Tag Archives: Darkseid

A Dark Nights: Metal #2 Review – Aw, Look at the Baby…

TITLE: Dark Nights: Metal #2
AUTHOR: Scott Snyder
PENCILLER: Greg Capullo
PUBLISHER: DC Comics
PRICE: $4.99
RELEASED: September 13, 2017

***WARNING: Spoilers lay ahead.***

By Rob Siebert
Editor, Fanboy Wonder

Dark Nights: Metal #2 is a marked improvement over its predecessor. There are no awful giant robots to speak of, and the Batman worship has been toned down to a degree. There’s even an opportunity for Batman to beat up the whole Justice League again, and Snyder and Capullo pass…sort of. This issue gives us the best from all parties involved. Now if only I were confident things weren’t going to degenerate going forward…

The League is on the hunt for Batman after learning he’s a living doorway into our world for a demon named Barbatos from the Dark Multiverse. The Caped Crusader is determined to prevent Barbatos’ arrival on his own. But it’s a mission that’s doomed to fail, as his determination is about to backfire on him. One way or another, the Batmen of the Dark Multiverse are on their way.

One element of Metal that has yet to falter is the art. Penciller Greg Capullo, inker Jonathan Glapion, and colorist FCO Plascencia give us the DC Universe in all its grandeur, albeit a shade or two darker. The issue opens with a sequence that quickly jumps between Gorilla City, the House of Mystery, Metropolis, and the Amazon rainforest. Later on, we go to a location that Superfriends fans will recognize as the Hall of Doom, which is a cool little moment. Then you have the two-page spread revealing of all the Dark Multiverse Batmen. I stand by what I said last time about how they don’t all need to be twisted versions of Batman. But there are a lot of fascinating design elements.

“The Batman Who Laughs” (center) is the most provocative, as he comes with what appear to be cannibalistic zombie Robins on leashes. But the Aquaman equivalent (far left), “the Drowned,” has an intriguing design that seems to be pirate-inspired. The Wonder Woman equivalent is clearly inspired by Ares. Of course, having Doomsday stand in for Superman is a nice touch.

My complaints about the art are few and far between. But one of them deals with a shot of Damian Wayne. Early in the book we get a chase sequence through the Amazon, as Justice League members chase various Bat-family members who have been digitally camouflaged to look like the Dark Knight. Robin, meanwhile, is driving what essentially amounts to a big Bat-tank. There’s a panel where we zoom in on Damian behind the wheel, and the poor kid looks like he needs a booster seat (shown below). He’s supposed to be 13 years old, not six. What gives?

I’ve made no secret of how much I hate what Snyder and Capullo did with Batman and the Justice League in their Endgame storyline. While under the effects of the Joker’s mind control, Superman, Wonder Woman, the Flash, and Aquaman all attack Batman. Naturally, Snyder gives Batman a giant robot to fight back with, as he trumps all of them one by one. Each time, we got a detailed explanation of the pseudoscience involved. It all culminates with Batman spitting in Superman’s eye. There was no harm intended, but the whole thing wound up being absolutely disgraceful. One of the worst instances of Batman worship I’ve ever seen.

So naturally, the rainforest chase scene between the League at the Bat-family was nerve-wracking for me. Especially when the various members of Batman’s team start springing various traps. But in the end, with Superman’s help, the League gets a win. Batman himself winds up not being there at all. But let’s take our wins where we can get them. We avoided some indirect Batman worship.

Snyder and Capullo handle Superman pretty well this time around, which is a nice surprise. He’s compassionate and concerned about Bruce’s wellbeing, even referring to him as a brother. But at the same time, he’s the assertive leader that he should be. One way or another, he refuses to let Bruce face this threat alone.

I’m a little less sure about baby Darkseid, however. This transformation happened back in Geoff Johns’ Darkseid War. It’s not so much the way the little guy is used, but how he looks (shown below). I understand the goggles, which Batman addresses in the scene. But did we have to put him in a miniaturized version of his normal blue armor? There’s a ha-ha quality there that puts a damper on the drama.

On the subject of Darkseid, Snyder surprised me by weaving The Return of Bruce Wayne into this story. The idea is that Barbatos first saw Bruce when he was sent back in time via Darkseid’s Omega Beams, which set up the events of Return. I’ll say this much, it at least offers a little explanation as to why this giant cosmic entity is specifically targeting Bruce.

According to Snyder, Metal has been in the works since his run on Batman began in 2011. Metal #2 takes us back through the events of said run, and reminds us of the various otherworldly metals our hero has been in contact with. Electrum, Dionesium, etc. While I adore the long-term storytelling, the issue takes it a little too far by introducing a new metal called Batmanium. Ugh. Really? Batmanium?

