Catching Up With The Mandalorian – “Chapter 7: The Reckoning”

The Mandalorian, season 1 posterSERIES: The Mandalorian
EPISODE:
S1:E7 – “Chapter 7: The Reckoning”
STARRING:
Pedro Pascal, Gina Carano, Carl Weathers, Werner Herzog, Nick Nolte (voice)
WRITER:
Jon Favreau
DIRECTOR: Deborah Chow
PREMIERE DATE:
December 18, 2019
SYNOPSIS: 
The Mandalorian recruits help to take down his former client.

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By Rob Siebert
Fanboy Wonder

The objective in this episode is to neutralize Mando’s former client, played by Werner Herzog, thus ensuring the safety of the child. Herzog’s character is only known as “the client.” He gets no name, no backstory details, nothin’. That’s not to say we need a lot in that sense for this character. He shows up, serves his purpose, and exits at the natural time. The fact that (and the way that) Werner Herzog plays him is enough to make him memorable. It would just be nice to have something to call him other than “the client.”

Even years later, I can’t decide if it’s a little too convenient that the people Mando recruits for the mission just happen to be the ones he’s recently met during the events of the show. Obviously I get it in the sense that they’re telling a story, and it might be a little late in the season to be introducing new allies. It just feels a little, well…convenient. You’d think he’d have some other contacts or comrades, not unlike the lot we met in “The Prisoner.”

After picking up Cara Dune, they travel to Arvala-7 to meet with Kuiil. When he sees the child, Kuiil remarks, “It hasn’t grown much.” How much time has passed since the last time these two saw each other? A few months, maybe? How much did Kuiil expect the kid to have grown?

We see Kuiil has repurposed IG-11 as a sort of butler/protector. It definitely makes sense that someone as small as Kuiil would want a guardian of sorts. He’s apparently very resourceful, but doesn’t seem like a fighter.

Mando and Cara pass time aboard the ship by arm-wrestling. Even with a Force-powered little goblin on my side, I don’t think you could pay me to wrestle Gina Carano. I base that purely on the size of her arms compared to mine…

Nice little monologue by Werner Herzog’s character about what life was like under Imperial rule as opposed to what things have been like since “the revolution.” Great insight into his character, his privilege, and his justification for the horrors of the Empire.

We meet Moff Gideon in this episode, played by Giancarlo Esposito. I mention this in a future review, but I’ll say it here too: Moff Gideon really wants to be Darth Vader. He’s got the black armor, the cape, his own personal TIE fighter. I wouldn’t be shocked to see he had a black helmet laying around somewhere.

In our final shot of the episode, we see that the speeder bike troopers have killed Kuiil and taken the child. Kind of a shame to see Kuiil go. But like the client, he arrived and left the story very naturally, and was memorable in his own right. I couldn’t have asked for much more from him.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Star Wars: Obi-Wan Kenobi, “Part VI” Review

Star Wars Obi-Wan Kenobi poster, Owen LarsSERIES: Star Wars: Obi-Wan Kenobi
EPISODE:
“Part VI”
STARRING:
Ewan McGregor, Moses Ingram, Hayden Christensen, James Earl Jones (voice), Joel Edgerton
WRITERS:
Joby Harold, Andrew Stanton, Stuart Beattie, Hossein Amini
DIRECTOR:
Deborah Chow
PREMIERE DATE:
June 22, 2022
SYNOPSIS:
Obi-Wan must face Darth Vader once again.

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By Rob Siebert
Fanboy Wonder

We got a lot of callbacks in this episode. We got some Empire Strikes Back with the ship being chased by a Star Destroyer, Vader on the bridge, and the musical callback to John Williams’ score. We got another later in the episode with Luke’s line, “I’m not afraid.”

We had some more more verbal callbacks with Ewan’s lines, “I will do what I must,” (Revenge of the Sith) and “Then my friend is truly dead” (Return of the Jedi). Palpatine (more on him in a bit) had one about Vader’s thoughts being “clear.” One can even make an argument for Reva’s hunting of Luke in the dark being a nod to Return of the Jedi.

