George Lucas on Star Wars: The Cave Scene

***Think what you will about George Lucas, but in terms of Star Wars, it can all be traced back to him. That’s why I always find it so interesting to listen to him talk about it. His creative process, the reason certain decisions were made, and how these movies became pop cultural staples. This space is dedicated to just that. This is “George Lucas on Star Wars.”***

By Rob Siebert
Fanboy Wonder

The Scene: At Yoda’s behest, Luke walks into a cave. Inside, he’s confronted by Darth Vader. A fight ensues in which Luke beheads his opponent, only to discover his own face under Vader’s mask. It has all been an illusion.

George Lucas Says (via The Empire Strikes Back commentary track): “Part of the [cave scene] is learning about the Force, learning the fact that the Force is within you and at the same time you create your own bad vibes. So if you think badly about things, or you act badly, or you bring fear into a situation, you’re going to have to defend yourself, or you’re going to have to suffer the consequences of that. In this particular case, he takes his sword in with him, which means he’s going to have combat. … He is creating this situation in his mind, because on a larger level, what caused Darth Vader to become Darth Vader is the same thing that makes Luke bring that sword in with him. … [Luke] has the capacity to become Darth Vader, simply by using the hate, and fear, and using weapons, as opposed to using compassion, caring, and kindness.”

I Say: This is probably blasphemous to many, but those words from Lucas being to mind a line from The Phantom Menace: “Your focus determines your reality.” Lucas may suck at writing dialogue, but at least he’s consistent.

Something I’ve always been a little unsure of is Yoda’s relationship to the cave. On this same commentary track, Empire director Irvin Keshner says that Yoda is “setting it all up, what’s going to happen in the cave.” That always seemed to be the indication based on the cinematic language of this sequence. But if you listen to Lucas tell it, the cave seems to have mystical elements on its own, and Luke taps into them via his connection to the Force.

That idea is supported by other Star Wars creators as well, including Timothy Zahn in his Thrawn trilogy of books, and a recent Supreme Leader Snoke comic written by Tom Taylor.

I’m inclined to think this is a situation where everybody is right, and we just don’t know how all the dots are connected yet.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

YouTube Spotlight: “I’ll Make A Jedi Out of You” by the Clarkson Twins

By Rob Siebert
Fanboy Wonder

This has been stuck in my head for about a week now. NOT the Mulan song, mind you. This Star Wars parody by the Clarkson twins, featuring Black Gryph0n. I’ve literally been walking around singing “Only theeeeeeeen, will you beeeeeee, a Jediiiiiiiiii!” in Yoda’s voice.

So now you get to have it stuck in your head too. Congratulations!

I wish I could say something snappier or wittier than that. But it’s really that simple.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Astonishing Art: Star Wars Trilogy by Florey

By Rob Siebert
Going from Boy to Man…Very Slowly.

I’m a sucker for posters like these. Ones that maintain a consistent design and take you through multiple stories, often following the same character.

Yes, I’m a little late for Star Wars Day with this one. But let’s be honest: This site has never been hurting for Star Wars content. Ergo, I present to you Florey’s take on Luke Skywalker’s journey in the original Star Wars Trilogy.

The posters are for sale now at Bottleneck Gallery. Florey can also be found on Facebook, Instagram, and Twitter.

Alex Ross Spotlight: Star Wars and Star Trek Collide

By Rob Siebert
Space Pacifist…who just happens to be right.

Happy May the 4th, everybody!

As a kid, I never understood the whole Star Wars vs. Star Trek thing. Mind you, I’d never seen Star Trek. But I understood how the two universes were different. It’s apples and oranges.

Star Trek, when it’s done right, is designed to ask us questions. Most good science fiction is. Ideally, you’re supposed to come away asking questions about yourself and your world, i.e. “Who are we as a people, really?”, “What would you do in this situation?”, etc.

Star Wars on the other hand, is more about the thrill of the adventure. Yes, all that stuff that’s been written about George Lucas, Joseph Campbell, and the hero’s journey are true. And I love all of it. But at the end of the day, we want to be along for the ride.

