Posted in Television

Rob Watches The Mandalorian: Return of a Jedi

SERIES: The Mandalorian
EPISODE:
S2.E8. “Chapter 16, The Rescue”
STARRING:
Pedro Pascal, Giancarlo Esposito, Katee Sackhoff, Gina Carano, Ming-Na Wen
WRITER:
Jon Favreau
DIRECTOR: Peyton Reed
PREMIERE DATE:
December 18, 2020
SYNOPSIS:
Mando and his allies storm Moff Gideon’s ship to save Grogu.

By Rob Siebert
Fanboy Wonder

Yes, I understand we skipped an episode. But for obvious reasons, this episode had to be talked about ASAP. We’ll come back to “The Believer” in a few days. Promise.

I hate Rogue One. I absolutely hate it, and can’t understand why so many people love it. But there’s one thing that movie did right: Captions that told us which planets we traveled to. Too many of these Disney-era Star Wars planets look the same.

Koska Reeves’ crack about Boba Fett being a sidekick rings true. That’s unexpected, considering this season is basically his big comeback. He’s got clean armor and everything!

Koska hitting Fett with a DDT is one of the most pro-wrestling things the episode could have done. I kind of love it.

See, if I’m a regular stormtrooper, I’m looking at that dark trooper armor and thinking, “Can I get at least half the protection that black armor provides?” Maybe then these damn troopers wouldn’t be so expendable…

Seriously. Cara Dune’s gun getting jammed was the worst thing that happened to our heroes as they faced down a virtual army of stormtroopers. It’s frustrating.

Those dark troopers are definitely nightmare fuel. Kudos on the design.

“…properties that have the potential to bring order back to the galaxy.” It’s reasonable to assume that means properties that can resurrect Palpatine, properties that can eventually be used to create Snoke, or some combination of both.

I like that the Darksaber was burning Mando’s staff the longer the two weapons had direct contact. It indicates the lightsaber is more powerful, which is as it should be.

Luke. Skywalker. Holy. Crap. This show just pulled out all the stops. The anticipation, the tension, leading up to the reveal of Luke’s face, was amazing. What a moment…

What’s more, they got Mark Hamill involved! I’m very anxious to see if it was just his voice, or if he was somehow involved on set as well.

And we get an appearance by R2-D2 as a bonus!

I just saw a headline that indicated this episode betrayed its characters by “indulging in the Skywalker saga.” The sub-head indicated new Star Wars had succumbed to old Star Wars. That’s a frustrating sentiment to read. But it’s a valid point. Despite a wonderfully emotional goodbye between Mando and Grogu, Luke pulled focus. It was inevitable. Anything from the original trilogy is going to have that effect. I mentioned Rogue One above, and Darth Vader had the same effect in that movie.

It’s a little bit like dangling a shiny object in front of a little kid. With this finale, Jon Favreau basically dangled a shiny object in front of the little kid in all of us. I really can’t dispute that.

But I would argue that, despite Luke pulling focus, the heart of the episode was indeed about Mando and Grogu. Those are two new characters that we’ve come to know and love over the course of two seasons. I also can’t dispute that.

And honestly, where else could this story have gone? Side effects of bringing in Luke notwithstanding, it’s logical that Grogu, being as strong in the Force as he is, would encounter him at some point…

Mrs. Primary Ignition was quite curious about what this episode means for Grogu’s fate, as he’s obviously not in the sequel trilogy. At the moment, I have two theories.

  1. Grogu’s attachment to Mando eventually lures him toward the dark side, and he has to abandon his training and return to his surrogate father.
  2. He stays with Luke, but is killed by Ben Solo during the events leading up to The Force Awakens.

Understandably, she was horrified at option 2. But I suspect we’ll discover the answer sooner or later.

Another headline I saw recently? How the “Marvel-fication” of Star Wars has officially begun. In other words, new shows, spin-offs, and all sorts of inter-connected content. You won’t find a clearer piece of evidence than The Mandalorian taking a page out of Marvel’s book with a post-credits scene. A pretty awesome post-credits scene, but a post-credits scene nonetheless.

We see that Bib Fortuna has taken over as the head of Jabba’s palace. Does he actually control anything? The throne seems to suggest he does. So is that what The Book of Boba Fett is about? Fett taking control of Jabba’s crumbling criminal empire?

I think the best season finales often leave us with questions. So what questions did this episode leave us with?

