Weekly Comic 100s: Rorschach, Crossover, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

We’re going to be spending the next few weeks catching up on “Weekly Comic 100s.” So you’re going to see a variety of books from late November into December. Starting with…

TITLE: Rorschach #3
AUTHOR: Tom King
ARTISTS: Jorge Fornes, Dave Stewart (Colorist), Clayton Cowles (Letterer)
RELEASED: December 15, 2020

This issue gives us an origins story for Laura Cummings, Rorchach’s apparent sidekick. To its credit, it strikes close to home, as Laura’s father leads a home-grown militia preparing for the arrival of squids, a la the one we saw at the end of Watchmen. And of course, the ones we often see on the news nowadays…

It’s a brilliant thing to pluck from modern headlines. It feels not only poignant, but something Rorschach would appreciate.

TITLE: Crossover #2
AUTHOR: Donny Cates
ARTISTS: Geoff Shaw, Dee Cunniffe (Colorist), John J. Hill (Letterer)
RELEASED: December 9, 2020

This issue was a better read for me than the last one was. I was so baffled by the inciting incident and the whole “comic characters come to life” premise that I couldn’t enjoy the issue. This time around things settle down, and we get an idea of what where the book is going.

I still can’t say I’m a huge fan of Crossing Over. Despite this issue being a little more grounded, I still have trouble wrapping my head around the premise. But I’ll say this much: I’ll be back for issue #3. For curiosity’s sake, if nothing else.

TITLE: Juggernaut #4
AUTHOR: Fabian Nicieza
ARTISTS: Ron Garney, Matt Milla (Colorist), Joe Sabino (Letterer)
RELEASED: December 9, 2020

“Sorry. I know it’s hard to breathe inside me.”

A villain says that to Juggernaut in this issue. I’ll just let that statement speak for itself, I think.

While the novelty of this series is starting to wear off a bit, I must admit Nicieza, Garney, and the Juggernaut team have a good outing with this issue. We fill the action quota, while also doing some nice character work with both Cain Marko and D-Cel, who I’m starting to warm to more and more.

TITLE: Batman/Catwoman #1
AUTHOR: Tom King
ARTISTS: Clay Mann, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED: December 1, 2020

This book jumps around to different scenes at different times quite frequently. Not my cup of tea in terms of story structure.

This book introduces Phantasm, as in Batman: Mask of the Phantasm, into the DC Universe proper. Fair enough. Though her inclusion doesn’t tip the scales one way or the other in terms of quality.

Clay Mann and Tomey Morey are on point here. The issue has a certain sensuality to it, which I suspect is by design. I just wish I could stop having Heroes in Crisis flashbacks when I see Mann’s work.

TITLE: Teenage Mutant Ninja Turtles: Jennika #2
AUTHOR/ARTIST: Brahm Revel
RELEASED: December 2, 2020

This month, we learn that New York City has de-funded all the fire departments in Mutant Town until they can figure out an aid package. I’d say that doesn’t reflect too well on New Yorkers. But then I remembered: This is the universe where Baxter Stockman is the mayor. That ship may have already sailed…

I know I’m a broken record, but I can’t say enough good things about the “sketchy” aesthetic Brahm Revel brings to this book. What’s more, he gets to flex some horror muscles in this issue, which is a tribute to his versatility.

TITLE: The Other History of the DC Universe #1
AUTHOR: John Ridley
ARTISTS: Giuseppe Camuncoli (Layouts & Cover), Andrea Cucchi (Finishes), Jose Villarrubia (Colorist), Steve Wands (Letterer). Cover by Camuncoli & Marco Mastrazzo.
RELEASED: November 24, 2020

This could very well be the best Black Lightning story ever written.

The Other History of the DC Universe #1 takes you there. It brings you into the mind of Jefferson Pierce, and shows you how he feels. Not just about John Stewart strictly being a substitute Green Lantern, or the Justice League being comprised of mostly white men. It draws you into the head and heart of a man trying desperately to save the community he grew up in, and bring a little more justice into the world.