But as I got older, it started to make a little more sense. For my money it’s not about pitting the two franchises against each other. It’s about how you like your science fiction. Are you an intellectual or an adventurer? Both worlds have a certain amount of each, but there’s nothing at all wrong with leaning in one direction over another.

This is all a really long-winded introduction to this painting by Alex Ross.

Ross has depicted the two worlds separately (shown above). But obviously this is his first time mixing them. I admit, I have no idea why this piece exists. But I ain’t complaining.

Note that the Enterprise crew members have beamed in alongside the rebels. Han Solo isn’t pointing a blaster at Spock, and Obi-Wan Kenobi isn’t swinging a lightsaber at Kirk. All our heroes are standing together against evil.

That says it all, right there.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Rise of Skywalker Novelization Review – Leia Edition

***I just recently finished the Rise of Skywalker novelization. Naturally, as the “Expanded Edition,” it’s intended to supplement the events of the film and hopefully fill some of those gaping plotholes. Naturally as a Star Wars geek, I’ve got opinions. Too many to fit into a single review. Thus, welcome to the second of my multi-part Rise of Skywalker novelization review!***

By Rob Siebert
Would not be called “General Rob”

1. “General Leia”
When The Force Awakens came out, I understand why she was marketed as “General Leia.” The world had known her as Princess Leia for almost 40 years. Calling her General Organa, or even General Leia Organa, might be confusing for some. I don’t think the name Organa is said at any point in the original trilogy.

In the movies they did the right thing. She wasn’t General Leia. She was General Organa. Or just Leia. But in the Rise novelization she’s called “General Leia” a handful of times. It’s off-putting. Consider this: In Return of the Jedi we didn’t have General Han or General Lando. It was General Solo and General Calrissian.

So let’s get this down once and for all: In licensing meetings she can be General Leia. But in-story? She’s General Organa.

2. Luke Was Speaking to Leia From Beyond.
As the story begins, Leia knows she’s dying. Thanks in no small part to getting blown into space during The Last Jedi. She knew she had to maximize the time she had left. What’s more, she had a persistent voice telling her that her time to go was now.

Between helping Rey and bugging Leia, Luke was a busy Force Ghost.

Their first exchange in the book is simply…
“Leia. It’s time.”
“Not just yet.”

Brother later told sister, “There is only one thing left. Then you can rest.”

Finally, when Leia sacrificed herself reaching out to Ben and passes into the Force, she feels “a surge of welcome from Luke, who was not alone…”

I’d like to think he’s not talking about all the other Jedi we hear from later. Though that would mean she’d get to see her father, and even Obi-Wan Kenobi. To yours truly, the ideal vision is Anakin, Padme, Luke, Leia, and Han. The Skywalker family reunited in full. Sticklers will tell us that neither Padme nor Han could have preserved their consciousness in the Force.

But it’s intentionally left vague. I imagine there’s a reason for that.

3. Leia’s Jedi Training
With Luke gone, Leia was the only one left who could offer Rey anything remotely resembling Jedi training. She wasn’t a Jedi herself. But as we’d later learn, she was very much a qualified teacher.

The novel delightfully yet briefly touches on Luke’s training of Leia. Nothing too extensive. But we learn that her training, or at least much of it, took place on Ajan Kloss, the planet the Resistance is based on when the story begins. Luke would often compare Leia’s training to his with Yoda. Thus, he tended to refer to Ajan Kloss as “nice Dagobah.”

Certain things came naturally to Leia. Not long after the Battle of Endor, Luke tried to teach Leia a lesson in patience by having her stand on her head for a long period of time. Much like he did with Yoda. In response to taunts he threw her way, she used the Force floated up and on to her feet. “You’re going to make me a better teacher,” Luke said.

4. The Tantive IV
Remember the first ship we see in the original Star Wars? The blockade runner that gets captured by the Star Destroyer? Yeah, apparently that’s not only still functioning 34 years later, but it’s in this damn story. It’s even in the big space battle at the end. It goes down, though. Among the casualties aboard are Nien Nunb, Lando’s co-pilot from Return of the Jedi.