All…interesting choices. I’m not sure I would have gone quite that heavy. But there it is.

Ha! After Obi-Wan says, “I will do what I must,” he does what I’ll call the “Obi-Wan pose” (shown below), with the lightsaber in one hand and his other extended outward. Great little touch.

The second fight between Obi-Wan and Darth Vader was about what it should have been. Obi-Wan had a little bit of his mojo back, but was still doing a lot of evading.

That broken Vader helmet thing was done on Rebels. So there is a certain cheapness to doing it again. But I’d argue this was more effective, by virtue of us having the involvement of both Hayden Christensen and James Earl Jones, as well as Ewan McGregor.

This episode gave us what I thought was the show’s only major misstep: Obi-Wan knowingly leaving Vader alive. That’s an objectively stupid move. At least in Revenge of the Sith, he thought Anakin was dead when he left Mustafar. But here there’s no excuse. Obi-Wan has accepted the notion that the Anakin he knew is gone. He’s standing in front of Darth Vader, who has slaughtered hundreds, if not thousands of people. The right thing to do would have been to finish the job.

Star Wars Obi-Wan Kenobi, Part VI, pose

What boggles my mind is that they could have easily had the Grand Inquisitor fly in with a squad of TIE Fighters and attack Obi-Wan, prompting a hasty retreat. Or something like that. But to just leave the evil dictator alive when you’ve got him right where you want him? Nope. Fail. So is Obi-Wan now culpable in every life Vader takes from here on out?

Reva’s redemption obviously opens the door to more stories with her. Supposedly she has her own series in the works. I can’t say I’m dying to see her story continue. But who am I kidding? I’d watch. If nothing else it would be poetic justice for all the racist crap Moses Ingram got.

Great to see a Palpatine cameo from Ian McDiarmid. He’s always great. Poor guy had to lie about it at Star Wars Celebration.

There’s been a lot of talk about Leia’s outfits in this show being reminiscent of stuff she wore in the original trilogy. But I’d argue her final outfit in this episode, and the series itself, was very similar to what Luke wears on Tatooine. That’s fitting, for obvious reasons.

So…Obi-Wan just stopped by Alderaan for a quick visit? That’s a little weird. They couldn’t have done that via the holo-communicator?

I can already here the crybabies out there calling foul over Obi-Wan meeting Luke. But Luke did know who “Old Ben”was in A New Hope. There was nothing there to directly contradict him meeting Leia, and there’s even less to indicate that he hadn’t met Luke at least once. Maybe even two or three times. Cool your thrusters, fanboys…

Qui-Gon Jinn, Star Wars Obi-Wan Kenobi, Part VI

Aaaaaaand of course Liam Neeson made a cameo as Qui-Gon. I called it. They couldn’t not pay that off after Obi-Wan spoke to him multiple times over the course of the show. I’m happy Liam Neeson is back in the Star Wars fold. I enjoy the Qui-Gon Jinn character. Quite a bit, actually.

There was a time period where Star Wars really harped on hope. Especially in Rogue One and The Last Jedi. But in its own way, Obi-Wan Kenobi was about hope too. Specifically, Obi-Wan regaining the hope he lost so many years ago after Anakin’s fall. Thankfully, this series didn’t point at it the way those movies did.

Obi-Wan Kenobi went by fast, didn’t it? But the show, despite its critics, delivered. I’d still argue The Mandalorian is better. But not by much. Obi-Wan Kenobi has been, and perhaps should be, judged by very different standards. People came in with much higher expectations. But I honestly don’t see what more the show could have done to appeal to fans new and old. For that, I tip my hat to it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Star Wars: Obi-Wan Kenobi, “Part V” Review

SERIES: Star Wars: Obi-Wan Kenobi
EPISODE:
“Part V”
STARRING:
Ewan McGregor, Vivien Lyra Blair, Hayden Christensen, Moses Ingram, Indira Varma
WRITERS:
Joby Harold, Andrew Stanton
DIRECTOR:
Deborah Chow
PREMIERE DATE:
June 15, 2011
SYNOPSIS:
Obi-Wan, Tala, and the Path must escape an Imperial attack.