This issue is worth the $6.99. Worth every penny.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Power Rangers Double-Feature, Crossover, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Power Rangers #1
AUTHOR: Ryan Parrott
ARTISTS: Francesco Mortarino, Raul Angulo (Colorist), Ed Dukeshire (Letterer). Variant cover by Jung-Geun Yoon.
RELEASED: November 11, 2020

There’s a really cool scene in here between Jason and Rocky, where they talk about the latter being the Red Ranger, but not the team leader. Parrott is so good at creating character moments for characters who were pretty thinly written to begin with.

That being said, Mortarino draws Rocky like…there’s no other way to put it…a whiny little bitch.

Adding Drakkon to this book is smart. Between BOOM’s two new Power Rangers titles, I suspect this is the one that’s going to have more trouble staying afloat, simply because the characters aren’t the iconic Power Rangers.

TITLE: Wonder Woman #766
AUTHOR: Mariko Tamaki
ARTISTS: Steve Pugh, Romulo Fajardo Jr. (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Alejandro Sanchez.
RELEASED: November 10, 2020

Tamaki is taking a page out of Greg Rucka’s playbook and blinding Wonder Woman. For a few issues, at least. I’ll say this much: It makes for a pretty cool fight sequence in this issue.

It seems like they’re wrapping up the story of the reluctant Wondie/Maxwell Lord team, which is a shame. For my money, the concept had a lot more mileage to it. It had become something I looked forward to seeing with each new issue.

I know I’m a broken record, but I still miss Mikel Janin on this book…

TITLE: Darth Vader #7
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Cover by Daniel Acuna.
RELEASED: November 11, 2020

Boy, some of this is really dumb.

I like the idea of the Emperor giving Vader a sadistic test by leaving him to die on Mustafar. But early in the issue we once again backtrack to a location from the prequels, and literally see Nute Gunray’s corpse. Is that all this series has to offer? “Hey! This is something you remember from the movies!”

This character, and this universe, deserve better.

TITLE: Detective Comics #1030
AUTHOR: Peter Tomasi
ARTISTS: Bilquis Evely, Mat Lopes (Colorist), Rob Leigh (Letterer). Variant cover by Lee Bermejo.
RELEASED: November 10, 2020

I think this is the first time I’ve seen Evely’s art. It’s got a cool sketchy look to it that doesn’t always go well with Batman’s world. But paired with Lopes’ colors, it works. Evely really gets to flex in this issue, drawing much of Batman’s surrogate family.

Tomasi is looping Damian into things, which bodes well for the book’s immediate future. His work with Bruce and Damian on Batman & Robin is some of his best. I’m interested to see if he can recreate some of that magic.

TITLE: Champions #2
AUTHOR: Al Ewing
ARTISTS: Simone Di Meo, Bob Quinn, Federico Blee
RELEASED: November 11, 2020

The division among civilians over Kamala’s Law, the law against teen superheroes, is really compelling. Mostly because it’s such an unsettling reflection of the actual division we’re seeing in the United States. It’s a tremendous example of how superhero comics can reflect what we see in the real world.

We open up this issue in a “reeducation center” that’s straight up chilling. It’s actually downright dystopian. I can’t remember the last time a comic book left me this unsettled.

TITLE: Superman #27
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Danny Miki (Inker), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Cover by Tony Daniel.
RELEASED: November 11, 2020

Superman spends a small portion of this issue trying to avoid hitting the big scary alien. Imagine that. A superhero trying to dodge conflict with someone who looks and talks differently. God damn, Superman is so the hero this world needs right now. While I may not be in love with his work over on Action Comics, make no mistake about it, Bendis gets Superman. That’s so important, as the vast majority of writers don’t.

Reis, Miki, and Sinclair have been killing it, giving us some of the best art we’ve seen in Superman in years. Don’t sleep on them here.

