Tag Archives: DC Comics

Epic Covers: Nightwing #50

By Rob Siebert
Fanboy Wonder

So yeah, they shot Dick Grayson in the head. That’s one of the latest stunts over at DC. Hey, at least he wasn’t a Heroes in Crisis casualty. Don’t think they wouldn’t have done it.

The gunshot wound leaves Dick with amnesia, and no memory of his life as a superhero. It’s too early to tell if this story is going to be any good. But it does have a lot of potential to make a statement about what Dick means to the DC Universe, not to mention the Batman family as a whole.

This cover is low-key epic. Amidst all its colorful competition, it didn’t exactly jump off the rack. But once you get a closer look, you see that it’s all in the details. Specifically, the scar itself…

I’m hardly an expert on scar tissue. Specifically as it relates to bullet wounds to the head. But this was convincing enough to convey that impact and awe that the cover is shooting for. The texturing, the look of the fold in the skin, the colors. It’s striking.

The big drawback? For the cover, they made the scar look like the Nightwing insignia. Lame.

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Toy Chest Theater: Poison Ivy by Sebastien Glorian

By Rob Siebert
Fanboy Wonder

People love to take pictures of toys outside in the grass. Browse action figure photography shots on Instagram or Twitter, and they’ve practically a dime a dozen. I can see why. The natural light. The contrast between the plastic and the plant life. On the surface, it’s a great contrast. It certainly beats shooting them against a blank wall.

This, however, is one of the best “outside” shots I’ve ever seen. For obvious reasons, it makes sense to shoot Poison Ivy among greenery. But Sebastien Glorian did more that just stick her in a bush somewhere. He went the extra mile and mixed up the green with some pink, which adds to the pose the figure is taking. And then you’ve got the sunlight on the hair and skin as the icing on the cake.

It’s a pretty simple shot, when you think about it. Glorian put the figure in the right spot, and let nature do the work. Ivy would be proud.

Sebastien Glorian can be found on Instagram.

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Panels of Awesomeness: Batman #51 by Lee Weeks

By Rob Siebert
Fanboy Wonder

CREATORS: Tom King (Author), Lee Weeks (Artist), Elizabeth Breitweiser (Colorist), Clayton Cowles (Letterer)

THE SCENE: As he recovers from Selina Kyle leaving him before their wedding, Bruce Wayne’s emotions overcome him while he’s serving jury duty.

WHY IT’S AWESOME: I actually debated on whether to spotlight these pages for “Panels of Awesomeness.” But it’s been awhile since Batman #51 hit the stands, and I still find myself coming back to it. That moment where Bruce Wayne pulls the urinal off the wall and screams out at the reader is branded into my brain. Maybe it’s because of the sheer unusualness of a man ripping a urinal out of the wall.

But in talking about the awesomeness of that page, it’s important to factor in the previous one. Our hero is in full-on Bruce Wayne mode, when he feels this seemingly unprovoked emotional outburst coming on. More than versed in keeping secrets from the world at large, he maintains his calm, excuses himself, and lets loose.

For yours truly, thisĀ  “Cold Days” story has been one of the highlights of Tom King’s Batman run. It’s evocative of the Batman stories Greg Rucka or Ed Brubaker wrote in the early to mid 2000s. Think Gotham Central, Officer Down, etc. It’s got a police procedural/courtroom drama feel to it, along with that emotional undercurrent we see in Bruce. Furthermore, it’s got a heck of a finale. Even if you’re not into the whole Batman/Catwoman marriage thing, it’s worth checking out.

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Astonishing Art: Batman ’66 by Kevin Maguire

By Rob Siebert
Fanboy Wonder

If you’re a comic book fan and you don’t know the name Kevin Maguire, then shame on you. He’s one of the all-time greats, and draws some of the most expressive and flamboyant characters you’ll ever see. He’s perhaps best known for his work on the original Justice League International series, which ties in nicely with what we’re looking at today.

Maguire’s most famous work from JLI, if not his career overall, is the cover for the first issue. You’ve got all your heroes together looking out at the reader, with Guy Gardner drawing focus at the bottom center. Since the issue’s release in 1987, Maguire has done seemingly countless take-offs of this cover. If you see him at a convention, or simply Google him, you’ll see a bunch of different versions with a bunch of different characters. Not just DC characters, either. You’ll see Marvel characters, and even a print dedicated to the various incarnations of Doctor Who. It’s all amazing.

