Weekly Comic 100s: Superman, TMNT, Something is Killing the Children, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Superman #25
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Julio Ferriera & Danny Miki (Inkers), Alex Sinclair (Colorist), Dave Sharpe (Letterer)
RELEASED: September 8, 2020

Apparently in the post-New 52 continuity, or whatever continuity we’re in right now, Clark Kent and Lana Lang haven’t been in touch for awhile. Though apparently she was still Superwoman at one point…

For a couple pages here, Ivan Reis gets to take on Clark’s Smallville days. That’s pretty cool. Less cool? He also draws the New 52 Superman costume. Though thankfully it looks less like armor.

I’ll be sad to see Bendis’ run on the Superman books end in December. He did right by the Man of Steel.

TITLE: Teenage Mutant Ninja Turtles #109
AUTHOR: Sophie Campbell, Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Jodi Nishijima, Ronda Pattison (Colorist), Shawn Lee (Letterer)
RELEASED: September 9, 2020

It continues to amaze me how this book is breaking the mold of what a TMNT story can be. What we’ve been getting lately is something more akin to a later issue of The Walking Dead. They’re trying to build a new society from the ground up.

Michaelangelo, for all intents and purposes, starts a Mutant Town podcast in this issue. That. Is. Genius.

TITLE: Something is Killing the Children #10
AUTHOR: James Tynion IV
ARTISTS: Werther Dell’Edera, Miquel Muerto
RELEASED: September 9, 2020

“While you worry about the rules, real people are getting hurt.”

Good line.

This is the first issue of Something is Killing the Children that I think went a little too far with the gore. We actually see a child get murdered in supernatural, yet still pretty brutal, fashion. I still dig the book at large, but that took me right out of the issue.

TITLE: Batman: The Adventures Continue #12
AUTHOR: Alan Burnett, Paul Dini
ARTISTS: Ty Templeton, Monica Kubina (Colorist), Josh Reed (Letterer)
RELEASED: September 11, 2020

We start getting into the nitty gritty of what the Joker does to Jason Todd in this issue. Harley Quinn is written as having a problem with it. That’s the first move Burnett and Dini have made that I really don’t buy.

I love that for the flashbacks where Jason is Robin, they switched Batman’s costume back to the old Batman: The Animated Series design. Great little continuity touch.

All in all, I really like the DCAU spin they’ve put on A Death in the Family. And it looks like they’re about to stick the landing.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: “Joker War,” Billionaire Island, Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Red Hood: Outlaw #48
AUTHOR: Scott Lobdell
ARTISTS: Brett Booth, Danny Miki (Inker), Arif Prianto (Colorist), Troy Peteri (Letterer). Cover by Dan Mora & Tamra Bonvillain.
RELEASED: August 25, 2020

These “Joker War” tie-ins are giving me New 52 flashbacks. When “A Death in the Family” was running in Batman, it seemed like they couldn’t crank out enough tie-in issues.

But as far as Joker-themed tie-in issues go, this is a pretty decent one. It’s suitably focused on Jason, pits another Bat-family character against him, and incorporates a location that’s been a mainstay in the book.

On the downside, they kill off a character for no good reason. One that I thought had a decent fan following too…?

TITLE: Detective Comics #1026
AUTHOR: Peter Tomasi
ARTISTS: Kenneth Rocafort, Daniel Brown (Colorist), Rob Leigh (Letterer)
RELEASED: August 25, 2020

There’s a panel on the opening page of this issue that’s markedly similar to an Alex Ross painting of Batman standing between stone gargoyles. Anyone else notice that? Or am I just an Alex Ross buff?

Actual exclamation in this issue: “Murderize him!”

I’m not the biggest Kenneth Rocafort fan. But in this atmosphere, Batman vs. Killer Croc in the Gotham sewers, he’s at home. His work here is enjoyable.

Tomasi, who has run hot and cold on Detective, is on his game too. This is the best issue this series has seen in many weeks.

TITLE: Batgirl #48
AUTHOR: Cecil Castellucci
ARTISTS: Robbi Rodriguez, Jordie Bellaire (Colorist), Andworld Design (Letters). Cover by Giuseppe Camuncoli.
RELEASED: August 25, 2020

I’ve been away for awhile (mostly because I don’t like Batgirl’s current costume)…since when does Commissioner Gordon call his daughter “Babs?” That feels weird to me.

After reading this issue, I feel bad sleeping on Cecil Castellucci. She writes a damn good Barbara Gordon. Robbi Rodriguez and Jordie Bellaire are a great team too. There’s a really nice fluidity to the work here. And as this issue happens to be the first of a new story, I just might stick around.

For all the good it’ll do. This series ends with issue #50.

TITLE: Billionaire Island #5
AUTHOR: Mark Russel
ARTISTS: Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED: August 26, 2020

The art by Steve Pugh and Chris Chuckry has highlighted Billionaire Island for me. Almost every expression is exaggerated to the point of caricature. But in a dark comedy you can do that.

I’m not sure who that’s supposed to be on the cover. I mean, it’s the President of the United States, obviously. But I thought Billionaire Island had cast a Kid Rock stand-in as POTUS. This guy looks more like Carrot Top with blond locks. *shudders*

I wouldn’t say this book has maintained the same level of interest from me, but it’s still worth a look.

TITLE: Fantastic Four: Antithesis #1
AUTHOR: Mark Waid
ARTISTS: Neal Adams, Mark Farmer (Inker), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: August 26, 2020

This book gave me not-so-nice flashbacks to Adams’ recent Batman work. That’s a shame, as Adams is legitimately an innovator who’s earned his place in American comic book history. His art looks great here (though Thing’s face looks a little awkward), and Laura Martin’s colors pop beautifully. I just wouldn’t hire Adams as a writer.

Thankfully, you won’t find many writers (if any) better than Mark Waid. So Adams is in good hands for what is apparently his first-ever full-length FF story.

TITLE: Suicide Squad #8
AUTHOR: Tom Taylor
ARTISTS: Daniel Sampere, Adriano Lucas (Colorist), Wes Abbott (Letterer)
RELEASED: August 25, 2020

Deadshot has a puppy named Dogshot? That is absolute perfection, and needs to be in both the new video game and the new movie.