TITLE: Crossover #1
AUTHORS: Donny Cates, Mark Waid (Story Edits)
ARTISTS: Geoff Shaw, Dee Cunniffe (Colorist), John J. Hill (Letterer). Cover by Shaw & Dave Stewart.
RELEASED: November 4, 2020

There’s a character in this book wearing a shirt that says “Wertham was right.” That’s a pretty cool Easter egg for people up on their comic book history.

Crossover is a book about comic book characters coming to life in the real world. All of them. It’s a silly concept, but the book treats it pretty seriously. As such, we have a series that people with a passion for the comic book medium will likely enjoy, but more casual fans may find a little too out there. Heck, I’m passionate about comics and it’s pretty far out even for me…

TITLE: Mighty Morphin #1
AUTHOR:
Ryan Parrott
ARTISTS:
Marco Renna, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Variant cover by Daniele Di Nicuolo.
RELEASED:
November 4, 2020

The way Parrott writes Zordon in this issue is a departure from how we’re used to seeing him. Less a wise sage and more of a friendly uncle. It’s a risk that doesn’t pay off, in my opinion.

So wait…Drakkon’s not the Green Ranger? I’m confused…

I prefer Marco Renna’s work on this book to what we’re seeing in Power Rangers, particularly when it comes to action sequences. His panels with the Green and White Rangers are particularly strong, and the colors really pop. I’m hopeful this book will keep building momentum going forward.

TITLE: Batman #102
AUTHOR: James Tynion IV
ARTISTS: Carlo Pagulayan, Carlos D’Anda, Danny Miki (Inker), David Baron (Colorist), Clayton Cowles (Letterer). Cover by Jorge Jimenez & Tomeu Morey. Variant cover by Francesco Mattina.
RELEASED: November 3, 2020

Tynion says he came up with this new Ghost-Maker villain while he was writing back-up stories for Zero Year. That counts as a strike against him, in my book…

I’m not crazy about the name Ghost-Maker. But he’s pretty cool nonetheless. He’s got a cool costume, and a nice ninja aesthetic.

Carlos D’Anda pops up for a few pages in this issue to draw a scene where Harley Quinn gets a new apartment. It feels randomly dropped in. But I’m assuming that means Harley is sticking around in Batman for the near future.

TITLE: Star Wars #8
AUTHOR: Charles Soule
ARTISTS: Ramon Rosanas, Rachelle Rosenberg (Colorist), Clayton Cowles (Letterer). Cover by Carlo Pagulayan, Jason Paz, & Rain Beredo.
RELEASED: November 4, 2020

I’m in awe of just how much detail some artists put into these starships and the machinery. It’s a credit to not only to the talent of the artists they get on these Star Wars books, but the devotion they have to the franchise.

The writing, on the other hand, has been fairly stale across the entire line. In this book’s case, Commaner Zahra, a disciple of Grand Moff Tarkin, is a fairly interesting villain. But this just isn’t a terribly interesting story. She’s after Leia. Big whoop.

On the bright side, it’s not another story about a damn lightsaber…

TITLE: Young Justice #20
AUTHORS: Brian Michael Bendis, David Walker
ARTISTS: Scott Godlewski, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by John Timms & Eltaeb.
RELEASED: November 3, 2020

Teen Lantern gets a nice spotlight here. Now if only this weren’t the final issue.

It’s an honest-to-God crime that this series is ending at only 20 issues. It’s one of the best teenage superhero books I’ve read in a long time, in that it delivers on both the action front and the teen angst front. I dig the expansive roster, as well. Sort of a Young Justice League Unlimited feel. If there’s any justice in this world, this team will be back with a vengeance.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: TMNT #100, Dark Knight ReturnsSuperman

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Word recently broke about Kevin Eastman and Peter Laird working together again after all these years for a Ninja Turtles story called “The Last Ronin.” How fitting then, that not only does IDW’s Teenage Mutant Ninja Turtles #100 comes out this week, but we’ve also got a new Frank Miller book. It’s no secret that Eastman and Laird drew inspiration from Miller’s work in the early to mid ’80s.

