Weekly Comic 100s: TMNT #100, Dark Knight ReturnsSuperman

***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Nothing too in-depth here. Just straight, concise, and to the point.***

By Rob Siebert
Fanboy Wonder

Word recently broke about Kevin Eastman and Peter Laird working together again after all these years for a Ninja Turtles story called “The Last Ronin.” How fitting then, that not only does IDW’s Teenage Mutant Ninja Turtles #100 comes out this week, but we’ve also got a new Frank Miller book. It’s no secret that Eastman and Laird drew inspiration from Miller’s work in the early to mid ’80s.

Imagine what would have happened if it had the modern Frank Miller back then. Back then you had his work on characters like Daredevil and Wolverine. Now? We’ve got the Dark Knight sequels and Holy Terror. *shudders*

TITLE: Teenage Mutant Ninja Turtles #100
AUTHORS: Kevin Eastman, Bobby Curnow, Tom Waltz (Script)
ARTISTS: Dave Watcher, Michael Dialynas. Variant cover by Eastman.
SUPPLEMENTAL ARTISTS: Mateus Santolouco, Adam Gorham, Dan Duncan, Cory Smith
COLORISTS: Ronda Pattison, Bill Crabtree
LETTERER: Shawn Lee
RELEASED: December 11, 2019

TMNT #100 is more or less exactly what you want it to be. All recent plot threads converge, and as expected, we see the return of a major villain. Can’t say I expected that death, though. And make sure you don’t miss that epilogue…

The only real complaint I have is that I felt half a step behind because I couldn’t keep up on the Shredder in Hell mini. I suppose that’s the problem when you’ve created a world so rich and dense. You can’t always pack everything into one series. But that’s not necessarily a terrible problem to have.

TITLE: Dark Knight Returns: The Golden Child
AUTHOR: Frank Miller
ARTIST: Rafael Grampa. Cover by Grampa and Pedro Cobiaco.
COLORIST: Jordie Bellaire
LETTERERS: John Workman, Deron Bennett
RELEASED: December 11, 2019

My impression when I closed this book was that Miller must either have a ghostwriter working with him, or the editors are heavily involved here. Because this is a surprisingly competent issue to have his name on it in 2019. But if it was mostly Miller? Good on him.

No Bruce Wayne here. Which is kind of odd, but fine with me. Carrie Kelley, Lara, and this Dark Knight universe Jon Kent are more interesting anyway. They’re taking on Darkseid here, and Raphael Grampa’s art looks amazing.

A really good start. But keep your expectations tempered.

TITLE: Superman #18
AUTHOR: Brian Michael Bendis
ARTIST:
Ivan Reis
INKER:
Joe Prado
COLORIST:
Alex Sinclair
LETTERER:
Dave Sharpe
RELEASED:
December 11, 2019

Ugh. Why?

Yes, it’s exactly what it looks like. The same thing they did in 2015, in a storyline that, fittingly, was also called Truth.

It’s not that I don’t think Bendis and this team can do a good job with it. But we were just here. And inevitably, when you do this kind of thing you have to come up with some convoluted way to get the genie back in the bottle. So why even bother?

I will say, though, there’s a single silent page depicting the big moment between Clark Kent and Perry White that’s absolutely beautiful.

TITLE: Something is Killing the Children #4
AUTHOR: James Tynion IV
ARTIST: Werther Dell-Edera
COLORIST: Miquel Muerto
LETTERED BY: Andworld Design
RELEASED: December 11, 2019

In this issue, we get a major revelation about the nature of the monsters devouring children in Archer’s Peak. Tynion takes what I’ll refer to as the “Do you believe in magic?” approach. It’s an interesting twist that I didn’t see coming, and for my money, helps separate this book from the pack. Hopefully he’s given the time to expand on it.

As cool as Erica Slaughter is, part of me actually wants to see her killed off so James can take her place and learn about all this monster stuff. Probably won’t happen. But could be cool.

TITLE: Detective Comics #1017
AUTHOR: Tom Taylor
ARTIST: Fernando Blanco. Cover by Tony Daniel.
COLORIST: John Kalisz
LETTERER: Travis Lanham
RELEASED: December 11, 2019

A nice little one-and-done. I like when they do these. In the context of Detective Comics, it reminds me of Paul Dini’s run all those years ago.

Our story deals with missing children at the Martha Wayne Orphanage in Gotham. Taylor shows us a more sensitive and empathetic side of Batman and Robin. Also, the art in this issue really stands out, as Kalisz uses a more saturated color palette, while our inks are darker. He even gives us a sort of saturated sepia tone for the opening flashback that sets the scene really well.

TITLE: Go Go Power Rangers #26
AUTHORS: Ryan Parrott, Sina Grace
ARTISTS: Francesco Mortarino
COLORIST: Raul Angulo
LETTERER: Ed Dukeshire
RELEASED: December 11, 2019

One of the big selling points of this book early on was it was set in the pre-Green Ranger days. Tommy, one way or another, inevitably pulls focus from the other characters. It’s a little sad that the emphasis has shifted that way.

But Parrott is still the best PR writer we’ve seen from this BOOM! Studios run with the license. Oddly enough, what I enjoyed most about this issue was a flashback to Tommy eating a meal with Rita at the palace. As a kid, I always wanted to see him in there interacting with the other villains.

