***”Weekly Comic 100s” keeps it nice and simple. Comic book reviews in 100 words or less. Straight, concise, and to the point.***
By Rob Siebert
Take a shot every time the word “secret” appears in this book. I dare you.
We’ve got a compelling main character here. The trouble is, we don’t actually meet him. He’s merely our narrator giving us a bunch of flowery language about secrets, their importance, etc. Things pick up once we get past the halfway point, and I am curious enough to check out issue #2. But I’d still call this an underwhelming debut. Especially given the talent involved.
We’re still working our way through Jason Todd’s DCAU origin. Thus far it’s closer to his classic origin than I would have preferred. Though they do give him his own unique Robin costume. It’s a little tacky, but somehow I find that it suits Jason…
You know what I’m hoping this all comes down to? Jason Todd vs. Tim Drake. The current Robin proves himself at the expense of the failed Robin. And hopefully we hear from Dick Grayson, the original Robin, along the way.
It’s getting harder to tell what aspects of Billionaire Island are satirical and which aren’t. It’s a fun read, but the writing manages to tap into a part of our basic humanity that’s not exactly flattering: The laziness that comes with privilege, and what we’re willing to do to accommodate it.
Let’s not forget our stupidity. And I quote, “This is what their world is…a billion-dollar mansion undone by a two-dollar lock.”
TITLE: Superman #24
AUTHOR: Brian Michael Bendis
ARTISTS: Kevin Maguire & John Timms, Alex Sinclair (Colorist), Dave Sharpe (Letterer). Cover by Ivan Reis, Joe Prado, & Sinclair.
RELEASED: August 11, 2020
I know I say this every time he draws an issue, but the novelty hasn’t worn off: Yay! Kevin Maguire!!!
I had no clue there was a new Doctor Fate. This is why I need to catch up on Justice League Dark…
As great as it is to see Maguire’s pencils, this issue and issue #23 are filler until we get to the “Double-Size 25th Issue Spectacular” next time. The art is worth the cover price. But if you’re looking to save some cash, it’s skippable.
Just because they called the Batmobile a tank in Batman Begins doesn’t mean Batman should literally be driving a tank. He does that in this issue. It’s about as stupid as is sounds.
Far less stupid is Batwoman’s return to Detective Comics. She’s a breath of fresh air in what has been a pretty stale series of issues as of late. Even the Joker wasn’t able to liven things up. And that’s coming from a big Peter Tomasi fan.
With the Joker, you often walk a fine line between the frightening and the funny. Batman #96 shows us what happens when you step on the wrong side of that line.
The issue builds up to a climactic moment involving Batman and a room full of what I can only call “Joker zombies.” The trouble is, it also includes a headshot of Mr. J himself, and he’s making a funny face. Ergo, much of the tension in the scene is dissolved and the end of the issue is ruined.
No one ever said drawing the Joker was easy…
This issue introduces us to Yolanda Chan. As a character she’s perfectly fine. Nothing wrong with her. I’m just not sure why she’s here. I mean, we find out what her job is at the end of the issue. I’m just not sure why we’re focused in on her. Time will tell, I suppose.
Don’t let the cover fool you. Superboy, Drake, and Impulse don’t meet their ’90s/old universe counterparts or anything. Which is almost a shame. That ’90s Robin costume…all the feels, man.
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