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By Rob Siebert
Fanboy Wonder

I’m a little confused as to why people are questioning how “canon-friendly” Obi-Wan Kenobi is, because of this new connection we’re seeing between Obi-Wan and Leia. Granted, there’s nothing in A New Hope that suggests they knew each other. But there’s nothing that says they didn’t, either. The two character don’t even have any shared screen time in the movie. The closest they come to contact is when Leia presumably catches a glance of the fight between Obi-Wan and Darth Vader.

And yes, Leia is a little formal with Obi-Wan in the transmission that Artoo delivers. But it’s presumably been almost a decade since they’ve seen each other. A little decorum isn’t uncalled for. Thus far, Obi-Wan Kenobi fits into canon just fine. At least as far as I know.

Before our recap, we get a warning: “There are certain scenes in this fictional series that some viewers may find upsetting.” Given the temperament of a lot of the fans, it seems like that’s the kind of warning that should come before every Star Wars show…

These are the flashbacks I’ve been looking for! Granted, Hayden Christensen doesn’t look much like the teenager that Anakin is supposed to be. But it almost doesn’t matter. Even as someone who’s willing to be critical of the prequels and their shortcomings, it’s thrilling to see him in the role again.

Wait, I’m confused. In his transmission to Obi-Wan, Bail says: “If he’s found you, if he’s learned of the children…”

He’s talking about Darth Vader, right? That seems to imply that Obi-Wan tipped Bail off that Anakin had survived as Vader. But when did he do that? Why did he do that? That “If he’s found you…” line is frustrating in that it unintentionally raises nagging questions.

We learn here that Reva was a youngling that Anakin stabbed during Order 66, but survived. Her fixation on finding Obi-Wan was wrapped up in her hatred for Anakin, and that he couldn’t prevent Anakin’s fall and subsequent slaughter of those close to her.

This works fairly well as Reva’s motivation. I like that she’s after Vader more than she is Obi-Wan. It speaks to the idea that all these Sith secretly hate each other, and when the chips are down will turn on one another.

And so Tala dies a heroic death via thermal detonator. Yeah, that feels about right. You knew she wasn’t going to make it through the series. You just knew it…

Someone who evidently will make it through the series? The Grand Inquisitor, who returns at the end of the episode. Many speculated this might be the case. And his big line, Revenge does wonders for the will to live, don’t you think?” is awesome.

By the way, does the Grand Inquisitor have a name? We briefly see the rank of Grand Inquisitor bestowed upon Reva in this episode. So we know it’s a title, not a name. So what is Rupert Friend’s character’s actual name? Did Rebels ever cover that?

At the end of the episode, Reva discovers Bail’s recorded message to Obi-Wan, which reveals Luke’s location. I had a feeling things would come back around to Tatooine at the end. And I’ve got a theory about how things may go…

Years ago, in conjunction with the release of Revenge of the Sith, Dark Horse Comics put out an anthology miniseries called Star Wars Visionaries. In one of the stories, “Old Wounds,” a revived Darth Maul arrives at the Lars Homestead looking for Luke. (This was obviously published years before Maul was canonically revived on the Clone Wars animated show.) Obi-Wan arrives and a battle ensues. But ultimately, it’s Owen Lars who surprises Maul with a head shot, killing him instantly…

Could we be looking at a similar scenario with Reva in the Obi-Wan Kenobi finale? It would be consistent with the Owen Lars we saw in the first episode

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Star Wars: Obi-Wan Kenobi, “Part III” Review

Leia poster, Star Wars Obi-Wan KenobiSERIES: Star Wars: Obi-Wan Kenobi
EPISODE:
“Part III”
STARRING:
Ewan McGregor, Vivien Lyra Blair, Moses Ingram, Hayden Christensen, James Earl Jones (Voice)
WRITERS:
Joby Harold, Hannah Friedman, Hossein Amini, Stuart Beattie
DIRECTOR:
Deborah Chow
PREMIERE DATE:
June 1, 2022
SYNOPSIS:
Obi-Wan and Leia are hunted on the mining world of Mapuzo.

