Catching Up With The Mandalorian – “Chapter 8: Redemption”

The Mandalorian, season 1 posterSERIES: Star Wars:  The Mandalorian
EPISODE:
S1:E8 – “Chapter 8:  Redemption”
STARRING: 
Pedro Pascal, Giancarlo Esposito, Gina Carano, Carl Weathers, Taika Waititi (Voice)
WRITER: 
Jon Favreau
DIRECTOR: 
Taika Waititi
PREMIERE DATE:
December 27, 2019
SYNOPSIS:
Trapped, the Mandalorian and his allies struggle to keep the child out of Moff Gideon’s hands.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

Taika Waititi, who directs this episode, and is also widely known for directing Thor: Ragnarok and Thor: Love and Thunder, serves as the voice of IG-11. Fitting, as this episode is a big one for the repurposed droid.

That scout troopers punching the child in the bag is one of those things that makes you hate the bad guy, but where you also can’t help but laugh a little. What can I say? It was funny. As was the target practice bit moment later.

This episode is the first time we hear the Mandalorian’s given name: Din Djarin. Not the worst name, by Star Wars standards. “The Mandalorian” has more mystique, of course.

The appearance of the super battle droids in the flashback sequence was a nice touch. It set the period.

It was pretty bad-ass to see IG-11 riding through that town on a speeder bike, twin guns blazing. Question: If his new base function is to nurse and protect, why does he bring the child into a town occupied by Imperial troops? Granted, none of them can shoot…

It’s funny to me how none of the stormtroopers can hit a target, as this episode makes light of. But when the episode needs him to be, Moff Gideon is a crack shot.

Din Djarin, The Mandalorian, Redemption, Pedro Pascal

I’d never seen or heard of Pedro Pascal prior to The MandalorianSo what he looked like was news to me. He didn’t necessarily look how his voice suggested he looked. But that’s not a good or a bad thing, per se.

The armorer tasking Mando with reuniting the child with its own kind was a great hook for season two. As the last of the Jedi, the obvious implication was Luke Skywalker. Or perhaps Ahsoka Tano. But we couldn’t have realistically expected to see either of them…could we?

The big moment in this episode is when IG-11 sacrifices itself to save the rest of the group. I’ll say this much: The episode does a great job making us care about the repurposed robot, which we didn’t see again until the previous episode. It feels genuinely sad as he walks through the lava.

Something I appreciated about this group mission as opposed to some others we see in Star Wars is that there were consequences and casualties. Kuiil and IG-11 didn’t make it, and Mando was wounded to the point that he wouldn’t have survived if left to his own devices. The bad guys come off threatening and dangerous even in defeat.

Mando taking on Moff Gideon in the TIE fighter was a cool climax for the season. Suitably suspenseful, as you’d expect a man in a jetpack trying to take down a plane to be.

Din Djarin, The Mandalorian, Redemption

The one thing I didn’t like about this episode was how rushed everything was after said climax. Mando literally lands from taking down the TIE fighter, and everyone announces what they’re going to do going forward. Felt uncharacteristically clumsy.

The revelation of Moff Gideon with the Darksaber at the end was a fun little moment. Star Wars geeks knew what it was, obviously. And those who didn’t know would come to know as the series progressed.

Disney bet a lot on this first season of The Mandalorian. The first episode premiered with the launch of Disney+, so it was a great added incentive to give the service a try. But beyond that, it set the standard for all live action Star Wars TV projects to come. And thankfully for the fans, that standard wound up being pretty high. The Mandalorian season one isn’t just great Star Wars television. It’s great television, period. It’s compelling, intriguing, gorgeous to look at, and perhaps most importantly, very accessible to those not well-versed in Star Wars. (I’m trying to get my parents to watch it to this day.)

All in all? It was a home run for everybody involved.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Essential Clone Wars: “The Lost One”

***I must confess that, despite being a huge Star Wars geek, I have yet to see the landmark Clone Wars animated show in its entirety. I’m aiming to rectify that to a large extent here, as we look at pivotal episodes of the series in, “The Essential Clone Wars.”

