Tag Archives: Dick Grayson

A Batman: The Rules of Engagement Review – Woundmates

TITLE: Batman, Vol. 5: The Rules of Engagement
AUTHOR: Tom King
PENCILLERS: Joelle Jones, Clay Mann, Lee Weeks, Michael Lark
COLLECTS: Batman #3337, Batman Annual #2
FORMAT:
Softcover
PUBLISHER: DC Comics
PRICE: $16.99
RELEASED:
April 25, 2018

***WARNING: One or two minor spoilers ahead.***

By Rob Siebert
Fanboy Wonder

Didja catch that? See what they did there? “Rules of Engagement.” Only it’s like, engagement. You know, to be married and stuff. Yeah, you get it. See, it’s that kind of clever wordplay that’s kept the Batman mythos alive for 80 years…

So before DC went and made a lot of people mad with the Batman/Catwoman wedding storyline, this was the early portion of the build-up. Basically, this is the part where most of Bruce Wayne’s closest allies react to his decision to marry Selina Kyle. Damian, Dick, and his various surrogate sons. Superman. Even Talia al Ghul. Hijinks and violence ensue.

Oooo! I’ve got one! Ready? Together, Bruce and Selina are about to learn that the only “rules of engagement,” are that there are no rules.

Oh c’mon! If they can get away with Rules of Engagement

1. A Walk Through the Desert

The first part of the book sees Batman and Catwoman enter the Middle Eastern country of Khadym, which the U.N. and the Justice League have designated off-limits. It also happens to house Talia al Ghul and the League of Assassins. But Talia has something Bruce and Selina need to move forward with their marriage. Thus, the two sides are on a collision course. As you might expect, there are swords involved. Like, a lot of swords.

Presumably because of Batman v Superman, this book sees Batman don a duster and goggles, despite also being in full costume. It was stupid in the movie. It’s no less stupid here. The look would eventually return for another desert story, and it was no less stupid there either. I’ll be incredibly happy when this damn trend fades away.

As she would later do on the Catwoman series, Joelle Jones turns in some marvelous work, alongside colorist Jordie Bellaire. While her style, complete with the dark jagged lines, doesn’t exactly mesh well with the quiet scenes in Wayne Manor, it’s a tremendous fit for all the desert stuff. Jones often shines when the dramatic and the grotesque come together. So when things get bloody, slicey, and stabby, she’s right at home.

Not surprisingly, things culminate in a fight between Talia and Selina. It manages to be a pretty good fight. Not because of the physicality, but because of a stretch of dialogue where Selina proves she knows Bruce in a way Talia never has. She has a kind of insight into his mind and heart of which Talia may be incapable. From a writing standpoint, it’s one of the highlights of Tom King’s entire Batman run.

King also revisits the “Can Batman be happy?” idea he touched on during I Am Gotham. He uses Damian, grief-stricken that his father is marrying “that woman,” and Dick Grayson. Again, very poignant and effective stuff that cuts to the heart of the Batman character. I’ll leave it at that for now, as we’ll need to revisit it down the road anyway.

2. Double Date

The book shifts from bloody to comedic for a double date story that tips its hat to the sillier Superman/Batman stuff from the Golden Age. In “Super Friends,” Bruce and Selina take in a night at a carnival with Clark Kent and Lois Lane. King, Clay Mann, co-inker Seth Mann, and Bellaire go all out with the premise. The characters wear each other’s superhero costumes. Lois and Selina get drunk from a flask. Superman and Batman swing at baseballs. By and large, it’s genuinely fun. Clay Mann’s rendering of Clark Kent in the Batsuit, glasses and all, is hilarious.

It does, however, raise one of the issues I often have with King’s writing: He can go a little off the deep end with the banter. It’s not so much an issue in “Super Friends,” as it’s a blatant comedy. But when you have, for instance, a high-stakes tale about Batman and Catwoman confronting Talia and the League of Assassins, going too heavy on the banter can cut into the drama.

Case in point, when we open issue #34, Batman and Catwoman are surrounded by assassins, hell bent on cutting them to pieces. This is a portion of the dialogue we get just before the fighting gets underway…

B: “Cat, I may be wearing a leather bat costume. But do I look dumb enough to make fun of you?
C: “I don’t know, Bat. Do I look dumb enough to not know what ‘a lot’ is?”
B: “No. You look lovely.”
C: “Sure, you say that now. Wait’ll I’ve got their blood all over me.”