  1. What’s next for Mando? He’s got the Darksaber now, and is seemingly in conflict with Bo-Katan Kryze. So does he get involved with re-building Mandalore? Or does he go back to bounty hunting?
  2. Despite getting captured, Moff Gideon accomplished his goal. He got Grogu’s blood. So what now comes of that? Do the experiments start? Have they already started?
  3. The Boba Fett questions are rather obvious.
  4. Are we going to hear more from Luke and Grogu? Or does that become territory for another series? The recently announced Ahsoka spin-off comes to mind.

Definitely no shortage of questions. We’ll have a lot to think about over the next year!

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Rob Watches The Mandalorian: Return to Tatooine

SERIES: The Mandalorian
EPISODE:
S1.E5. “Chapter 5, The Gunslinger”
STARRING:
Pedro Pascal, Amy Sedaris, Jake Cannavale, Ming-Na Wen
WRITER/DIRECTOR:
Dave Filoni
PREMIERE DATE:
December 6, 2019
SYNOPSIS:
After stopping on Tatooine for repairs, Mando takes a job alongside a young bounty hunter.

By Rob Siebert
Fanboy Wonder

So did we need to come back to Tatooine? No, not really. But I’m glad we did. Going to a classic Star Wars setting reinforces that this is, in fact, the universe we know and love. And yes, nostalgia is a factor. It’s nice to see Mos Eisley again.

I’m a little surprised they used pit droids, i.e. the “hit the nose” robots from The Phantom Menace. I don’t mind Episode I as much as some people do. But you’d think in this, the first live action Star Wars television show, you’d want to avoid allusions to what’s often considered the franchise’s worst film. (It’s not. But that’s another story.)

Question: Aren’t most rifles in Star Wars blaster rifles? If so, Peli Motto asking the droids to get her blaster rifle doesn’t really make sense. It should probably just be, “Get my rifle!”

Yeah. I’m nitpicking at that level, folks. But it’s because I care, damn it!

So he just left the child on the ship? That’s uncharacteristically stupid for Mando.

Dr. Mandible, the giant bug in the cantina, is also stupid. He makes his debut in this episode.

Fun fact: The Mos Eisley Cantina has a name. Chalmun’s Spaceport Cantina.

Another fun fact: They squeezed Mark Hamill into this episode. He’s the voice of the droid at the bar (shown below). Apparently that’s the very same droid that spoke to Threepio in Jabba’s palace in Return of the Jedi. What a remarkable coincidence…

I wonder if Mando would have taken Toro Calican under his wing before he picked up the child. Perhaps being a father figure softened him in short order.

That’s a recurring theme in the original Star Wars trilogy. The “scoundrel” who becomes a good man. The big one is Han Solo. But it applies to Lando Calrissian as well.

I must confess, I’ve never seen Agents of Shield, or much of anything else with Ming-Na Wen. But she makes a pretty good bounty hunter. And Fennec Shand is yet another powerful female character added to the Star Wars universe.

I don’t recommend watching this episode in a room with a lot of sunlight. I did so, and could barely make anything out during the nighttime scenes.

So the general consensus was that the person who comes to Fennec’s aid at the very end of the episode is Boba Fett. In the end, that obviously turns out to be true. That speaks to the amount of foresight the showrunners hopefully have.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Rob Watches The Mandalorian: An Icon Returns

SERIES: The Mandalorian
EPISODE:
S2.E6. “Chapter 14, The Tragedy”
STARRING:
Pedro Pascal, Temuera Morrison, Ming-Na Wen, Giancarlo Esposito
WRITER:
Jon Favreau
DIRECTOR:
Robert Rodriguez
PREMIERE DATE:
December 4, 2019
SYNOPSIS:
Mando takes Grogu to the planet Tython, where he’s intercepted by Boba Fett and Fennec Shand.

By Rob Siebert
Fanboy Wonder

I wonder who came up with the name Grogu, and how long they’ve had it. You think they had that in mind from the get-go?

Slave I gets an awesome entrance in this episode. Not overstated. Just a simple fly-by. The ship is so iconic to Star Wars fans that a simple appearance, even from a distance, does all the work.

So what is that energy field that comes up around Grogu? Are we to believe it’s Force energy? That seems like the most likely explanation. Especially since Grogu passes out afterward.