SERIES: Star Wars: The Clone Wars
EPISODE:
S6:E10 – “The Lost One”
WITH THE VOICE TALENTS OF:
Tom Kane, James Arnold Taylor, Brian George, Matt Lanter, Corey Burton
WRITER:
Christian Taylor
DIRECTOR:
Brian Kalin O’Connell
PREMIERE DATE:
 March 7, 2014
SYNOPSIS:
The Jedi explore the mystery of Sifo Dyas’ death.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

Little peek behind the curtain: For the most part, I’ve been using the Star Wars: The Clone Wars Essential Episodes” playlist on Disney+ to select which Clone Wars episodes I feature. But that has to change now, as mysteriously there are no season six episodes on said list. The three episodes I plan to feature from season six are ones I had previously seen, and frankly, I think are awesome. They dive into one of the big unresolved issues from Attack of the Clones: The mystery of Sifo Dyas.

We open the episode with a vehicle on wheels slowly driving through a sandstorm. The novelty of seeing wheeled vehicles in Star Wars still hasn’t worn off for me. I wonder what the logic is behind them using one here, as opposed to one with hover technology. Does it allow for more stable navigation through the storm?

This episode goes on awhile before we get any lightsaber fights, shooting, or any other Star Wars action staples. That’s fine for adult viewers, obviously. But it makes me wonder what younger kids thought of this episode. Did it hold their attention? Was the expansion on a character only briefly mentioned during Attack of the Clones enough to keep them interested?

How much time passes between this episode and Revenge of the Sith? A matter of months? Because Anakin has that line to Dooku: “My powers have doubled since we last met, Count.” Casual viewers would naturally think he’s referring to a couple of years earlier during the events of Attack of the Clones. But those of us who’ve watched The Clone Wars know Anakin and Dooku crossed swords a few different times over the course of this big galactic conflict. I mean, obviously Anakin is boasting. But it’s kind of a weird boast.

“My powers have doubled since we last met. Remember? It was just a few months ago…”

By the end of this episode, the Jedi Council learns that Count Dooku is responsible for the creation of the Clone army. Understandably, they’re of the mindset that if this got out, it would seriously undermine public confidence in the Jedi and the war effort. Again, as we saw with the story that led to Ahsoka’s departure from the Jedi Order, we’ve got this theme of people losing faith in the Jedi, and the Jedi’s fear of such a thing. I like that idea. The notion that the galaxy is becoming more skeptical about the Jedi lends credence to the idea that Palpatine could frame them as the villains in Revenge of the Sith.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

An Andor, “Kassa” Review

SERIES: Star Wars: Andor
EPISODE:
S1:E1. “Episode 1”
STARRING:
Diego Luna, Kyle Soller, Adria Arjona, James McArdle, Antonio Viña
WRITERS:
Tony Gilroy
DIRECTOR:
Toby Haynes
PREMIERE DATE:
September 21, 2022
SYNOPSIS:
Cassian Andor becomes a wanted man.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

Let me say this straight away: I did not like Rogue One, the movie to which Andor acts as a prequel. I didn’t think any of the characters were sufficiently developed. The only one with any charm or heart was the robot, K-2SO. It’s always seemed to me like people were fooled into thinking they liked the movie because of all the classic Star Wars stuff in it, along with its darker tone, which I admit does appeal to a large group of fans. But for me, a dark tone by itself doesn’t cut it. I need something underneath the dark packaging to sink my teeth into.

I don’t expect to change people’s minds about Rogue One. At this point, people believe what they believe. Furthermore, I don’t expect Andor to change my mind about Rogue One. But the good news is, changing my mind about Rogue One isn’t what Andor needs to do. This show’s job is to be good in and of itself. What I hope for Andor more than anything is that it does something Rogue One didn’t do: Make me like and care about Cassian Andor.

Disney+ premiered Andor with its first three episodes. It did something similar with Obi-Wan Kenobi, dropping the show’s first two episodes on its premiere date. Apparently, releasing multiple episodes out of the gate helps the show make a bigger splash in terms of viewership. Me? I’d be happy with a single episode premiere. It draws things out, makes the experience of the show last longer, etc. (Plus, it makes it easier to review.)

In our opening scene, we get the time stamp “BBY 5.” Star Wars geeks know this means five years before the Battle of Yavin, i.e. five years before the original Star Wars film. But more casual viewers? They won’t have a clue what that means.