Given both the announcements we just got at DC Fandome, it’s surprising this book is on the recent list of casualties over at DC. It’s a shame for so many reasons, not the least of which is the effort the creative team have put into the creation of new characters. Case in point, this issue, in which we dive into some backstories. Hopefully we can bring them back at some point.

TITLE: Teenage Mutant Ninja Turtles #108
AUTHORS: Sophie Campbell (Story), Ronda Pattison (Script), Kevin Eastman & Tom Waltz (Story Consultants)
ARTISTS: Nelson Daniel, Pattison (Colorist), Shawn Lee (Letterer)
RELEASED: August 26, 2020

This issue brings up something I never, ever thought we’d have in a TMNT story. With Mutant Town now existing essentially it’s own city within a city, our heroes are now pondering if they should form their own government and police force. Are the Turtles getting into politics? By God, some things are too evil for even the boys in green to take on…

For whatever reason, since issue #101 the Turtles have been wearing clothes more. I’m not sure I’ll ever get used to that.

TITLE: Wonder Woman #761
AUTHOR: Mariko Tamaki
ARTISTS: Carlo Barberi, Matt Santorelli (Inker), Alejandro Sanchez (Colorist), Pat Brosseau (Letterer). Cover by David Marquez & Sanchez.
RELEASED: August 25, 2020

Barberi does a fine job on this issue. To the point that I wouldn’t mind him being the regular artist. But because he drew the last two issues, I quickly found myself missing Mikel Janin.

As for Tamaki, she gives Maxwell Lord a great “history is controlled by the victors” speech. Diana refers to him as the villain, and she talks about the Justice League controlling “the flow of justice in this world.” In the context of the story it’s very convincing, and a great character moment for Max.

Then I got to the last page, and my heart broke.

TITLE: Mighty Morphin Power Rangers #53
AUTHOR: Ryan Parrott
ARTISTS: Moises Hidalgo, Walter Baiamonte & Katia Ranalli (Colorists), Ed Dukeshire (Letterer). Cover by Jamal Campbell
RELEASED: August 26, 2020

I’m diggin’ the designs of these new Dark Ranger suits. Their identities seem like a missed opportunity to introduce new characters. But then again, this series is ending soon. That seems to be a theme this week…

This is the first issue where Moises Hidalgo impressed me. He gets a nice, long battle sequence between our good and evil Ranger teams. So he’s able to really spread his wings, and it shows.

Grace (Remember her?) makes a truly stupid suggestion in this issue. So stupid, in fact, that I’m sure it’ll come to pass.

TITLE: Action Comics #1024
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer)
RELEASED: August 25, 2020

There are a lot of Super-people in this book. We’re up to five. If the “Superman family” gets too big, it pretty much makes the Justice League obsolete, doesn’t it? Plus, they spend part of the issue flying over Metropolis, scanning it with X-Ray vision. Creepy much? We’ve also got all the usual problems with John Romita Jr’s sloppy art.

Why am I still buying this book?

TITLE: Batman/Superman #11
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer). Cover by David Marquez.
RELEASED: August 25, 2020

This story about the Ultra-Humanite and Atomic Skull is essentially three issues of filler. But it’s good filler, I’ll give it that. Clayton Henry and Alejandro Sanchez turn in work that crackles with that great comic book superhero energy.

There’s a subplot in here about Superman not asking for Batman’s advice before he revealed his true identity to the world. It’s a little too far in the background for my taste, though. I’d have liked to see them explore that with some of the page space they used for textbook hero/villain dialogue with the Ultra-Humanite.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Ranger Slayer, Joker War, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

DC’s decision to get in bed with Lunar Distribution is starting to feel like a mistake. Because out in my neck of the woods (the mid-west), it seems like Lunar is crapping said bed.

My local comic shop just went three weeks without receiving any product from DC. (Any DC books you’ve seen here in the last few weeks have been purchased digitally.) I’ve been going to comic shops for almost 20 years now and I’ve never see that happen. Not only is it unacceptable from a simple customer service perspective, but it couldn’t have happened at a worse time. Retailers are already being hit by the fallout from COVID-19. The least publishers can do is put the damn books in the stores…

Bad form, folks. Bad form.

TITLE: Power Rangers: Ranger Slayer
AUTHOR:
Ryan Parrott
ARTISTS:
Dan Mora, Raul Angulo (Colorist), Ed Dukeshire (Letterer)
RELEASED:
July  22, 2020

Not really my cup of tea. But if you were into Lord Drakkon’s dark alternate universe, or the “Coinless” Universe as it’s now called, you’ll be into this.

I was hoping for something more tightly focused on this alternate version of Kimberly. But the scope of this story is more about the Coinless Universe at large. Fair enough. I just wish they’d called this issue something different.

This issue gives us something I never thought we’d see, though in hindsight seems obvious for a universe like this: Ghost/Zombie Power Rangers. It was inevitable, I tell you!

TITLE: X-Men/Fantastic Four #4
AUTHOR:
Chip Zdarsky
ARTISTS:
Terry Dodson, Rachel Dodson & Ranson Getty (Inkers), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED:
July 22, 2020

This one ends on something of a whimper, rather than a bang. Which is to say it more or less ends the way you think it will, with Franklin ending up where you think he will.

Still, the appeal of a mini like this is to see characters from different books rub against each other. X-Men/Fantastic Four does that.

There’s also a curious little scene at the end with Reed Richards that I’m curious to see if they follow up on.

TITLE: Batman #95
AUTHOR:
James Tynion IV
ARTISTS:
Jorge Jimenez, Tomeu Morey (Colorist), Clayton Cowles (Letterer)
RELEASED:
July 21, 2020

We kick off with kind of a dumb “retroactive foreshadowing” scene with Batman and Alfred. “Good thing Alfred will always be here,” and all that. Lame.

It occurred to me during this issue that “Joker War” is just a sophisticated version of that New Batman Adventures episode, “Joker’s Millions. That’s not a knock. I’m just sayin’.