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By Rob Siebert
Fanboy Wonder

I mentioned previously that, going forward, Star Wars needs to take a break from setting shows in the desert. Going forward, the franchise also needs to work on avoiding what I’ll call “the Baby Yoda effect.” That is, sticking the hero or heroes with a child over the course of their journey. Specifically one that’s strong in the Force. The Mandalorian obviously did that with Grogu. The Bad Batch did it with Omega. Now this show is doing it with Leia.

To be clear, I’m not saying children shouldn’t be used in Star Wars stories. I just want to avoid Star Wars telling the same kinds of stories over and over again.

James Earl Jones is the voice of Darth Vader. He’s always been the voice of Darth Vader, and as long as he’s alive and wants to do it, he should be the voice of Darth Vader.

That being said, I had some slight issues with his performances in Rogue One and what I’ve seen of Rebels. My contention has been that he doesn’t sound as mean or as evil as Darth Vader should. Not like Darth Vader, but rather, Mufasa saying Darth Vader’s lines. Am I imagining it? Am I expecting too much? Maybe and maybe. But that’s my argument and I’m sticking to it.

However, I’m pleased to say that thus far, that problem hasn’t been present in Obi-Wan Kenobi. This is the best James Earl Jones has sounded as Vader since Disney purchased the franchise. I’m not sure whether to attribute that to good direction, Mr. Jones simply having a good day in the recording booth, or something else. Either way, I’m grateful for it.

Obi-Wan’s hallucination of Anakin from a distance, dark cloak and all, was a brilliant touch. Great shot too.

When Hayden Christensen was announced for this series, I figured they’d use him for flashback sequences. I’m sure those are still coming. But that’s another, clever way to use him without the Darth Vader suit.

Fifth Brother, played by Sung Kang, doesn’t have a conventional name the way Reva, the Third Sister, has one. But might I suggest…Hat Guy. Because that’s a variation on what most people, especially those of us who haven’t seen him in Rebels, are calling him.

Zach Braff provides the voice for Freck the transport pilot. Is that how they got him to star in that Cheaper By the Dozen remake for Disney+?

“Hey man, do this and we’ll throw in a part in Star Wars.”

“I am what you made me.” That line, delivered by Vader to Obi-Wan, is great. The entire presentation of Darth Vader in this episode is fantastic. The sense of terror and dread in his scenes is palpable. He truly comes off like the monster he is.

That’s especially true when he drags Obi-Wan through the flames. He wants to torture, maim, and disfigure his old master. But he also wants to savor the moment. Those shots of the Darth Vader suit in the light from the flames looked great too.

Leia offering to go forward on your own so Tala can go back for Obi-Wan is a nice little character moment for her. One of numerous character moments the show has given her thus far.

Well, so much for Obi-Wan’s first use of a lightsaber in a decade being a memorable moment. Still, I appreciate that he was largely helpless against Vader, and that we didn’t jump right into a super-choreographed sword fight. The man hasn’t been a Jedi in 10 years. To say his skills would be rusty is an understatement…

So…why did Vader let Obi-Wan go? The camera stayed on him for awhile, which seems to imply that he was pondering his next move. My only guess is that he figures he can follow Obi-Wan’s trail, and perhaps sniff out dissenters. That would seem to be the only thing that makes sense.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Star Wars: Obi-Wan Kenobi, “Part I” Review

SERIES: Star Wars: Obi-Wan Kenobi
EPISODE:
“Part I”
STARRING:
Ewan McGregor, Rupert Friend, Moses Ingram, Joel Edgerton, Jimmy Smits
WRITERS:
Stuart Beattie, Hossein Amini, Joby Harold 
DIRECTOR:
Deborah Chow
PREMIERE DATE:
May 26, 2022
SYNOPSIS: 
Inquisitors arrive on Tatooine looking for Jedi. Meanwhile, Princess Leia is kidnapped.