A few years ago, I had the chance to meet Mr. Maguire and purchase a print from him, which is still hanging in my office now. There were no shortage of choices. But this one caught my eye, and is the subject of today’s “Astonishing Art.”

(In the interest of full disclosure, the print I have actually has a white border with black text. But the image itself is the same.)

I picked this Batman ’66 piece not just because of my soft spot for the show, but because of how well Maguire captured the spirit of some of the characters. Look at Robin, for instance. He’s got that gloved fist tucked into his palm, as we so often saw Burt Ward do on-screen. Frank Gorshin’s Riddler looks delightfully manic as always. And then you’ve got Victor Buono’s King Tut, who’s every bit as animated here as he was on the show.

One thing I’ve always been curious about is why Egghead, the Vincent Price character, is the only character other than Batman making eye contact with the viewer. Why him?

And in the Guy Gardner spot? Who else could it be, but Batman himself? I love that pose too. Paired with Robin’s, it makes it seem like the whole group is about to break into a classic WHAP! BIFF! OOF! slugfest.

Man, I miss Adam West…

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Epic Covers: Gotham Knights by Brian Bolland

By Rob Siebert
Fanboy Wonder

When you hear the name Brian Bolland, especially in the context of Batman’s world, you think of The Killing Joke. That’s understandable. Nearly 30 years later, DC still goes to great lengths to make sure none of us forget it.

But Bolland has revisited the Dark Knight at various points since, usually via cover work. Such was the case in late 1999/2000, when DC called on him to do the covers for their new Batman series, Gotham Knights. Between April of 2000 and January of 2004, almost every issue of Gotham Knights was adorned with a Brian Bolland cover. Thus, Bolland got to cover a lot of ground he likely wouldn’t have otherwise been able to. We saw him draw characters like Nightwing, Huntress, Spoiler, and even Cassandra Cain as Batgirl. While Gotham Knights was essentially a third string series, during that timeframe is boasted some of the best covers in all of comics.

While great many of them would most certainly fit into the “epic” category, I’ve picked my five favorites for this space today.

Issue #18 – Aquaman and the Giant Penny.

Brian Bolland is widely known as the man who drew Barbara Gordon getting shot and paralyzed by the Joker. So when one thinks of his art, the word “funny” doesn’t often come to mind. And yet, here we are.

Gotham Knights #18 is about Batman summoning Aquaman for help retrieving some Batcave artifacts that went underwater after the big earthquake in Cataclysm. Bolland uses this premise to to get a little cutesy with iconic Batcave set piece. Aquaman is a character that gets played for laughs a lot. But what I appreciate about this piece is that it’s not necessarily making fun of Arthur, or using the whole “he talks to fish” bit. Arthur is in on the joke. Bolland doesn’t draw him in a cartoony way, but the combination of the shrug and the expression on his face almost evokes a Looney Tunes vibe. It’s difficult not to smile when you see this thing.

Issue #25 – Batman in Handcuffs.

Most people associated those bladed gauntlets with Batman, and that iconography is what makes this image work.

Gotham Knights #25 tied in with the Bruce Wayne, Murderer? storyline going on at the time, which saw Bruce go to prison. Bolland captured the spirit of that story perfectly by placing Batman in handcuffs. And don’t discount the iconic symbolism of those either. For better or worse, handcuffs are a symbol of American justice. With this relatively tight image, Bolland tells us that Batman is now entrapped within the system he’s supposed to be serving.

Issue #32 – The Grandfather Clock

I wouldn’t call this a famous image. But it’s gotten a decent amount of additional exposure over the years. It’s easy to see why.

While issue #25 took place as the Murderer? storyline was beginning, Gotham Knights #32 was part of the wrap up. It showed us 24 hours in the life of Bruce Wayne/Batman. So it’s fitting that Bolland’s cover show is the grandfather clock, the entrance to the Batcave. The unofficial threshold between billionaire playboy and caped crusader. And you have the great juxtaposition of both identities standing back to back. An awesome cover for an awesome issue.