This movie and it’s original trilogy collectibles. Honestly.

5. “Leia Was Stronger Than All of Us”
Luke says that to Rey during their scene on Ach-To.

This book practically worships Leia. Which I’m actually okay with. Not because of Carrie Fisher’s death, though that does make it more poignant. It’s because in the end, Leia was the strongest person in the saga. There’s actually a line in the book

Rian Johnson touched on this in the commentary track for The Last Jedi. Over the course of her life, Leia…

– Was taken from her birth parents.
– Lost her adoptive parents when her world exploded, as she was forced to stand by and watch.
– Discovered her father was Darth Vader, who was the one to hold her in place and make her watch aforementioned explosion.
– Lost her son to the dark side, just as Vader had been lost to it.
– Lost her husband when he was murdered by aforementioned son.
– Lost her brother when he sacrificed himself to save the Resistance.
– Endured the death of so many friends. In the sequel trilogy she also lost Holdo, who’d been a childhood friend, and Admiral Ackbar, whom she’d known since the days of the Rebellion.

And yet, when the galaxy needed her to fight, she kept on fighting.

Turns out Leia, like Carrie Fisher, was as tough as they come.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

The Rise of Skywalker Novelization Review – Palpatine Edition

***I just recently finished the Rise of Skywalker novelization. Naturally, as the “Expanded Edition,” it’s intended to supplement the events of the film and hopefully fill some of those gaping plotholes. Naturally as a Star Wars geek, I’ve got opinions. Too many to fit into a single review. Thus, welcome to the first of my multi-part Rise of Skywalker novelization review!***

By Rob Siebert
Has a LOT of free time during quarantine.

1. After the Big Boom
The book confirms something that a lot of fans already suspected: The Palpatine we saw in The Rise of Skywalker was indeed a clone. Or rather, the real Palpatine’s consciousness in a clone’s body.

There are more than a few Darth Plagueis references in the novel, which is a nice touch. Having learned from his old master how to cheat death, the Emperor began working on his contingency plan when he sensed the conflict in Darth Vader.

Palpatine’s consciousness left his body as he fell toward the Death Star core in Return of the Jedi. It traveled “far, far away to a secret place he had been preparing.” I can only assume that secret place was Exegol. But his new body wasn’t fully prepared, and his various Sith heretics rushed to sustain him. Obviously they never fully succeeded, as he would eventually plan to take Rey’s body as his own.

I know some fans thought Palpatine’s survival essentially negated the end of Return of the Jedi. I never really got that logic. Darth Vader was redeemed, the Empire was dealt a fatal blow, and the galaxy had three decades of peace. Not a bad deal as far as I’m concerned.

2. “They turned our kids into our enemies.”
Since The Force Awakens, one concept that’s both fascinated and frustrated me is the formation of the First Order. How they came together, what they want, how they’re different from the Empire, etc.

Lando has a few lines in this book that I really wish they’d put in the movie. During the scene on Pasaana where he tells Rey and the others he’s not coming back with them, he says…

“First Order went after us – the leaders from the old wars. They took our kids. … My girl wasn’t even old enough to walk. Far as I know, she’s a stormtrooper now. … They turned our kids into our enemies. My girl. Han and Leia’s son, Ben. To kill the spirit of the Rebellion for good.”

When you take into account Palpatine was been behind the First Order from the start, and that he’s essentially the most patient villain in pop culture history, that makes all the sense in the world. What better way to not only take the galaxy back, but to exact revenge on the heroes of the Rebellion than by targeting the next generation? You turn Han and Leia’s son into your unwitting apprentice, and you get Lando’s daughter as a bonus. The movie never even indicated that Lando had a daughter…

To an extent, the whole “They took our kids” thing applies to Luke as well. Remember, all his students ended up dead. All of them.

Ultimately, Palpatine’s plan worked, didn’t it? Han and Leia’s family imploded, Luke went into exile, and Lando ran away from it all.

