Tag Archives: comic books

Panels of Awesomeness: The Walking Dead #162

By Rob Siebert
Fanboy Wonder

CREATORS: Charlie Adlard (Pencils), Stefano Gaudiano (Inks), Cliff Rathburn (Gray Tones)

THE SCENE: Thousands of zombies plod toward Alexandria.

WHY IT’S AWESOME: The Walking Dead isn’t doin’ much for me these days. They’re shaking up the status quo by introducing a new community and a bunch of new characters. But for yours truly, it’s hard to avoid a sense of “been there, done that.”

This week I got to thinking about the last time the series really wowed me. The above two-page spread from The Walking Dead #162 jumped out almost immediately.

Whether you call them zombies, walkers, roamers, or something else entirely, after all these years it can be pretty easy to take these things for granted. By this point in the series it’s been so long since the outbreak that the characters have, by and large, learned to cope with the presence of the undead in their day-to-day lives. We’ve seen them stabbed, shot, and maimed in so many different ways. At times they almost become an afterthought.

From a story perspective, an easy way to deal with that is to just throw in lots of them. Naturally, The Walking Dead has done this a bunch of times. A big group is usually called a horde. But that word doesn’t quite cut it here, does it? Rick actually sums it up the best…

One of the elements that makes this image so amazing is its depth. It just goes on…and on…and on. We start out with our typical level of gory and shadowy detail in the foreground. Then as we move further into the shot, you can literally count the heads. Until you can’t. It just becomes a blur of decaying flesh and bone.

What seals the deal and really makes this image horrifying is our looker on the left. The backs of a bunch of people’s heads aren’t scary at all. Especially if the threat is moving away from you. But that one straggler is looking out at the reader. He’s looking at you. He sees you. His eyes, dead as they may be, make you a part of the scene. They allow you to feel a piece of that abject terror our heroes do. With one raspy grunt and a turn, he can start a domino effect that can bring that entire ocean of the dead crashing down on you. Note that there’s one walker on the right hand side whose eye we can see just slightly. There’s your second domino.

Ironically, even in an ocean of the dead, it’s still the little things that scare us the most.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

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Epic Covers: Saga #53 by Fiona Staples

By Rob Siebert
Fanboy Wonder

ARTIST: Fiona Staples

THE ISSUE: The Will confronts Prince Robot IV to avenge the Stalk’s murder.

WHY IT’S EPIC: I went back and forth on whether I liked Saga #53 for this spotlight. Not because it isn’t gorgeous, of course. Fiona Staples has done no shortage of spectacular art for Saga. But unless you’re following the book on a monthly basis, read this cover doesn’t necessarily draw your curiosity. You might not even be sure what exactly you’re seeing.

But if you’re a Saga fan, this cover is truly awesome. It’s the Saga equivalent of that classic Western shot of a gunslinger reaching for his holster. The shine on the gauntlet draws the eye right to the splatter on the knuckles, which is oddly similar to the cape in terms of color. I also dig the way the cape drapes over the gauntlet. Ah, the things you can do with a cape…

If you’re a Saga reader and you haven’t picked up this issue yet, be warned. The last page is a gut-wrencher.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Epic Covers: TMNT #83 by Dave Watcher

By Rob Siebert
Fanboy Wonder

ARTIST: Dave Watcher

THE ISSUE: In their quest to defeat the Rat King, the Turtles find themselves in Siberia. Once there, they face his brother, the gigantic Manmoth.

WHY IT’S EPIC: Dave Watcher has had the cover duties on Teenage Mutant Ninja Turtles for the last few months, and he’s been absolutely killing it. His depictions of the TMNT-style human/animal hybrid characters are striking. The texture that Watcher gives to these creatures makes them feel very familiar, despite their otherworldly nature. For another such instance, check out the cover to TMNT #82, where he gets to draw the Toad Baron.

But TMNT #83 is definitely a highlight of Watcher’s work on the series. What’s interesting about this one is that despite Manmoth leering over our heroes, much of his body is still shrouded in shadow. He’s not in the shadows, per se. We can clearly see the snow on top of him. But the lighting has that effect because he’s almost in a hunched position. I also love that you have to look closely at the cover to see those menacing eyes. The Turtles look great too, of course.