Issue #43 – Batgirl Debuts

Another piece that got a good amount of play after the fact. Bolland delivers an epic tip-of-the-hat to the classic Carmine Infantino cover for Detective Comics #359 from 1967, Batgirl/Barbara Gordon’s “million dollar debut!” The classic never dies, kids.

There’s a sentimental aspect to this one, of course. Bolland wasn’t very nice to Barbara Gordon in The Killing Joke. So for him to render here like this, in her crowning moment, is pretty cool. It’s almost a sense of justice for the character. Though ironically, the issue was more about Jason Todd than Barbara herself.

Issue #45 – Man-Bat’s Close Up

Oddly enough, I remember not liking this one when it came out. It’s so damn gruesome and detailed. Look at the nose. The ears. The fangs.

But of course, that’s the point, isn’t it? There aren’t a lot of epic Man-Bat covers. But this one definitely fits the bill.

This one also has a great Universal monster movie vibe to it. Between the lighting from below, the positioning of the head and neck and the wide-eyed expression, it brings to mind the promotional art for the original Wolfman or Mummy movies.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

 

Titans Trailer Reaction: F**k Batman???

By Rob Siebert
Fanboy Wonder

The trailer for the upcoming Titans TV series, based on the DC Comics characters, dropped today. And, yeah…this is happening…

*ehem* Okay. So, let’s break this down to pros and cons. And yes, unfortunately, there are more cons than pros at this point.

Pros:

– I actually like the idea of Raven seeking out Dick Grayson, and the genesis of the team sparking from there. But what’s Dick’s job? Is he a cop, as he was in the comics for awhile? A reporter?

– Brenton Thwaites, who plays Dick, seems like a solid choice for the role. He looks damn good in that costume. Teagan Croft (Raven) reminds me a lot of Chloe Grace Moretz. Though that’s neither a pro nor a con, really. Just a thing…

– I’m intrigued by the little glimpses of Hawk and Dove.

Cons:

– Very dark and dismal. You’d think DC would have learned their lesson after Batman v Superman, and all that Zack Snyder crap. Apparently not. This looks like Riverdale with superhero costumes.

Though in all fairness, Riverdale is a successful show. I guess darkness is what moody teenagers want to see. I ate up that kind of content when I was in my late teens and early 20s. But that doesn’t leave the rest of us with much.

– Why is this trailer rated TV MA? If they want Dick Grayson to be angsty, then make him angsty. But “F**k Batman” is a little on the nose, isn’t it? Not to mention tacky.

– Early set photos of Anna Diop’s Starfire costume caught a lot of flack. Admittedly, they looked pretty bad. She looked like a space hooker. She still kind of looks like a space hooker, to be honest. But consider her costume from most of the source material. They were almost screwed either way.

Still, I’m actually willing to wait and see how she looks in the show. My problems with this trailer have less to do with how the characters look, and more how the show itself looks.

– That “Madness” chorus is going to be stuck in my head for days…

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Panels of Awesomeness: Catwoman #1

By Rob Siebert
Fanboy Wonder

CREATORS: Joelle Jones (Pencils, Inks), Laura Allred (Colors). Josh Reed (Letters)

THE SCENE: In Villa Hermosa, Mexico, Raina Creel, the governor’s wife, removes her gorgeous facade to reveal her true self. Presumably the brains of the outfit, she uses her resources to target Catwoman.

WHY IT’S AWESOME: Last week, the “DC Nation” portion of all the new issues was dedicated to this page, and Joelle Jones’ creative process. One of the things she said was: “Most of the female villains at DC are really sexy, so I wanted my bad guy to be someone who was really grotesque, who had ruined herself with surgery and drugs.”

Mission accomplished.

I’m not sure how much Jones intended to use Raina as a good ol’ fashioned commentary device for our brutally superficial culture. But this page alone speaks volumes in that respect. Grotesque is indeed the word. Not just because of what she’s doing, but the specific snapshots Jones uses. The fake eyelashes pulling at the skin. The saliva dragging from her false teeth. The pinching of the contact lens. And that damn nose. As far as introductions to a new villain are concerned, this is the best I’ve seen in years.

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