“I’m a simple man making his way through the galaxy. Like my father before me.” Nice little callback to two different lines there. The first from Jango in Attack of the Clones. The second from Luke at the end of Return of the Jedi.

This stormtrooper ineptitude is becoming a problem for me. The fact that Mando, Boba Fett and Fennec Shand were able to fend off more than a dozen of them is pathetic.

Also, when a giant boulder is rolling toward you…MOVE OUT OF THE WAY, IDIOTS!

The sequences with Boba Fett and the gaffi stick were a sight to behold. Aside from the few swings we saw in the original Star Wars, I believe this is the first time we’ve seen one in action. Certainly to this degree.

The fight between the newly re-armored Fett and the stormtroopers is obviously some great fan-service. It did bring to mind memories of the Darth Vader slaughter from the end of Rogue One. The difference? In Rogue One, that sequence was there to bolster up the end of the film because it had so little in the way of character and story. In contrast, this Boba Fett stuff has been set up since the beginning of the season. And to say the least, The Mandalorian isn’t lacking in depth.

Moff Gideon wants to be Darth Vader. Bad. Real bad. To the point that he carries around a lightsaber. It’s kinda cute, actually.

They blew up the Razor Crest! I didn’t see that coming…

I’ve never liked Temuera Morrison as the voice for the helmeted Boba Fett, especially the way they swapped out Jason Wingreen’s voice for his in The Empire Strikes Back. I have no issue with Morrison playing the role at large. But when he’s got the helmet on? Give him a voice like Wingreen’s. If Darth Vader can have a voice modulator, so can Boba Fett.

Some questions that still haven’t been answered: How did Fett survive the Sarlaac Pit? I think the general consensus is that he climbed out. But did somebody rescue him? When was he rescued?

If they do end up doing a Boba Fett series, this is some of the ground the first season should cover.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Rob Watches The Mandalorian: The Samurai

SERIES: The Mandalorian
EPISODE:
S1.E4. “Chapter 4, Sanctuary”
STARRING:
Pedro Pascal (Voice), Gina Carano, Julia Jones
WRITER:
Jon Favreau
DIRECTOR:
Bryce Dallas Howard
PREMIERE DATE:
November 29, 2019
SYNOPSIS:
Mando and the child seek sanctuary on the planet Sorgon, but are drawn into aiding a village against vicious raiders.

By Rob Siebert
Fanboy Wonder

Oddly enough, Pedro Pascal wasn’t there for the filming of this episode. He was apparently on broadway doing King Lear at the time. Apparently the performance we see in this episode comes from a combination of stunt doubles Brendan Wayne and Lateef Crowder. Apparently Pascal and Wayne worked closely together in developing the title character. What’s more, Wayne is the grandson of screen legend John Wayne. Ironic, considering what Mando has in common with a lot of the characters John Wayne played…

When Mando looks at the child and says, “Stop touching things,” he briefly becomes the personification of every parent who’s ever had a toddler.

Here we have Cara Dune, played by Gina Carano. Mrs. Primary Ignition isn’t sold on Carano as an actor. Me? I think she’s perfectly adequate for the role she’s in. The one aspect of the character I’m not completely sold on? The tiny Rebel Alliance/New Republic tattoo she has on her cheek. She’s supposed to be making her living as a mercenary, right? Isn’t that an odd thing for a mercenary to keep tattooed on her face? You’d think she’d want the thing removed.

The samurai film influences on The Mandalorian are quite evident in this episode. And that’s even if you discount the fact that this village on Sorgan matches many depictions of such places in feudal Japan. You’ve got the nomad warrior sought out by a community of innocents to help them overcome an invasive evil. Thus, he trains the villagers to fight alongside him. It’s essentially the same plot as the classic film Seven Samurai, by Akira Kurosawa. Kurosawa was famously one of the filmmakers who inspired George Lucas during the conception of Star Wars.

On the subject of connections to Lucas, our director for this episode is Bryce Dallas Howard. She’s, of course, the daughter of Ron Howard, who starred in Lucas’ first big hit, American Graffiti. She’s gotten quite a bit of praise for her work on The Mandalorian, and rightfully so. Carano credits Howard with helping her figure out how to best translate the Cara Dune character from script to screen.

The combination puppeteering/CGI work with Baby Yoda is at its strongest yet in this episode. It blends so seamlessly. It’s not a fair comparison, given the near 20-year gap, but it’s a far cry from how fake CGI Yoda looks in Attack of the Clones.