One of King’s greatest strengths in writing Batman is how he conveys the connection between Batman and Catwoman. But even by couple-bickering standards, stuff like this is overindulgent. Sadly, this book is hardly the end of it.

3. Woundmates

I read an article not long ago that introduced me to the term “woundmate.”  Long story short, it’s someone with whom you share a similar kind of trauma, or unsolved emotional problems and as such they feel like a soulmate. But in the end, they aren’t.

Re-reading “Some of These Days” from Batman Annual #2 reminded me of that article. Because in the end, that’s what Bruce and Selina are. Woundmates. That’s beautifully, and literally, illustrated by Lee Weeks as he channels his inner David Mazzucchelli. The story is obviously meant to be an extension of Batman: Year One, but it doesn’t work at all without Weeks.

Michael Lark is tagged in for the last few pages, as we time-jump to a potential future where Bruce and Selina have grown old together. Again, poignant. And downright touching when you get right down to it. I love Gotham Central as much as anybody, so I’ll never complain about seeing Lark back on a Bat-book.

4. A Deeper Connection

King uses the annual to retcon Batman and Catwoman’s history so they have a deeper connection. Most notable is that they discover one another’s identities very early on. I can’t say I love that, but I don’t hate it either.

What I’m not necessarily a fan of is Catwoman’s motivation in the story. She breaks into Wayne Manor multiple times, and later reveals she’s been doing it to essentially sharpen Batman’s edges so he doesn’t get killed. (See above image.)

Frankly, I just don’t buy it. Maybe I’m too hung up on the classic Batman/Catwoman presentation where they’re simply flirtatious. I can accept Selina being able to penetrate the walls Bruce has put up and catch him off guard. I can accept the idea that she cares about him. But something just isn’t right about the notion that she takes time out of her life to sharpen Batman’s skills. Remember how early in her career this is supposed to be. Early on, Catwoman is a hardened thief out for herself. She may have a heart of gold underneath it all, but that only extends so far…

5. The Verdict

The Rules of Engagement isn’t a must-read, even if you’re simply following the wedding storyline. It has the same flaws as most of Tom King’s Batman run. There is, however, some amazing art to be seen. I can’t help but be partial to Lee Weeks, but it’s also a strong outing for Joelle Jones. And if, like me, you’re a fan of the way King writes Bruce and Selina’s chemistry, you’ll enjoy it.

For more of Tom King’s run on Batman, check out I Am Gotham, I Am Suicide, I Am Bane, Batman/The Flash: The Button, and The War of Jokes and Riddles.

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Panels of Awesomeness: Batman by Mark Bagley

By Rob Siebert
Fanboy Wonder

THE ISSUE: Batman #688

CREATORS: Judd Winick (Author), Mark Bagley (Penciller), Rob Hunter (Inker), Ian Hannin (Colorist), Jared K. Fletcher (Letterer)

RELEASED: July 8, 2009. Collected in Batman: Long Shadows.

THE SCENE: Shortly after taking up the mantle of Batman, Dick Grayson trains with Damian Wayne, who has just become the new Robin.

WHY THEY’RE AWESOME: This scene has been hanging around in my subconscious for the near-decade since it was published.

On the surface, it’s not particularly remarkable. Just Dick Grayson and Damian Wayne training together. Sort of a Karate Kid scenario with Dick in the Mr. Miyagi role. But as Eric Bischoff might say, “context is king.” This issue came out shortly after Final Crisis, in which Bruce Wayne “died” at the hands of Darkseid. Thus, Dick Grayson has once again taken on the role of Batman, and Damian has become Robin.

Putting these two together was a perfect recipe for personality conflicts. Dick’s generally friendly and warm personality clashed with Damian’s defiant, abrasive, and often bratty disposition. Especially early on in their partnership.

But in Batman #688, Judd Winick took the time to balance the scales a little bit, and show us is indeed a qualified mentor for Damian. Not necessarily because of his fighting prowess, but the patience and wisdom years of experience have brought him. It’s a quality that can’t be taught, and one that makes for a damn good teacher.