Was that an intergalactic strip club Cassian went into in the opening scene? This being Star Wars, somehow I expected more Carrie Fisher style slave girl bikinis.

We knew we were likely going to get some scenes with child-aged Cassian, or Kassa. He had that line in Rogue One about being in the fight since he was six. It looks like he comes from a world that’s not overly industrialized. The group he and his sister are in looks vaguely tribal.

I wouldn’t go as far as to say I was bored by this episode. But it did feel like there wasn’t much happening. I’ll chalk it up to first episode exposition and character introduction. But I won’t be inclined to be quite as nice next time…

Okay, I get it. Cassian has lots of friends and connections. Did we need to establish that four times? First there was the Brasso character. Then we had Bix Caleen and Timm Karlo. Then there was the encounter with Nurchi and Vetch. Finally, we had the little exchange with Pegla. Am I supposed to care about these people? The only one that really accomplishes that goal is the Bix character, played by Adria Arjona.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Star Wars: Obi-Wan Kenobi, “Part VI” Review

Star Wars Obi-Wan Kenobi poster, Owen LarsSERIES: Star Wars: Obi-Wan Kenobi
EPISODE:
“Part VI”
STARRING:
Ewan McGregor, Moses Ingram, Hayden Christensen, James Earl Jones (voice), Joel Edgerton
WRITERS:
Joby Harold, Andrew Stanton, Stuart Beattie, Hossein Amini
DIRECTOR:
Deborah Chow
PREMIERE DATE:
June 22, 2022
SYNOPSIS:
Obi-Wan must face Darth Vader once again.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

We got a lot of callbacks in this episode. We got some Empire Strikes Back with the ship being chased by a Star Destroyer, Vader on the bridge, and the musical callback to John Williams’ score. We got another later in the episode with Luke’s line, “I’m not afraid.”

We had some more more verbal callbacks with Ewan’s lines, “I will do what I must,” (Revenge of the Sith) and “Then my friend is truly dead” (Return of the Jedi). Palpatine (more on him in a bit) had one about Vader’s thoughts being “clear.” One can even make an argument for Reva’s hunting of Luke in the dark being a nod to Return of the Jedi.

All…interesting choices. I’m not sure I would have gone quite that heavy. But there it is.

Ha! After Obi-Wan says, “I will do what I must,” he does what I’ll call the “Obi-Wan pose” (shown below), with the lightsaber in one hand and his other extended outward. Great little touch.

The second fight between Obi-Wan and Darth Vader was about what it should have been. Obi-Wan had a little bit of his mojo back, but was still doing a lot of evading.

That broken Vader helmet thing was done on Rebels. So there is a certain cheapness to doing it again. But I’d argue this was more effective, by virtue of us having the involvement of both Hayden Christensen and James Earl Jones, as well as Ewan McGregor.

This episode gave us what I thought was the show’s only major misstep: Obi-Wan knowingly leaving Vader alive. That’s an objectively stupid move. At least in Revenge of the Sith, he thought Anakin was dead when he left Mustafar. But here there’s no excuse. Obi-Wan has accepted the notion that the Anakin he knew is gone. He’s standing in front of Darth Vader, who has slaughtered hundreds, if not thousands of people. The right thing to do would have been to finish the job.

Star Wars Obi-Wan Kenobi, Part VI, pose

What boggles my mind is that they could have easily had the Grand Inquisitor fly in with a squad of TIE Fighters and attack Obi-Wan, prompting a hasty retreat. Or something like that. But to just leave the evil dictator alive when you’ve got him right where you want him? Nope. Fail. So is Obi-Wan now culpable in every life Vader takes from here on out?

Reva’s redemption obviously opens the door to more stories with her. Supposedly she has her own series in the works. I can’t say I’m dying to see her story continue. But who am I kidding? I’d watch. If nothing else it would be poetic justice for all the racist crap Moses Ingram got.

Great to see a Palpatine cameo from Ian McDiarmid. He’s always great. Poor guy had to lie about it at Star Wars Celebration.

There’s been a lot of talk about Leia’s outfits in this show being reminiscent of stuff she wore in the original trilogy. But I’d argue her final outfit in this episode, and the series itself, was very similar to what Luke wears on Tatooine. That’s fitting, for obvious reasons.