I give a lot of credit to Julia Jones, who plays Omera, Mando’s kinda/sorta love interest in this episode. She performs the hell out of her scenes here, playing off someone who essentially has a bucket on their head. Now that’s acting.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Rob Watches The Mandalorian: An Attack of Conscience

SERIES: The Mandalorian
EPISODE:
S1.E3. “Chapter Three: The Sin.”
STARRING:
Pedro Pascal, Carl Weathers, Werner Herzog, Omid Abtahi,
WRITER:
Jon Favreau
DIRECTOR:
Deborah Chow
PREMIERE DATE:
November 22, 2019
SYNOPSIS:
After returning the child to his client, Mando has an attack of conscience.

By Rob Siebert
Fanboy Wonder

I assume those stormtroopers have to keep their armor on full-time, as if they were still on duty. One would think they’d want to avoid outfits that would get them recognized. But I suppose you can’t be recognized if you don’t go out in public.

I wish we had something to call the Werner Herzog character besides “the client.” Even the mad scientist character has a name: Dr. Pershing. Granted, that sounds like the name of somebody’s pediatrist. But at least it’s there.

While we’re on the subject, are we to assume Baby Yoda has no name? See, that one I’m okay with, as we can assume he’s been in Imperial research facilities for much of his life.

Carl Weathers’ Wikipedia page says that he took the Greef Karga role on the condition that he be able to direct an episode in the second season. Take everything you read on Wikipedia with a grain of salt. But if it is true, that’s some clever bargaining on his part.

With this episode, Deborah Chow became the first woman to direct a live-action Star Wars project. Those kinds of milestones are a double-edged sword for me. Yes, you obviously want diversity in the director’s chair. But the fact that it took more than 40 years for it to happen is cringeworthy.

Then again, it’s not like there’ve been a massive surplus of live action Star Wars projects. The Mandalorian is, after all, the franchise’s first live-action TV series.

Don’t get personally involved. That’s got to be, like, the first rule of bounty hunting, right? If it’s not rule #1, it should be rule #1A.

One of the big themes in The Mandalorian, and Star Wars at large, has to do with fatherhood and parenting. We’ve had Luke and Vader, Boba Fett and Jango Fett, Han and Ben Solo, etc. And now, we’ve got Mando and the child. Heck, even Mando himself has some lost parent issues.

What I like about this episode is that we’re with Mando as he makes the decision to become a parent, albeit a surrogate one. We see the struggle between his mercenary instincts and his conscience. And we get through the whole thing with minimal dialogue from him. It’s beautifully done.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Rob Watches The Mandalorian: #FireGinaCarano?

SERIES: The Mandalorian
EPISODE:
S2.E4. “Chapter 12: The Siege.”
STARRING:
Pedro Pascal, Gina Carano, Carl Weathers, Horatio Sanz
WRITER:
Jon Favreau
DIRECTOR:
Carl Weathers
PREMIERE DATE:
November 20, 2020
SYNOPSIS:
Mando reunites with Greef Karga and Cara Dune to take out an Imperial base.

By Rob Siebert
Fanboy Wonder

I’m happy to see Cara Dune again. But I had no idea her actress, Gina Carano, was such a heat magnet. #FireGinaCarano is apparently a thing on Twitter because of her views about the trans community, COVID-19, masks, and the Democratic party. Instead of spouting off about this, I’ll simply invite fans, viewers, and readers to come to their own conclusions…

Mrs. Primary Ignition popped for Baby Yoda putting his arms in the air as the ship lands. Cuteness quota: Reached.

Carl Weathers, who plays Greef Karga, directed this episode. He’s got several directing credits. But nothing as high profile as this. Based on how well this episode turned out, I imagine he’s got many more directing gigs coming his way.

“The Siege” has a lot going for it. We’ve got familiar faces from last season. But we’ve also got a really nice balance of action, excitement, and intrigue. I wouldn’t put this episode in the same league as “The Prisoner” last season. But it was still a thrilling watch.

Listen carefully during the classroom scene. You’ll hear the protocol droid say the New Republic is headquartered on the planet Chandrila, as opposed to Coruscant. Makes sense. Coruscant had become synonymous with the Empire. Best to start fresh somewhere else.