Now that Joker knows Batman’s secret, it’s extremely foreboding to see him messing around with movie theaters. Especially the one Thomas and Martha Wayne went to with Bruce before their murder…

TITLE: Shazam! #13
AUTHOR:
Geoff Johns
ARTISTS:
Dale Eaglesham, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Variant cover by Julian Totino Tedesco.
RELEASED:
July 21, 2020

Well damn. If this book is ending in September, we’re not going to get a pay-off for this Superboy Prime stuff are we?

As the book really cranks up the father/son drama with Billy and his dad, I’m struck by just how great Dale Eaglesham has been on this title. It’s clean. It’s expressive. It’s versatile. He fits Shazam like a glove, to the point that this series has become one of my favorite takes on the character. Frankly, his work with Michael Atiyeh is worth the cover price on its own.

TITLE: Shazam!: Lightning Strikes #1
AUTHOR:
Dan Jurgens
ARTISTS:
Travis Moore, Nick Filardi, Marshall Dillon. Cover by Evan “Doc” Shaner.
RELEASED:
July  17, 2020

Now that the Shazam! book is ending, I’m particularly grateful to see the Big Red Cheese join DC’s line of digital-firsts.

What we get here is nice and kid-friendly. One of Billy Batson’s classmates is bragging about knowing Shazam. So Billy shows him up precisely the way you think he will. From there we segue into a fight with a villain.

Travis Moore’s Shazam looks a lot like Zachary Levi in the movie. I wonder if that’s intentional, or just how the character came out…

TITLE: Wynd #2
AUTHOR:
James Tynion IV
ARTISTS:
Michael Dialynas, Aditya Bidikar (Letterer)
RELEASED:
July 22, 2020

So far, this book feels a little bit like Saga for young people. It’s got whimsy and wit, but a lot less sex stuff.

After reinforcing some of the world-building they did last time, this issue cranks up the emotion with the prospect of separating Wynd from his adopted family. It’s very well done, and has me invested in not only Wynd, but his sister Oakley.

We also meet a character called “the Bandaged Man.” I really dig how he’s designed, though that may just be my love for Batman: Hush sneaking through.

TITLE: Action Comics #1023
AUTHOR:
Brian Michael Bendis
ARTISTS:
John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Variant cover by Lucio Parillo.
RELEASED:
July 21, 2020

This is typically the part of “Weekly Comic 100s” where I complain about John Romita Jr. So here you go: I don’t like JRJR’s art here.

I just wonder if this book is getting over-crowded with Super-people. Remember, that’s part of what prompted the original Crisis on Infinite Earths. Superman didn’t feel as special because he had too many sidekicks, cousins, stringers, etc.

At the end of this issue Jimmy Olsen says, “Guess we’re not putting out a paper today.” That line should have had a lot more weight to it. If you’re a newsman, that’s blasphemy.

TITLE: Detective Comics #1023
AUTHORS:
Peter Tomasi
ARTISTS:
Brad Walker, Andrew Hennessy & Norm Rapmund (Inkers), Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
July 21, 2020

A team-up between the Joker and the Court of Owls? Now that’s the stuff of nightmares.

Detective Comics hasn’t felt like a Tomasi book in awhile. There’s a certain refinement that’s missing. In particular, Batman is a little too talky for my taste.

In this issue, Batman performs brain surgery on Two-Face out in the streets of Gotham (Because why not?). The comic book science regarding how Harvey’s brain is being messed with is a little confusing. Not that I’d put too much stock in it. At the end of the day, he’s still Two-Face.

TITLE: Billionaire Island #1
AUTHOR:
Mark Russell
ARTISTS:
Steve Pugh, Chris Chuckry (Colorist), Rob Steen (Letterer)
RELEASED:
March 4, 2020

A brutally honest, unfiltered look at where our society may be going sooner rather than later. And in all honesty, a clever premise for a book. I was expecting things to get Survivor-esque right off the bat. But they’re taking the time to build to that.

The most unsettling part of this issue? Our lead villain puts his opposition (journalists, etc) into a giant hamster cage. Complete with an oversized water dispenser. The sad thing? That doesn’t even seem that far-fetched anymore.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Dark Nights: Death Metal, Wynd, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

You know what I miss? Star Wars comics. C’mon Marvel. DC is cranking out its silly heavy metal event comic. The least you can do is get back in the full swing of things!

I also miss TMNT comics. But at least we get half of one this week…

TITLE: Dark Nights: Death Metal #1
AUTHOR: Scott Snyder
ARTISTS: Greg Capullo, Jonathan Glapion (Inker), FCO Plascencia (Colorist), Tom Napolitano (Letterer)
RELEASED: June 16, 2020

If this Metal stuff is your cup of tea, then by all means I encourage you to drink. The comic book industry could use your bucks right about now. But boy is it not mine…

While Dark Nights: Metal did have some nice moments, to me this stuff has always come off overly indulgent and stupid. Need proof? Batman not only wears a duster in this book, but one with spikes on the shoulders. I’m a Greg Capullo fan, but *barf*.

TITLE: Wynd #1
AUTHOR: James Tynion IV
ARTISTS: Michael Dialnyas, Aditya Bidikar (Letterer)
RELEASED:
June 17, 2020

As much of a Tynion fan as I am, Wynd isn’t really my cup of tea. Just like The Woods, also by Tynion and Dialnyas, wasn’t really my thing. But obviously there’s an audience for this sort of thing, and I think Wynd will do well among them.

The most interesting thing about this issue is we have a kid, Wynd, who’s clearly been touched  by magic, as he’s living in this renaissance type world where magic is outlawed. We steer away from that a little too soon for my tastes. I’d have devoted the entire issue to Wynd himself.

TITLE: Batman: The Adventures Continue #6
AUTHORS:
Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer)
RELEASED:
June 18, 2020

“Mentors” wraps up in more or less the way you’d expect. As a bonus, this issue also establishes that Tim Drake has been with Batman for about a year.