So…Obi-Wan just stopped by Alderaan for a quick visit? That’s a little weird. They couldn’t have done that via the holo-communicator?

I can already here the crybabies out there calling foul over Obi-Wan meeting Luke. But Luke did know who “Old Ben”was in A New Hope. There was nothing there to directly contradict him meeting Leia, and there’s even less to indicate that he hadn’t met Luke at least once. Maybe even two or three times. Cool your thrusters, fanboys…

Qui-Gon Jinn, Star Wars Obi-Wan Kenobi, Part VI

Aaaaaaand of course Liam Neeson made a cameo as Qui-Gon. I called it. They couldn’t not pay that off after Obi-Wan spoke to him multiple times over the course of the show. I’m happy Liam Neeson is back in the Star Wars fold. I enjoy the Qui-Gon Jinn character. Quite a bit, actually.

There was a time period where Star Wars really harped on hope. Especially in Rogue One and The Last Jedi. But in its own way, Obi-Wan Kenobi was about hope too. Specifically, Obi-Wan regaining the hope he lost so many years ago after Anakin’s fall. Thankfully, this series didn’t point at it the way those movies did.

Obi-Wan Kenobi went by fast, didn’t it? But the show, despite its critics, delivered. I’d still argue The Mandalorian is better. But not by much. Obi-Wan Kenobi has been, and perhaps should be, judged by very different standards. People came in with much higher expectations. But I honestly don’t see what more the show could have done to appeal to fans new and old. For that, I tip my hat to it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Star Wars: Obi-Wan Kenobi, “Part IV” Review

Darth Vader poster, Star Wars Obi-Wan KenobiSERIES: Star Wars: Obi-Wan Kenobi
EPISODE:
“Part IV”
STARRING:
Ewan McGregor, Vivien Lyra Blair, Moses Ingram, Indira Varma, O’Shea Jackson Jr. 
WRITERS:
Joby Harold, Hannah Friedman
DIRECTOR:
Deborah Chow
PREMIERE DATE:
June 8, 2011
SYNOPSIS:
Obi-Wan and Tala infiltrate enemy territory to find Leia.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

Let’s talk about this straight away: There was some buzz last week about a second season of Obi-Wan Kenobi. As much as I’ve mostly enjoyed the show so far, as far as a second season is concerned, I’m lukewarm at best. From a story perspective, Obi-Wan is supposed to be in seclusion for the 19 years between A New Hope and Revenge of the Sith. As a fan, I can buy that he briefly leaves Tatooine for a desperate situation. But if you go back to that well again, you might be pushing it too far.

Now, if they want to come back for something involving one of the other characters, perhaps even the Darth Vader miniseries that some have been buzzing about, I might be game for that. But more Obi-Wan? Nah, I think I’m good.

Then again, they can always change my mind with the right story…

In the opening minutes of the episode, we see Darth Vader in his…rejuvenation tank? Is that what it is? Is there bacta in there?

I had a thought about Darth Vader earlier this week: I’m not sure I’m a fan of Obi-Wan Kenobi showing us Anakin’s face. The unmasking of Darth Vader in Return of the Jedi is such a pivotal moment. Arguably the moment the entire original trilogy built to. Showing us Anakin’s face here waters that down a little bit, doesn’t it?

That was one of the few things I liked about Rogue One. They gave us Darth Vader in the tank, but didn’t show us his face.

Then again, Mrs. Primary Ignition had a good counterpoint to that argument: Who’s watching Obi-Wan Kenobi before they finish the original trilogy? In the modern era, that number is about as minuscule as it’ll ever be. Future generations might be another story, I suppose…

Bacta tank, Star Wars Obi-Wan Kenobi

Obi-Wan came out of his bacta tank before his wounds could fully heal. Does that mean he has burn scars on his body? That feels appropriate. And of course, we never saw Alec Guinness with his shirt off in the original trilogy. So there’s nothing to contradict it. Nice touch.

The planet name Jabiim rang a bell for me. In the Legends continuity, i.e. the old Star Wars publishing canon, is was the site of one of the most brutal and bloody battles of the Clone Wars. So brutal and bloody, in fact, that if I’m not mistaken there was only one survivor: Anakin Skywalker.