Writers need to start being careful about stormtrooper dialogue. Specifically, parroting lines from the original trilogy. Remember, these movies have been ingrained into people’s minds for 40 years now. So a seemingly harmless line like, “Alright men, load your weapons” can harken back to a very specific moment, and take you right out of the episode.

Another stormtrooper gripe: During the shoot-out sequences I found myself wishing one of our heroes, specifically Karga or Mythrol, would take a non-lethal blaster bolt. Just to show that these stormtroopers can in fact hit a target more than once in a blue moon.

So our base, it turns out, is actually a lab. We don’t find out what exactly they’re doing, but we know it involves blood from Baby Yoda. Given the child’s strength in the Force, that means these experiments could involve the creation of Snoke, or even the Palpatine clone we see in The Rise of Skywalker. On the other hand, it could simply be a matter of Moff Gideon creating clones to serve as the Dark Troopers we see at the end of the episode.

And yes, Dark Troopers were a thing in the old canon. I’m anxious to see them in action.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Rob Watches The Mandalorian – The Genius of Baby Yoda

SERIES: The Mandalorian
EPISODE:
S1.E2. “Chapter Two: The Child.”
STARRING:
Pedro Pascal, Misty Rosas, Nick Nolte (voice)
WRITER:
Jon Favreau
DIRECTOR:
Rick Famuyiwa
PREMIERE DATE:
November 15, 2019
SYNOPSIS:
After the Razor Crest is stripped for parts by Jawas, Mando must retrieve a bargaining chip in the form of a beast’s egg.

By Rob Siebert
Fanboy Wonder

The child, a.k.a. Baby Yoda, is a stroke of genius. Walk into a Target, Walmart, or Costco these days and you’ll see why. His diminutive size and not-so-diminutive cuteness appeal make him a marketing gold mine. In the grand tradition of Star Wars merchandising, his visage begs to be put on clothes, posters, and of course toys. Frankly, I’m shocked we didn’t see more Baby Yoda merchandise as the first season was in progress. That’s a giant missed opportunity you’d never associate with a titan like Disney.

But at the same time, Baby Yoda teases at answers to questions Star Wars fans have had for decades: What species is Yoda? Why are there so few of them? Did something happen to them? Did they get wiped out? Are they somehow tied into the Jedi and the Force? When you add it all together, Baby Yoda has that rare combination of geek appeal and corporate appeal.

Indeed, the Jawas are back. I remember seeing an “Offworld Jawa” action figure in stores, and wondering what the deal was. The irony is if you came into this episode as a relative newbie, you wouldn’t think they were offworld, i.e. not on Tatooine. Sadly, Arvala-7 is yet another indistinguishable desert planet.

The sequence with Mando chasing the sandcrawler reminded me of a level from Super Star Wars, the old Super Nintendo game. You play as Luke, climbing all over the thing and slashing at Jawas with a lightsaber. That’s basically what Mando is doing here, sans lightsaber.

In terms of the Kuiil character, voiced by Nick Nolte, it’s funny to me how once you know what a voice actor in question looks like, you sometimes start to read their face into the character. For instance, Kuiil looks like Nick Nolte to me, even though they objectively don’t share many features.

“I’m a Mandalorian. Weapons are part of my religion.” I love that line. It’s my favorite in the series thus far.

The hero fighting a big monster is a recurring theme in the George Lucas Star Wars movies. You’ve got the snow monster in The Empire Strikes Back, the rancor in Return of the Jedi, the arena monsters in Attack of the Clones. Depending on how liberal you want to be with the concept, you can extend it to various other moments in the Star Wars saga.

Odd as it sounds, I appreciated how muddy Mando got during the fight with the… *checks Wookiepedia*…mudhorn? That’s the name they came up with?

Anyway, the mud added a bit of a grittier texture to the whole thing. I can’t imagine it was fun to film. But it was appreciated.

So Baby Yoda uses the force to lift the mudhorn into the air so Mando can make the kill. Obviously, this only lends credence to the theory that Yoda’s species is somehow linked with the Jedi and the Force.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Rob Watches The Mandalorian: From Animation to Live Action

SERIES: The Mandalorian
EPISODE:
S2.E3. “Chapter 11, The Heiress.”
STARRING:
Pedro Pascal, Katee Sackhoff, Mercedes Varnado
WRITER:
Jon Favreau
DIRECTOR:
Bryce Dallas Howard
PREMIERE DATE:
November 13, 2020
SYNOPSIS: 
Mando meets a trio of his own kind, and winds up taking on the Empire once again.