At the end, we’re left with more questions about our mystery observer, who we know is actually Jason Todd. Most notably, the question of what he wants. Thus far, Jason has occupied that gray area between hero and villain. In the main DCU, it was crystal clear that Jason was back as a villain. So I’m thrilled to see they’re taking things in at least a slightly different direction.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #5
AUTHOR: Ryan Parrott
ARTISTS:
Simone Di Meo, Alessio Zono (Pencil Assist), Walter Baiamonte (Colorist), Igor Monti (Color Assist), Ed Dukeshire (Letterer)
RELEASED:
June 17, 2020

This finale pulls a hell of a rabbit out of the hat for the big zord battle. I won’t spoil it, except to say it’s pretty damn cool.

My only critique of said battle is Di Meo’s Dragonzord is a little awkward in its body language. It looks very rigid.

I maintain that MMPR/TMNT was pretty paint-by-numbers. But in the end, that’s exactly what we wanted from it. We wanted these characters to meet and interact. That’s precisely what the story gives us. No harm, no foul.

TITLE: Superman #22
AUTHOR: Brian Michael Bendis
ARTISTS:
Kevin Maguire, Alex Sinclair (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis, Joe Prado, & Sinclair.
RELEASED:
June 16, 2020

I love me a good Kevin Maguire interlude. When you haven’t seen him in awhile and then he pops up for an issue, you really get to see just how good he is.

It certainly helps that he’s got some great subject matter. As an FBI agent questions Lois Lane, we have Superman in an intergalactic space battle with Mongul. Obviously, Maguire’s exaggerated faces tend to skew him more toward the comedic side of things. But if he’s fairly selective about the “acting” choices he makes, he’s every bit as capable as anyone else of delivering that epic battle sequence.

TITLE: Young Justice #15
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS:
John Timms, Scott Godlewski, Gabe Eltaeb (Colorist), Wes Abbott (Letterer). Cover by Ben Caldwell & Eltaeb.
RELEASED:
June 16, 2020

I didn’t realize just how much I missed this book. It’s definitely one of my favorites at DC right now. Especially now that they seem to be taking a Justice League Unlimited sort of approach, with lots of different members as opposed to a single core team. Any kind of JLU approach is rarely a bad thing…

We finally get some answers about Superboy in this issue. If you’ve read a fair amount of DC multiverse stories, the answers we get shouldn’t be too surprising. Not bad. Just not particularly surprising.

TITLE: X-Men #5
AUTHOR: Jonathan Hickman
ARTISTS:
R.B. Silva, Marte Gracia (Colorist), Clayton Cowles (Letterer). Cover by Leinil Yu & Sunny Gho.
RELEASED:
January 9, 2020

This is a good issue if you aren’t as familiar with who some of the newer X-Men are. Hickman uses Wolverine, Cyclops, Storm, and Xavier to lead into a re-introduction to X-23, Darwin, and Synch.

It also introduces is to “the Vault.” Its inhabitants, according to Xavier, are “the single greatest existential threat to mutantdom.” What it is and how time works inside are a little complex. But the Vault does have a Sentinel head on top of it. So it’s got that going for it.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman, Superman, and Shazam Return! Plus, Superhero of the Year?

By Rob Siebert
Fanboy Wonder

Ahhhh yes. Action and Detective are back. Now it really does feel like comics have returned.

I find it funny that on this week’s Action Comics cover (shown below) and several recent Superman covers, they’ve felt the need to tell us about Entertainment Weekly naming Superman the “Superhero of the Year.”

In case you’ve been trapped in a Fortress of Solitude since birth, Superman was the original comic book superhero and is an American icon whose legend has inspired millions. How many more issues could “Superhero of the Year” possibly be selling?

I love DC, and I love these characters. But it reeks of desperation. “Look at us! Entertainment Weekly knows who we are!”

TITLE: Batman: The Adventures Continue #5
AUTHOR:
Alan Burnett, Paul Dini
ARTISTS:
Ty Templeton, Monica Cubina (Colorist), Joshua Reed (Letterer). Cover by Joe Quinones.
RELEASED:
June 4, 2020

There’s a 9/11 reference in this issue. That’s really surreal considering The New Batman Adventures was on the air in the late ’90s.

We get something here that ties back to the first issue, which is kinda cool.

Is Deathstroke British in the DCAU? Some of his lines in this book sound like they should be coming from Alfred. Or perhaps a friend/relative of Alfred’s.

The last panel leaves some doubt as to whose side Jason Todd will be on when the chips are down. That’s definitely a tweak to what they did in Under the Hood.

TITLE: Action Comics #1022
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Danny Miki (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Cover inks by Klaus Janson.
RELEASED: June 2, 2020

This is the best issue of Action Comics in awhile, and not just because it’s the first one in awhile. We’re finally diving into who Conner Kent is and how he returned, so there’s a lot of intrigue here.

When it comes to how he’s drawn the past several issues, I’ve been pretty hard on John Romita Jr. Specifically, his figure rendering is positively jarring at times. But he’s on his best behavior here. I’m not sure if that has to do with all the additional lead-in time involved with the pandemic. But I ain’t complainin’.

TITLE: Batman/Superman #9
AUTHOR: Joshua Williamson
ARTISTS: Clayton Henry, Alejandro Sanchez (Colorist), John J. Hill (Letterer).
RELEASED: June 2, 2020

Good issue. Very accessible. We reference a lot of recent event comics, but with editor’s notes so readers can follow along. Williamson also provides some good exposition for Atomic Skull, who obviously meets a tragic end. Our villain doesn’t get the same treatment, but hopefully that comes next issue.

Clayton Henry’s art is clean, but avoids that over-the-top spotless look you sometimes see for artists going for that look. My only critique would be, oddly enough, the shape of Superman’s head on the cover. Something looks off…

TITLE: Shazam #12
AUTHOR: Jeff Loveness
ARTISTS: Brandon Peterson Mike Atiyeh (Colorist), Rob Leigh (Letterer)
RELEASED:
June 2, 2020

I wouldn’t call Shazam! #12 a page-turner. But it is a fun team-up issue. Jeff Loveness, who’s worked on Rick and Morty, Jimmy Kimmel Live!, and has also worked on Spider-Man and Groot over at Marvel, injects a lot of charm into the Big Red Cheese. Especially when it’s time for Billy Batson’s scenes with Freddy Freeman.