Indira Varma plays Tala. Mrs. Primary Ignition tells me she and The Mandalorian‘s Pedro Pascal played husband and wife on Game of Thrones. I must confess, I’m not a big enough Game of Thrones fan to remember that. I do, however, remember Pascal’s character having a pretty gruesome death scene, with his eyes being pushed back into his skull. Because that’s just how they rolled on Game of Thrones.

So that big fortress we see the Inquisitors is actually called Fortress Inquisitorius? That’s kinda lame. Then again, when you’re that sadistic and evil, I guess you can call your base whatever you want, and dare anybody to laugh at you…

I was taken aback, mostly in a good way, by how scary certain parts of this episode were. Leia being strapped into a torture contraption. The Jedi tomb with all those dead faces staring out, one of which being a child. I actually had to pause the episode at one point because my two-year-old daughter walked into the room. Powerful stuff, man.

Reva, sky, Star Wars Obi-Wan Kenobi

I can’t believe that Vivien Lyra Blair wasn’t even 10 years old when they shot this. Imagine being that age and performing intense scenes like this, while also feeling the pressure of playing a character like Princess Leia. She’s young, but she’s got my respect.

It bears repeating James Earl Jones really has mounted a comeback with his performance here as the voice of Darth Vader. After Rogue One and Rebels I had my doubts. But even at over 90 years old, the man has still got it.

Leia reaching out and holding Obi-Wan’s hand was a nice way to close out the episode. A great little display of humanity.

Question: Is Obi-Wan Kenobi wasting Hayden Christensen? We’re four episodes in, and his work has been mostly confined to the Darth Vader costume, with some shots of him the rejuvenation tank thrown in there. There’s nothing wrong with that, strictly speaking. But when they announced him for this show, I naturally assumed we were going to be getting flashback sequences. Something perhaps set during the events of The Clone Wars cartoon show, with Obi-Wan and Anakin in corresponding costumes. Maybe even a Rosario Dawson cameo as Ahsoka.

Is that asking too much? Maybe. Maybe not. And granted, we still have two episodes left. But all these years after his performances in the prequels were ridiculed, I think Christensen deserves to flex his acting chops a little bit. I can’t help but want that for him.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Star Wars: Obi-Wan Kenobi, “Part III” Review

Leia poster, Star Wars Obi-Wan KenobiSERIES: Star Wars: Obi-Wan Kenobi
EPISODE:
“Part III”
STARRING:
Ewan McGregor, Vivien Lyra Blair, Moses Ingram, Hayden Christensen, James Earl Jones (Voice)
WRITERS:
Joby Harold, Hannah Friedman, Hossein Amini, Stuart Beattie
DIRECTOR:
Deborah Chow
PREMIERE DATE:
June 1, 2022
SYNOPSIS:
Obi-Wan and Leia are hunted on the mining world of Mapuzo.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

I mentioned previously that, going forward, Star Wars needs to take a break from setting shows in the desert. Going forward, the franchise also needs to work on avoiding what I’ll call “the Baby Yoda effect.” That is, sticking the hero or heroes with a child over the course of their journey. Specifically one that’s strong in the Force. The Mandalorian obviously did that with Grogu. The Bad Batch did it with Omega. Now this show is doing it with Leia.

To be clear, I’m not saying children shouldn’t be used in Star Wars stories. I just want to avoid Star Wars telling the same kinds of stories over and over again.

James Earl Jones is the voice of Darth Vader. He’s always been the voice of Darth Vader, and as long as he’s alive and wants to do it, he should be the voice of Darth Vader.

That being said, I had some slight issues with his performances in Rogue One and what I’ve seen of Rebels. My contention has been that he doesn’t sound as mean or as evil as Darth Vader should. Not like Darth Vader, but rather, Mufasa saying Darth Vader’s lines. Am I imagining it? Am I expecting too much? Maybe and maybe. But that’s my argument and I’m sticking to it.

However, I’m pleased to say that thus far, that problem hasn’t been present in Obi-Wan Kenobi. This is the best James Earl Jones has sounded as Vader since Disney purchased the franchise. I’m not sure whether to attribute that to good direction, Mr. Jones simply having a good day in the recording booth, or something else. Either way, I’m grateful for it.