3. Stormtroopers and Sith Troopers
The book tells us that the Sith Troopers, a.k.a. the red stormtroopers, were pulled from the regular stormtrooper roster, and designated lost in action somehow.

While the novel never indicates this explicitly, I think putting Palpatine in charge of the First Order adds a nice little irony to the stormtroopers being taken as children and forced into training. Because, to an extent, that’s exactly what the Jedi did.

Granted, you can make that argument without Palpatine. But it’s much more poignant with him.

4. You Have One Unheard Message
The first paragraph of the opening title crawl tells us “The galaxy has heard a mysterious  broadcast, a threat of REVENGE in the sinister voice of the late EMPEROR PALPATINE.”

Gotcha. But what did he say exactly? We never hear it in the movie.

Thankfully, the book fills us in…

“At last the work of generations is complete. The great error is corrected. The day of victory is at hand. The day of revenge. The day of the Sith.”

5. More From Dark Empire
While I’m about to talk about this book yet again in relation to The Rise of Skywalker, it must be said that Dark Empire is one of the most atrociously colored books I’ve ever seen. Obviously it was a style choice. But hindsight being 20/20, a different choice would have been better.

This isn’t so much about the novelization as the story itself. In Dark Empire, Palpatine comes back in a clone body and has a fleet of “World Devastators” at his disposal. In the end, he’s defeated by Luke and Leia as they draw strength from words spoken by Yoda as he trained Luke.

Would Star Destroyers with attached Death Star lasers count as “World Devastators?” Asking for a friend…

I’m not trying to make any sort of salacious allusions here. I just find it amazing how prophetic this story from 1995 would turn out to be in terms of a movie that would come out 25 years later. And feature a much older Luke and Leia.

Email Rob at primaryignition@yahoo.com, or check us out on Twitter.

Weekly Comic 100s: A Star Wars Trifecta, Bendis, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

We’re strictly looking at Marvel and DC this week, as that’s just how things shook out. Seems like a catch-up edition of “Weekly Comic 100s” is in order sooner than later…

Incidentally, Wolverine #1 was February’s top-selling comic. And no, I still won’t be reading or reviewing it.

TITLE: Star Wars: Bounty Hunters #1
AUTHOR:
Ethan Sacks
ARTISTS:
Paolo Villanelli, Arif Prianto (Colorist), Travis Lanham (Letterer). Cover by Lee Bermejo.
RELEASED:
March 11, 2020

Covers don’t usually play a big part in whether I’ll try a new series, or an issue I otherwise wouldn’t be inclined to pick up. But if ever one could, it’s this one. Epic work by Lee Bermejo.

I’d call this a strictly okay start. The success of this series is largely riding on how the Vance character comes off as these early issues are buoyed by classic characters like Boba Fett and Bossk. He’s got a kind of Terminator-like appearance, and a mysterious backstory that piques my curiosity.

Tell me more, comic. Tell me more…

TITLE: Star Wars: The Rise of Kylo Ren #4 (of 4)
AUTHOR: Charles Soule
ARTISTS: Will Sliney, Guru-eFX (Colors), Travis Lanham (Letterer). Cover by E.M. Gist.
RELEASED: March 11, 2020

This mini ends exactly how you think it will. Some questions we now have answers to. Some we don’t. But we did get a really nice character moment that illustrates a really interesting, though in hindsight obvious parallel between Kylo Ren and Luke.

During a fight with one of Luke’s other Jedi pupils, Ben says that neither Luke and Snoke see him as a person. “I’m just a…legacy. Just a set of expectations.” From a certain point of view (wink wink), that’s exactly what Luke talks to Rey about in The Last Jedi. The burden of his bloodline.

TITLE: Darth Vader #2
AUTHOR: Greg Pak
ARTISTS:
Raffaele Ienco, Neeraj Menon, Joe Caramagna. Cover by Inhyuk Lee.
RELEASED:
March 11, 2020

In this issue, we supposedly meet a surviving Padme. Funny thing is, the character looks older in the interior art than Natalie Portman does in real life.