I was working on a piece of fiction recently, with a scene that had a similar teacher/student premise. For whatever reason, I kept coming back to the line Dick has at the end of this scene: “Don’t anticipate.” I like that. Simple. Concise.

I know Judd Winick isn’t everybody’s favorite Batman writer. But more often than not, I really dug his stuff. Throw in the art by Mark Bagley, who’d just come off his legendary run on Ultimate Spider-Man, and these pages definitely have their fair share of awesomeness.

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Astonishing Art: Robin by Marcio Hum

By Rob Siebert
Fanboy Wonder

My favorite Robin costume is the original one from 1940. The “pixie boots” costume, with the bare legs and the yellow cape. It may very well be the the most illogically flamboyant costume in the history of superhero comics. Especially in the context of Batman’s world. But its become iconic as the decades have gone by, no matter how much certain creators have tried to sweep it under the rug.

That’s why I love this piece by Brazilian artist Marcio Hum so much. It shows us the character in what may currently be his most popular (not to mention outrageous) incarnation from Teen Titans GO! It’s a really fun contrast with the classic Robin. Plus, the pencil sketch background makes the costumes bright colors pop that much more.

Hum has drawn similar pieces for Cyborg, Starfire, Raven, and Beast Boy. They can be found on his Instagram. Hum is also the designer of Mini Co Collectibles.

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Epic Covers: Nightwing #50

By Rob Siebert
Fanboy Wonder

So yeah, they shot Dick Grayson in the head. That’s one of the latest stunts over at DC. Hey, at least he wasn’t a Heroes in Crisis casualty. Don’t think they wouldn’t have done it.

The gunshot wound leaves Dick with amnesia, and no memory of his life as a superhero. It’s too early to tell if this story is going to be any good. But it does have a lot of potential to make a statement about what Dick means to the DC Universe, not to mention the Batman family as a whole.

This cover is low-key epic. Amidst all its colorful competition, it didn’t exactly jump off the rack. But once you get a closer look, you see that it’s all in the details. Specifically, the scar itself…

I’m hardly an expert on scar tissue. Specifically as it relates to bullet wounds to the head. But this was convincing enough to convey that impact and awe that the cover is shooting for. The texturing, the look of the fold in the skin, the colors. It’s striking.

The big drawback? For the cover, they made the scar look like the Nightwing insignia. Lame.

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Titans Trailer Reaction: F**k Batman???

By Rob Siebert
Fanboy Wonder

The trailer for the upcoming Titans TV series, based on the DC Comics characters, dropped today. And, yeah…this is happening…

*ehem* Okay. So, let’s break this down to pros and cons. And yes, unfortunately, there are more cons than pros at this point.

Pros:

– I actually like the idea of Raven seeking out Dick Grayson, and the genesis of the team sparking from there. But what’s Dick’s job? Is he a cop, as he was in the comics for awhile? A reporter?

– Brenton Thwaites, who plays Dick, seems like a solid choice for the role. He looks damn good in that costume. Teagan Croft (Raven) reminds me a lot of Chloe Grace Moretz. Though that’s neither a pro nor a con, really. Just a thing…

– I’m intrigued by the little glimpses of Hawk and Dove.

Cons:

– Very dark and dismal. You’d think DC would have learned their lesson after Batman v Superman, and all that Zack Snyder crap. Apparently not. This looks like Riverdale with superhero costumes.

Though in all fairness, Riverdale is a successful show. I guess darkness is what moody teenagers want to see. I ate up that kind of content when I was in my late teens and early 20s. But that doesn’t leave the rest of us with much.

– Why is this trailer rated TV MA? If they want Dick Grayson to be angsty, then make him angsty. But “F**k Batman” is a little on the nose, isn’t it? Not to mention tacky.

– Early set photos of Anna Diop’s Starfire costume caught a lot of flack. Admittedly, they looked pretty bad. She looked like a space hooker. She still kind of looks like a space hooker, to be honest. But consider her costume from most of the source material. They were almost screwed either way.

Still, I’m actually willing to wait and see how she looks in the show. My problems with this trailer have less to do with how the characters look, and more how the show itself looks.