Obi-Wan’s hallucination of Anakin from a distance, dark cloak and all, was a brilliant touch. Great shot too.

When Hayden Christensen was announced for this series, I figured they’d use him for flashback sequences. I’m sure those are still coming. But that’s another, clever way to use him without the Darth Vader suit.

Fifth Brother, played by Sung Kang, doesn’t have a conventional name the way Reva, the Third Sister, has one. But might I suggest…Hat Guy. Because that’s a variation on what most people, especially those of us who haven’t seen him in Rebels, are calling him.

Zach Braff provides the voice for Freck the transport pilot. Is that how they got him to star in that Cheaper By the Dozen remake for Disney+?

“Hey man, do this and we’ll throw in a part in Star Wars.”

“I am what you made me.” That line, delivered by Vader to Obi-Wan, is great. The entire presentation of Darth Vader in this episode is fantastic. The sense of terror and dread in his scenes is palpable. He truly comes off like the monster he is.

That’s especially true when he drags Obi-Wan through the flames. He wants to torture, maim, and disfigure his old master. But he also wants to savor the moment. Those shots of the Darth Vader suit in the light from the flames looked great too.

Leia offering to go forward on your own so Tala can go back for Obi-Wan is a nice little character moment for her. One of numerous character moments the show has given her thus far.

Well, so much for Obi-Wan’s first use of a lightsaber in a decade being a memorable moment. Still, I appreciate that he was largely helpless against Vader, and that we didn’t jump right into a super-choreographed sword fight. The man hasn’t been a Jedi in 10 years. To say his skills would be rusty is an understatement…

So…why did Vader let Obi-Wan go? The camera stayed on him for awhile, which seems to imply that he was pondering his next move. My only guess is that he figures he can follow Obi-Wan’s trail, and perhaps sniff out dissenters. That would seem to be the only thing that makes sense.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches The Mandalorian – Channeling His Inner Batman

The Mandalorian, season 1 posterSERIES: The Mandalorian
EPISODE:
S1:E6. “Chapter 6: The Prisoner”
STARRING:
Pedro Pascal, Bill Burr, Natalia Tena, Clancy Brown, Ismael Cruz Cordova
WRITERS:
Christopher Yost, Rick Famuyiwa
DIRECTOR: Rick Famuyiwa
PREMIERE DATE:
December 13, 2019
SYNOPSIS:
The Mandalorian is tasked with helping to free a convict from a New Republic prison ship.

By Rob Siebert
Fanboy Wonder

One name that jumps out at me from the get-go is Christopher Yost. He’s written his share of comic books, and also worked on Thor: Ragnarok. So Mando was in good hands here from a writing standpoint.

It was, and still is, incredibly surreal to see Bill Burr in the Star Wars universe. He’s one of the funniest comedians out there. And yet, his work as Migs Mayfeld isn’t necessarily comedic. This episode speaks well to his work as an actor.

So Mando and Xi’an (played by Natalia Tena) have a romantic history of some kind. I guess even in a galaxy far, far away, chicks dig the strong and silent type. How does that work, though? Like, physically? Mando never takes off his helmet, after all.

Boy does that make for some weird visuals…

So we’ve got ourselves a prison break heist episode. Mando is put on a team tasked with getting in, freeing a prisoner, then getting out.

When I saw this episode, being the nerd that I am, I couldn’t help but wonder how long a transition it was for the New Republic to establish themselves as the new law in the galaxy. The Mandalorian takes place five years after Return of the Jedi. So less than that. Pretty impressive all things considered.

The Mandalorian Chapter 6, the Prisoner

This is a nitpick, but it’s curious to me that there’s a mouse droid on this New Republic prison ship. To me, they’re synonymous with the Empire, the Death Star, etc. But again, that’s nitpicking.

The use of droids as prison guards is a little odd too. As they’re supposed to be the good guys, it feels like the New Republic should have live guards. Maybe there’s a lack of living bodies to give those jobs to. We eventually find out there’s only one organic on the ship.

Seeing Mando go into predator mode and hunt everybody down was pretty awesome. He was channeling his inner Batman.

Nitpicks notwithstanding, this is actually one of my favorite episodes. It’s nicely paced, there’s a great tension in the air, the characters are interesting. It just works. A very well done episode.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Primary Ignition‘s Star Wars Review Archive

The following represents the full archive of our Star Wars reviews, separated by season.