***New around here? Check out our Star Wars review archive!***

By Rob Siebert
Fanboy Wonder

Let’s kick this off on the right note: With gratitude. Ewan McGregor didn’t have to come back to play Obi-Wan Kenobi again. I’m sure his experience making the prequels was a mixed bag. And that’s to say nothing of how audiences reacted to the movies. (Much of the criticism was justified. But much wasn’t.) I actually spotted an recent interview he did with Rotten Tomatoes where he references the difficulties of making the prequels. So to have him come back nearly two decades after the fact is a major blessing for Star Wars fans.

And of course, that also goes for Hayden Christensen, Jimmy Smits, Joel Edgerton, and Bonnie Piesse returning as Darth Vader, Bail Organa, Owen Lars, and Beru Lars respectively. This may all be more than we deserve, quite frankly.

Age/timeline check: Obi-Wan Kenobi takes place 10 years after Revenge of the Sith. Which is to say, nine years before the events of A New Hope. So naturally, the young Luke and Leia we see in this episode are about 10. And, as I’ve always read Obi-Wan was 25 in The Phantom Menace, that would make him about 47 here.

Our director for this episode, and the series at large, is Deborah Chow. She’s widely known for The High Cost of Living and The Possibilities of Fireflies. But Star Wars fans will know her as the director of two episodes of The Mandalorian: “Chapter 3: The Sin” and “Chapter 7: The Reckoning.” This is the first time one of these live action Star Wars shows has had one universal director. It’s a tall task. But Chow also has a lot to work with here in terms of story, the talent involved (not to mention her own talent), and the experience she now has working in the Star Wars universe. I’ve got high hopes.

One of the downsides of having Obi-Wan Kenobi and The Book of Boba Fett come out back to back? That’s a lot of desert stuff. I can’t say I’m looking forward to Andor as much as some people are (mostly because I hated Rogue One). But one of the upsides, at least judging by the trailer that just came out, is that we don’t see any desert scenes.

The episode, and the series at large, kick off with a quick five-minute recap of the prequels. To some, that’s probably the best way to watch the prequels. They might be right, actually. The contrast between the all the CGI backgrounds in the prequels and the actual places and sets in Kenobi is a stark one.

I must confess, having not seen all of Star Wars: Rebels, my familiarity with the Inquisitors is limited. But as I understand it, most or all of them are former Jedi Knights who’ve turned to the dark side and joined the Empire to hunt for Jedi in hiding.

At face value I don’t like that. Never have.

Much like having a planet full of Mandalorians devalues Boba and Jango Fett, having a big group of Sith inquisitors decreases the novelty of Darth Vader and his turn to the dark side. It also devalues Order 66. How effective could the big Jedi purge have been if enough survived that they needed to bring in Inquisitors to hunt them down?

Of course, that’s to take nothing away from the performances of Rupert Friend as the Grand Inquisitors or Moses Ingram as Reva.

Having Leia play such a pivotal role in the series is a big surprise. Coming in, I think we knew Jimmy Smits was going to be involved as Bail Organa. So a Leia cameo wouldn’t have been out of the blue. But this? This is beyond what I think anyone would have expected.

Vivien Lyra Blair, who plays Leia, does a fine job by child actor standards. The character is, thus far, written fairly well. I like that she’s characterized as, no pun intended, rebellious. Blair and Smits were able to create a father/daughter chemistry that felt very natural.

