Tag Archives: comic art

Epic Covers: Saga #53 by Fiona Staples

By Rob Siebert
Fanboy Wonder

ARTIST: Fiona Staples

THE ISSUE: The Will confronts Prince Robot IV to avenge the Stalk’s murder.

WHY IT’S EPIC: I went back and forth on whether I liked Saga #53 for this spotlight. Not because it isn’t gorgeous, of course. Fiona Staples has done no shortage of spectacular art for Saga. But unless you’re following the book on a monthly basis, read this cover doesn’t necessarily draw your curiosity. You might not even be sure what exactly you’re seeing.

But if you’re a Saga fan, this cover is truly awesome. It’s the Saga equivalent of that classic Western shot of a gunslinger reaching for his holster. The shine on the gauntlet draws the eye right to the splatter on the knuckles, which is oddly similar to the cape in terms of color. I also dig the way the cape drapes over the gauntlet. Ah, the things you can do with a cape…

If you’re a Saga reader and you haven’t picked up this issue yet, be warned. The last page is a gut-wrencher.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

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Epic Covers: Doomsday Clock #5

By Rob Siebert
Fanboy Wonder

ARTISTS: Gary Frank, Brad Anderson

THE ISSUE: As Watchmen characters continue to make an impact in the DC Universe, the Joker enters the picture.

WHY IT’S EPIC: So I have this thing that I call the “Alex Ross Theory of the Joker.” I pulled it from a passage in Mythology: The Art of Alex Ross. It’s his take on the Joker’s appearance, and what that famous chemical bath actually did to him physically. It goes like this…

“In my mind it wouldn’t have given him green hair and red lips – the chemical bath would only have turned his skin white. He adds the rest himself to complete the picture. There’s a panel at the end of Batman #1 in which the Joker is stabbed and we see that his chest is white. I never forgot that – The realization that his whole body was white. Eerie.”

You don’t see this idea represented much in the canonical DC Universe. That’s because DC relies so heavily on The Killing Joke, in which the Joker emerges from the chemicals with the green hair and red lips. But the Ross idea makes sense, all things considered. It lines up nicely with the theatricality that’s built in to the Joker character.

That’s why it’s so cool to see Gary Frank and Brad Anderson go that route with this variant for Doomsday Clock #5. Frank doesn’t get to draw Joker very often. But when he does, it’s a treat. Look at the wild insanity we see in those eyes. We see him inside the issue as well. But this right here is the coup de grace.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Astonishing Art: TMNT by Royden Lepp

By Rob Siebert
Fanboy Wonder

I’m usually turned off when artists get too cute with the Ninja Turtles. I like my TMNT a little darker and grittier. That’s more or less how they were originally conceived, after all. But of course, there are exceptions that make the rule.

As it turns out, Royden Lepp is one such exception. I’m a big fan of Lepp’s Rust books. So perhaps it’s no coincidence that this digital rendering of the TMNT features a little bit of the sepia tone Lepp uses in Rust.

The Turtles are all wearing their red bandanas here (again, as they were originally conceived). Thus, it’s harder to tell who is who. I’m sure Lepp knows for sure. But my theory is from left to right it’s Donnie, Mike, Leo, and Raph. I can just picture them running alongside Jet Jones, a trail of fire and smoke in their wake.

Rust: Soul in the Machine, the final installment in the Rust series, is out now.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.

Astonishing Art: Classic Justice League by Mike Mahle

***In “Astonishing Art,” we spotlight a particular work or series of works from a specific artist or creative team. The only requirement? That the work be simply and purely astonishing!***

By Rob Siebert
Editor, Fanboy Wonder

Mrs. Primary Ignition and I stumbled across Mike Mahle’s table at C2E2 this year, and were immediately struck by what we saw. Specifically, posters featuring his digital renderings of DC Comics superheroes in their unabashedly colorful glory. These pieces celebrate the iconic looks of characters like Superman, Batman, and Wonder Woman, with a delightfully retro (and often retro-futuristic) flair.

We purchased a print of Mahle’s take on Superman, as I found myself hopelessly drawn to it. In an era where so many want to darken the character, or make him a moody brooder, Mahle casts the Man of Steel in the idealistic light he was meant to be shown in. This is the true face of Superman.

Mahle actually sells a collected book of these DC posters, which is the size of a standard comic book. It’s got his tributes to most of the big DC names, as well as some of the lesser known characters. Booster Gold, Power Girl, Captain Atom, etc.

Particularly popular at the convention was Mahle’s take on Batman: The Movie, with Adam West and Burt Ward (shown left). Like so many, my first exposure to the character came from the 1966 show. So this one hit me right in the feels. Especially now that Adam West is gone.

Mahle’s art isn’t limited to retro DC stuff, of course. In his portfolio, you’ll find more modern takes on comic book heroes, including Marvel’s cast of characters. You can also find his take on posters for both classic and current films. Mahle has also crowdfunded his own book, Empire City, an art and design collection scheduled for release later this year.

Mike Mahle’s work can be found at MikeMahle.com. I’d also recommend checking out his Instagram and DeviantArt for his latest stuff.

Email Rob at PrimaryIgnition@yahoo.com, or follow Primary Ignition on Twitter.