Later on, Vader tells someone that if she’d lived, Padme would have joined the Empire. I wonder if he means the Empire that would have existed had he overthrown Palpatine, or the Empire that actually came to pass. I can’t bring myself to believe that he believes the latter. Unless he’s deluded himself that much over the course of two decades.

TITLE: Superman #21
AUTHOR: Brian Michael Bendis
ARTISTS: Ivan Reis, Joe Prado and Oscar Albert (Inkers), Alex Sinclair (Colorist), Dave Sharpe (Letterer). Variant cover by Bryan Hitch and Sinclair.
RELEASED: March 11, 2020

More Superman vs. Mongul here. Bendis turns the story horizontal and we get a series of slimmer top-to-bottom panels depicting various locations. It’s a nice little trick.

What I’m really liking about this “Truth” story is it illuminates the larger scope of what it means to be Superman. He’s not just some guy flying around in a cape punching things. The United Planets plotline emphasizes something that certain people never seem to understand. Superman is an idealist. Peace. Justice. Unity. Teamwork. Courage. These are the things he really stands for, and I love that Bendis gets that.

TITLE: Young Justice #14
AUTHORS: Brian Michael Bendis, David Walker
ARTISTS:
John Timms, Michael Avon Oeming, Gabe Eltaeb (Inker), Wes Abbott (Letterer).
RELEASED:
March 11, 2020

I’m wondering what the deal is with all these alleged new members. Are we doing a Justice League Unlimited type thing, where characters rotate in and out depending on the mission? Either way, it’s great to see Jackson Hyde back.

Bendis’ old Powers colleague Michael Avon Oeming handles some of the art here. The work he does here is fine. But if he’s going to be on the book, I’d prefer he be the sole artist.

TITLE: Cable #1
AUTHOR: Gerry Duggan
ARTISTS:
Phil Noto, Joe Sabino (Letterer)
RELEASED:
March 11, 2020

Well hey there, Phil Noto. Always good to see you.

Here we have the X-Men once again shamelessly tampering with the space time continuum as a younger Nathan Summers lives with present-day mutants on Krakoa.

Outside of a sparring session with Wolverine during the opening pages, and Noto’s art in general this issue didn’t do much for me. There’s something of a novelty in seeing this character in a jungle atmosphere he’s not normally associated with. But in the end, not much to write home about. Not yet at least.

TITLE: Shazam #11
AUTHOR:
Geoff Johns
ARTISTS:
Scott Kolins, Michael Atiyeh (Colorist), Rob Leigh (Letterer). Cover by Dale Eaglesham and Atiyeh.
RELEASED:
February 26, 2020

Alright, let’s talk about it: Superboy-Prime is back. His next target? Shazam.

If it were somebody other than Geoff Johns writing this book, I’d be a little apprehensive. But because it’s him, I’m actually looking forward to their big showdown.

Superboy-Prime is pretty much the anti-Shazam. Billy Batson is a young man given great power who ultimately uses it for good. This version of Superboy? A young man whose power made him spoiled, bitter, and angry. These two have more in common than they’d ever admit.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Darth Vader, Batman, X-Men/Fantastic Four, and More!

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Darth Vader #1
AUTHOR: Greg Pak
ARTISTS: Raffaele Ienco, Neeraj Menon (Colorist), Joe Caramagna (Letterer). Variant cover by Chris Sprouse.
RELEASED: February 5, 2020

After the events of Empire, Darth Vader starts investigating Luke’s birth/origins. He journeys back to Tatooine (again). He then goes to Padme’s old apartment on Coruscant, which remains more or less preserved after 20 years. As if it’s a crime scene or something. Based on the ending, I assume we’ll learn more next issue.

I understand it from a storytelling perspective. But in-universe, it’s always a little too convenient that these landmark places all essentially look the same no matter when we see them. That Lars Homestead will still be standing 30 years later

TITLE: Batman #88
AUTHOR:
James Tynion IV
ARTISTS: Guillem March, Tomeu Morey (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: February 5, 2020

I wasn’t very nice to Guillem March last time. In fact, I’m rarely depict his work positively. But to his credit, he won me over with this issue. At least a little bit. His rendering of Catwoman in a graveyard on a rainy night is damn near beautiful. The scene with Batman, Penguin, Deathstroke, and the others is also very strong.

