Maiolo.
RELEASED: May 8, 2020

This issue is titled, “The Accelerated and the Infinitismal.” Heh. I dig it.

The Infinitismal in this case is the Atom, a.k.a. Ryan Choi, as opposed to Ray Palmer. Some dialogue between them suggests this story takes place early in Flash’s career. Which doesn’t necessarily jive with the timeline as I know it. But oh well.

As their target audience is the superstore crowd, most of these DC Digital-Firsts are drawn very accessibly with new readers in mind. As it’s a little more cartoony, Clayton Henry is able to separate himself from the pack.

TITLE: Star Wars: Doctor Aphra #1
AUTHOR:
Alyssa Wong
ARTISTS:
Marika Cresta, Rachelle Rosenberg (Colorist), Joe Caramagna (Letterer). Cover by Valentina Remengr.
RELEASED:
April 6, 2020

This series, at least at this early juncture, more or less casts Aphra as the Indiana Jones of the Star Wars Universe. She’s an archaeologist looking for priceless artifacts.

Despite enjoying her Kieron Gillen’s Darth Vader series, I could never get into Aphra as a solo act. In all honesty, not much has changed now. I just don’t think she’s the flavor of Star Wars I’m looking for at the moment. But the book is written and drawn just fine. Also, good on Marvel for hiring a mostly-female team for this one.

TITLE: Batman: The Adventures Continue #3
AUTHORS: Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Sean Murphy & Matt Hollingsworth.
RELEASED: May 6, 2020

Now this is more like it. A slightly different take on Deathstroke. Not changing him too much. But just enough.

Jason Todd continues to look on. Is it a coincidence that he looks a little bit like the DCAU Jason Blood? Or are they just giving him the white streak in his hair from the comics? I imagine it’s the latter.

My sole artistic critique? Some bad coloring on the steam rising from Bruce Wayne’s coffee. Or maybe it’s tea.

TITLE: Wonder Woman: Agent of Peace #3
AUTHORS: Amanda Conner & Jimmy Palmiotti
ARTISTS:  (Inker), Adriano Lucas (Colorist), Travis Lanham (Letterer). Cover by Chad Hardin & Paul Mounts
RELEASED: May 6, 2020

Diana attempts to take a vacation day with Steve Trevor in this issue. Bad call. That’s always when the bad guys strike. In fact, Wondie then has an extremely busy couple of days stopping a meteor from colliding with Earth, then solving a murder mystery in Gorilla City. It’s all very nicely drawn by Daniel Sampere.

I always thought the Gorilla City idea was a better fit for Wonder Woman and the Amazons, rather than the Flash. Both are more or less primitive societies. But we get the best of womankind against the worst of mankind’s primate impulses.

TITLE: Superman: Man of Tomorrow #3
AUTHOR:
Robert Venditti
ARTISTS:
Paul Pelletier, Andrew Hennessy (Inker), Adriano Lucas (Colorist), Clayton Cowles (Letterer). Cover by Dan Mora.
RELEASED:
May 4, 2020

Dan Mora drawing Superman? Yes please.

Yet another awesome “shirt opening” sequence by Pelletier and the team this week. This one actually lasts a page and a half.

I don’t know if it’s because I have a baby girl now and it hit me in the feels to see Big Blue save a mom and daughter, but I can’t get enough of “boy scout” Superman.

Though at one point while dismantling a robot he gives us, “This game will cost you an arm and a leg!” Even I have my limits, folks.

TITLE: X-Men #2
AUTHOR:
Jonathan Hickman
ARTISTS:
Leinil Yu, Gerry Alanguilan (Inker), Sunny Gho (Colorist), Clayton Cowles (Letterer).
RELEASED:
November 13, 2019

I haven’t done the research yet on how a teenage (?) Rachel and Nathan Summers are with Cyclops in he present so that they can “help your old man beat up some monsters”. I’m just going with it. That’s pretty much what you have to do with most X-Men books.

Some cool creature art from Leinil Yu in here, though. Along with an awesome line from Cyclops: “I’ve got more hours in a cockpit than I do in therapy, son, and let me tell you…I have done the work.”

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Darth Vader #25 Review – “Not like this. Please not like this.”

