Who is Nightwing? – One Knight Stand

***As Nightwing’s public profile grows higher via the Titans TV series and the upcoming Gotham Knights game, “Who is Nightwing?” looks at Dick Grayson’s early solo adventures after stepping out of Batman’s shadow.***

TITLES: Nightwing/Huntress #14
AUTHOR: Devin Grayson
ARTISTS: Greg Land, Bill Sienkiewicz (Inker), Noelle Gidding (Colorist), John Costanza (Letterer)
PUBLISHER:
DC Comics
ORIGINAL SELLING PRICE:
$1.95 per issue
ORIGINALLY RELEASED:
1998
CURRENTLY COLLECTED IN:
Nightwing: Vol. 3: False Starts

By Rob Siebert
Fanboy Wonder

Something feels off here.

Nightwing/Huntress was a four-issue miniseries, the sole purpose of which seems to be the creation of a brief romance (if you can even call it that) between the two titles characters. It was published at the same time the main Nightwing series was ongoing. What that likely means is that someone in editorial came to Devin Grayson, Greg Land, and this team and said, “Hey, we want Nightwing and Huntress sleep together. Can you do it in four issues?”

But of course, that’s just speculation on my part.

With Batman away, Gotham city is under Nightwing’s protection (So who’s watching Bludhaven?) when a mobster is framed for a murder. But the crime’s mafia connections also attract the attention of the Huntress. The two wind up working the case together, and passions flare when they discover they have more than an enemy in common.

At this point in her near 10-year run, the Huntress/Helena Bertinelli character had been established as someone too violent and impulsive to be endorsed by Batman. To her immense frustration, she was seemingly banned from Batman’s inner circle. Nevertheless, her own bloody history with the mob fueled her crusade to operate in Gotham with or without the Dark Knight’s approval.

Then you had Nightwing/Dick Grayson, who years earlier had struck out on his own. Yet he still adheres to Batman’s code, and is still very much part of his extended “family.” There’s lots of potential for some “opposites attract” chemistry there, and in fact that’s what this book is supposed to be.

The problem is that it jumps into the…shall we say, “physicality,” before we really have a chance to explore any of that chemistry. It all starts rather abruptly, with feelings that are exposited rather than shown. We don’t go on the ride with Dick or Helena. That’s the missing ingredient here. Instead we spend much of the book analyzing the fallout from the act.

One character I’m grateful has a presence here is Oracle/Barbara Gordon. She wasn’t a vital ingredient. But given the Will they?/Won’t they? dynamic they had in the main Nightwing series at the time, her inclusion and input adds valuable perspective and context to things.

On a site note: Bruce Wayne is a public figure in Gotham City, yes? And Dick Grayson was once his ward, yes? So to an extent that makes him a public figure, yes? So when Dick and Helena consummate their attraction to one another, with masks completely off, shouldn’t she recognize him? And thus, shouldn’t she then be able to deduce that Bruce Wayne is Batman? Or are we just ignoring that notion for convenience?

Greg Land is back with us here, delivering a product that I would say is on par with what we got in the miniseries. One of my favorite panels in the book is pictured above. Though when you consider the accusations lobbied against Land for his use of pornography as photo-reference, it definitely makes you wonder…

The coloring, on the other hand, is definitely an upgrade. Noelle Gidding turns in something suitably dark and moody. The miniseries, and for that matter the main series at times, looked a little too bright for my taste.

One redeeming element here is that the effects of Nightwing/Huntress would subsequently be felt in not just the main series, but the No Man’s Land crossover that would soon follow. So at least this story had a purpose and an impact. But sadly, the book itself under-delivers.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Best of Batman & Superman: Gotham Knights #27

***Batman and Superman are friends. It’s an unlikely friendship, and one that can put them at odds. But ultimately, it’s a friendship based on mutual respect and trust. With Batman v Superman: Dawn of Justice on the horizon, we’re going to hear a lot about these two fighting. “Best of Batman & Superman” will show us the opposite end of the spectrum. These are the moments that showed us why Superman and Batman are better friends than enemies.***

Batman: Gotham Knights #27 (2002)TITLE: Batman: Gotham Knights #27
AUTHOR: Devin Grayson
PENCILLER: Roger Robinson. Cover by Brian Bolland.
PUBLISHER: DC Comics
ORIGINAL PRICE: $2.50
RELEASED: March 20, 2002

By Rob Siebert
Editor, Fanboy Wonder

Gotham Knights was a third-string Batman title that ran for 75 issues between 2000 and 2006. But the stories it presented were often far from third-string. You won’t find a better example than issue #27, which brought Batman and Superman together under less-than-ideal circumstances.