To the best of my recollection, this is my first exposure to Brandon Peterson. It’s a very solid outing for him. His work is nice and clean. Of course, Michael Atiyeh helps him out a lot with great coloring.

TITLE: Detective Comics #1022
AUTHOR: Peter Tomasi
ARTISTS: Brad Walker, Andrew Hennessy (Inker), Brad Anderson (Colorist), Rob Leigh (Letterer)
RELEASED:
June 2, 2020

The early part of this issue is structured quite like the second part of a Batman ’66 story. You know, where they escape whatever death trap they were put in last time, and then sometimes fight off a bunch of henchmen? In this case, they’re literally named Vice and Versa.

We also build for Joker War in this book, and if I’m reading this right, it’s suggested that the events of that story were actually the second part of Joker’s plan from Death of the Family. Tomasi was also involves in that story via the Batman & Robin ongoing. Interesting…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Gotham City Sirens: Division Retro Review – Gotham City Stumble

***Retro Reviews are pieces of Primary Ignition‘s past (i.e. the old site) dug from the archives and returned to their rightful place. They’ve been minimally altered. The text has been cleaned up just a little, and I’ve updated the artistic credits to go beyond just the penciller. But this is mostly the content in its original form. At the end, I’ll throw in a bit of hindsight.***

TITLE: Gotham City Sirens: Division

AUTHOR: Peter Calloway
ARTISTS: Andres Guinaldo, Ramon Bachs. Cover by Guillem March.
INKERS: Lorenzo Ruggiero, Bachs,
COLORISTS: JD Smith
LETTERERS: Steve Wands, Dave Sharpe, Carlos M.Mangual, Travis Lanham, Raul Fernandez.
COLLECTS: Gotham City Sirens #2021, #2326
FORMAT: Paperback
PUBLISHER: DC Comics
PRICE: $14.99
RELEASED: March 7, 2012

By Rob Siebert
Kenosha Kicker. Polka! Polka! Polka!

Reading all 26 issues of Gotham City Sirens is kind of like dating a woman who’s really hot, but who you eventually realize has a lot of personality issues. Eventually you find yourself wondering whether the whole relationship was even worth it at all.

The final volume of this series sees Harley Quinn bound and determined to kill the Joker. She breaks into Arkham Asylum, causing a massive riot. Caught in the mix are Black Mask, Clayface, our Sirens, and even Batman/Bruce Wayne himself (“Anything involving The Joker I take care of personally.”) Amidst the chaos, Harley, Catwoman and Poison Ivy will be placed at odds. Allegiances are tested, and friendships may be broken beyond repair.

I have two major issues with this book, both of which I touched on in my review of the previous volume: The way Joker is drawn and the way Harley is written.

The problem with Guinaldo’s Joker is that it’s trying to mix the look of Heath Ledger’s Joker in The Dark Knight with what Grant Morrison did during his run on Batman. In all fairness, after Morrison’s run DC never came up with a definitive look for the Joker to match the events of those stories. As such, creators working on different books didn’t necessarily know how to portray him. As a result, we usually got something along the lines of the traditional Joker with a bullet-shaped scar in the middle of his forehead (shown above).

The Joker we get in Division looks, quite frankly, like a pasty-faced geezer with some smeared lipstick on his cheeks. Though Guinaldo does supply us with a pretty good manic Joker face every so often, this take on the character isn’t nearly as maniacally menacing as it should be. For yours truly this became a big annoyance as the story went on.

And then there’s Harley. This story takes her to a pretty grim, dark place, especially in the beginning. She’s got a lot of rage directed at the Joker, and as a result we get a lot of inner monologue that seems out of character to me…

“There’s a place. A place in my head. A place on the other side of happy-go-lucky. The one part of me that isn’t looking for the joke. In that dark place–lurks rage…when the laughter breaks down–and humor can’t quiet its hunger–the rage gets out. And then it runs the show.”

I reject this portrayal of Harley not because of principle, but execution. We’ve seen her get angry before. It’s to be expected from a crazy lady who loves a homicidal clown and commits crimes while dressed like a Commedia dell’arte character.

But in Division, Harley becomes a cold, calculated strategist and murderer. We get inside her head and follow her thought process as she systematically breaks into Arkham. This portrayal robs the character of some of her charm. We’re not supposed to be able to follow Harley’s mindset when she does these things. She’s insane. Is she, deep down, a good person who could potentially be saved? Yes. But her infatuation with the Joker has also placed her on a different plane of reality than the rest of us. The reason she can be so goofy, so sick and twisted, with such drastic emotional swerves, is that she’s not playing with the same deck the rest of us are. This book defies that notion by simply making Harley an overly emotional, hopelessly attached girlfriend in a clown suit. She looks sane.

And as we all know, this chick ain’t sane.

The book does have its moments, though. We spend a little time with Aaron Cash, the asylum’s head of security whom we met in the Arkham Asylum video game. We’re with him when he learns about The Joker’s role in the death of his infant son, which is simply haunting. The Arkham Asylum riot is given the right amount of weight by Calloway. He doesn’t play it off like an every day occurrence the way some writers do. There’s a nice aura of panic about it.

Gotham City Sirens started out on such a high note. Unfortunately the memory of how good the series was during that first seven months or so never stopped haunting it. I’m sure I wasn’t the only one hoping for this series to be something of an action/comedy, akin to what we sometimes saw in Batman: The Animated Series and Gotham Girls. No such luck. In the end, Gotham City Sirens was just like every other Batman book on the stands. And what’s the point of putting this oddball trio together if you’re not going to have some fun with it?

At one point in this book, Harley asks Ivy: “Did the three of us make sense as a team? Ever?” (shown above)

The answer is no. But that was where all the fun should have come from.

***In Hindsight***
I wish I could say my opinion had changed on this one. Paul Dini wrote a total of 10 issues, which are collected in the first and second volumes. If you want to check out this series, those are the books you need to read.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Batman, Superman, and DC’s Digital Offerings

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
A Giant Something or Other

In response to the comic book industry being essentially stuck in limbo due to the Coronavirus pandemic, DC is releasing stories digitally that were previously exclusive to their DC Giants line. The Giants books were originally exclusive to mass market outlets, most notably Walmart. So what we’re getting here are basically re-prints.