Star Wars: Darth Vader #25, 2016, coverTITLE: Star Wars: Darth Vader #25
AUTHOR: Kieron Gillen
PENCILLERS: Salvador Larroca, Max Fiumara. Cover by Juan Gimenez.
PUBLISHER: Marvel
PRICE: $5.99
RELEASED: October 12, 2016

***WARNING: Spoilers lay ahead!***

By Rob Siebert
Editor, Fanboy Wonder

I maintain that this Darth Vader series doesn’t have to end simply because Kieron GIllen’s story is ending. It’s not like there’s a shortage of creators out there looking for a crack at the dark lord. Nor is there a shortage of fans that will read stories about him. Nevertheless, for now this is the end for Vader’s ongoing adventures. Thankfully, he goes out on a hell of a dramatic note.

As this series has progressed, we’ve learned it’s essentially a bridge story between A New Hope and The Empire Strikes Back. Vader goes from being in the doghouse after the destruction of the Death Star, to being in a more powerful position and obsessed with finding his son. But it’s also about Aphra, a crafty archaeologist Vader forms an uneasy alliance with. She knows Vader will kill her when she’s of no further use. In issue #4, she flat out asks him to give her a quick lightsaber through the neck when the time comes. She also asks him not to eject her into space. That scene has hung over the entire series. Like Aphra, we all knew it was coming.

I didn’t think we’d actually come back to the space ejection thing. But low and behold…

Darth Vader #25, 2016, airlock, Doctor AphraLarroca’s face work with Aphra isn’t the best here, and this isn’t the most natural looking thing in the world. But that top panel on the page at right makes the whole scene. Her body language is perfect. Then on the next page you have the simple line: “Not like this. Please, not like this.” It’s a fantastic pay off to what we saw in issue #4.

And then she lives, which was actually a disappointment. While I really dig Aphra, that’s a waste of an awesome death scene. But we’ve got a Gillen-penned Doctor Aphra book coming in December that needs its title character. That could be a great book, if for no other reason than Triple-Zero and BT-1 will be in it. Plus, after what he gave us in this series Gillen deserves to stay at the table as long as he’s hungry.

Someone I could use a break from is Salvador Larroca. He’s extremely talented, he draws an incredible Darth Vader, and he’s a very natural fit for the Star Wars universe. But it’s so obvious he draws off of stills from the movie that it pulls me out of the story. Case in point, he was obviously looking at Revenge of the Sith footage when drawing Palpatine for this issue. Perhaps the key is to put him on characters that don’t appear in the movies, a la Aphra or Sana Solo.

On the plus side, Larroca’s final two pages are very good. First, we see Vader and Luke Skywalker reaching out to each other in a dream-like scene (shown below). It’s somewhat reminiscent of the climax of the Empire duel, where Vader beckons his son to come with him. Then we cut back to reality, with a long shot of the bridge on the Super Star Destroyer. Again, much like Empire.

Darth Vader #25, 2016, Salvador Larroca, Luke SkywalkerWe get a bonus back-up story here, pencilled by Max Fiumara. It turns out the Tusken Raiders had a rather unique reaction to Vader’s slaughtering of one of their villages back in issue #1. The story is silent, which is a nice change. There are a pair of pages where Fiumara switches to a more storybookish style, which is a cool textural change.

One thing I found confusing: Someone who’s apparently meant to be an elder of sorts appears after the attack. The “storybook” part of the back-up recounts a village slaughter by a man with a lightsaber. Is this supposed to be Darth Vader’s attack, or Anakin Skywalker’s from Episode II? I’d like to think it’s the latter.

At one point, Darth Vader stood head and shoulders above every other Star Wars book Marvel was putting out. Over time it lost it’s must-read status, but remained supremely executed and mostly well drawn. I’m sad to see it end. Hopefully some of its momentum will carry over into Aphra’s series.

But seriously, what a waste of a death scene…

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A Review of Darth Vader #24 – The End is Near

TITLE: Star Wars: Darth Vader #24Darth Vader #24, 2016, cover, Salvador Larroca
AUTHOR: 
Kieron Gillen
PENCILLER: Salvador Larroca
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: August 10, 2016

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

The penultimate issue of Star Wars: Darth Vader invites Salvador Larroca to do something he does too much of for my taste: Draw stills from the movies. But in his defense, if there was ever an issue to do that, it’s this one.