On my first read-through, Manmoth felt very familiar. Not in that I’d seen him before, but because a mutant mammoth seemed like such an obvious course for the TMNT universe, I was convinced Kevin Eastman and Peter Laird had created him at some point.

As it turned out, the character originated over at Archie Comics. First in 1991’s TMNT Meet Archie #1, and later in the pages of TMNT Adventures.¬†To their credit, the crew at IDW really is drawing inspiration from all corners of TMNT history. They made a silly one-off character from the ’90s into something pretty damn cool.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Micro-Reviews: Justice League, Batman, The Man of Steel

By Rob Siebert
Editor, Fanboy Wonder

Not a good week for publisher diversity at the Siebert house. Four from DC and one from BOOM! Studios. To be fair, funds were tight this week. Otherwise this list would have been at least twice as long. But minuscule as it looks compared to previous weeks, this is what’s in my stack.

Justice League #1
Notwithstanding my prior gripes with Scott Snyder’s stuff, I enjoyed Justice League #1. As he almost always does, Snyder goes big. That’s how it should be with the League. They’re going with the classic Justice League vs. Legion of Doom story, which is always a good draw.

I wasn’t a huge fan of Metal, but one thing I did enjoy was Snyder’s world-building. He continues that here. The way he uses the Hall of Justice and the Source Wall are fun. But I’m partial to the Psychic Conference Room myself.

Batman: Prelude to the Wedding – Nightwing vs. Hush #1
I was expecting a very personal, street-level fight from this one. We got that. But there was a cosmic element that I didn’t expect. Some interesting stuff. I just didn’t expect to see it here.

Also, there’s an exchange between Bruce and Dick in this issue that rubs me the wrong way. Dick tells Bruce that when he broke off on his own, he didn’t mean to distance himself personally. I call BS on that. The friction there was part of Dick’s development as a character.

This may sound odd, but I didn’t realize it was Batman and Catwoman that were getting married as opposed to Bruce Wayne and Selina Kyle. From a secret identity standpoint, not having Bruce marry Selina makes sense. She’s a publicly known criminal. But then what’s the point? How is it even a wedding? Are Batman and Catwoman getting a marriage license? Is the state going to recognize them as married? How does that work?

Batman #48
Is it possible to make the Joker too Jokey? Or maybe to quippy? Tom King pushes it in that respect with Batman #48. The whole issue is basically a big, nonsensical talking scene. You can get away with that to an extent, because it’s the Joker. But it got to be grating. On the plus side, Mikel Janin’s art is great as always. The visual of someone as evil as the Joker in a church is disturbingly awesome. Or awesomely disturbing.

The Man of Steel #2
I’m worried that Bendis’ use of “Bendis Banter” will wear on me as his run progresses. But for now it’s charming. Superman and Green Lantern have a refreshing exchange in this issue that feels like a genuine conversation between friends. On the flip side, we see Perry White confide in Clark about the pressures of surviving in the journalism industry. As a former journalist, that’s really interesting to see.

The pencilling in this issue is split between Evan “Doc” Shaner and Steve Rude, with two pages also done by Jason Fabok. It’s all great. But Rude steals the issue as far as I’m concerned.

Go Go Power Rangers #10
The Megazord we see on the cover is called the Gravezord. It’s made from the remnants of destroyed zords, specifically the Thunderzords. Kind of like Typhonis in MMPR: Pink. Dan Mora’s awesome art aside, I can’t decide how I feel about it.

For yours truly, the highlight of this issue is Jason having to ask Zordon to do something very personal for him, and Zordon having to tell him why he can’t. Well done, Ryan Parrott.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Astonishing Art: Classic Justice League by Mike Mahle

***In “Astonishing Art,” we spotlight a particular work or series of works from a specific artist or creative team. The only requirement? That the work be simply and purely astonishing!***

By Rob Siebert
Editor, Fanboy Wonder

Mrs. Primary Ignition and I stumbled across Mike Mahle’s table at C2E2 this year, and were immediately struck by what we saw. Specifically, posters featuring his digital renderings of DC Comics superheroes in their unabashedly colorful glory. These pieces celebrate the iconic looks of characters like Superman, Batman, and Wonder Woman, with a delightfully retro (and often retro-futuristic) flair.