But hey, they’re new to me. Plus, there’s some all-star talent attached to this stuff. We’ve got Brad Meltzer and Jim Lee on Batman, Amanda Conner and Jimmy Palmiotti on Wonder Woman, Gail Simone on the Flash. Hey, sign me up!

I was also finally able to purchase that Superman: Villains one-shot. So I threw that in too.

TITLE: Superman: Man of Tomorrow #1
AUTHOR: Robert Venditti
ARTISTS: Paul Pelletier, Andrew Hennessy (Inker), Adriano Lucas (Colorist), Clayton Cowles (Letterer). Cover by Rafa Sandoval, Jordi Tarragona and Tomeu Morey.
DIGITAL RELEASE: April 20, 2020

Our story here is about the Parasite leeching off the city’s power grid and causing a mass blackout. In response, Superman tells the people of Metropolis to stand by one another. To share food, help find medicine for people in need, check on their neighbors, etc. Seems like a pretty poignant message right now, eh?

It’s so awesome when somebody gets Superman right. What we get here is also very accessible to new readers, and Paul Pelletier absolutely nails the art, particularly with the Parasite.

At the end of the day, this is the Superman I want to read.

TITLE: Batman: Gotham Nights #1
AUTHORS: Sal Giunta, Brad Meltzer, Larry Hama,
ARTISTS: Jim Lee, Mirko Colak, Scott Williams (Inker),
COLORISTS: Alex Sinclair, John Kalisz
LETTERERS: Chris Eliopoulos, Travis Lanham
DIGITAL RELEASE: April 21, 2020

What Sal Giunta and Brad Meltzer do with “Medal of Honor” is really special. So I’m simply going to encourage you to read it without going into things.

The Lee, Williams, and Sinclair trio give me Hush flashbacks. In a good way.

The second story follows a similar “service” theme, only with Kate Kane instead of Batman. We go back to her military days, which is unexpected but not unwelcome. But I’m sure it was a surprise for casual fans looking for Batwoman.

TITLE: Wonder Woman: Agent of Peace #1
AUTHORS: Amanda Conner, Jimmy Palmiotti
ARTISTS:
Inaki Miranda, Hi-Fi (Colors), Travis Lanham (Letterer). Cover by Conner and Alex Sinclair.
DIGITAL RELEASE:
April 22, 2020

I’m not really a Harley Quinn fan. I know that’s enough to get me strung up in some circles. But I’ve almost always found her more annoying than humorous.

But with Wonder Woman as her “straight man” you get a pretty entertaining team. To their credit, they actually got me to chuckle when Harley appeared wearing what was supposed to be Amazonian armor.

Conner and Palmiotti write a hell of a Wondie. Early on, there’s an exchange between her and two security guards that I got a kick out of. Like Robert Venditti with Superman, they get her.

TITLE: Aquaman: Deep Dives #1
AUTHOR:
Steve Orlando
ARTISTS:
Daniel Sempere, Juan Albarran (Inker), Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Liam Sharpe and Romulo Fajardo Jr.
DIGITAL RELEASE:
April 23, 2020

“My name is Black Manta. You killed my father. Prepare to die.”

That’s basically what this issue is about.

I imagine because these were (at least in theory) released to a different audience, they wanted to start on the ground floor in some of these stories. That means a lot of expository dialogue. Superman: Man of Tomorrow did that. But this one really lays the expository dialogue on thick.

Great fight between Aquaman and Black Manta, though. At the “Museum of Unnatural History.” I adore that.

TITLE: The Flash: The Fastest Man Alive #1
AUTHOR:
Gail Simone
ARTISTS: Clayton Henry, Marcelo Maiolo (Colorist), Rob Leigh (Letterer). Cover by Dan Panosian.
RELEASED:
April 24, 2020

Coming out of this issue I know two things.

The Flash TV show has indeed ruined Iris West for me. Not because of the actress. Because of how she’s written.

Had it come out a month or two sooner, a few less people would have gotten on those disease-infested cruise ships.

Not surprisingly, Gail Simone writes a great Flash. Gail Simone writes a great almost-anything. Together with Henry, Maiolo, and Leigh, they’ve put together one of the highlights of this DC Giants digital-first campaign.

TITLE: Superman: Villains #1
AUTHORS: Brian Michael Bendis, Matt Fraction, Jody Houser
ARTISTS:
Michael Gaydos, Riley Rossmo, Scott Godlewski, Bryan Hitch, Cully Hamner, Steve Lieber, Jim Mahfood.
COLORISTS:
Gaydos, Ivan Plascencia, Gabe Eltaeb, Alex Sinclair, Dave McCaig, Nathan Fairbairn, Mahfood.
LETTERERS:
Dave Sharpe, Clayton Cowles, Tom Napolitano, Troy Peteri, Josh Reed.
RELEASED:
March 4, 2020

So here we have a bunch of villains reacting to Superman telling the world he’s Clark Kent. We hear from Toyman, Mongul, and a Joker-ized Supergirl (see Batman/Superman). We also get a story that bridges into future Superman and Action Comics storylines.

But by far the best part of the issue is a two-page Lex Luthor story, as he discovers he has 98 messages on his voicemail. And several of them (Possibly all of them?) are from the Joker. And he’s laughing. Take a wild guess at what he’s laughing at, folks…

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

A Gotham City Sirens: Strange Fruit Retro Review – Hate that Joker!

***Retro Reviews are pieces of Primary Ignition‘s past (i.e. the old site) dug from the archives and returned to their rightful place. They’ve been minimally altered. The text has been cleaned up just a little, and I’ve updated the artistic credits to go beyond just the penciller. But this is mostly the content in its original form. At the end, I’ll throw in a bit of hindsight.***

TITLE: Gotham City Sirens: Strange Fruit
AUTHORS: Tony Bedard, Peter Calloway
ARTISTS: Andres Guinaldo, Jeremy Haun, Guillem March
INKERS: Lorenzo Luggiero, BIT, Walden Wong
COLORISTS: JD Smith, Tomeu Morey
LETTERER: Steve Wands, Travis Lanham, Dave Sharpe
COLLECTS: Gotham City Sirens #1419
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $22.99
RELEASED: August 16, 2011

By Rob Siebert
The same Rob from up top.