TITLE: Dying is Easy #1 (of 5)
AUTHOR: Joe Hill
ARTIST: Martin Simmonds. Cover by J. Lou.
COLOR ASSISTANT: Dee Cunniffe
LETTERER: Shawn Lee
RELEASED: December 11, 2019

Cop turned stand-up comic. Now there’s something you don’t see every day.

If grim-and-gritty is your thing, this book is right up your alley. If there’s a seedy underbelly to the world of stand-up, this book is smack in the middle of it. Simmonds and Cunniffe do a tremendous job using the colors to create an ominous, foreboding vibe. Ultimately, that pays off on the last page…

Fittingly, the book also manages to be funny in a black comedy sort of way. I’m not totally sold yet, but I may indeed be back for more.

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A Teenage Mutant Ninja Turtles, Vol. 1 Review – A New Chapter

Teenage Mutant Ninja Turtes, Vol. 1: Change is ConstantTITLE: Teenage Mutant Ninja Turtes, Vol. 1: Change is Constant
AUTHORS: Kevin Eastman, Tom Waltz
PENCILLER: Dan Duncan
COLLECTS: Teenage Mutant Ninja Turtles #1-4
FORMAT: Softcover
PUBLISHER:
IDW Publishing
PRICE: $17.99
RELEASED: February 23, 2012

By Rob Siebert
Editor, Fanboy Wonder

Like most children of the ’80s, I love me some Ninja Turtles. My fondness for these four green guys has only grown as I’ve gotten older, and they’ve continued to be interpreted by different writers, artists, animators, etc.  They’re not quite as renowned in the 21st century as they used to be, but the boys in green still have a legacy that’s very, very special.

The next chapter in that legacy is IDW Publishing’s new Teenage Mutant Ninja Turtles ongoing, which is overseen by TMNT co-creator Kevin Eastman. It marks Eastman’s first involvement with the franchise in a number of years, as he sold all his rights to the franchise to his co-creator Peter Laird in 2000. The series has tweaked the Turtles’ status quo a bit, but for the most part the characters still ring true.

Teenage Mutant Ninja Turtles #1, IDW, cover spreadThe big twist for this new series is that Raphael has been separated from Leonardo, Michelangelo, Donatello and Splinter since the accident that turned them into humanoid mutants. Moments after they were all doused in radioactive ooze (per the classic origin story), a cat leapt in and snatched Raph from the group. Splinter is bound and determined to find his lost surrogate son. Meanwhile, Raphael has been wandering homeless through the streets. Nevertheless, his sense of morality is intact. He comes across a father attacking his teenage son, and saves the day. The young man’s name is Casey Jones (sound familiar?) and the two strike up a fast friendship. Our villain here is Old Hob, the mutated version of the cat who swiped Raphael. Somehow, this humanoid cat with an eye patch started a street gang, and has been feuding with the Turtles and Splinter since their mutation.

Raphael, Old Hob, Teenage Mutant Ninja Turtles, Vol. 1I’m not completely sold on this Raphael thing yet. These first four issues did a nice job of setting everything up, but the true test will lay with what Eastman and this team do with this new angle as time goes on. Raphael has always been the hot-headed rebel of the group, and this separation story is an interesting way to set him up as such. Because he’s been away from Splinter and the others his whole life, Raph has never received the training his brothers have. Thus, he could potentially stand out like a sore thumb when he inevitably is placed with his brothers. If this new dynamic can be capitalized on, it could make for some really cool stories.

TMNT purists will scoff at this, but I’m disappointed the Turtles kept their red bandanas for this series, as opposed to going with the color scheme they typically have in TV shows and movies. Yes, when the Turtles were created they all had red bandanas. But the problem I’ve always had with that setup is that it can be difficult to tell them apart. If you take the weapons and the dialogue away, and stand them up side by side, you should ideally still be able to tell who is who. That’s not the case here. The fact that this is a full-color book as opposed to black-and-white, which the Turtles were always published in back at Mirage Studios, makes this choice even less sensical.

Conspicuous by his absence in this story is the Turtles’ arch nemesis, The Shredder, though there is one scene that features a sword-bearing ninja who may turn out to be him. We also see a shadow-shrouded villain named General Krang, who shares a name with one of the main TMNT villains from the ’80s animated show. April O’Neil and Baxter Stockman also play major roles.

Ninja Turtles, IDW, originDan Dunan’s pencils are a strong selling point for this series. He’s great with injecting emotion into his art, which I love. During the scene where the un-mutated Raphael gets snatched away from Splinter and the others, surrogate father and son lock eyes, and we can see the fear and desperation between them. He’s also great at working with the Turtle faces, which there’s certainly something to be said for, as they obviously don’t exist in the real world.

For a few years now, I’ve been craving a Ninja Turtles series that takes the best ingredients from just about every version of the TMNT, and brings it all together to create something that adds on to classic elements, while still keeping things fresh with vibrant storytelling and stunning visuals. This series seems like it has the right attitude to pull that off. Will it happen? Probably not. That’s a pretty high standard to set for any book. But the Turtles deserve no less, so I’ll hold out a bit of hope.

RATING: 7/10

Image 1 from turtlepedia.wikia.com. Image 2 from comixology.com. Image 3 from dreamwidth.org.

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