The cybernetics in Darth Vader’s suit have been shut down by Cylo-V. His respirator having (presumably) been deactivated, Vader’s life flashes before him. His mind takes him back to Mustafar, and questions arise. What if Obi-Wan had killed him? What would Anakin Skywalker think of Darth Vader? What if he were to simply surrender and die…?

I’m a sucker for issues where Vader reminisces and agonizes about the events of the prequels. So I couldn’t help but be sucked in when Vader imagined an alternate Revenge of the Sith where Obi-Wan throws the amputee Anakin into the lava, and the man in the black suit emerges. From there, we go into pure fan service as we get an Anakin vs. Vader lightsaber fight. Larrocca gives us a striking near-full page shot of Anakin, and while brief, the fight is a thrill. Particularly poignant is the moment where Skywalker yells “I hate you!” at his future self. Less poignant, however, is the moment where Vader says he’s well-versed in killing children.

Darth Vader #24, 2016, PadmeWe then go into many a Star Wars fan’s worst nightmare: A Padme scene. Kieron Gillen keeps this one pretty simple, though. Anakin’s dead wife represents the temptation of surrender. A temptation I’d have thought would be greater. That relationship longed for depth and substance. But boy did Anakin love Padme. If the implication here is that they can be together in death, you’d think he’d just give in.

But Vader’s choice here is powerful, and telling as to just how far into the darkness he’s gone. Instead of going with his wife, Vader summons his anger and hatred to will himself into a comeback. To their credit, Gillen, Larroca, and the Darth Vader team made me believe Anakin Skywalker was dead.

HIs rendering of movie stills notwithstanding, Larroca does deliver some great imagery with Vader. Early the issue, as the dark lord is motionless and vulnerable, we get a shot of Cylo with his hand on Vader’s helmet. Someone being able to lay a hand on him like that is…unsettling. It’s certainly not something we’re used to seeing. Also, In the Mustafar sequence we see Darth Vader emerge from the lava like a black phoenix. Lightsaber in hand, of course.

This story also sets the stage for a confrontation in our final issue between Darth Vader and Doctor Aphra, which is what the ending should be. I maintain this series doesn’t have to end. For obvious reasons, a Darth Vader book will always have an audience. But 25 issues is a good run, and it’ll be good to see Gillen and Larroca finish what they started.

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A Darth Vader #21 Review – The Hunt For Aphra Continues

Darth Vader #21 (2016)TITLE: Darth Vader #21
AUTHOR: Kieron Gillen
PENCILLER: Salvador Larroca
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: June 8, 2016

By Rob Siebert
Editor, Fanboy Wonder

I was really surprised to hear Darth Vader is ending at issue #25. The series isn’t quite what it was when it began. But it’s got a solid cast in Doctor Aphra, Triple-Zero & BT-1, and of course, Darth Vader himself. It’s still very much worth picking up. But apparently Gillen is done. That’s fair enough. But I’m not sure why Marvel wouldn’t hand this series off to another writer. I guarantee you that’ll be the case when Jason Aaron is done with Star Wars. So why not here?

In any event, things aren’t looking good for Aphra, as the droids have been tasked with hunting her down. Meanwhile, the Emperor has tasked Vader with bringing an end to Cylo, a former servant of the Empire. But neither Cylo or his “abominations” will go down without a fight.

I’ve been turned off by Salvador Larocca’s art lately, particularly his drawing of the characters from the movies. At certain points it’s painfully obvious he’s rendering them based on specific shots and moments in the films. He’s hardly the only artist to have done this. But that doesn’t make it better. At this point, my favorite Darth Vader issues are the ones that don’t feature any classic characters other than Vader. The only instance of what I’ll call “movie rendering” in this issue is a shot of Vader in his TIE Fighter (shown below).

Darth Vader #21, Salvador Larroca, movie renderingI don’t consider this panel a major offense. I’m such a stickler on the rendering of the Darth Vader mask that I’m just happy to see it done this well. Plus, it’s the exact same cockpit we saw in A New Hope. There’s only so much Larroca could change.

On a happier note, Larocca’s work on Aphra is very endearing here. She looks tired, beaten down, and ready to give up. As if being hunted by the Empire isn’t enough, readers of the Star Wars ongoing know Aphra just narrowly escaped death at a prison. She’s not a sympathetic character per se. But you feel for her here.