It was somewhere during this story that I gave up on Gotham City Sirens ever being the book I wanted it to be. As it started out as a title written by Paul Dini, I was hoping we’d get something more light-hearted, akin to the work Dini did with Harley Quinn and Poison Ivy on Batman: The Animated Series. Over the first several issues, we did get that. But it tapered off as different writers started to come on to the book.

Strange Fruit is fairly low on humor, and it’s the first trade in the series without Dini’s name on it, but a high-stakes storyline keeps the title from taking a steep plunge in quality.

The first two issues continue the story that was started in the last book. It’s about Poison Ivy helping an alien or something. In all honesty, my distaste for a random alien appearance in a Bat-book pretty much took me out of the story. It’s not terrible. But I wasn’t a fan.

We then move into a story in which Talia al Ghul and Zatanna are trying to stop a group of bad guys from targeting Catwoman so they can learn Batman’s true identity. What further complicates things is that Catwoman lied to Harley and Ivy, telling them she didn’t know his identity. Trust issues galore can be found in this story, which will lead to Harley making a VERY dramatic decision.

Something’s been nagging at me about Gotham City Sirens for awhile, and it traces back to the events of this book. The way Andres Guinaldo draws the Joker (see below) irritates me terribly. We only see him through sporadic flashbacks, but I’m consistently bothered with the way Guinaldo puts those Dark Knight-ish red etches at the corners of his mouth. He’s not the first artist to do it, but the way he does it is really distracting. They’re much too big. It looks like he’s smeared lipstick on his cheeks. I understand part of it is just Guinaldo’s style. But The Joker’s Dark Knight look doesn’t lend itself to that style.

The story with Zatanna and Talia isn’t the strongest I’ve ever seen, but it’s good. Both have been romantically linked to Bruce Wayne in the past, and those connections make for interesting storytelling. Selina and Zatanna also have a history, which adds to the fire.

While there are a few Harley Quinn moments that harken back to the tone the series started with, the book sets more of a traditional tone, which essentially makes it just like all the other Bat-books, which means it loses a huge part of its selling point. At least for me. I’m certainly not heartbroken this series won’t be part of the New 52 reboot.

***In Hindsight***
My mind about Andres Guinaldo’s Joker has not changed. Thankfully, that trend has died down in the years since.

At the time, I gave this book a 6/10. Upon re-reading, that feels about right. I liked that they played with Selina’s knowledge of Bruce’s identity. Though ironically this was post-Final Crisis, and the Batman we see in this book is Dick Grayson.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: TMNT, Batman, Superman, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

We’re finally caught up on the March 25 releases. But, a special thanks to Jay’s Comics for mailing my books to me as all this Coronavirus madness unfolds.

So yeah, this could be the last “Weekly Comic 100s” for awhile. It will most certainly return once new issues start shipping again. But until then, perhaps you’ll see more deep-dive reviews in its place. Perhaps I’ll simply select some random indie comics to review.

But for now…

TITLE: Teenage Mutant Ninja Turtles: Jennika #2 (of 3)
AUTHORS: Braham Revel, Ronda Pattison
ARTISTS:
Revel, Megan Huang, Pattison (Colorist), Shawn Lee (Letterer).
RELEASED:
March 25, 2020

Poor Jennika gets friend-zoned in this issue. I was shocked. I didn’t know guys could do that. I thought it was just a thing for women…

Are we sure we only want this to be three issues? It seems like between Jennika’s past, and the promise of a mutagen “cure” they could easily stretch this to four or even five issues. But we’ve only got one left. C’mon! This is a new Ninja Turtle we’re talkin’ about! Let’s give this thing some room to breathe!

TITLE: Teenage Mutant Ninja Turtles #104
AUTHORS: Kevin Eastman (Consultant), Tom Waltz (Consultant), Sophie Campbell (Script)
ARTISTS: Campbell, Ronda Pattison (Colors), Shawn Lee (Letterer).
RELEASED: March 25, 2020

When this series started in 2011, they did something really interesting. They made Raphael the long lost brother of the other three Turtles. It opened up a lot of doors for great storytelling. It was over in four issues.

After issue #100 the Turtles were split up again. Not just physically, but very much emotionally. Once again, some great story opportunities. Once again, it’s over in four issues.

What the hell, guys? Yes, we’re shaking up the status quo as it is. But why do that to the Turtles if you’re just going to undo it so quickly?

TITLE: Batman/Superman #8
AUTHOR: Joshua Williamson
ARTISTS: Nick Derington, Dave McCaig (Colorist), John J. Hill (Letterer). Variant cover by Andy Kubert and Brad Anderson.
RELEASED: March 25, 2020

Wait…that’s it? This whole General Zod/Ra’s al Ghul thing is just a two-issue story? Ugh. I need to do a better job reading the solicitations…

I enjoyed last issue’s cliffhanger, with all the miniaturized Kryptonians essentially becoming superpowered killer insects. But the way the whole Bottle City of Kandor thing wrapped up felt rushed and contrived. Even by superhero comic standards. Hopefully this is something they revisit in the future.

Still, if nothing else these issues were worth it for Nick Derington’s art.

TITLE: Mighty Morphin Power Rangers #49
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
March 25, 2020

There’s a two page spread in this issue where all nine of our Rangers morph. Epic. Absolutely epic.

Also, it turns out the Tigerzord is capable of space travel. Reminds me of when the original Megazord had to go underwater…

In this issue we get a fight where Jason and the others pit their Omega Zords against the Blue Omega Zord, piloted by Garrison Vox. I suspect it’s because I’m not as familiar with the Omega Zords, but the whole thing came off like a big colorful blur. And I say that as a huge Daniele Di Nicuolo fan.