Imagine what would have happened if it had the modern Frank Miller back then. Back then you had his work on characters like Daredevil and Wolverine. Now? We’ve got the Dark Knight sequels and Holy Terror. *shudders*

TITLE: Teenage Mutant Ninja Turtles #100
AUTHORS: Kevin Eastman, Bobby Curnow, Tom Waltz (Script)
ARTISTS: Dave Watcher, Michael Dialynas. Variant cover by Eastman.
SUPPLEMENTAL ARTISTS: Mateus Santolouco, Adam Gorham, Dan Duncan, Cory Smith
COLORISTS: Ronda Pattison, Bill Crabtree
LETTERER: Shawn Lee
RELEASED: December 11, 2019

TMNT #100 is more or less exactly what you want it to be. All recent plot threads converge, and as expected, we see the return of a major villain. Can’t say I expected that death, though. And make sure you don’t miss that epilogue…

The only real complaint I have is that I felt half a step behind because I couldn’t keep up on the Shredder in Hell mini. I suppose that’s the problem when you’ve created a world so rich and dense. You can’t always pack everything into one series. But that’s not necessarily a terrible problem to have.

TITLE: Dark Knight Returns: The Golden Child
AUTHOR: Frank Miller
ARTIST: Rafael Grampa. Cover by Grampa and Pedro Cobiaco.
COLORIST: Jordie Bellaire
LETTERERS: John Workman, Deron Bennett
RELEASED: December 11, 2019

My impression when I closed this book was that Miller must either have a ghostwriter working with him, or the editors are heavily involved here. Because this is a surprisingly competent issue to have his name on it in 2019. But if it was mostly Miller? Good on him.

No Bruce Wayne here. Which is kind of odd, but fine with me. Carrie Kelley, Lara, and this Dark Knight universe Jon Kent are more interesting anyway. They’re taking on Darkseid here, and Raphael Grampa’s art looks amazing.

A really good start. But keep your expectations tempered.

TITLE: Superman #18
AUTHOR: Brian Michael Bendis
ARTIST:
Ivan Reis
INKER:
Joe Prado
COLORIST:
Alex Sinclair
LETTERER:
Dave Sharpe
RELEASED:
December 11, 2019

Ugh. Why?

Yes, it’s exactly what it looks like. The same thing they did in 2015, in a storyline that, fittingly, was also called Truth.

It’s not that I don’t think Bendis and this team can do a good job with it. But we were just here. And inevitably, when you do this kind of thing you have to come up with some convoluted way to get the genie back in the bottle. So why even bother?

I will say, though, there’s a single silent page depicting the big moment between Clark Kent and Perry White that’s absolutely beautiful.

TITLE: Something is Killing the Children #4
AUTHOR: James Tynion IV
ARTIST: Werther Dell-Edera
COLORIST: Miquel Muerto
LETTERED BY: Andworld Design
RELEASED: December 11, 2019

In this issue, we get a major revelation about the nature of the monsters devouring children in Archer’s Peak. Tynion takes what I’ll refer to as the “Do you believe in magic?” approach. It’s an interesting twist that I didn’t see coming, and for my money, helps separate this book from the pack. Hopefully he’s given the time to expand on it.

As cool as Erica Slaughter is, part of me actually wants to see her killed off so James can take her place and learn about all this monster stuff. Probably won’t happen. But could be cool.

TITLE: Detective Comics #1017
AUTHOR: Tom Taylor
ARTIST: Fernando Blanco. Cover by Tony Daniel.
COLORIST: John Kalisz
LETTERER: Travis Lanham
RELEASED: December 11, 2019

A nice little one-and-done. I like when they do these. In the context of Detective Comics, it reminds me of Paul Dini’s run all those years ago.