At more than one point, it seemed to me like this issue was laying the groundwork for the long-awaited Three Jokers book. Remember, we’re building toward a story in the pages of Batman called “Joker War.”

TITLE: X-Men/Fantastic Four #1 (of 4)
AUTHOR: Chip Zdarsky
ARTISTS: Terry Dodson, Rachel Dodson (Inker), Dexter Vines (Inking Assistant), Karl Story (Inking Assistant), Laura Martin (Colorist), Joe Caramagna (Letterer)
RELEASED: February 5, 2020

I’m terrified of X-Men comics. Specifically, the decades worth of continuity and characters. But to this book’s credit, it’s fairly accessible.

Franklin Richards, the mutant teenage son of Reed Richards and Sue Storm, is summoned by Charles Xavier to live with Earth’s mutants on the island nation of Krakoa. This doesn’t sit well with Reed. Naturally, conflict and teen angst ensue.

I’ve been looking for a bridge back into the Marvel Universe. X-Men/Fantastic Four #1 might be it, as it does a nice job setting up both teams, and giving us a compelling main character in Franklin.

TITLE: Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #3
AUTHOR: Ryan Parrott
ARTISTS: Simone di Meo, Alessio Zonno, Walter Baiamonte (Colorist), Igor Monti (Color Assistant), Ed Dukeshire (Letterer). Cover by Dan Mora.
RELEASED: February 5, 2020

We get a fight between Rita and Shredder in this issue. It’s a relatively lengthy battle. And you know what? I’m just going to come out and say it: I wanted this to be one of those fights where the guy and girl hook up at the end. You know how it goes. The passion overcomes them, etc. These two have a lot in common, after all.

What that says about me and these characters from my childhood, I’ll let you decide.

Oh my God. What if Shredder, not Zedd, was actually Thrax‘s father?!?!? Mind blown!!!

TITLE: Young Justice #13
AUTHOR: Brian Michael Bendis, David Walker
ARTISTS: Michael Avon Oeming, Mike Grell, John Timms, Gabe Eltaeb (Colorist), Wes Abbott (Letterer)
RELEASED: February 5, 2020

Well hey there, Mike Grell! It’s been too long! What’s more, Grell gets to once again draw a character he created in Warlord. Warlord and Superboy actually have a pretty nice dynamic in this issue. The experienced elder statesman offering calm words of wisdom to an upset Superboy.

For the moment at least, the Young Justice cast has expanded greatly. If these additional characters stick around, it’s a lot to balance. But it’s still damn good to see a couple of them.

TITLE: Lois Lane #8
AUTHOR: Greg Rucka
ARTISTS: Mike Perkins, Gabe Eltaeb (Colorist), Simon Bowland (Letterer)
RELEASED: February 5, 2020

As much as I’m enjoying having Greg Rucka back at DC, I’m wondering if this needed to be a 12-issue maxi-series. This entire issue felt mostly like filler.

For instance, there’s a scene in this issue where Superman shows up after an attempt on Lois’ life. We take four pages to see husband and wife re-united, and then to see the attention the Man of Steel gets from the local police.

Am I missing something? Why are we seeing this?

On the upside, the assassin that comes after Lois has a pretty cool look.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Kylo Ren, Doomsday Clock, Batman Finale

By Rob Siebert
Fanboy Wonder

Yeesh. Talk about a loaded week. Big finales, big debuts, and some Star Wars backstory we’ve been waiting years for. And of course, with big issues, come big upticks in pricing. Mostly at DC. They actually had the gall to charge $4.99 for the Tom King Batman finale. Oye.

But next week is largely a throwaway week. (Unless you’re Marvel. Kudos to them.) So I’ll be able to play a little catch up. So next week’s batch will include Family Tree #2, Shazam #9, Star Wars: Empire Ascendant, Batman/Superman #5.