Star Wars The Clone Wars, Ambush, YodaThe Essential Star Wars: The Clone Wars
S1:E1 – “Ambush”
S1:E5 – “Rookies”
S2:E5 – “Landing at Point Rain”
S2:E6 – “Weapons Factory”
S2:E7 – “Legacy of Terror”
S2:E8 – “Brain Invaders”
S2:E12 – “The Mandalore Plot”
S2:E13 – “Voyage of Temptation”
S3:E2 – “ARC Troopers”
S3:E12 – “Nightsisters”
S3:E13 – “Monsters” Star Wars The Clone Wars, Brain Invaders, Ahsoka
S3:E14 – “Witches of the Mist”
S4:E21 – “Brothers”
S4:E22 – “Revenge
S5:E14 – “Eminence”
S5:E15 – “Shades of Reason”
S5:E16 – “The Lawless”
S5:E17 – “Sabotage”
S5:E18 – “The Jedi Who Knew Too Much”

The Mandalorian Season 1, archive imageThe Mandalorian, Season One
“Chapter 1: The Mandalorian”
“Chapter 2: The Child”
“Chapter 3: The Sin”
“Chapter 4: Sanctuary”
“Chapter 5: The Gunslinger”
“Chapter 6: The Prisoner”
“Chapter 7: The Reckoning”
“Chapter 8: Redemption”

Grogu, The Mandalorian S2, archive imageThe Mandalorian, Season Two
“Chapter 9: The Marshal”
“Chapter 10: The Passenger”
“Chapter 11: The Heiress”
“Chapter 12: The Siege”
“Chapter 13: The Jedi”
“Chapter 14: The Tragedy”
“Chapter 15: The Believer”
“Chapter 16: The Rescue”

Boba Fett, Fennec Shand, The Book of Boba Fett S1, archive imageThe Book of Boba Fett
“Chapter 1: Stranger in a Strange Land”
“Chapter 2: The Tribes of Tatooine”
“Chapter 3: The Streets of Mos Espa”
“Chapter 4: The Gathering Storm”
“Chapter 5: Return of the Mandalorian”
“Chapter 6: From the Desert Comes a Stranger”
“Chapter 7: “In the Name of Honor”

Obi-Wan Kenobi, Part I, Ewan McGregorObi-Wan Kenobi
“Part I”
“Part II”
“Part III”
“Part IV”
“Part V”
“Part VI”

Andor, Season One
“Kassa”
“That Would Be Me”
“Reckoning”

The Mandalorian, Season Three
Chapter 17: “The Apostate”
Chapter 18: “The Mines of Mandalore”

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches Boba Fett – Hijacking the Show

The Book of Boba Fett, Mandalorian posterSERIES: The Book of Boba Fett
EPISODE:
S1:E5. “Chapter 5: Return of the Mandalorian”
STARRING:
Pedro Pascal, Amy Sedaris
WRITER:
Jon Favreau
DIRECTOR: Bryce Dallas Howard
PREMIERE DATE:
January 26, 2022
SYNOPSIS: 
The Mandalorian gets a new ship, and learns more about the power of the Darksaber.

By Rob Siebert
Fanboy Wonder

Let’s call out the elephant in the room. The big critique of this episode, as well as the following episode, is that they’re episodes of The Mandalorian shoehorned into The Book of Boba Fett. Whether anyone likes it or not, that’s a fair and just criticism. This is supposed to be a Boba Fett show, and he doesn’t even appear in this episode.

That’s not to say Mando has no place in this story. He could have come to Tatooine to help Fett in his fight against the Pykes. But this? Basically hijacking two episodes of Fett’s show to shift back to his story with Grogu? That’s too much. It’s good stuff, but it doesn’t belong here. It should have been saved for season three of The Mandalorian.

So what happened? How did The Book of Boba Fett get hijacked? I’ve got two theories…

The first is that the showrunners realized they didn’t have enough story with Boba Fett to fill an entire season. So they fall back on the Mandalorian stuff, which they knew fans would like. That doesn’t excuse it, but it’s a reasonable explanation.