– That “Madness” chorus is going to be stuck in my head for days…

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Micro-Reviews: Justice League, Batman, The Man of Steel

By Rob Siebert
Editor, Fanboy Wonder

Not a good week for publisher diversity at the Siebert house. Four from DC and one from BOOM! Studios. To be fair, funds were tight this week. Otherwise this list would have been at least twice as long. But minuscule as it looks compared to previous weeks, this is what’s in my stack.

Justice League #1
Notwithstanding my prior gripes with Scott Snyder’s stuff, I enjoyed Justice League #1. As he almost always does, Snyder goes big. That’s how it should be with the League. They’re going with the classic Justice League vs. Legion of Doom story, which is always a good draw.

I wasn’t a huge fan of Metal, but one thing I did enjoy was Snyder’s world-building. He continues that here. The way he uses the Hall of Justice and the Source Wall are fun. But I’m partial to the Psychic Conference Room myself.

Batman: Prelude to the Wedding – Nightwing vs. Hush #1
I was expecting a very personal, street-level fight from this one. We got that. But there was a cosmic element that I didn’t expect. Some interesting stuff. I just didn’t expect to see it here.

Also, there’s an exchange between Bruce and Dick in this issue that rubs me the wrong way. Dick tells Bruce that when he broke off on his own, he didn’t mean to distance himself personally. I call BS on that. The friction there was part of Dick’s development as a character.

This may sound odd, but I didn’t realize it was Batman and Catwoman that were getting married as opposed to Bruce Wayne and Selina Kyle. From a secret identity standpoint, not having Bruce marry Selina makes sense. She’s a publicly known criminal. But then what’s the point? How is it even a wedding? Are Batman and Catwoman getting a marriage license? Is the state going to recognize them as married? How does that work?

Batman #48
Is it possible to make the Joker too Jokey? Or maybe to quippy? Tom King pushes it in that respect with Batman #48. The whole issue is basically a big, nonsensical talking scene. You can get away with that to an extent, because it’s the Joker. But it got to be grating. On the plus side, Mikel Janin’s art is great as always. The visual of someone as evil as the Joker in a church is disturbingly awesome. Or awesomely disturbing.

The Man of Steel #2
I’m worried that Bendis’ use of “Bendis Banter” will wear on me as his run progresses. But for now it’s charming. Superman and Green Lantern have a refreshing exchange in this issue that feels like a genuine conversation between friends. On the flip side, we see Perry White confide in Clark about the pressures of surviving in the journalism industry. As a former journalist, that’s really interesting to see.

The pencilling in this issue is split between Evan “Doc” Shaner and Steve Rude, with two pages also done by Jason Fabok. It’s all great. But Rude steals the issue as far as I’m concerned.

Go Go Power Rangers #10
The Megazord we see on the cover is called the Gravezord. It’s made from the remnants of destroyed zords, specifically the Thunderzords. Kind of like Typhonis in MMPR: Pink. Dan Mora’s awesome art aside, I can’t decide how I feel about it.

For yours truly, the highlight of this issue is Jason having to ask Zordon to do something very personal for him, and Zordon having to tell him why he can’t. Well done, Ryan Parrott.

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The Fanboy’s Closet: Nightwing Crew Socks

***”The Fanboy’s Closet,” I pull a geeky item of clothing from the closet, snap a pic, and then see what subjects it takes us into. Why? Why the hell not?!?***

By Rob Siebert
Fanboy Wonder

Yeah, I post pictures of socks here now. What can I say? I’m a sock enthusiast.

I picked these suckers up at C2E2 last weekend. From the fine folks at SuperHeroStuff.com. Pretty good quality.

Once in awhile, somebody on Twitter will ask if people prefer Nightwing with the blue V-stripe or the red one. Or as I call them, Blue Nightwing and Red Nightwing. It’s not even a question, really. Blue Nightwing is the only Nightwing.

To me, Red Nightwing (i.e. the New 52 version) evoked Robin too much. Red is so closely identified with that character and that costume. A major part of Nightwing’s story is that he gave up being Robin to break away from Batman and become his own man. That independence is extremely important to the fabric of the character, and putting red on him almost takes part of that away.

Red Nightwing first appeared in 2011’s Nightwing #1, drawn by Eddy Barrows. While I really enjoy his work (he’s currently on Detective Comics), that pose on the cover (shown below) will never look natural to me…

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