I appreciate that Obi-Wan has a job while in seclusion on Tatooine. That might be an odd thing to appreciate. But it’s one of those things that you (or at least I) never thought about when it came to the original movie. The guy had to make ends meet somehow, right? It makes me wonder if he had a job at the beginning of A New Hope.

I liked cynical Obi-Wan, i.e. the guy who refused to help his fellow Jedi in need. It speaks to him having spent a decade being beaten down by the desert. It’s a different character than we’re used to seeing.

Owen Lars refusing to give up Obi-Wan’s location was a wonderful character moment for him. For so long he’s been seen strictly as an antagonist for Luke. And maybe he is. But it’s always been in the spirit of wanting to do what’s best for his nephew and surrogate son.

It must be said that the chase scene between Leia and the bounty hunters did not come off very well. I’m not sure whether it was the actors, or the direction, or the editing, something else, or a combination of all of it. I understand and accept the notion that Leia knew the terrain better than they did, and was also smaller and harder to catch. But the impression I got was that Leia was moving very slowly, and that the hunters could have caught her quite easily if they’d simply picked up their pace a little bit.

We see that Obi-Wan buried he and Anakin’s lightsabers in the desert, presumably years ago when he first arrived. This is a nitpick, but how is he able to find that box again so quickly? Especially after 10 years. Did he pick that specific a spot? It just looked like a bunch of sand to me…

Overall, a good first episode. I can’t say I was blown away, but I definitely enjoyed it. Judging by premiere episodes alone, I’d say Obi-Wan Kenobi isn’t quite as strong as The Mandalorian, but better than The Book of Boba Fett.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Rob Watches The Mandalorian: An Attack of Conscience

SERIES: The Mandalorian
EPISODE: S1:E3. “Chapter Three: The Sin.”
STARRING: Pedro Pascal, Carl Weathers, Werner Herzog, Omid Abtahi
WRITER: Jon Favreau
DIRECTOR: Deborah Chow
PREMIERE DATE: November 22, 2019
SYNOPSIS: After returning the child to his client, Mando has an attack of conscience.

By Rob Siebert
Fanboy Wonder

I assume those stormtroopers have to keep their armor on full-time, as if they were still on duty. One would think they’d want to avoid outfits that would get them recognized. But I suppose you can’t be recognized if you don’t go out in public.

I wish we had something to call the Werner Herzog character besides “the client.” Even the mad scientist character has a name: Dr. Pershing. Granted, that sounds like the name of somebody’s podiatrist. But at least it’s there.

While we’re on the subject, are we to assume Baby Yoda has no name? See, that one I’m okay with, as we can assume he’s been in Imperial research facilities for much of his life.

Carl Weathers’ Wikipedia page says that he took the Greef Karga role on the condition that he be able to direct an episode in the second season. Take everything you read on Wikipedia with a grain of salt. But if it is true, that’s some clever bargaining on his part.

With this episode, Deborah Chow became the first woman to direct a live-action Star Wars project. Those kinds of milestones are a double-edged sword for me. Yes, you obviously want diversity in the director’s chair. But the fact that it took more than 40 years for it to happen is cringeworthy.

Then again, it’s not like there’ve been a massive surplus of live action Star Wars projects. The Mandalorian is, after all, the franchise’s first live-action TV series.

Don’t get personally involved. That’s got to be, like, the first rule of bounty hunting, right? If it’s not rule #1, it should be rule #1A.

One of the big themes in The Mandalorian, and Star Wars at large, has to do with fatherhood and parenting. We’ve had Luke and Vader, Boba Fett and Jango Fett, Han and Ben Solo, etc. And now, we’ve got Mando and the child. Heck, even Mando himself has some lost parent issues.

What I like about this episode is that we’re with Mando as he makes the decision to become a parent, albeit a surrogate one. We see the struggle between his mercenary instincts and his conscience. And we get through the whole thing with minimal dialogue from him. It’s beautifully done.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.