I’ll say this much for Metal: It’s unabashed in its cornball moments, while at the same time creating a threat with some real gravity to it. We know it takes a lot to scare Batman, much less the entire DCU. While the heavy metal aesthetic isn’t really my thing, and the Batman worship continues to rub me the wrong way, Metal is worth your attention. Snyder seems to be writing a love letter to DC Comics lore, as Capullo and the artistic team continue to deliver quality work. Now it’s just a question of how much this thing is going to piss me off. Somehow, I doubt Snyder is as concerned about that as I am…

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A Justice League #40 Review – His Mama Named Him Mobius

Justice League #40, coverTITLE: Justice League #40
AUTHOR: Geoff Johns
PENCILLERS: Kevin Maguire, Phil Jimenez, Dan Jurgens, Jerry Ordway, Scot Kolins, Jason Fabok, Jim Lee. Cover by Fabok.
PUBLISHER: DC Comics
PRICE: $3.99
RELEASED: April 29, 2015

By Rob Siebert
Editor, Fanboy Wonder

This issue is HILARIOUS.

It’s not meant to be a funny issue, but it’s still hilarious. In putting together this issue about Metron and the Anti-Monitor, Geoff Johns has spotlighted a problem with not just DC Comics, but entertainment in general: Reboots, retcons, and remakes. This is particularly the case in the world of superheroes. We’re now on our third modern cinematic versions of Superman, Batman, and Spider-Man. And as this issue points out (in so many words), the DC Universe has had five (maybe sixth, depending on what happens in Convergence) continuity adjustments in the last 30 years. Even Marvel is about to do a massive reboot.

Keep all in mind as you read these lines from Metron…

“Although it is unknown to all but a very few, the birth and destruction of the universe has been an ongoing cycle. And overtime, that cycle has accelerated. Because of that acceleration, the fabric of this universe is losing its cohesion. Reality has been taken apart and been put back together too many times.”

Metron, Justice League #40, Justice League #40That last line is hysterical, especially considering the man writing this is the chief creative officer of DC Entertainment! It’s funny, but also somewhat gratifying as a fan, just to see this sort of thing acknowledged in a story. All things considered, I don’t think I’ve ever read an issue this “meta.”

As we learn in Justice League #40, the Anti-Monitor, in his latest conquest to consume universes and realities, has somehow “cracked open” the Multiverse (again, see Convergence) for others to exploit. Metron, the designated observer of the space-time continuum in the DCU, tries to reason with the Anti-Monitor, citing that reality cannot survive another crisis. What follows is a revelation that The Anti-Monitor is on a collision course with one of DC’s most powerful entities. And indeed, the very fabric of reality may unravel.

Evidently the coming conflict (Hint: The story is called Darkseid War.) is a very personal one for The Anti-Monitor. We even find out he has a birth name: Mobius. His involvement suggests cosmic, potentially time-altering consequences in the coming issues of Justice League. Of course, the stakes seem to be just as high in Convergence. How they’re connected, if at all, remains to be seen. But it would seemingly behoove them to connect the two stories in some way.

Justice League #40, two-page spread, Dan Jurgens, Jerry Ordway, Scot KolinsWith an artistic team like this one, it’s no surprise this issue is gorgeous. I’m a huge Kevin Maguire fan, so opening the book with his work was big thrill for yours truly. He has such a gift for the little nuances in human expression, and that’s on great display with Johns goes over some of the Jack Kirby Fourth World stuff, specifically the switch involving Scot Free (later Mister Miracle) and Orion). After nine pages from Maguire, we get a two-page tribute to Crisis on Infinite Earths from Phil Jimenez. This is followed by nods to Zero Hour, Infinite Crisis, and Flashpoint by Dan Jurgens, Jerry Ordway, and Scot Kolins respectively. After that, it’s a two-page callback to Justice League: Origin from Jason Fabok. Jim Lee, one of the true masters of the explosive superhero comic book, finishes it out from there. Most of this stuff is really gorgeous. It’s a tribute not only to the artists, but Johns’ ability to take what is essentially a giant info-dump, and turn it into a gorgeous issue.

Supposedly, this storyline has been planned since the New 52 began. I believe that. Justice League hasn’t been perfect. But it has had a certain flow to it, not unlike Johns’ Green Lantern run. We’ll be seeing a lot of heavy hitters on the pages of this book in the months to come. Let’s hope we see a home run.

Image 1 from dc.wikia.com. Image 2 from waitwhatpodcast.com. 

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A Justice League: Origin Review – A New Era Begins

Justice League: Origin, coverTITLE: Justice League: Origin
AUTHOR: Geoff Johns
PENCILLER: Jim Lee
COLLECTS: Justice League #1-6
FORMAT: Hardcover
PUBLISHER: DC Comics
PRICE: $24.99
RELEASE DATE: May 2, 2012

By Rob Siebert
Editor, Fanboy Wonder

Yeesh. Talk about a tall order. Justice League: Origins tasks Geoff Johns and Jim Lee with setting up the post-Flashpoint DCU, introducing all seven members of the League plus Darkseid to new readers, telling a story that’s appealing to both new and longtime readers, and moving that story along at a pace that doesn’t allow it to get bogged down by all the introductions. They definitely accomplished the first two. Whether they got the last two is up for debate.