Triple-Zero and BT-1 are great here, as usual, as they lead a battalion of Vader’s battle droids in search of Aphra. Triple-Zero’s dialogue is always the riot, as you can’t help but hear it in a prim and proper accent. He’s ever the diplomatic protocol droid with a delightful violent streak. His best line this month is: “I’m afraid we’re going to have to hunt you down like the human meatbag you are, Mistress Aphra.”

Darth Vader #21, Doctor Aphra, Salvador Larroca

Our final page also sets up a pretty epic fight for next issue. I won’t spoil it. But Vader must feel like he’s back in Jabba’s palace

Darth Vader may be ending, but I’m hoping the characters that were created in this book can cross over into other books in the future. Though it’s looking Doctor Aphra may not survive much longer. That’s what happens when you make a deal with the devil.

Images from author’s collection.

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A Darth Vader #5 Review – “This is…Blasphemous.”

Darth Vader #5, coverTITLE: Star Wars: Darth Vader #5
AUTHOR: Kieron Gillen
PENCILLER: Salvador Larroca. Cover by Adi Granov.
PUBLISHER: Marvel
PRICE: $3.99
RELEASED: May 13, 2015

By Rob Siebert
Editor, Fanboy Wonder

Darth Vader continues to be immensely better than any of Marvel’s other Star Wars titles. Trust me, folks. It’s not even close. Why? Oh, let me count the ways…

It captures its main character perfectly. It sprinkles in just enough prequel material to display Vader’s depth, but not turn die-hards off. It has added new characters that add both intrigue and humor. It’s also beautifully drawn, and does enough artistic justice to the classic Star Wars visuals that when it adds something new (For instance: A secret base on top of what can only be called “space whales.”), it’s that much easier to buy it as a part of this iconic universe.

In this issue, Kieron Gillen and Salvador Larroca bring Vader, Doctor Aphra, Triple-Zero, and BT to a secret base in the Outer Rim, which supposedly houses those the Emperor has deemed worthy of replacing him. But the dark lord isn’t quite prepared for what he finds. In his own words: “This is…blasphemous.”

Darth Vader #5, space whalesOddly enough, Gillen and Larroca play with some visuals from The Phantom Menace here. We see Vader carving his way through a thick door, as various armed soldiers stand by. We then have Triple-Zero, a silver protocol droid just like the one we saw in Episode I, emerging from the resulting smoke. But then we’re hit with a swerve that’s nothing like what we saw in the movie. This is a team that’s great with playing with fan expectations, giving you what you want, but not necessarily the way you thought you’d get it…

On the subject of visuals, that two-page shot of the space-whales is amazing. It’s like nothing we’ve ever seen in a Star Wars movie, but it feels very true to the cruel spirit of the Empire. Vader calls them an abomination. But the ironic thing is, he’s something of an abomination himself. That’s not necessarily a connection everyone will get, but it’s there.

Darth Vader #5, Triple-Zero, Salvador LarrocaI mentioned this last time, but Triple-Zero is a riot. The sheer notion of an “evil butler” type is hysterical. But when you put him amid the chaos of the Star Wars universe, next to a no-nonsense-type like Vader, the ensuing comedy feels very organic.

I’ll try and stay spoiler-free here. But what Vader finds on the base is, at face value, very compelling. Gillen seems to be playing with the notion of the Jedi and Sith being an “ancient religion,” which was introduced in A New Hope. At one point, someone even says: “The Force is obsolete.” This is made all the more interesting when you consider this base is sanctioned by Palpatine, a Sith himself. From an in-story perspective, I question Palpatine’s motivations here. Is he truly preparing for a world without The Force? Or is this part of a larger scheme? I’m inclined to think the latter.

The idea of The Force being obsolete or dormant might also be an interesting piece of forshadowing for The Force Awakens

Darth Vader #5, Doctor Aphra, Salvador LarrocaWe don’t get a lot of time with Doctor Aphra in this issue. But what we do get is enough to keep me invested in her. Tragedy follows Darth Vader wherever he goes. And there’s little doubt that tragedy is what lays ahead for this woman. It’s simply a question of how, where, and when.

But that’s simply one of many elements that makes this series a must-read for Star Wars fans.

Images 1 and 2 from author’s collection. Image 3 from jedi-bibliothek.de.

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