By Rob Siebert
Fanboy Wonder

This episode requires a decent amount of exposition, only some of which we actually got. Katee Sackhoff’s character is Bo-Katan Kryze. Long story short, her sister was the duchess of Mandalore. Thus, her trying to get the Darksaber. 

“The Purge,” meanwhile, was when the Empire killed most of the Mandalorian people, forcing the survivors into hiding. All this stuff was covered between the Clone Wars and Rebels cartoon shows.

I’m fairly certain this is the first time we’ve seen an ocean dock in live-action Star WarsIt makes for a different vibe. I like it. That’s one of the things that’s been so great about The Mandalorian. It shows us the Star Wars universe from different angles.

When Bo-Katan dropped out of the sky, Mrs. Primary Ignition exclaimed: “It’s a lady Mandalorian!” I’m hoping there were a lot of little girls in the audience saying the same thing.

There’s been a lot of talk about what a “true” Mandalorian is. We know Jango Fett and Boba Fett weren’t. And now we get talk that Din Djarin isn’t. Can we maybe get some clarification on this issue? I’m a Star Wars geek, and even I’m confused….

I was curious to see how they’d credit WWE’s Sasha Banks, who plays Koska Reeves. They used her real name, Mercedes Varnado. Which makes sense, of course. I’m not the world’s biggest Sasha Banks fan. But I was proud of her for this. She even got a decent number of lines and wasn’t just a muscular body in the background.

Even after all this time, I’m still getting used to Star Wars music that isn’t a classical score. Case in point, the sort of industrial-style beat they had going during the action sequence aboard the Imperial ship. It works. It’s just not traditional Star Wars.

Hey! Stormtrooper! When you see a grenade rolling toward you, maybe…I’unno…kick the damn thing away instead of staring down at it like a friggin’ nincompoop!!!

And there it is. Destination: Ahsoka Tano. Here’s my question: Katee Sackhoff voiced Bo-Katan Kryze for the cartoons, and now she’s playing the role live. Did they even ask Ashley Eckstein if she wanted to play Ahsoka? Nothing against Rosario Dawson, of course. But it seemed like Eckstein was up for it. Yes, Dawson is a renowned on-camera actress, as opposed to Eckstein who’s more famous for voice acting. But Eckstein had a hand in the creation of the character. She should have had the chance to play Ahsoka if she wanted it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Rob Watches The Mandalorian: Giant Space Bugs

SERIES: The Mandalorian
EPISODE:
S2.E2. “Chapter 10, The Passenger.”
STARRING:
Pedro Pascal, Amy Sedaris
WRITER:
John Favreau
DIRECTOR:
Peyton Reed
PREMIERE DATE:
November 6, 2020
SYNOPSIS:
Mando attempts to bring escort someone to a nearby planet, but crash-lands in an icy cave filled with gigantic spiders.

By Rob Siebert
Fanboy Wonder

In hindsight, I don’t know why I expected them to follow up on Boba Fett in this episode. Especially given the buzz about a new Boba Fett series. I just figured, given Mando has Fett’s armor, that they’d be on a collision course. To add insult to it all, Mrs. Primary Ignition seemed surprised that I was surprised.

Another day then, Boba.

I don’t say “That’s stupid” very often during this show. But I said it when we got to the Mos Eisley Cantina, and Peli Motto is sitting across from what appears to be a giant space ant. They didn’t even dress it up to look like some kind of alien ant. It’s just an ant. Yeah, that’s stupid. Apparently he even has a name: Dr. Mandible.

Our titular passenger is simply referred to by Wookiepedia as “Frog Lady.” But at least Frog Lady looks like an alien who could exist in the Star Wars universe, as opposed to the giant ant. I bought her.

Mrs. Primary Ignition popped for Paul Sun-Hyung Lee, who played one of the X-Wing pilots in this episode. Lee is one of the stars of Kim’s Convenience, which is a pretty fun show. I, of course, pointed out that the other pilot was played by executive producer Dave Filoni. And oh, how she cared…

Were people really upset about Baby Yoda eating the eggs? Was that really a thing? We don’t have enough to be concerned about in the real world, so we have to get mad about what a puppet does on a TV show?