Justice League: Origin takes place five years in the past. Superhumans are a fairly recent development, and the public is largely afraid of them. But when demonic creatures (which regular DC readers know as parademons) start popping up around the world, Batman, Green Lantern, Superman, The Flash, Wonder Woman and Aquaman must come together to save the world. Meanwhile, a terrible accident turns high school football star Victor Stone into Cyborg, who may very well be the key to humanity’s survival. Because from the flames of Apokolips, Darkseid is coming…

Justice League: Origin, team shot, Jim LeeThis book takes a very ground-floor approach to the Justice League concept, as it should. Unlike the previous continuity, the League is the first active superhero team. There has never been a Justice Society, an Infinity Inc., etc. Most of the characters have heard of one another, but have never met (Green Lantern and The Flash are the exception). The plot is also pretty simple: Bad stuff is happening in Metropolis, and these heroes are all drawn to it. As a longtime fan, the formula for most of this book is almost painfully simple. Character introduction and exposition, action mixed with character introduction, repeat. But you can’t necessarily fault Geoff Johns for that approach. Remember, this is supposed to be the first chapter in the Justice League’s history. And what does a first chapter do? It introduces the characters. That’s especially important when you consider that this book is designed to be a hook for new readers. For longtime fans it might be tedious, but it’s necessary.

They couldn’t have chosen a better artist for this book than Jim Lee. Let alone the fact that he’s a co-publisher at DC, and designed the many of the new looks for these characters, he’s just an amazing artist. His action scenes all have great weight and tension to them, which needless to say is a must when your book is so action-heavy. Fight scenes tend to be filled with epic splash pages. Batman, Superman, Wonder Woman and Darkseid all get nice two-page splashes. The costume tweaks for the heroes are all acceptable, except for the fact that Superman, Batman, Green Lantern and The Flash all look like their armor was made by the same company. That’s a hell of a customer pool, isn’t it? Gotham City, Central and Keystone Cities, the planet Krypton, and the Guardians of the friggin’ universe! I’d like to shake that marketing coordinator’s hand…

Justice League #1 (2011), final page, Superman, Jim LeeHowever, I’m greatly concerned about how Superman is portrayed in this book. The fact that he’s so powerful makes him cocky and standoffish, and thus not necessarily likeable. He spends a good portion of his introductory time saying things like:

– “So, what can you do?”
– “Talk, Batman. Before I won’t let you.”
– “Chains? You’re funny Green Lantern.”
– “Why should I come with you?…No one’s like me.”

I get that this story takes place during Superman’s early years, so maybe he’s a little overconfident, and dare I say immature, than we’re used to seeing him. He’s feeling ostracized because he’s not from Earth, so he’s not very trusting. That’s fair enough. But that’s the only side of Superman we see in this story. If you’re a new reader, the only impression you have of Superman is that he behaves like the conceited star of a high school football team. That’s a pretty big misstep considering Superman is not only one of the poster boys for the Justice League, but one of the faces of the entire DC Entertainment brand. We see a similar problem with Aquaman. But he’s also got the most bad ass moment in the entire book (he tells a bunch of shark to leap out of the water and catch parademons in the air), so that buys him a bit of leniency from me.

Truth be told, Origin sees more than one of our heroes acting like jocks vying to be captain of the team. Green Lantern has the stones to trap Batman in a construct and says: “Here’s the plan: Green Lantern goes in there and restrains Superman for questioning. Batman waits here.” But the difference between what happens with Superman and what happens with Green Lantern is that Johns takes the time to redeem GL. Without getting too specific, as the intensity of the battle increases, we start to see cracks in Hal Jordan’s confidant, cocky exterior. We see that deep down he’s really a good person, and not the pretentious douchebag he is at the beginning of the story. Superman and Aquaman don’t have moments like that. Johns and Lee didn’t need to stop the story to address this issue. All we needed were a couple of little moments. A throwaway line for both characters might have even done the trick. But nope, pretentious douchebags.

Justice League #6, Jim Lee, super sevenEverybody else fares pretty well. Batman is the combat veteran, Wonder Woman is the honorable yet action-hungry warrior, The Flash is the straight-laced guy with the heart of gold, and Cyborg is the new kid on the block trying to find his way.

So is this a team new readers can root for? Yes, and I think that quality will only grow as the series progresses. But in this book, their origin story, I wish they spent a bit more time acting like heroes, as opposed to squabbling teenagers. Are disagreements bound to happen when seven people from seven different backgrounds come together? Of course. That’s one of the things that makes any team book interesting. But at the end of the day, these characters are here to fight for justice and virtue. I wish this book could have done more to show us the beginnings of a team, as opposed to characters who all happen to be fighting on the same side of a war.

Origin is a solid start. It’s not as good as it could have been, but it’s a start.

RATING: 6.5/10

Image 1 from imgarcade.com. Image 2 from threatquality.com. Image 3 from superherohype.com.

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