Our story deals with missing children at the Martha Wayne Orphanage in Gotham. Taylor shows us a more sensitive and empathetic side of Batman and Robin. Also, the art in this issue really stands out, as Kalisz uses a more saturated color palette, while our inks are darker. He even gives us a sort of saturated sepia tone for the opening flashback that sets the scene really well.

TITLE: Go Go Power Rangers #26
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino
COLORIST: Raul Angulo
LETTERER: Ed Dukeshire
RELEASED: December 11, 2019

One of the big selling points of this book early on was it was set in the pre-Green Ranger days. Tommy, one way or another, inevitably pulls focus from the other characters. It’s a little sad that the emphasis has shifted that way.

But Parrott is still the best PR writer we’ve seen from this BOOM! Studios run with the license. Oddly enough, what I enjoyed most about this issue was a flashback to Tommy eating a meal with Rita at the palace. As a kid, I always wanted to see him in there interacting with the other villains.

TITLE: Dying is Easy #1 (of 5)
AUTHOR: Joe Hill
ARTIST: Martin Simmonds. Cover by J. Lou.
COLOR ASSISTANT: Dee Cunniffe
LETTERER: Shawn Lee
RELEASED: December 11, 2019

Cop turned stand-up comic. Now there’s something you don’t see every day.

If grim-and-gritty is your thing, this book is right up your alley. If there’s a seedy underbelly to the world of stand-up, this book is smack in the middle of it. Simmonds and Cunniffe do a tremendous job using the colors to create an ominous, foreboding vibe. Ultimately, that pays off on the last page…

Fittingly, the book also manages to be funny in a black comedy sort of way. I’m not totally sold yet, but I may indeed be back for more.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Panels of Awesomeness: Her Infernal Descent #1

By Rob Siebert
Fanboy Wonder

CREATORS: Lonnie Nadler and Zac Thompson (Authors), Kyle Charles (Artist), Dee Cunniffe (Colorist), Ryan Ferrier (Letterer)

THE SCENE: A middle-aged woman continues to mourn the loss of her family before quite literally taking a journey into hell.

WHY THEY’RE AWESOME: In storytelling of any nature, much is made of the narrative “hook,” i.e. what the author uses in the opening moments of the story to draw their audience into the story.

Her Infernal Descent is a modern re-telling of Dante’s Inferno. Desperately longing to see her dead family again, our main character Lynn is approached by the spirit of William Blake. Despite the risk, she descends into hell with him and begins her journey through its nine circles.

But before any of that happens, we spend a handful of pages with Lynn at home (shown at right). They’re absolutely heartbreaking. It’s all so excruciatingly realistic. Look at some of the backgrounds. The kitchen is an absolute wreck. There are dirty dishes in the sink as she eats a casserole out of the dish. All the boxes from packing up. The cluttered on the floor. The empty wine glasses. Dee Cunniffe’s colors are so beautifully muted. Even when Lynn sees the sun, there’s a bleakness to it. Note the details Kyle Charles gives us with her body language. Look at Lynn’s face. Look at her posture. The unkempt hair.

But what pushed these three pages over the edge for me was the script. I’m not sure how Lonnie Nadler and Zac Thompson broke down the writing duties. But these lines punch you right in the gut because they’re so relatable. The ones that really got me were the ones about the silence in the house:

“…the first thing I noticed was the quiet. I thought I could handle it. But I can’t. I wake up and there’s nothing. I’ve hardly said a darn word to anyone since. When I was with them, they drove me up a wall. Now I’d do anything to feel that again.”

I mean, holy crap…

From there we go into a two-page spread. It’s Lynn climbing up into the attic. There are so many memories up there, and she’s flooded with them. I wont’ show it to you here, because I want you to see the issue for yourself.

Her Infernal Descent #1 is published by AfterShock, and hit comic shops April 18. It’s also available on Comixology. The next issue is solicited for release on May 23.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.