But for now, we’ve got a lot to get to…

TITLE: Star Wars: The Rise of Kylo Ren #1 (of 4)
AUTHOR:
Charles Soule
ARTISTS: Will Sliney. GuruFX (Colors). Travis Lanham (Letterer). Cover by Clayton Crain.
RELEASED:
December 18, 2019

I was ready to be mad at this issue for giving us stuff we should have gotten in one of the movies. As it turns out, this was benign.

In The Last Jedi, Luke says that after burning down the temple, Ben Solo left with some of his other students. Here, we learn that doesn’t quite mean what it sounds like. We also learn who the Knights of Ren are, which is welcome information.

Not the strongest first issue I’ve ever seen. But the intrigue around what happened to Ben Solo is enough to bring us back for more.

TITLE: Doomsday Clock #12
AUTHOR: Geoff Johns
ARTIST: Gary Frank, Brad Anderson (Colorist), Rob Leigh (Letterer).
RELEASED: December 18, 2019

From the beginning, we’ve known this book has been building toward Superman vs. Doctor Manhattan. A symbol of hope against a symbol of cynicism. The implication being that Superman would ultimately get through to Doc, and bring about a change of heart.

We do get a scene like that in this issue. But it’s so brief, and frankly a little contrived, that it was hardly worth the two years of build-up.

That’s right, folks. Doomsday Clock #1 came out in November 2017. It’s taken us more than two years to get here. Really takes the edge off, doesn’t it?

TITLE: Batman #85
AUTHOR: Tom King
ARTISTS: Mikel Janin, Hugo Petrus, Jordie Bellaire (Colorist), Clayton Cowles (Letterer). Cover by Tony Daniel.
RELEASED: December 19, 2019

Here we have yet another big finale that ends not with a bang, but with a whimper.

Tom King is a good writer. I believe that. But for whatever reason, this “City of Bane” story went on way too long, and he ended up overstaying his welcome on Batman. The truly sad part? There’s a good story in here if you rifle through it, and maybe rearrange some pieces.

On the upside? Mikel Janin’s work on Batman has been consistently great. As far as I’m concerned, he’s welcome back in Gotham any time.

TITLE: American Jesus #1
AUTHOR: Mark Millar
ARTISTS: Peter Gross, Jeanne McGee (Colorist), Cory Petit (Letterer). Cover by McGee and Frank Quitely.
RELEASED:
December 18, 2019

A 14-year-old Hispanic girl becomes the modern-day Virgin Mary in a story written by the guy who did books like Kick-Ass and Nemesis? Sure. Sounds harmless enough…

Maybe it’s me, but the art in this book seems a little weird. Like the proportions are just a touch off. It’s minor, just just prominent enough to be noticeable.

There’s a lot of intrigue here, given the sensitive topic and Millar’s penchant for the outlandish. While there’s nothing blasphemous in this issue (at least as far as I can see), I figure it’s just a matter of time.

TITLE: Spider-Man #3 (of 5)
AUTHORS: J.J. Abrams, Henry Abrams
ARTISTS: Sara Pichelli, Elisabetta D’Amico (Inking Assistant), Dave Stewart (Colorist), Joe Caramagna (Letterer). Cover by Olivier Coipel.
RELEASED: December 18, 2019

Tony Stark pops up in this book, and now our story has an Avengers angle to it. That’s disappointing. This is a story about the legacy of Spider-Man, and the strained relationship between a father and son. So why not keep the lens focused on Spidey’s world, and not open things up to the larger Marvel Universe until later? We need to be focusing on Ben right now. Not some wacky take on Tony Stark as an old man.

On the upside, we get further into who Cadaverous is. Good stuff, with Pichelli’s art on point.

TITLE: Suicide Squad #1
AUTHOR: Tom Taylor
ARTISTS:
Bruno Redondo, Adriano Lucas (Colorist), Wes Abbott (Letterer). Cover by Ivan Reis.
RELEASED:
December 18, 2019

While it lacks the impact and sizzle of a Jim-Lee-drawn debut, this issue has some intrigue to it. We’ve got three mainstays in Deadshot, Harley, and King Shark. But we’ve also got a big group of new characters. They kind of look like what Marv Wolfman and George Perez would produce if asked to produce a modern team of superheroes.