TITLE: Detective Comics #1021
AUTHOR: Peter Tomasi
ARTISTS:
Brad Walker, Andrew Hennessy (Inker), Brad Anderson (Colorist), Rob Leigh (Letterer). Variant cover by Lee Bermejo.
RELEASED:
March 25, 2020

This whole “Two-Face starts a cult/religion” story makes a lot of sense to me. The world is complex, screwed up place. A simple flip-of-the-coin simplifies everything. At least in theory.

Okay…this is something I’ve been struggling to wrap my head around even though it’s been the case for a few years now: Harvey Dent knows Bruce’s secret. But Two-Face doesn’t. I like that idea, and it looks like we’ll be playing with it here.

Still liking this Walker/Hennessy/Anderson team. Looking forward to more.

TITLE: Action Comics #1021
AUTHOR: Brian Michael Bendis
ARTISTS:
John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Variant cover by Lucio Parillo.
RELEASED: March 25, 2020

*Checks the solicitations for the next two issues*

Nope. Romita ain’t goin’ away any time soon.

The creative missteps in this book lately aren’t his alone, though. It ties into both Year of the Villain and Event Leviathan. Not to mention Young Justice. So if you don’t come into this story with at least a passing familiarity with those books, you’re pretty much screwed.

Still, I like what they did with the Red Cloud. She may or may not be riding the line between hero and villain as we move forward…

Email Rob at at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: Leviathan Dawn, Star Wars, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Raising a glass to Dan DiDio, who’s gone from DC as of last week.

The way some people are talking about this, you’d think he’d died or something. That’s obviously not the case. But it does feel like the end of an era. DiDio had been with DC for 18 years, starting as a vice president in 2002, then moving up to executive editor in 2004, before becoming co-publisher in 2010.

Coincidentally, 2002 was also the year I started buying comics on a weekly basis. So for yours truly, DiDio is particularly synonymous with DC. I remember reading his old “DC Nation” columns as far back as my college years, God help me.

So here’s to you, good sir. Thank you for the memories.

TITLE: Leviathan Dawn #1
AUTHOR: Brian Michael Bendis
ARTISTS: Alex Maleev, Joshua Reed (Letterer)
RELEASED: February 26, 2020

Despite the reveal of Leviathan’s identity being a letdown, Event Leviathan was a fun read. So I’m happy to see Bendis and Maleev back at it.

This issue sees the reformation of a group longtime DC readers will be familiar with. (The cover makes it pretty obvious.) The lineup is an odd assortment. Not characters you’d expect to see working together. But strange teams often make for compelling books.

The only person I might remove from the group is the Question. He’s better as a lone wolf.

TITLE: Star Wars #3
AUTHOR: Charles Soule
ARTISTS: Jesus Saiz, Arif Prianto (Colorist), Clayton Cowles (Letterer). Cover by R.B. Silva and Guru-eFX.
RELEASED: February 26, 2020

This whole “going back to Cloud City” thing is still really stupid. Not quite as stupid as Luke getting a between-movies lightsaber. But close.

But we do get pretty great scene in this issue. One of our villains, Commander Zahra, reveals that the crew of her Star Destroyer consists of those who lost someone close to them on the Death Star. She frames the destruction of the space station as a massive tragedy caused by an act of cruelty from the other side. It’s much like Leia frames the destruction of Alderaan. It’s a really nice switch in perspective.

TITLE: Detective Comics #1020
AUTHOR: Peter Tomasi
ARTISTS: Brad Walker, Andrew Hennessy (Inker), Brad Anderson (Colorist), Rob Leigh (Letterer). Variant cover by Lee Bermejo.
RELEASED: February 26, 2020

The other night a co-worker of mine, about 22-year-old, sees this cover. She then asks me: “Why does Batman look so fancy?” Oye. Kids…

For yours truly, Brad Walker’s stock is rising. Particularly as a Batman artist. He’s not a favorite of mine, per se. But he’s on his way.

Tomasi is doing a religion-themed story with Two-Face. We don’t get into the meat of it. Just a little scene as the issue ends. But I’m a sucker for that kinda stuff. So I’m anxious to see what the “Church of the Two” is about.

TITLE: Mighty Morphin Power Rangers #46
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo. Walter Baiamonte (Colorist). Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED:
February 26, 2020

In an issue that features the return of the Ranger Slayer (the cover pretty much gave it away) and the Gravezord, a very tense “sparring session” between Tommy and Jason, and a fight in an asteroid field, Zack and Adam steal the show with a single page of heart-to-heart conversation.

Sadly, via his Twitter Daniele Di Nicuolo has announced he’s ending his Power Rangers run soon. That’s a big loss, as he’s arguably the best artists BOOM! has had on this line. Not sure what issue is his last, but #50 seems as opportune a time as any.

TITLE: Action Comics #1020
AUTHOR: Brian Michael Bendis
ARTISTS: John Romita Jr., Klaus Janson (Inker), Brad Anderson (Colorist), Dave Sharpe (Letterer). Variant cover by Lucio Parillo.

Ugh. They dragged Young Justice into this?

Yeah, Action Comics is a little bit of a mess right now. Primarily because Romita is on a cold streak with these last several issues. But also, look at all the heavy hitters we’ve got in this story. The Justice League, the Legion of Doom, Leviathan, and now Young Justice. Metropolis is being decimated. Yet the high stakes aren’t coming across. It almost feels like business as usual. We also have Batman in another big dumb robot suit, which doesn’t help.

But next issue, the fight drags on. And I do mean drags.

TITLE: X-Men/Fantastic Four #2
AUTHOR: Chip Zdarsky
ARTISTS: Terry Dodson, Rachel Dodson with Karl Story and Ransom Getty (Inkers), Laura Martin (Colorist), Joe Caramagna (Letterer).
RELEASED: February 26, 2020

What’s surprising me is how political this book is. Not in a real-world sense. But we’ve got the X-Men on their little island nation of Krakoa, and the fallout that comes from the Fantastic Four “invading.” Then we’ve got Doctor Doom on Latveria, and the risk of starting a war with Krakoa. The scope seems so much bigger than you’d think it would be.

Valera Richards refers to Doctor Doom as Uncle Doom? Well, it’s not like she was ever going to have a normal childhood…

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.