So here we are on the totally-not-Hoth planet of Maldo Kreis. On the upside, it’s the same ice planet we saw in the first episode. Some nice continuity there.

The giant spiders in this episode immediately reminded me of a TV movie called Ice Spiders. Someone did a write-up of it on the old site. I’ve never seen it. But honestly…do I really need to? The title pretty much says it all.

Once again we have giant space bugs. But unlike our friend Dr. Mandible, at least they made these spiders look a little more alien by adding a mouth and teeth. *shudders*

Every time there’s some sort of giant spider monster in a movie or TV show, my mind immediately jumps to some of Rupert Grint’s dialogue in Harry Potter and the Chamber of Secrets. “Follow the spiders! Why couldn’t it be follow the butterflies?!?”

Someone, somewhere, is writing a fanfic about Mando and Frog Lady getting it on in that pool. You don’t have to read it. But that doesn’t mean it isn’t there.

I don’t think there’s ever been a bad episode of The Mandalorian. But coming off last week’s episode, it’s difficult not to see “The Passenger” as a step down. That’s a shame.

I suppose that’s just what happens when you follow Boba Fett.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Posted in Television

Rob Watches The Mandalorian: Wait, That’s Not Hoth!!!

***As the second season of The Mandalorian rapidly approaches, it’s time to take a look back at the foundation laid by the first season. This is “Rob Watches The Mandalorian.”***

By Rob Siebert
Fanboy Wonder

This opening scene is, of course, our tone-setter. And once of the best I’ve ever seen. As far as space westerns go, you can’t do much better than this. Our lone gunman walks into a saloon, finds trouble, and has to shoot his way out. Everything is perfect.

For whatever reason, when I think of The Mandalorian the first thing that comes to mind is that poor guy getting cut in half by the door. Maybe it’s because, like the series itself the whole thing is so damn smooth and cool.

So why is this snow planet not Hoth? Because, as Admiral Piett told us in The Empire Strikes Back, “The Hoth system is supposed to be devoid of human forms.” Originally I was miffed that a later episode took us back to the friggin’ Mos Eisley Cantina, but we couldn’t go to some random bar on Hoth. Whoops…

That’s a problem Star Wars creators are running into these days. The more films and TV shows that are made, the harder it is to make all these planets feel distinct and different. A lot of the worlds in the sequel trilogy, for instance, look alike.

Our blue friend, who I don’t believe has a name, is played by SNL alum Horatio Sanz. I knew I recognized him from somewhere…

Is this the first time we’ve seen a bounty puck? There certainly weren’t any in the movies.

Practically every Star Wars project has to do the cantina. Or at least some version of a cantina. Some setting where aliens from various different worlds come together for a drink or a party or the like. In this episode alone we get two of them. At least The Mandalorian had the guts to take a stab at the Mos Eisley Cantina, the cantina setting, later on.

I love that the client, the guy that hires Mando and really gets the plot moving, is part of this tiny little faction of Imperials, complete with a few beat-up looking stormtroopers. It’s a great bit of world-building. It’s one thing for Mando to say the Empire is gone. It’s another thing for us to actually see what it’s been reduced to.

Whenever I watch the scene with Mando trying to ride the Blurg and talking with little Kuiil, I always think of the prequels. If the prequels had blended practical and CGI effects as seamlessly as The Mandalorian, people would talk about them in such a different light. They’d still be badly written, but at least they wouldn’t look like giant video games.

In writing this, I at one point had in my notes, “I’m happy they didn’t give him a quirky droid sidekick.” A character like K-2SO in Rogue One or L3-37 in Solo. That’s another Star Wars trope people have to be mindful of going forward.

Then I realized, “Oh wait, they did give him a quirky droid sidekick.” It’s just that IG-11 isn’t around the whole time.

I do like IG-11, largely because his presence in the climactic shoot-out sequence explains how IG-88 works. In The Empire Strikes Back, IG-88 was essentially just a tall prop that stood next to Boba Fett and the other bounty hunters. It couldn’t have been on screen for more than a second or two. But like many a bit player in Star Wars, it gained a cult following. But of course, we never got to see the IG-88 in action. We were never meant to. As such, I always wondered how this tall, seemingly cumbersome, ridid-looking robot was supposed to do the same job as Boba Fett…

Turns out, these IG droids may be all of those things. But they’re also fast, and make for a hell of an action scene!

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.