Mind you, some of them are dead when we close the issue. But if even one of them sticks for a decent amount of time, that’s an accomplishment.

TITLE: Mighty Morphin Power Rangers #46
AUTHOR: Ryan Parrott
ARTISTS: Daniele Di Nicuolo, Walter Baiamonte (Colorist), Katia Ranalli (Color Assistant), Ed Dukeshire (Letterer). Cover by Jamal Campbell.
RELEASED: December 18, 2019

A few little things I noticed that aren’t out of character per se, but perhaps show how these characters are different in this time period…

– Tommy’s more relaxed demeanor now that they’re seemingly no longer Earth’s last line of defense.

– Kimberly stepping up into more of a leadership role with the three new Rangers.

– Trini’s more sarcastic personality. It’s not how I would write the character, as she’s normally more reserved. But we can chalk it up to her gaining confidence through her experiences as a Power Ranger.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.

Weekly Comic 100s: Star Wars Finale, Batman/Superman, The Question

*”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

TITLE: Star Wars #75
AUTHOR:Greg Pak
ARTISTS: Phil Noto, Clayton Cowles (Letterer)
RELEASED: November 20, 2019

A fine way to end the series. Great pacing, mixed with good character work and some nice action scenes. Once again, Greg Pak and Phil Noto shine a glowing spotlight on Chewbacca and C-3PO. What’s more, they find a way to subtly weave the tragedy of Darth Vader into everything. (See the closing page.)

In particular, I’m sad to see Pak go. He’s proven here that he knows how to tell a good Star Wars story. And as we’ve learned through a couple of the recent movies, that’s not something everyone can do.

TITLE: Batman/Superman #4
AUTHOR: Joshua Williamson
PENCILLER:
David Marquez, Alejandro Sanchez (Colorist), John J. Hill (Letterer)
RELEASED:
November 20, 2019

In this issue we learn the identities of the six “Jokerized” heroes, a.k.a. the “Secret Six.” They didn’t play it up as a mystery the way I hoped they would. It was essentially reveal after reveal after reveal. A disappointing execution for what is still a compelling story concept.

Can we come up with a nickname for the Batman Who Laughs? Saying the whole thing every time makes for awkward dialogue. (“Don’t listen to the Batman Who Laughs, Donna!”) If this guy’s sticking around for the long haul, that’s something that needs to be fixed.

TITLE: Batman #83
AUTHOR: Tom King
ARTISTS: Mikel Janin, Jordie Bellaire (Colorist), Clayton Cowles (Letterer)
RELEASED: November 20, 2019

This is the issue where Bruce finally discovers what’s happened to Alfred. Keep in mind it happened back in August. That tells you all you need to know about whether they’re padding this thing out…

As a framing device, the issue uses a recording of Alfred. I always like when writers use Alfred’s journal like that, so King’s twist on it was cool. Janin has the unenviable, yet in the end quite successful task of showing us Batman grieving for several pages.

I’ve been ready for this climactic battle for awhile now. So let’s get on with it, shall we?

TITLE: Something is Killing the Children #3
AUTHOR: James Tynion IV
ARTISTS: Werther Dell-edera, Miquel Muerto (Colorist), Andworld Design (Lettering)
RELEASED: November 20, 2019

After a very strong opening page, and our longest scene yet with one of the monsters, we spend the bulk of the issue with our heroine, the bad-ass Erica Slaughter. There’s an eight-page sequence with her in a police station that’s a lot of fun.

We still don’t know much about…anything. What these monsters are, who Erica is, who she’s working for, etc. Sometimes that sort of mystery works, sometimes it doesn’t. It works here. The nervous dynamic James has with Erica doesn’t hurt in that regard. It’s not romantic. But it’s cute in its own way.

Follow Primary Ignition on Twitter, or email Rob at primaryignition@yahoo.com.