We purchased a print of Mahle’s take on Superman, as I found myself hopelessly drawn to it. In an era where so many want to darken the character, or make him a moody brooder, Mahle casts the Man of Steel in the idealistic light he was meant to be shown in. This is the true face of Superman.

Mahle actually sells a collected book of these DC posters, which is the size of a standard comic book. It’s got his tributes to most of the big DC names, as well as some of the lesser known characters. Booster Gold, Power Girl, Captain Atom, etc.

Particularly popular at the convention was Mahle’s take on Batman: The Movie, with Adam West and Burt Ward (shown left). Like so many, my first exposure to the character came from the 1966 show. So this one hit me right in the feels. Especially now that Adam West is gone.

Mahle’s art isn’t limited to retro DC stuff, of course. In his portfolio, you’ll find more modern takes on comic book heroes, including Marvel’s cast of characters. You can also find his take on posters for both classic and current films. Mahle has also crowdfunded his own book, Empire City, an art and design collection scheduled for release later this year.

Mike Mahle’s work can be found at MikeMahle.com. I’d also recommend checking out his Instagram and DeviantArt for his latest stuff.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Panels of Awesomeness: Her Infernal Descent #1

By Rob Siebert
Fanboy Wonder

CREATORS: Lonnie Nadler and Zac Thompson (Authors), Kyle Charles (Artist), Dee Cunniffe (Colorist), Ryan Ferrier (Letterer)

THE SCENE: A middle-aged woman continues to mourn the loss of her family before quite literally taking a journey into hell.

WHY THEY’RE AWESOME: In storytelling of any nature, much is made of the narrative “hook,” i.e. what the author uses in the opening moments of the story to draw their audience into the story.

Her Infernal Descent¬†is a modern re-telling of Dante’s Inferno. Desperately longing to see her dead family again, our main character Lynn is approached by the spirit of William Blake. Despite the risk, she descends into hell with him and begins her journey through its nine circles.

But before any of that happens, we spend a handful of pages with Lynn at home (shown at right). They’re absolutely heartbreaking. It’s all so excruciatingly realistic. Look at some of the backgrounds. The kitchen is an absolute wreck. There are dirty dishes in the sink as she eats a casserole out of the dish. All the boxes from packing up. The cluttered on the floor. The empty wine glasses. Dee Cunniffe’s colors are so beautifully muted. Even when Lynn sees the sun, there’s a bleakness to it. Note the details Kyle Charles gives us with her body language. Look at Lynn’s face. Look at her posture. The unkempt hair.

But what pushed these three pages over the edge for me was the script. I’m not sure how Lonnie Nadler and Zac Thompson broke down the writing duties. But these lines punch you right in the gut because they’re so relatable. The ones that really got me were the ones about the silence in the house:

“…the first thing I noticed was the quiet. I thought I could handle it. But I can’t. I wake up and there’s nothing. I’ve hardly said a darn word to anyone since. When I was with them, they drove me up a wall. Now I’d do anything to feel that again.”

I mean, holy crap…

From there we go into a two-page spread. It’s Lynn climbing up into the attic. There are so many memories up there, and she’s flooded with them. I wont’ show it to you here, because I want you to see the issue for yourself.

Her Infernal Descent #1 is published by AfterShock, and hit comic shops April 18. It’s also available on Comixology. The next issue is solicited for release on May 23.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Astonishing Art: Catwoman by Patrick Zircher

By Rob Siebert
Fanboy Wonder

Patrick Zircher posted this little gem on his Twitter account yesterday. Catwoman won the Trinity artist’s latest “Should I draw:” poll. Specifically, the version from Batman: The Animated Series. He made sure to get Selina’s cat Isis in there as well.

I’ve always been a sucker for this costume, which was of course designed by Bruce Timm. Not just because of its association with the show, either. It’s sleek and simple. It doesn’t scream for attention, because your eyes are drawn to it anyway. It’s like Selina Kyle in that sense.

Catwoman has donned plenty of outfits in her near 80-year career. But you can make a pretty strong case for this being the best one of all.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.