This issue was part of the Bruce Wayne: Fugitive crossover, which saw Bruce become the prime suspect in the murder of his girlfriend, Vesper Fairchild. Vesper, a journalist, had discovered that Bruce Wayne was Batman, and was debating whether to expose his secret when she was murdered in Wayne Manor. The evidence pointed to Bruce as the culprit. Readers were even left to question whether he had actually done the deed. Believing his Bruce Wayne identity had become a liability, Batman opted to leave him behind, and become The Dark Knight full time. This didn’t sit well with his surrogate family, and even culminated in confrontation with Nightwing. But Batman’s mind was unchanged. Bruce Wayne was gone.

Enter Superman.

Batman: Gotham Knights #27, image 2According to Greg Rucka, one of the writers behind the Fugitive storyline at large, the idea behind the crossover was to get Bruce to see just how far into the darkness he had gone. Recent events such as the Earthquake that destroyed much of Gotham (see No Man’s Land), the shooting and retirement of Jim Gordon (see Officer Down), and now the death of Vesper Fairchild, had made him more emotionally reclusive than ever. At this point, there was no room for happiness in Bruce’s world. He’d become almost unreachable.

Part of what makes the Batman/Superman friendship work is the balance in ideals. When they’re portrayed best (in my opinion), here’s an inherent bleakness and cynicism to the Dark Knight Detective that’s balanced by the compassion and optimism of the Man of Steel. You’ll rarely find that on display more prominently than in this issue, as Clark reaches out to Bruce to try and pull him back from the abyss.

We get a nice illustration of that balance pretty early here, as Superman has to physically stop Batman from pummeling a street crook. He also reveals a handful of bullets, indicating he’s been watching Batman’s back for a bit.

Then it gets good. Clark tells Bruce that he knows he didn’t murder Vesper. That’s a fantastic illustration of the trust that exists between the two of them. Yes, Superman is an optimist (or at least he was at that point). But even he couldn’t ignore the evidence, which pointed to Bruce as the killer. But he still knew Bruce well enough to understand he couldn’t have done it. That’s so perfect. In contrast, if this story were done now, I get the impression our heroes would have spent most of the issue hitting each other.

Batman: Gotham Knights #27, image 3Without the question of guilt, Clark asks Bruce why he isn’t trying to clear his name or protect his real identity. After some action, Batman responds: “This is my ‘real identity.'”

Superman accepts that response, but gives him a nice little monologue before he leaves.

“It is your true nature to cover up your grief and hide any shame or fear you might feel behind your mask. And it’s in your true nature to refuse help, and to work through your own doubts. So having offered my assistance and expressed my concern, I can leave now, saying what I always say before I go: I’m here if you need me and I trust you…Bruce.”

BOOM. That. Right there. A little too talky and psychoanalytical for an actual conversation? Maybe. But I don’t care. That’s friendship right there, ladies and gentlemen. Clark didn’t push Bruce to go one way or the other. He simply offered his concern and opinion, then said “I’m here if you need me.” There were no punches thrown, no arguments or scathing remarks. As much as any book has ever done, this issue made the friendship between Clark and Bruce seem real.

Batman: Gotham Knights #27, Batman, Superman, Roger RobinsonOur artistic team does a nice job of making Superman look out of place in Gotham, as he should. Penciller Roger Robinson, inker John Floyd, and colorist Gloria Vasquez make sure his bright red colors stand out among the blacks, deep blues and darker violets. Robinson gives our heroes a dynamic look for this relatively quiet issue. But given how iconic they both are, it works.

It’s also worth noting that this issue’s “B story” sees Alfred debate whether or not to read Bruce’s private journal. Considering what we’re getting from our heroes in this issue, it’s obviously dwarfed by comparison. But the art looks damn fine.

Even in a medium famous for its BAMs, SMACKs, and KAPOWs, a fight isn’t always the answer. Sometimes you just need to put the characters together, and they almost write themselves. But I guess that’s not a good recipe for an action blockbuster to start your cinematic universe.

Images 1 and 3 courtesy of Roger Robinson’s Facebook. Image 2 from author’s collection.

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