The second is that the higher-ups at Disney and/or Lucasfilm said, “Mando and Grogu are popular. So put them in the show.” I’m not sure how likely that is, as Jon Favreau seems to have a good amount of control over the “Mandoverse.” But never underestimate the possibility of non-creative people trying to exert control over creative people. There’d be a sad irony there, as George Lucas fought vehemently against that sort of thing while making the original trilogy.

But to reiterate, even though these two episodes don’t belong here, they are pretty damn good. So let’s dive in…

The Book of Boba Fett, Mandalorian

Awesome entrance for Mando, not surprisingly. A sure fire way for a Star Wars project to impress me is to show us new and unique places in the Star Wars universe. “Return of the Mandalorian” manages to do that not once, but twice. We get this slaughterhouse in the opening scene, which is pretty cool. They could have gotten a little more creative with the fight and maybe had Mando and the goons smacking into bloody slabs of meat. But maybe that’s a little too much…

But what I really loved was the city of Glavis, which is situated on a gigantic ring structure in space. They could have just had Mando on another desert planet, or a jungle planet, or an ice planet, or whatever. But instead they got creative. Excellent.

Amy Sedaris is back as Peli Motto. Given her background, I’m curious if she has any input on what she says. That stuff about dating a jawa, for instance. Did she come up with that, or was it in the script?

Mando’s new ship is a modified Naboo starfigher, like the ones we saw in The Phantom Menace. It looks cool, but I miss the Razor Crest. This fighter doesn’t double as a home base the way the Crest did.

Mando has Mandalorian armor made for Grogu, and wants to deliver it to him personally. He apparently knows where Luke took him. But how? Luke didn’t exactly give a forwarding address. And you’d think he’d want to keep its location a secret. So what gives?

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches Boba Fett – He Kept the Ship?!?

The Book of Boba Fett, Fennec Shand posterSERIES: The Book of Boba Fett
EPISODE:
S1:E4. “Chapter 4: The Gathering Storm”
STARRING:
Temuera Morrison, Ming-Na Wen, Jennifer Beals, Carey Jones
WRITER:
Jon Favreau
DIRECTOR: Kevin Tancharoen
PREMIERE DATE:
January 19, 2022
SYNOPSIS: 
Boba Fett gathers his forces far war against the Pyke Syndicate.

By Rob Siebert
Fanboy Wonder

Boba Fett, now wandering alone, finds a nearly dead Fennec Shand in the desert. He takes her for cybernetic augmentation, saving her life. He then recruits her to help him take his ship back from Jabba the Hutt’s palace.

Fett saving Shand means, chronologically, these flashbacks are now in the era of The Mandalorian. In other words, five years after Return of the Jedi. Thus, I must pose the question…why is the ship still at the palace five years later? What possible use could Bib Fortuna have had for it? Why not dismantle it for parts? Or auction it off as the last remanant of the great Boba Fett?

The real answer, of course, is that from a storytelling standpoint, Jabba’s palace is the last place we the viewers saw the ship. So it’s easiest to simply have them go back there and get it. But someday, even if it’s just in a novel or something, I hope we get some kind of answer as to why Fortuna kept it.

Incidentally, Boba Fett’s ship is called Slave I. For whatever reason, Disney doesn’t want it referred to by the name anymore. I imagine they don’t want the protagonist for one of their big TV shows riding around in a ship with slave in the name. But I’m old school. It is, and always will be, Slave I.

Some of these sequences are really, really dark. Not tonally. I mean it’s difficult to watch them during the daytime because they look almost pitch black in a sunlit room. The sequence in the previous episode where Black Krrsantan attacks Fett in the bacta tank was like that too. Does that make me sound like an old man? Yes. But is it still true? Yes.

The Book of Boba Fett, Fennec Shand

Why does Shand decide to stay with Fett after her debt to him is paid? What’s her interest in him? Is it professional admiration? Is it romantic? What’s the deal?

The visual of Slave I hovering face down over the sarlaac pit is pretty absurd. I get that it served the purpose of killing the sarlaac. But still, it was awkward.

This episode gives us some insight into why Fett wants to take over Jabba’s operation. He wants to run an organization that’s better than the ones he’s worked for. That’s…not the best answer they could have given. But it’s fair enough, I suppose.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.